Bob and Sally (1948)
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Sex Madness (1938) is an exploitation film directed by Dwain Esper, along the lines of Reefer Madness, supposedly to warn teenagers and young adults of the dangers of venereal diseases, specifically syphilis. Wild parties, lesbianism, and premarital sex are some of the forms of madness portrayed. The educational aspect of the film allowed it to portray a taboo subject which was otherwise forbidden by the Production Code of 1930, and its stricter version imposed by Hollywood studios in July 1934.
Four teenagers at a British private school secretly uncover and explore the depths of a sealed underground hole created decades ago as a possible bomb shelter.
Oliver Fellows, a failed city banker, is pursuing fulfillment on an old farm in Southern Portugal. He and his neighbor, Manel, face unprincipled enemies in a highly amusing quest to save their valley from exploitation.
After housewife Ellen is raped by the janitor she kills him and hits the road. She travels to the Big City where she is repeatedly used and abused. And when she finally finds a safe place to live her landlady's son turns out to be a detective, which threatens her newly found identity and peace of mind.
Tribute to Naples, where director De Sica spent his first years, this is a collection of 6 Napolitean episodes : a clown exploited by a gangster ; an inconstant pizza seller (Sofia) loosing her husband's ring ; the funeral of a dead child ; the gambler Count Prospero B. defeated by a kid ; the unexpected and unusual wedding of Teresa, a prostitute ; the "professor" Ersilio Micci, a "wisdom seller".
A story of two teenagers trapped in the world of illegal underground boxing. One is fighting to save his fathers life and using the money pay off gambling debts accumulated by his father. The second is fighting for the money to get out of the ghettos. While being exploited by a boxing promoter the two teens become friends. An explosive ending puts the two friends in the ring against each other.
One of the earliest exploitation films from South Africa, directed and produced by independant film maker Pierre D. Botha. This is a classic example of a ârestless youthâ film. The action takes place in Johannesburg (The Godless city of the title) and focuses on the youth sub culture of the âDucktailsâ (âa white youth gang subculture which emerged within post Second World War South Africa. Rebellious, hedonistic, apolitical and showing little respect for the law, education or workâ).
A group of men and women travel to a Carribean resort to discover themselves sexually but unfortunately one of them has also discovered that they like to murder people too.
Ilsa, now a vicious warden, runs a mental-hospital for young women.
Linda Blair plays Carol, a young woman who must serve 18 months in prison after drink driving and killing a man. The prison turns out to be brimming with decadence, corruption and sleaze, where the other female inmates are sadistic crack-selling lesbian rapists and the guards and warden are no better.
After the mob hits a guy with a list, one of the hoods keeps the list for himself to blackmail the people on it. When the mobsters find out he's a double-crosser, they off him, which angers his busty girlfriend. She goes after them using the only two weapons she has.
Jennie is a twelve-year-old girl living with her parents in extremely rural mountain country. Her schoolteacher, Miss Carol, though a mountain girl herself, has gone off to be educated and returned in hopes of stopping the tradition of child marriage which permeates the culture. Jennie's father Ira is a good man who tries to protect Miss Carol from the men who threaten her if she doesn't call off her crusade. One of these men, Jake Bolby, has his eye on little Jennie and plots to make her his bride.
A no-budget tribute to 60s exploitation queen Doris Wishman and filmed in sordid black and white and searing colour, "Lesbo-A-Go-Go" follows the once-innocent Sugar on a wild psycho-sexual downhill spiral into degradation, drug addiction, delirium and ultimately damnation.
Grier and Haig are thieving mercenaries who engineer a prison break from the outside.
A tough gang of teenage girls are looking for love and fighting for turf on the mean streets of the city! Bad girls to the core, these impossibly outrageous high school hoodlums go where they want ... and create mayhem wherever they go!
An alcoholic doctor on a Polynesian island, disgusted by white exploitation of the natives, finds himself marooned on a pristinely beautiful island.
