This musical is based on four short stories by Damon Runyon. In one tale, gambler Feet Samuels sells his body to science just as he realizes that Hortense loves him and that he would rather live than die. In another story, Harriet's parrot is killed, and she has problems dealing with her loss. Then, there is a gambler, "Right", who has bloodhounds on his trail when he becomes a murder suspect. Finally, "The Brain" is bleeding profusely, and his friends search for a way to save his life through a blood transfusion.
Paul and Eddie have just begun previews for the new Off-Broadway musical "Adam and Steve Just the Way God Made 'Em." Their lives strangely mirror the characters they are playing. Paul is looking for the perfect man and Eddie is dealing with how his sexuality and faith can mix
Janie lives to dance and will dance anywhere, even stripping in a burlesque house. Tod Newton, the rich playboy, discovers her there and helps her get a job in a real Broadway musical being directed by Patch. Tod thinks he can get what he wants from Janie, Patch thinks Janie is using her charms rather than talent to get to the top, and Janie thinks Patch is the greatest. Steve, the stage manager, has the Three Stooges helping him manage all the show girls. Fred Astaire and Nelson Eddy make appearances as famous Broadway personalities.
Rusty Parker, a red-headed leggy dancer at Danny McGuire's Night Club in Brooklyn, wants to be a successful Broadway star. She enters a contest to be a 'Cover Girl' as a stepping-stone in her career. She reminds the publisher, John Coudair, of his lost love, showgirl Maribelle Hicks. He was engaged to Maribelle, although his wealthy society mother made fun of her. Maribelle left John at the altar when she saw the piano at her wedding. It reminded her of the piano-player she truly loved. Rusty is Maribelle's granddaughter and there are musical sequences with Maribelle dancing to songs from the beginning of the 20th century.
Pretty Melinda Howard has been abroad singing with a musical troupe. She decides to return home to surprise her mother whom she thinks is a successful Broadway star with a mansion in Manhattan. She doesn't know that her mother is actually a burnt-out cabaret singer with a love for whiskey. When she arrives at the mansion, she is taken in by the two servants who are friends of her mother's The house actually belongs to Adolph Hubbell, a kind-hearted Broadway producer who also gets drawn into the charade. Hubbell takes a shine to Melinda and agrees to star her in his next show. Melinda also finds romance with a handsome hoofer who's also in the show. All is going well for Melinda except that she wants to see her mother who keeps putting off their reunion.
Harriet and Queenie Mahoney, a vaudeville act, come to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. Eddie was in love with Harriet, but when he meets Queenie, he falls in love to her, but she is courted by Jock Warriner, a member of the New Yorker high society. It takes a while till Queenie recognizes, that she is for Jock nothing more than a toy, and it also takes a while till Harriet recognizes, that Eddie is in love with Queenie
Lovely, gifted Irene Foster hopes that her childhood sweetheart-turned Broadway producer Robert Gordon will recognize her--and her talent. Gordon is too busy sparring with a dirt-dishing gossip columnist to notice, but his wisecracking, heart-of-gold secretary certainly does. She and Irene must use their wits to show him what he's missing!
Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. Sally purchases a horse, she used to train when her parents had a farm before the depression and with to ex-vaudevillians, Sonny Ledford and Peter Trott she trains it to win a race, providing the money Steve needs for his show.
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brent as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Based on Puccini's opera La bohème, Rent tells the story of a group of impoverished young artists struggling to survive and create in New York City in the 1990s. This is a live recording of Rent's final performance after more than 12 years and 5000 shows.
It's five years later and Tony Manero's Saturday Night Fever is still burning. Now he's strutting toward his biggest challenger yet - making it as a dancer on the Broadway stage.
The 1920's and 30's career of singer Helen Morgan is followed from her early days singing outdoors in a carnival, through her speak-easy and chorus-girl days, to her stardom on Broadway in Ziegfeld's "Show Boat". Her involvement with Larry Maddux, a gin-runner and con-man, and Russell Wade, a prominent, married New York lawyer, and her decline thanks to these failed romances and alcohol are punctuated by performances of many of the songs she made famous.
