Make-Up (1937)
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An emotionally and sexually charged journey through the love, addiction, and friendship of two men. Documentary filmmaker Erik and closeted lawyer Paul meet through a casual encounter, but they find a deeper connection and become a couple. Individually and together, they are risk takersâcompulsive, and fueled by drugs and sex. In an almost decade-long relationship defined by highs, lows, and dysfunctional patterns, Erik struggles to negotiate his own boundaries and dignity and to be true to himself.
Director F.W. Murnau (John Malkovich) makes a Faustian pact with a vampire (Willem Dafoe) to get him to star in his 1922 film "Nosferatu."
'I hate luv storys' is the maxim Jay lives by. But as an assistant director to Veer, the most famous romantic filmmaker of Indian Film Industry, Jay has little option but to live with larger than life, glossy, cinematic love on an everyday basis. Things only get worse when he is made to work under the new production designer on the film⦠Simran, with whom he shares the strangest first encounter! Simran loves luv storys; So much so that even her life has begun to resemble one. With her ideal job and the perfect boyfriend, Raj, she lives a blissful, dreamy life; One that is rudely interrupted by Jay's cynicism. The turmoil's of Jay and Simran's life, is ironically interweaved with the Luv Story that they are working onâ¦
Willard Young is a 10-year-old boy who is sent by his mother to stay with her best friend Lily Reed, who lives in the Delta shrimp-fishing country in a town called Paradise. Lily and her husband Ben have been living in an unmentioned emotional vacuum since the death of their own three year old boy. Willie makes friends with the local 9-year-old tomboy Billie Pike, who teaches him to be comfortable with himself. When Willard gains a handle on his own emotions, he can now help Lily and Ben to connect, overcome grief and rediscover themselves.
12-year-old Dre Parker could have been the most popular kid in Detroit, but his mother's latest career move has landed him in China. Dre immediately falls for his classmate Mei Ying but the cultural differences make such a friendship impossible. Even worse, Dre's feelings make him an enemy of the class bully, Cheng. With no friends in a strange land, Dre has nowhere to turn but maintenance man Mr. Han, who is a kung fu master. As Han teaches Dre that kung fu is not about punches and parries, but maturity and calm, Dre realizes that facing down the bullies will be the fight of his life.
A love triangle revolving around the lives of a filmmaker, a thief and their mutual love interest.
A quirk in time and space gives a failed filmmaker the chance to reshape his destiny when he visits his peculiar alma mater.
The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.
Me and Orson Welles is a period-drama film directed by Richard Linklater and starring Zac Efron, Christian McKay and Claire Danes. Based on Robert Kaplow's novel of the same name, the story, set in 1937 New York, tells of a teenager hired to star in Orson Welles' production of Julius Caesar, where he becomes attracted to a career-driven production assistant.
A true story of politics and art in the 1930s USA, centered around a leftist musical drama and attempts to stop its production.
Kika, a young cosmetologist, is called to the mansion of Nicolas, an American writer to make-up the corpse of his stepson, Ramon. Ramon, who is not dead, is revived by Kika's attentions and she then moves in with him. They might live happily ever after but first they have to cope with Kika's affair with Nicolas, the suspicious death of Ramon's mother and the intrusive gaze of tabloid-TV star and Ramon's ex-psychologist Andrea Scarface.
Oh-sung, a doctor at a hospice facility, is emotionally scarred by the experience of losing his parents as a child. One night he meets Young-ju, a make-up artist who has been diagnosed with terminal stomach cancer. Despite having very little time together, the two start to develop feelings for each other.
Moa is in her early 20s, works at a factory and lives by herself in a cottage in the forest. She is a vegan and follows her friends and demonstrations, mostly to fit in. But at home, by herself, she listens to pop music and use make-up.
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In 1980 young George O'Dowd baffles his parents with his love of frocks and make-up and moves into a squat with kindred spirit Peter, who dresses as Marilyn Monroe and calls himself Marilyn. They make a splash at Steve Strange's trendy Blitz Club where George gets a job in the cloakroom but George is unlucky in his relationships with men until he meets wannabe musician Kirk. Through Kirk George meets the handsome drummer Jon Moss, on whom he develops a crush, but sacked by the Blitz and spurned by Kirk, George turns to Sex Pistols' manager Malcolm McLaren to further his music career. George's spell with McLaren's group Bow Wow Wow is short but fan Mikey North is impressed and asks George to sing in a group he is forming, where George again meets Jon. They will have an affair and the group will become the very successful Culture Club. Four years later, however, hounded by the tabloid press amid stories of his drug addiction, an unhappy George turns to Jon for advice on his future.
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Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.
Sylvia Barrett is a rookie teacher at New York's inner-city Calvin Coolidge High: her lit classes are overcrowded, a window is broken, there's no chalk, books arrive late. The administration is concerned mainly with forms and rules (there's an up and and a down staircase); bells ring at the wrong time. Nevertheless, she tries. How she handles the chaos and her despair in her first semester makes up the film: a promising student drops out, another sleeps through class, a girl with a crush on a male teacher gets suicidal, and a bright but troublesome student misunderstands Sylvia's reaching out. A discussion of Dickens, parents' night, and a mock trial highlight the term. Can she make it?