Black and white unite and are confronted with hatred in two color-line-busting classics from the classic years of exploitation.
A serious Swiss melodrama/documentary about abortion, marketed as a sexy exploitation movie in the US. The film contains real medical footage.
Savage Wolf Pack pulls no punches from the opening sequence and plays with the conventions of the revenge action genre. Yasuhara Hasebe, director of the Stray Cat Rock series, delivers another fine exploitation film. Tetsuya Watari (of Tokyo Drifter fame) delivers a magnificent performance as a professional big game hunter whose younger sister committed suicide after being brutally raped by a biker gang. (via http://www.tasteofcinema.com/2014/20-great-asian-movies-you-probably-havent-seen/3/)
A socio-realist drama-comedy ï¬lm, it follows a seemingly usual day in the life of LOIDA MALABANAN (Vilma Santos) as she embarks on yet another shooting day of a soap opera as an extra. As the shoot goes on, we get a glimpse of the truth in the ruling system of the production as well as the exploitation of the marginalized laborers like her.
Grim and gory, this trashy drama chronicles the exploits of a sexually frustrated psycho killer who terrorizes a backwoods Carolina community and butchers the girl friend of a country western singer after she refuses to service.
Follows the exploits of a beautiful woman who dances with snakes.
The revealing story of the shocking exploits of those who fulfill the most bizarre fantasies.
The exploits of three young Roman criminals are chronicled in this socially conscious drama. The young men commit petty crimes all day begin with arms theft, and culminating with a night with three streetwalkers. After their pleasure, the boys try to cheat the hookers, but they ladies are smarter than that and have stolen their cash ahead of time. The punks then return to the city for more crimes. Exploits include the harassment of three homosexuals, and attempts to seduce some women.
Roger is a 16-year-old who seeks to lose his virginity in this softcore erotic drama. His initial efforts are unsuccessful, but World War I breaks out and men are seen marching off to battle. Roger goes overboard when he is presented with several amorous opportunities.
A town cursed with barren women and famine is saved by a miracle birth to an old, ugly woman: the Mother. Immediately afterwards, the old woman's Daughter (Ormond) claims to have delivered the baby herself in a virgin birth. She imprisons the Mother and begins to exploit the Baby by selling blessings to the desperate townspeople of Mâcon.
In six months, the population of Cromwell, Oklahoma, has climbed from 500 to 10,000. Boom times have come to the oil-rich town. So has a new breed of criminal. You Know My Name is the fact-based story of Bill Tilghman, a lawman and former partner of Wyatt Earp confronted by an emerging era when outlaws run whiskey instead of cattle and are likely to tote a tommy gun as carry a six-gun. An ideally cast Sam Elliott plays Tilghman, whose life takes on a newfangled wrinkle of its own. Tilghman makes a moving picture of his Old West exploits; and the success of that silent film, The Passing of the Oklahoma Outlaws, spreads his reputation like a brushfire. But that reputation may mean nothing to a thug (Arliss Howard) who hides behind a badge.
China Girl charts the exploits of two-fisted newsreel photographer Johnny Williams (George Montgomery), stationed in Burma and China in the early stage of WW II. Captured by the Japanese, he escapes from a concentration camp with the aid of beautiful, enigmatic 'China Girl' Miss Young (Gene Tierney). The two arduously make their way back to friendly lines so that Johnny can deliver the vital military information he's managed to glean from his captors.
Family tensions in the Kentucky hills are inflamed by an outsider's dishonest scheme to exploit the area for its coal.
A failed window dresser exploits a being with rat-like features in an effort to make money.
For ten years, engineer Bill Markham has searched tirelessly for his son Tommy who disappeared from the edge of the Brazilian rainforest. Miraculously, he finds the boy living among the reclusive Amazon tribe who adopted him. And that's when Bill's adventure truly begins. For his son is now a grown tribesman who moves skillfully through this beautiful-but-dangerous terrain, fearful only of those who would exploit it. And as Bill attempts to "rescue" him from the savagery of the untamed jungle, Tommy challenges Bill's idea of true civilization and his notions about who needs rescuing.
