Pilgrimage (1933)

Director
John Ford

Main cast
Henrietta Crosman; Heather Angel; Norman Foster; Lucille La Verne; Maurice Murphy

Genres
Drama

Description
The story of an Arkansas farm woman and her son. When the son expresses his desire to marry a girl who comes from a family that the mother thinks is trash, she enrolls him in the army.


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When his son dies while hiking the famed Camino de Santiago pilgrimage route in the Pyrenees, Tom flies to France to claim the remains. Looking for insights into his estranged child’s life, he decides to complete the 500-mile mountain trek to Spain. Tom soon joins up with other travelers and realizes they’re all searching for something.
Our hero Zatoichi sails to one of the distant islands to begin a pilgrimage to a total of 88 Shinto shrines.
Reda, summoned to accompany his father on a pilgrimage to Mecca, complies reluctantly - as he preparing for his baccalaureat and, even more important, has a secret love relationship. The trip across Europe in a broken-down car is also the departure of his father: upon arrival in Mecca, both Reda and his father are not the characters they were at the start of the movie. Avoiding the hackneyed theme of the return to the homeland, the film uses the departure to renew a connection between two generation.
In order to escape her isolation, wheelchair-bound Christine makes a life changing journey to Lourdes, the iconic site of pilgrimage in the Pyrenees Mountains.
Abu and Aisumma are an aging Muslim couple. Their aspiration is to go for Hajj and they make many sacrifices to achieve this aim. Now in their late 70s, they decide that they will go for Hajj that year. Abu, being a true Muslim, wants to go for Hajj only according to all diktats of Islam. Good-natured people try to help him by loaning the amount, but since this is against the accepted practices of the religion, he refuses to take them. Finally, they are not able to go. On the dawn of the Hajj, Abu tells his wife that they will go the next year. He goes to the mosque to pray on the Hajj morning.
M (Yossawat Sittiwong), a young man who wishes to have a better life, has decided to go to India for a pilgrimage at the four main Holy sites of Buddha: Lumbini where he was born; Sarnath where he delivered his first teaching, Bodh Gaya where he was enlightened, and Kusinara where he attained nirvana. But to reach his goal he must take another journey in his mind to face the origin of suffering.
Mussaddi Lal (Pankaj Kapoor), a retired school teacher goes on a pilgrimage for three months after his wife's death. When he returns, he finds his pension has been stopped and the pension office has declared him dead. What follows is his endless struggle against the petty corruption in the government office where the infamous gang of five -- Manoj Pahwa, Sanjay Mishra, Deven Bhojani, Hemant Pandey and Asawari Joshi -- are determined to fleece him till the very end.
Traces the pilgrimage of John Anderson, an average guy with a passion for jazz, from his home in outback Western Australia to the jazz clubs of Paris...
Internationally acclaimed ventriloquist Nina Conti, takes the bereaved puppets of her mentor and erstwhile lover Ken Campbell on a pilgrimage to 'Venthaven' the resting place for puppets of dead ventriloquists. She gets to know her latex and wooden travelling partners along the way, and with them deconstructs herself and her lost love in this ventriloquial docu-mocumentary requiem. Ken Campbell was a hugely respected maverick of the British Theatre, an eccentric genius who would snort out forgotten artforms. Nina was his prodigy in ventriloquism and has been said to have reinvented the artform. This film is truly unique in genre and style. No one has seen ventriloquism like this before.
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Nazarín is the priest who leaves his order and decides to go on a pilgrimage. As he goes along subsisting on alms, he shelters a prostitute wanted by the police for murder. He is released from suspicion and she eventually catches up with him when she escapes imprisonment. Another woman joins the duo and soon the ex-priest is learning more about the human heart and suffering than when he wore robes.
The film compiles three stories, each named for part of the main title. The first, "Fe" (faith), is the story of a woman who travels to a distant town seeking a miracle to save her husband from disease. On the journey she is raped by fellow pilgrims; returning home she finds that the miracle has taken place and her husband is well. She vows to make the pilgrimage again the next year. The second story, "Esperanza" (Hope), concerns a man who consents to be nailed to a cross as part of "JesusChrist" freak show, hoping to help his mother. Unfortunately he is unable to afford the silver nails that would have helped him avoid infection. The final story, "Caridad" (Charity), stars Katy Jurado as a humble woman facing a lack of charity from those in authority. She comes into conflict with her son over a childish fight, and her husband is killed.
Iringannoor Bharathan Pisharody, professor at the Sanskrit University, a very knowledgeable man with a keen interest in the Vedas, astrology and Kathakali, author of several critical works and winner of numerous awards, is the central character of Vadakkum Nathan. Meera (Padmapriya) is his student and murapennu. Both families have agreed to their wedding and a date has been fixed. But when the auspicious day dawns and the bride arrives at the mandapam the groom has disappeared. Years pass. No one knows Bharathan's whereabouts.Then one day his mother and younger brother on a pilgrimage to the holy shrines of Haridwar, Kedarnath, Rishikesh and Rudraprayag, meet Bharathan on the foothills of the Himalayas. From there unfolds the touching story of Vadakkum Nathan.
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The first of what Luis Buñuel later proclaimed a trilogy (along with The Discreet Charm of the Bourgeoisie and The Phantom of Liberty) about “the search for truth,” The Milky Way (La voie lactee) daringly deconstructs contemporary and traditional views on Catholicism with ribald, rambunctious surreality. Two French beggars, present-day pilgrims en route to Spain’s holy city of Santiago de Compostela, serve as Buñuel’s narrators for an anticlerical history of heresy, told with absurdity and filled with images that rank among Buñuel’s most memorable (stigmatic children, crucified nuns) and hilarious (Jesus considering a good shave). A diabolically entertaining look at the mysteries of fanaticism, The Milky Way remains a hotly debated work from cinema’s greatest skeptic.
Three people arrive in a village in Southern England in the early years of World War 2. Alison Smith is a London girl who is due to start working on a farm as a 'Land Girl'. Peter Gibbs is an Englishman conscripted into the army, taking a few days leave before going abroad. Bob Johnson is a U.S. Army sergeant who wanted to go to Canterbury, but got off here by mistake. As they walk into the village, Alison is attacked by 'The Glue Man', a prankster who pours glue in women's hair. The three of them start to explore the area to discover and expose 'The Glue Man' but then get engrossed in the history of the area and the tales of The Pilgrim's Way. The local magistrate, Thomas Colpeper, JP is a local historian and a very mysterious character who leads them further into the mystery.
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Earl Pilcher Jr., runs an equipment rental outfit in Arkansas, lives with his wife and kids and parents, and rarely takes off his gimme cap. His mother dies, leaving a letter explaining he's not her natural son, but the son of a Black woman who died in childbirth; plus, he has a half brother Ray, in Chicago, she wants him to visit. Earl makes the trip, initially receiving a cold welcome from Ray and Ray's son, Virgil. His birth mother's sister, Aunt T., an aged and blind matriarch, takes Earl in tow and insists that the family open up to him.
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