The Postman Always Rings Twice (1946)
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The feature-film debut of famed director Louis Malle is an interesting, modern film noir with the classic theme of lovers plotting to kill the husband and make it look like suicide (reminiscent of The Postman Always Rings Twice). Jeanne Moreau gives an astonishing performance, perverse but naive as she leads her young lover down a path that can only lead to doom for both of them.
Based on Jay Dratler's novel The Pitfall, André de Toth's gripping film is a classic L.A. noir in the tradition of Detour, and shows the spiraling, epic consequences resulting from one fateful decision.
A police detective falls for the bank robber's girlfriend he is supposed to be tailing.
Bart Tare is an ex-Army man who has a lifelong fixation with guns, he meets a kindred spirit in sharpshooter Annie Starr and goes to work at a carnival. After upsetting the carnival owner who lusts after Starr, they both get fired. Soon, on Starr's behest, they embark on a crime spree for cash. Subjects of a manhunt, they are tracked by police in the hills Tare enjoyed as a boy.
Recently paroled from prison, legendary burglar "Doc" Riedenschneider, with funding from Alonzo Emmerich, a crooked lawyer, gathers a small group of veteran criminals together in the Midwest for a big jewel heist.
Private Detective Philip Marlowe is hired by a rich family. Before the complex case is over, he's seen murder, blackmail, and what might be love.
Ex con turned private investigator Bradford Galt (Mark Stevens) suspects someone is following him and maybe even trying to kill him. With the assistance of his spunky secretary, Lucille Ball, he dives deep into a mystery in search of answers.
While doing a friend a favor and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery.
An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.
A young man gets in over his head when he convinces a small-town girl he's a secret agent.
Hit man, Raven, is double crossed by nightclub owner Willard Gates who acts as a middleman for a traitorous industrialist, the president of Nitro Chemical, Alvin Brewster. Travelling to Los Angeles to kill his his betrayers, Raven meets up with Ellen Graham a nightclub magician and singer who has just landed a job with Gates. Ellen's fiancée, policeman Lt. Michael Crane is on the trail of Raven.
A police detective falls in love with the woman whose murder he's investigating.
For the past four years, San Francisco cop Jack Cates has been after an unidentified drug kingpin who calls himself the "Ice Man". Jack finds a picture that proves that the Ice Man has put a price on the head of Reggie Hammond, who is scheduled to be released from prison on the next day.
Frederick Manion, an Army lieutenant, is arrested for the murder of bartender Barney Quill. In his defense, he claims that Quill raped and beat up his wife Laura. Although Laura supports her husband's story, the police surgeon cannot find evidence of rape. Manion is defended by Paul Biegler, a humble small-town lawyer. During the course of interviews, Biegler discovers that Manion is violently possessive and jealous, and that his wife has a reputation for giving her favors to other men. Biegler realizes that the prosecution will try to make the court believe that Laura was the lover of the bartender and that Manion killed him and beat her up when he discovered them together. Manion pleads "not guilty" and Biegler, who knows that his case is weak, sets his assistants to try to find a witness who will save Manion.
In the midst of a searing Florida heat wave, a woman convinces her lover, a small-town lawyer, to murder her rich husband.
A Japanese Yakuza gangsters deadly existence in his homeland gets him exiled to Los Angeles, California where he is taken in by his little brother and his brothers gang. This is the first English film by Takeshi Kitano.
This unusual and worthwhile black-and-white film noir was one of the first movies to deal with issues of anti-Semitism.
Bogey's on the lam and Bacall's at his side in Dark Passage, Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry who, framed for murder, escapes San Quentin and soon emerges from plastic surgery with a new face. Bacall is Irene Jansen, Vincent's lone ally. In a supporting role, Agnes Moorehead portrays Madge, a venomous harpy who finds pleasure in the unhappiness of others. The chemistry of the leads is undeniable, and they augment it here with exceptional tenderness. Exceptional too are the atmospheric San Francisco locations and the imaginative camera work that shows Vincent's point of view - but not his face - until the bandages are removed. Lest Irene get ideas, the post-surgery Vincent tells her: "Don't change yours. I like it just as it is."
Bud Corliss (Wagner) is an ambitious student who is wooing Dorothy Kingship (Woodward) purely for her father's mining fortune. When he discovers that Dorothy is pregnant with his child, he realizes she is quite likely to be disinherited by her wealthy family. He assures Dorothy that he'll take care of her, yet he hesitates when Dorothy insists on marrying. Bud then murders Dorothy and stages it in a way that it appears to be a suicide. He then reaches out to her sister Ellen (Leith) with the hopes of marrying her in order to ingratiate himself with her father. After a couple of months Ellen finds evidence to question the suicide verdict, and then discovers Bud knew Dorothy. Ellen struggles to avenge her sister and save her own life.