Four Girls in White is a 1939 Drama directed by S. Sylvan Simon, starring Florence Rice and Una Merkel. The comical exploits of four nursing students enrolled in a three-year training course.
Kinawi, a physically challenged peddler who makes his living selling newspapers in the central Cairo train station, is obsessed by Hannouma, an attractive young woman who sells drinks. While she treats Kinawi in a sympathetic way and jokes with him about a possible relationship, She is actually in love with Abu Sri', a strong and respected porter at the station who is struggling to unionize his fellow workers to combat their boss' exploitative and abusive treatment.
During a war in an imaginary country, unscrupulous soldiers recruit poor farmers with promises of an easy and happy life. Two of these farmers write to their wives of their exploits.
While Erendira, a beautiful teenage girl, has a surreal mystical vision, her grandmother's house catches on fire and burns to the ground. Her grandmother holds Erendira responsible and, in order to extract restitution from the girl, forces her into prostitution. Erendira's surreal mystical experiences continue while her grandmother grows rich from exploiting her.
Aadaminte Vaariyellu is a 1983 Malayalam film directed by K.G. George and starring Srividya, Suhasini, and Soorya. The film handles issues of women. Vasanthi has to mother three generations of her family in addition to her daytime job. She finds liberation by escaping into madness and a mental asylum. Alice is married to a ruthless businessman and seeks solace in affairs. When she is refused a divorce, she commits suicide. When both the middleclass women prefer self-destruction as their way to liberation, the third, a brutally exploited housemaid, Ammini ends up in a home for women, but latter helps all the inmates of this home to break out of the suffocating atmosphere of the home to freedom.
In 1923, the young Kim Shun-Pei moves from Cheju Island (South Korea), to Osaka (Japan). Through the years, he becomes a cruel, greedy and violent man and builds a factory of kamaboko (processed seafood products) in his poor Korean-Japanese community exploiting his employees. He makes a fortune, abuses and destroys the lives of his wife and family, has many mistresses and children and shows no respect to anyone. Later he closes the factory, lending out the money with high interest and becomes a loan shark. His hateful behavior remains unchanged to his last breath, alone in North Korea. The film is told from the perspective of Masao, his legitimate son by his abused and degraded wife, who knows nothing about his father other than to fear him.
Small-time police chief and struggling alcoholic Jesse Stone looks into the murder of a teen-age girl whose body is found floating in a local lake. The case brings the former LAPD cop up against the Boston mob and into the affluent world of a bestselling writer who exploits troubled teens.
An Italian man looks back from his jail cell on his youthful exploits as a political extremist with understanding, candour and remorse.
Soloman Crow pays a visit to his god fearing, bible quoting, closeted homosexual brother and his sexually repressed wife. He enters their home with a proclamation to kick a drug habit that almost cost him his life. Broke, it doesn't take Soloman long to start conning and scheming his way around the city to feed his ravenous cravings for dope and sex. Even his brother's wife isn't immune to Soloman's mind games... If you want a hero with redeeming qualities, look somewhere else.
Inspired by the fictional Dr. Heiter, disturbed loner Martin dreams of creating a 12-person centipede and sets out to realize his sick fantasy.
In rural Sicily, the fishermen live at the mercy of the greedy wholesalers. One family risks everything to buy their own boat and operate independently.
Linda comes to the big city in search of fun and excitement. What she finds is exploitation and abuse at the hands of a succession of sleazy guys. Searching for love, she enters into a lesbian relationship with a beautiful countess, discovers drugs and swingers' parties and starts acting in porno movies. She also begins to write a secret diary... With a cast of some of the most stunning Euro actresses of the period, wall-to-wall sex and nudity, pot parties, porno shoots and a psychedelic soundtrack, this is a gem of 1970s exploitation cinema from Jess Franco.
Street scenes shot in Benidorm (Alicante, Spain) and Las Palmas (Gran Canaria, Spain).
