The Chess Player (1938)
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Mouna Rudo was born and raised among the Seediq people, an indigenous tribe in Taiwan, and as he grew to be a man he became a member of the Seediq Bale, a courageous band of native warriors. However, Rudo's way of life is threatened under the yoke of occupying forces from Japan, who took over the nation in 1895. As Rudo sees the traditions and honor of his people stripped away, he realizes the time has come to fight back, and in 1930 he brings together a group of former Seediq Bale soldiers, many of whom have been reduced to infighting, and molds them into a revolutionary army. Rudo and his comrades make their stand when they confront Japanese occupation troops at a youth athletic event, leading to a violent confrontation between the Seediq forces and their oppressors. Warriors of the Rainbow: Seediq Bale - Part 2: The Rainbow Bridge is Part two of the two-part, four-hour Taiwanese edition of the film Warriors of the Rainbow.
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From IMDB.com: Set in the late 1920s, The Luzhin Defence tells the story of a shambling, unworldly chess Grand Master who arrives in the Italian Lakes to play the match of his life and unexpectedly finds the love of his life. Discovering his prodigious talent in boyhood overshadowed by his parents' failing marriage, Luzhin's lyrical passion for chess has become his refuge and rendered the real world a phantom. Already matched up by her family to the very suitable Comte de Stassard, when Natalia meets Luzhin, she is drawn to the erratic genius and offers him a glimpse outside of his chess obsession. But it is a world he is not equipped to deal with and his two worlds collide to tragic effect.
Shatranj Ke Khiladi (Hindi: शतरà¤à¤ à¤à¥ à¤à¤¿à¤²à¤¾à¤¡à¤¼à¥; The Chess Players) is a 1977 Indian film by Bengali director Satyajit Ray, based on Munshi Premchand's short story of the same name. The film is set in 1856 and shows the life and customs of 19th century India on the eve of the Indian rebellion of 1857. The focus is on events surrounding the British annexation of the Indian State of Awadh (also spelt Oudh), the politics of colonial expansion by the British East India Company and the deluded divisions of Indian monarchs.
American chess champion Bobby Fischer prepares for a legendary match-up against Russian Boris Spassky.
5150 ELM'S WAY is located at the end of a quiet street in a small town. When Yannick fell off his bike, he knocked at the door of the Beaulieu residence so he could clean the blood off his hands. But Jack Beaulieu and his family had other plans for Ian. Beaulieu is a righteous psychopath and fanatic chess player who wants to rid the world of evil. And even though Ian has done nothing wrong, he is beaten, tortured and tormented before Beaulieu makes him an offer: win at chess and he is free to go. And so Ian is now a pawn in Beaulieu 's game. A game in which he will either lose his mind or his life.
A prepubescent chess prodigy refuses to harden himself in order to become a champion like the famous but unlikable Bobby Fischer.
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Zatoichi makes friends with a dangerous chess player, while fending off angry yakuza and bloodthirsty relatives out for revenge, and trying to save a sick child. Meanwhile, his luck with dice is turning.
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Michael is a 12-year-old drug pusher who lives in a crowded house with his cousins and aunt. His father has become a street bum,but still meets with Fresh on occasion to play chess. Fresh is rather quiet in a crazy world. Fresh's sister is a junkie who sleeps with the dealers that Fresh sells for. As the story progresses Fresh realizes that he doesn't want to sell drugs anymore - he wants revenge.
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Arun (Amol Palekar) is a shy accountant in Bombay who dreams of romancing Prabha (Vidya Sinha), but never gets past following her around without managing to actually speak up. While Arun twiddles his thumbs, suave Nagesh (Asrani) steps into the picture and turns on the heat, prompting Arun to take "love coaching" from "romance specialist" Julius Nagendranath (Ashok Kumar) to win Prabha back. One of the funniest Hindi films of the 70s - is a nostalgic favourite for its quirky take on pre-hypercongestion Bombay. The film established Amol Palekar as having an uncommon comic talent for playing mousy characters, a role he would repeat several times in his career.
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