The Prizefighter and the Lady (1933)
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A chorus girl (Marion Davies) and a heavyweight boxer (Clark Gable) are paired romantically as a publicity stunt.
John J. is a seasoned hit man sent on a job to Argentina. When the General he's sent to kill delays his return to the country, John passes the time with Manuela, a beautiful dancer who becomes his teacher and guide into Argentina's sensual world of the tango.
Terry Malloy dreams about being a prize fighter, while tending his pigeons and running errands at the docks for Johnny Friendly, the corrupt boss of the dockers union. Terry witnesses a murder by two of Johnny's thugs, and later meets the dead man's sister and feels responsible for his death. She introduces him to Father Barry, who tries to force him to provide information for the courts that will smash the dock racketeers.
"Bags" the boxer (funnyman Tim Conway) and his manager, Shake (Don Knotts), are quite a pair: One is a dim bulb, and the other has a mean streak. Times are tough and they must save their gym, so they line up some moneymaking fights. But when Bags and Shake discover that the bouts have been rigged, they end up with their backs to the wall and must fight back -- literally.
Prizefighter Jimmy Nolan, facing an opportunity to get a championship fight, is knocked out when he sustains what is apparently a permanent injury to his arm. From there, Nolan's path leads downhill. He is drawn into a romance with a nightclub entertainer, then is framed on a theft charge by a jealous suitor. After his prison term, Nolan makes a spectacular comeback in a fight which proves his courage and integrity, while disproving the fallacy about the old sports adage that "they never come back."
Clyde Williams and Billy Foster are a couple of blue-collar workers in Atlanta who have promised to raise funds for their fraternal order, the Brothers and Sisters of Shaka. However, their method for raising the money involves travelling to New Orleans and rigging a boxing match.
The Jeffersonâs honeymoon night in Hong Kong will be troubled by a number of people wishing to get hold of a Bouddha statuette that the husband offered her when window-shopping that day. When the going gets rough, it helps that Cal Jefferson is a top American boxer.
Beloved priest Father Thomasino is murdered in a San Francisco alley, and the police have few clues. But traffic cop Joe Martini becomes obsessed with finding the killer; he suspects Sylvio Malatesta. Ordered off the case, Joe turns in his badge and investigates alone. Soon he is a close friend of the Malatesta family, all delightful people, especially lovely cousin Anna. Uncertain whether Sylvio is guilty or innocent, Joe is now torn between old and new loyalties.
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Accidentally discovering the operations of the Blood Ninja gangsters, a mischievous young man masters the skills of the Drunk Fist and proceeds to fight against them. But the gangsters join forces, vowing to kill him before the young master destroys them all.
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A washed-up Mexican-American prize fighter is just starting to get back on his feet when his daughter is kidnapped while investigating a political splinter group in Mexico. The police and the State Department are little help, so he must take justice into his own hands and rescue her from the clutches of a bizarre racist cult.
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The film begins in 1917 with Stan (Stan Laurel) and Ollie (Oliver Hardy) being drafted into the U.S. Army to fight in World War I. While in the Army, the pair befriend a man named Eddie Smith, who is kidnapped and killed by the enemy during a battle. After the War is over, Stan and Ollie venture to New York City, where they begin a quest to reunite Eddie's baby daughter (Jacquie Lyn) with her rightful family. The task proves both monumental and problematic as the boys discover just how many people in New York have the last name "Smith".
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Summers develops a quasi-autobiographical fictional frame for an inquiry into a gallery of Spanish celebrities who have decayed into something worse than total abandonment. The film visits a popular singer, a champion prize fighter who has been committed to an asylum, and an ancient matador returning to the ring among many others to probe the anomie that comes with fame as a privilege at its apex and a curse at its bitter end. This film treads somewhere between what could have been a legitimate "essay film" and a commercial "where are they now" featurette. The treasure hunt for the "campeón maldito" or "estrella maldita" (cursed champ or star) seems to be a fixture of Spanish popular culture today (as of course it is in a coarser way today in Anglo-American culture). In any event, this is an interesting instance of this.
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A prepubescent chess prodigy refuses to harden himself in order to become a champion like the famous but unlikable Bobby Fischer.
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