Streets of New York (1939)
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Jon Bon Jovi plays Jamey Meadows, a man newly released from prison who has found himself homeless on the crazy streets of New York City. Slowly, he must try to build his life up from the gutter. Resisting constant offers from his brother, played by William Forsythe (Dick Tracy, The Rock, Deuce Bigalow: Male Gigalo) to rejoin the insidious world of crime, Meadows takes a menial job as a door to door census worker. Among his many encounters throughout this job, he meets a young Chinese immigrant who is just as unhappy in her life as he is in his. These two slowly hit it off and a relationship gradually begins to develop between them. Can Jamey Meadows learn to live in this new life, or will the temptations of his old ways drag him back to where he started?
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Kate and her brutish boyfriend Big Al sell handguns on the streets of New York. She's smart, stylish, and self-confident, but all that leaves her when Al, in a jealous and self-indulgent rage, beats her. Three friends encourage her recovery: Vic, a woman who would like to be Kate's lover; Reilly, who runs with Al but also is attracted to Kate and repulsed by Al's violence; and, Liz, the counselor assigned to Kate from a battered-women's program. Vic and Reilly talk about killing Al, Liz gives pep talks; Kate remains frightened. Will Al's menace and Kate's dependency hold sway?
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Prominent gang leader Cyrus calls a meeting of New York's gangs to set aside their turf wars and take over the city. At the meeting, a rival leader kills Cyrus, but a Coney Island gang called the Warriors is wrongly blamed for Cyrus' death. Before you know it, the cops and every gangbanger in town is hot on the Warriors' trail.
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J.R. is a typical Italian-American on the streets of New York. When he gets involved with a local girl, he decides to get married and settle down, but when he learns that she was once raped, he cannot handle it. More explicitly linked with Catholic guilt that Scorsese's later work, we see what happens to J.R. when his religious guilt catches up with him.
As a parting shot, fired reporter Ann Mitchell prints a fake letter from unemployed "John Doe," who threatens suicide in protest of social ills. The paper is forced to rehire Ann and hires John Willoughby to impersonate "Doe." Ann and her bosses cynically milk the story for all it's worth, until the made-up "John Doe" philosophy starts a whole political movement.
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