Set in 1920's New York City, this movie tells the story of idealistic young playwright David Shayne. Producer Julian Marx finally finds funding for the project from gangster Nick Valenti. The catch is that Nick's girl friend Olive Neal gets the part of a psychiatrist, and Olive is a bimbo who could never pass for a psychiatrist as well as being a dreadful actress. Agreeing to this first compromise is the first step to Broadway's complete seduction of David, who neglects longtime girl friend Ellen. Meanwhile David puts up with Warner Purcell, the leading man who is a compulsive eater, Helen Sinclair, the grand dame who wants her part jazzed up, and Cheech, Olive's interfering hitman / bodyguard. Eventually, the playwright must decide whether art or life is more important.
After putting together another Broadway flop, down-on-his-luck producer Max Bialystock teams up with timid accountant Leo Bloom in a get-rich-quick scheme to put on the world's worst show.
An out-of-work singer, Victoria Grant (Julie Andrews), meets a just-fired, flamboyant gay man in a diner in 1920's Paris. He convinces her to pretend to be a man who is a female impersonator in order to get a job. The act is a hit in a local nightclub, but things get complicated when a gangster and nightclub owner from Chicago, King Marchan (Michael Nouri) falls in-love with "her." Flimed live on stage on Broadway, 1995
Mickey Moran, son of two vaudeville veterans, decide to put up his own vaudeville show with his girlfriend Patsy Barton. But child actress Rosalie wants to make a comeback and replace Patsy both professionally and as Mickey's girl.
A musical comedy based on several Damon Runyon short stories. When a bookie on the run, Robert 'Numbers' Foster, falls for a pretty country songbird, Emily Ann Stackerlee , he'll do anything to help her make it big -- including a stint in jail to pay for his crimes. But will the tough guy's sacrifice of the heart pay off when it comes to his girlfriend's singing career?
Mavis (Liza Minnelli) was a chorus line dancer on Broadway. Just as she was on the verge of getting more prominent roles, she fell in love. Her full-of-himself boyfriend moved them to Buffalo, far from the theater scene. As a musician, he plays with a band in the local clubs, often with the very talented Mavis singing at his elbow. But, they are just two bit players, mostly because of his total lack of ambition. On the side, Mavis runs a dance studio for ordinary folks. In her classes, among others, are a lovely nurse, a librarian, a lady with an overbearing husband, a lady with an unemployed son, a bossy middle aged housewife (Julie Walters) and a lone, divorced, very shy male. The studio pianist is a strong-willed senior (Shelley Winters). One day, a woman who operates a more prominent dance school in Buffalo invites Mavis and her class to perform a number in a charity dance recital.
Two Broadway showgirls, who are also sisters, are sick and tired of New York as well as not getting nowhere. Quitting Broadway, the sisters decided to travel to Paris to become famous.
In New York, a surly, down-on-his-heels playwright meets a country girl who's giving up trying to act and returning home. He goes with her for inspiration when his agent convinces a stage star to take his next effort. When he returns to Broadway, his girl stays behind and starts seeing a local businessman.
Mary Hale (a singer) and Jimmy Seymour (pianist/composer), are a show biz couple working in The Big Apple in small night clubs hoping to hit it big. One night, Larry Bryant (a Broadway producer) spots Mary and is taken with her beauty and golden voice. Larry Bryant asks her to audition for Mr. Collier and have Jimmy accompany her. After hearing Mary, Collier wants Mary to be in his show. Jimmy encourages a reluctant Mary to go on the road without him. Soon Mary's talent is noticed and her role in the show increases, while Harriet Ingalls the show's original star is pushed out. Ingalls quits promising to seek revenge. After 5 weeks on the road, Mary returns home. Mary is now a big star, while Jimmy's career has gone nowhere, and he feels threatened by Mary's success.
A broadway playwright is burning the candle at both ends. He is dealing with pressure from a production nearing premiere, a wife who is leaving him, and 5 children 4 of which belong to her.
Oscar Jaffe is a successful Broadway director; Lily Garland, one of his stars. But when she leaves his direction, his success goes with her. When he recognizes her aboard the Twentieth Century Limited, the train that both of them are riding, he tries to get her back for a new show. But accomplishing that feat isn't as simple as he had thought.
When the temperamental star of a new Broadway musical revue in rehearsals walks out, director and choreographer Ted Sturgis suggests casting an unknown for the role. When it is announced in the newspapers, throngs of hopefuls show up. The revue's musical composer, Leo Belney, champions ballerina Joanna Moss, while gofer Bob Dowdy is enchanted by novice Suzy Doolittle. Then producer Felix Jordan persuades Ted's former dance partner, Madelyn Corlan, to come out of retirement to try out, much to Ted's great discomfort.