Fact and fiction are combined in this story about Jack Ruby and a stripper, Candy Cane, and how they become involved in a conspiracy to kill J.F.K.
James Cagney directs this remake of the film noir classic This Gun for Hire.
The Naked City portrays the police investigation that follows the murder of a young model. A veteran cop is placed in charge of the case and he sets about, with the help of other beat cops and detectives, finding the girl's killer.
The Killing was Stanley Kubricks first film with a professional cast and the first time he achieved public recognition as the unconventional director hes now known for. The story is of ex-prisoners who plan to set up a racetrack so they can live a life without monetary worries. One of the more exceptional films of the 1950s.
A tough cop meets his match when he has to guard a gangster's moll on a tense train ride.
A down-on-his-luck ex-GI finds himself framed for an armored car robbery. When he's finally released for lack of evidence--after having been beaten up and tortured by the police--he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops.
After Faye and her psychotic boyfriend, Vince, successfully rob a mob courier, Faye decides to abscond with the loot. She heads to Reno, where she hires feckless private investigator Jack Andrews to help fake her death. He pulls the scheme off and sets up Faye with a new identity, only to have her skip out on him without paying. Jack follows her to Vegas and learns he's not the only one after her. Vince has discovered that she's still alive.
In the late 1940's, Martha Beck and Raymond Fernandez were America's notorious "Lonely Hearts Killers". Their lethal scam was simple; they would swindle and then viciously murder lovelorn war widows who would answer their personal ads in which Ray would describe himself as a sexy Latin Lover. Based on a true story.
Tough NYC police detective Dixon misses out on a promotion because of his record of roughing up suspects. When accidentally kills a suspect in a murder case he plants clues to absolve himself. But when the father of a woman he recently fell in love is accused of the crime his plan looks like back firing.
Centring on the activities of a gang of assorted criminals and, in particular, their leader a vicious young hoodlum known as "Pinkie" the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.
Anne Baxter stars as Norah Larkin, a single woman whose heart is broken after receiving a "Dear John" letter. After a night of drinking she passes out in the apartment of womaniser Harry Prebble (Raymond Burr), awaking to find herself accused of his murder.
After her cheating husband leaves her, Mildred Pierce proves she can become independent and successful, but can't win the approval of her spoiled daughter.
Two carefree young travellers make the mistake of their lives when they pick up a mysterious, and slightly psychotic, hitch-hiker who never closes his right eye -- even when he sleeps!
A former street tough returns to his Philadelphia home after a stint in the military. Back on his home turf, he once again finds himself tangling with the mob boss who was instrumental in his going off to be a soldier.
Stark, perverse story of murder, kidnapping, and police corruption in Mexican border town.
A falsely convicted man's wife, Catherine (Vincent), and an alcoholic composer and pianist, Martin (Duryea) team up in an attempt to clear her husband of the murder of a blonde singer, who is Martin's wife. Their investigation leads them to confrontations with a determined policeman (Crawford) and a shifty nightclub owner (Lorre), whom Catherine and Martin suspect may be the real killer.
Rocky Mulloy, back in town after serving 5 years of a life sentence for armed robbery, hopes to clear his friend Danny Morgan who's still in prison for the same crime. It won't be easy. Even the witness who cleared Rocky thinks he's guilty; Danny's glamorous wife Nancy, living in a sleazy trailer court, seems lukewarm about getting Danny back; cynical cop Gus Cobb just wants to stir things up in hopes that the missing "hot" $100,000 will surface. Plenty of tough talk, night scenes, deceptive dames and double crosses in this typical film noir.
A composer who can't control his creative temperament turns to murder.
The story of a petty criminal and his girlfriend who try to escape their gang after a double cross of the thieves.
Young auto mechanic Dan Brady takes $20 from a cash register at work to go on a date with blonde femme fatale Vera Novak. Brady intends to put the money back before it is missed, but the garage's bookkeeper shows up earlier than scheduled. As Brady scrambles to cover evidence of his petty theft, he fast finds himself drawn into an ever worsening "quicksand" of crime.