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A man keeps his girlfriend tied up in his small apartment and tortures her. She is undressed, subjected to various types of bondage, whipped, and tortured with a razor blade. He also brushes her hair, applies make-up on her, and breaks down and cries in the fetal position. In the end the girl gets free and has her revenge
Everyone deserves a chance to follow their dreams, but some people only get one shot. Tyler Gage is a rebel from the wrong side of Baltimore¹s tracks and the only thing that stands between him and an unfulfilled life are his dreams of one day making it out of there. Nora is a privileged ballet dancer attending Baltimore¹s ultra-elite Maryland School of the Arts
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Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.
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Stanley is about to get a sex change operation that will finally allow him to actually be what heâs already been in his mind for a long time: a woman. Yet before this happens she suddenly runs into her son who ends up coming for the trip across the United States.
An ensemble cast telling 10 stories with intertwining characters. One story is about a father and son who are dating the same woman . Another features a woman who long ago gave her baby up for adoption but is now being blackmailed by a documentary filmmaker who claims to know the now-grown child's whereabouts.
The employees of an independent music store learn about each other as they try anything to stop the store being absorbed by a large chain.
Rich Bower is an up-and-coming star in the hip-hop world. Everyone wants to be around him, including Raven and her fellow upper-class white high school friends. The growing appeal of black culture among white teens fascinates documentary filmmaker Sam Donager, who sets out to chronicle it with her husband, Terry. But before Bower was a rapper, he was a gangster, and his criminal past comes back to haunt him and all those around him.
Natalie (Elisabeth Harnois) is high school royalty, but her queen bee status falls apart when she falls for the new guy at school. Although Keith (Jesse McCartney) ignores her at first, they soon become friends -- even though Natalie suspects that Keith has something to hide. As the free-spirited Keith shows Natalie how to embrace what life offers, they grow closer -- until a secret tests the bounds of their relationship
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Lovelife is a 1997 romantic comedy film written and directed by Jon Harmon Feldman. The ensemble cast includes Matt Letscher, Sherilyn Fenn, Saffron Burrows, Carla Gugino, Bruce Davison, Jon Tenney and Peter Krause. Lovelife was nominated for a Feature Film Award at the 1997 Austin Film Festival, and won an Audience Award at the Los Angeles Independent Film Festival. The film was winner of the screenplay award at the L.A. Indie fest.
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Circus owner Matt Masters is beset by disasters as he attempts a European tour of his circus. At the same time, he is caught in an emotional bind between his adopted daughter and her mother.
The killer doll is back! The all-new film is the fifth in the popular series of Chucky ("Child's Play") horror comedies. Making his directorial debut is the franchise creator and writer of all five films, Don Mancini. The film introduces Glen (voiced by "The Lord of the Rings" star Billy Boyd), the orphan doll offspring of the irrepressible devilish-doll-come-to-life Chucky (again voiced by series
To ensure a full profitable season, circus manager Brad Braden engages The Great Sebastian, though this moves his girlfriend Holly from her hard-won center trapeze spot. Holly and Sebastian begin a dangerous one-upmanship duel in the ring, while he pursues her on the ground.
Shadows is an improvisation inspired film about interracial relations during the Beat Generation years in New York City, and was written and directed by John Cassavetes. The film stars Ben Carruthers, Lelia Goldoni, Hugh Hurd, and Anthony Ray. Many film scholars consider Shadows one of the highlights of independent film in the U.S. In 1960 the film won the Critics Award at the Venice Film Festival.
Filipino-American high school student Ben (Dante Mercado) works in a comic book shop to earn money to pay his way into Cal Arts. His father, a postman, is determined that his son--who has won a pre-med scholarship to UCLA--will become a doctor. The eighteenth birthday party of Ben's sister, Rose, sets off a comedic and touching series of events and family struggles that will in turn determine young Ben's future. This fresh independent production from Gene Cajayon presents a lighthearted and warm coming-of-age tale filtered through the eyes of an American subculture rarely seen on film.
Charlie, a wandering tramp, becomes a circus handyman and falls in love with the circus owner's daughter. Unaware of Charlie's affection, the girl falls in love with a handsome young performer. Charlie's versatility makes him star of the show when he substitutes for an ailing tightwire walker. He is discharged from the company when he protects the girl from her father's abuse, but he returns and appeals to the handsome performer to marry the girl. After the wedding the father prevails upon them to rejoin the circus. Charlie is hired again, but he stays behind when the caravan moves on.
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Umay is a young woman of Turkish descent, fighting for an independent and self-determined life in Germany against the resistance of her family. Her struggle initiates a dynamic, which results in a life-threatening situation.
Elia Kazan's 1953 film stars Fredric March as the owner of an impoverished circus in Communist-ruled Czechoslovokia who plots to flee across the border to freedom, taking his entire troupe of performers and wild animals with him. The cast also includes Gloria Grahame, Terry Moore, Cameron Mitchell, Richard Boone and Adolphe Menjou.
A drama about the Algerian struggle for independence from France after WWII.
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