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
Ted Howard, a vaudevillian left, stranded in a tank town. A local girl, Mary (Sally O'Neil), proposes to finance a new act with her savings and the team succeeds in a minor way until Ted is discovered by Broadway femme fatale Valeska (Carmel Myers). Not wishing to stand in her partner's way, Mary nobly resigns from the act and instead accepts a minor role in the show. She proves a sensation on opening night, however, and a jealous Valeska demands her ousted. But Ted, who is in love with Mary, reorganizes their old act and they begin a new life together as man and wife.
Corky St. Clair is a director, actor and dancer in Blaine, Missouri. When it comes time to celebrate Blaine's 150th anniversary, Corky resolves to bring down the house in Broadway style in this hilarious mockumentary from the people who brought you "This is Spinal Tap!"
Team America World Police follows an international police force dedicated to maintaining global stability. Learning that dictator Kim Jong il is out to destroy the world, the team recruits Broadway star Gary Johnston to go undercover. With the help of Team America, Gary manages to uncover the plan to destroy the world. Will Team America be able to save it in time? It stars⦠Samuel L Jackson, Tim Robbins, Sean Penn, Michael Moore, Helen Hunt, Matt Damon, Susan Sarandon, George Clooney, Danny Glover, Ethan Hawke, Alec Baldwin⦠or does it?
Ginger Rogers steals the show as a selfish, snide Broadway superstar in Nunnally Johnson's Black Widow, preening, snooping, gossiping, and bestowing air kisses in equal abundance. Rogers is Carlotta Marin, a grande dame of the thea-tah, married, it would seem happily, to Brian Mullen (Reginald Gardiner). Yet at the heart of Black Widow is something grim, the death of a young, ambitious writer named Nancy (Peggy Ann Garner), who gloms onto a theater producer (Van Hefflin), who's in love with his wife, Iris (Gene Tierney, heartbreakingly lovely). Nancy's death appears to be self-inflicted, and yet as each piece of evidence--a weird suicide note, a threatening letter received in the mail--piles up, things begin to point to murder.
When the Muppets graduate from Danhurst College, they take their song-filled senior revue to New York City, only to learn that it isn't easy to find a producer who's willing to back a show starring a frog and a pig. Of course, Kermit the Frog and Miss Piggy won't take no for an answer, launching a search for someone to take them to Broadway.
Jenny Stewart is a tough Broadway musical star who doesn't take criticism from anyone. Yet there is one individual, Tye Graham, a blind pianist who may be able to break through her tough exterior.
Lora Meredith (Lana Turner), a white single mother who dreams of being on Broadway, has a chance encounter with Annie Johnson (Juanita Moore), a black widow. Annie becomes the caretaker of Lora's daughter, Suzie (Sandra Dee), while Lora pursues her stage career. Both women deal with the difficulties of motherhood: Lora's thirst for fame threatens her relationship with Suzie, while Annie's light-skinned daughter, Sarah Jane (Susan Kohner), struggles with her African-American identity.
Broadway showgirl Evelyn Nesbit (Joan Collins) is the object of affection of two men: playboy architect Stanford White (Ray Milland) and wealthy but unstable Harry Thaw (Farley Granger). She marries Thaw, but Whiteâs continued pursuit puts him in the path of Thawâs volatile temper. Inspired by true events that occurred at the turn of the 20th century. Originally intended to star Marilyn Monroe.
Elmer, a humble worker in a dry cleaning establishment, idolizes stage actress Trilby Drew. She, in turn, is carrying a torch for fellow actor Lionel Benmore. When he spurns her for the younger Ethyl Norcrosse, she impulsively asks Elmer to marry her, only to regret it almost immediately. Her handlers extricate her from the marriage, and when Elmer finds himself first in the hands of criminals and then at sea, he is more than happy for the opportunity to forget her. But a series of coincidences throw Elmer and Trilby back together again and she will have cause to re-evaluate her opinion of him.
Fast-talking Latino con artist Pestario "Pest" Vargas is the target of Scottish mobsters to whom he owes a considerable debt. Willing to do anything to raise money and avoid severe injury or death, Vargas agrees to a very unusual job -- he will be transported to a remote island and hunted by Gustav Shank, a racist German executive. If he can survive a full day and night, Vargas gets $50,000 and will be set free. Is he wily enough to elude Shank?