The Horatio Alger parable gets the film noir treatment with the redoubtable Edmund OBrien as a whip-smart telephone technician who moves up the ladder of a Syndicate gambling empire in Southern California until distracted by an inconveniently married Joanne Dru and his own greed. Ripped from the headlines of the 1950 Kevaufer Organized Crime Hearings, this fast-moving picture is laden with location sequences shot in Los Angeles, the Hoover Dam and Palm Springs including the famous Doll House watering hole on North Palm Canyon Drive!
Behind the locked doors of a mental institution resides crooked politico Judge Drake (Herbert Heyes), free from prosecution so long as he pretends to be crazy. To get the goods on Drake, private detective Ross Stewart has himself committed to the asylum as a patient. Meanwhile, reporter Kathy Lawrence (Lucille Bremer), posing as Stewart's wife, acts as his liaison to the outside world.
A beauty contest turns into a hostage situation, when the Miss Galaxy competition is taken over by a gang, demanding a ransom of diamonds. Sharon, a kick-boxing actress, is the host of the show, and the thorn in the terrorists side.
Belfast police conduct a door-to-door manhunt for an IRA gunman (James Mason) wounded in a daring robbery.
Lawyer Joe Morse wants to consolidate all the small-time numbers racket operators into one big powerful operation. But his elder brother Leo is one of these small-time operators who wants to stay that way, preferring not to deal with the gangsters who dominate the big-time.
A crook on the run hides out in an innocent girl's apartment.
The Bride unwaveringly continues on her "roaring rampage of revenge" against the band of assassins who had tried to kill her and her unborn child. The woman visits each of her former associates one by one, checking off the victims on her Death List Five until there's nothing left to do
but kill Bill.
1952 black and white Cold War spy film, entirely without dialog
FBI agent Thomas Mackelway is transferred to Albuquerque, N.M., after he mishandles the arrest of a serial killer. There he is called to investigate the gruesome murder of a salesman, who turns out to be a serial killer himself. After two more killings, Thomas and his partner conclude that Benjamin O'Ryan, a former FBI agent with psychic abilities, is responsible for the deaths.
An innocent trucker takes it on the lam when he's accused of robbery.
In a world with no guns, a mysterious drifter, a bartender and a young samurai plot revenge against a ruthless leader and his army of thugs, headed by nine diverse and deadly assassins.
Jack is a solitary man with a mysterious past. His strange habits will soon become stranger when his past catches up with him.
A young man, Jason, is on his way home and meets two beautiful women, Hope and Alexis. He falls for Hope, but has sex with Alexis. He doesn't know that Alexis' husband has hired a private detective to trail her, and the man reports back to Alexis' husband about her affair with Jason. The husband kills Alexis but the police suspect Jason. He and Hope have to clear his name and find enough evidence to prove the husband is the killer.
In the aftermath of his girlfriend's mysterious death, a young man awakens to strange horns sprouting from his temples.
After a car wreck on the winding Mulholland Drive renders a woman amnesic, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
The Machinist is the story of Trevor Reznik, a lathe-operator who is dying of insomnia. In a machine shop, occupational hazards are bad enough under normal circumstances; yet for Trevor the risks are compounded by fatigue. Trevor has lost the ability to sleep. This is no ordinary insomnia...
From Wikipedia, the free encyclopedia. T-Men is a semidocumentary style 1947 film noir shot in black-and-white. The film was directed by Anthony Mann with cinematography by noted noir cameraman John Alton. The B-movie is featured in Visions Of Light: The Art Of Cinematography (1992) documentary for the drama's use of lighting. Description above from the Wikipedia article T-Men, licensed under CC-BY-SA, full list of contributors on Wikipedia.
A film noir drama in which a sophisticated con man, who has just stolen from the mob, is forced to impersonate a psychiatrist who looks just like him, going so far as to cut himself on the cheek to duplicate a similar scar on the doctor. When he takes matters even further, karma arrives, forcing him to pay the debts of his double.
A woman tries to straighten out her life, even as her past as a con-woman comes back to haunt her.
Nightclub manager Darnell Wright is a perpetual playboy who is almost as devoted to his job as he is to the pursuit of beautiful women. After he sets his sights on the ultra-classy Brandi Web, he launches an all-out assault to win her heart. Ultimately, charm, lust and passion prevail, but Darnell learns the hard way that when you play, you pay. Brandi is much harder to get rid of than she was to get--especially when she realizes that she has a rival vying for Darnell's affection. When he finally decides to call it quits, Brandi becomes an obsessed femme fatale stalking the new love of her life.
A spoiled and alcoholic millionaire, Robert Ryan, breaks his leg falling off of a horse, and is left to die in the desert by his cheating wife, Rhonda Fleming, and her lover, William Lundigan.
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