Tycoon J.L. Higgins controls his whole family, but one of his sons- in-law, Dan Brooks and his daughter Alice are fed up with that. Brooks quits his job as manager of J.L.'s paper box factory and devotes his life to his racing horse Broadway Bill, but his bank- roll is thin and the luck is against him, he is arrested because of $150 he owes somebody for horse food, but suddenly a planed fraud by somebody else seems to offer him a chance...
Broadway producer Max Bialystock and his accountant Leo Bloom plan to make money by charming little old ladies to invest in a production many times over what it will actually cost, and then put on a sure-fire flop, so nobody will ask for their money back - and what can be a more certain flop than a tasteless musical celebrating Hitler� The film distributors were also afraid that the audience would react negatively, so the film had a sneak premiere in Pittsburgh in November 1967 and its official premiere in New York in March 1968, but it didn't go on general release in the US until November 1968. It wasn't released outside the US until its UK premiere in October 1969, followed by Sweden in May 1970, and Italy, Denmark and France in 1971. They didn't dare show in Germany until 1976. Today its regarded a comedy classic.
A fading actor best known for his portrayal of a popular superhero attempts to mount a comeback by appearing in a Broadway play. As opening night approaches, his attempts to become more altruistic, rebuild his career, and reconnect with friends and family prove more difficult than expected.
A hapless talent manager named Danny Rose, by helping a client, gets dragged into a love triangle involving the mob. His story is told in flashback, an anecdote shared amongst a group of comedians over lunch at New York's Carnegie Deli. Rose's one-man talent agency represents countless incompetent entertainers, including a one-legged tap dancer, and one slightly talented one: washed-up lounge singer Lou Canova (Nick Apollo Forte), whose career is on the rebound.
Pat and Molly Malloy, once famed vaudeville and Broadway performers, arrive to play the small town of Hamilton, Conn. with a troupe of dancers, singers, a trained dog and an educated seal. Harry Clark, the clerk at the rundown Swanzey Hotel, insults Pat and the latter uses the $4000, that he and Molly have been saving for years to buy a retirement farm, to buy the hotel so he can fire Harry. Local skinflint, J.A. Higgins wants the hotel as he knows the state has intentions to buy it for a museum, but Pat won't sell.
On his deathbed Carmine Vespucci's father tells him to "get Proclo". With "the hit" on, Gaetano tells a cab driver to take him where Carmine can't find him. He arrives at the Ritz, a gay bathhouse where he is pursued amorously by "chubby chaser" Paul B. Price and by entertainer Googie Gomez who believes him to be a broadway producer. His guides through the Ritz are gatekeeper Abe, habitue Chris, and bellhop/go-go-boys Tiger and Duff. Squeaky-voiced detective Michael Brick and his employer Carmine do locate Gateano at the Ritz, as does his wife Vivian. Written by Ed Stephan
Ralph Norton, man-about-town and wealthy favorite in Broadway society circles, is attracted to Helen Tremaine, but her flirtatious behavior causes him to reject the superficial life of his set.
After an absence of three years, Mae West returned to the screen in the musical comedy The Heat's On. La West is cast as Fay Lawrence, a famous Broadway actress who is loved intensely by her producer Tony Ferris (William Gaxton). Rival producer Forrest Stanton (Alan Dinehart) steals Fay away from Ferris by convincing her that she's been blacklisted from Broadway by blue-nosed moralist Hannah Bainbridge (Almira Sessions). Meanwhile, Hannah's puckish brother Hubert (Victor Moore) syphons money from his sister's "clean up show business" committee to produce a musical show for his actress niece Janey (Mary Roche). Somehow, all these characters converge for a spectacular closing production number spotlighting the formidable Fay. Part of the reason for the failure of The Heat's On is the fact that Mae West didn't write her own dialogue, as was usually her custom. The film performed so poorly that it would be 27 years before West would again appear on the Big Screen.
When the Great Northeast Blackout of 1965 hit, millions of people were left in the dark, including Waldo Zane, a New York executive in the process of stealing a fortune from his company, and two people whose paths he's destined to cross, Broadway actress Margaret Garrison and her husband, Peter.
Two-part story--the first is about a washed-up Broadway actor and his tough daughter, who is a bigger star than he is; the second is about a literary agent whose newest client--a nine-year-old boy--is the author of a borderline pornographic book.
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