Teen-Age is another "exposé" film of the 1940s, cheaply made but widely distributed. In the guise of a warning against wartime juvenile delinquency, the film offers the exploitational tale of a bunch of wild, unsupervised kids at large in a small community. With nothing but time on their hands, the young protagonists become involved with petty theft, inevitably leading to some pretty serious consequences.
A deranged scientist creates a ray that can shrink people down to doll size.
Documentary on popular exploitation sub genre, sexploitation.
In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.
A young man in a personal tailspin flees the US to Italy, where he sparks up a romance with a woman harboring a dark, primordial secret.
Exploitation auteur Doris Wishman (Bad Girls Go to Hell) provides the most over-the-top entertainment of her career with this film about a nice guy who turns murderous after undergoing a penis transplant. As it turns out, the well-endowed donor was a serial rapist who preyed on women with gold earrings -- a habit that our unfortunate hero (João Fernandes) has inherited along with the man's penis.
The End of Poverty? asks if the true causes of poverty today stem from a deliberate orchestration since colonial times which has evolved into our modern system whereby wealthy nations exploit the poor. People living and fighting against poverty answer condemning colonialism and its consequences; land grab, exploitation of natural resources, debt, free markets, demand for corporate profits and the evolution of an economic system in in which 25% of the world's population consumes 85% of its wealth. Featuring Nobel Prize winner Amartya Sen and Joseph Stiglitz, authors/activist Susan George, Eric Toussaint, Bolivian Vice President Alvaro Garcia Linera and more.
A man accidentally learns that he has a mystical connection with sharks, and is given a strange medallion by a shaman. Becoming more and more alienated from normal society, he develops an ability to communicate with sharks telepathically, setting out to destroy anybody who harms sharks. People enter into his strange world to exploit his weird passion, and he uses the animals to gain revenge on anybody who double crosses him.
Ilsa is a warden at a Nazi death camp that conducts experiments on prisoners. Ilsa's goal is to prove that woman can withstand more pain and suffering than men and should be allowed to fight on the front lines
You've heard of Hollywood, a town of tinsel and glamour, the town of Paramount, Columbia and MGM. But there is another Hollywood, a place where maverick independent EXPLOITATION FILMMAKERS went toe to toe with the big guys and came out on top!
Three strippers seeking thrills encounter a young couple in the desert. After dispatching the boyfriend, they take the girl hostage and begin scheming on a crippled old man living with his two sons in the desert, reputedly hiding a tidy sum of cash. They become house guests of the old man and try and seduce the sons in an attempt to locate the money, not realizing that the old man has a few sinister intentions of his own.
Christine gets her big chance at modelling when she applies at Sybil Waite's agency. Together with Christine's sister Betty they go to a castle for the weekend for a photo shoot. Sybil has lured Christine to the castle for more than modelling: she is recruiting a virgin for induction into a witch's coven, led by the owner of the castle, Gerald. To their surprise, Christine is more than eager to join the coven, but begins her own secret battle for control.
VIVA is about a bored housewife in 1972 who gets sucked into the sexual revolution. Abandoned by her husband, Barbi is dragged into trouble by her girlfriend, who spouts women's lib as she gets Barbi to discard her bra and go out on the town. Barbi becomes a Red Riding Hood in a sea of wolves, and quickly learns a lot more than she wanted to about nudist camps, the hippie scene, orgies, bisexuality, sadism, drugs, and bohemia. Saturated to the hilt with vibrant color and exquisite period detail, and full of the kind of innocent nude romps you see before censorship codes lifted, VIVA looks like a lost film from the late '60's, and is a tribute to the best of exploitation cinema, from Herschell Gordon Lewis' Suburban Roulette to Radley Metzger's Camille 2000.
The film offers a comprehensive examination of the exploitation of animals in modern society.
Chronicles the six-decade career of the U.S. film industry's most diverse, dogged and resourceful low-budget producer-director-entrepeneur, painting the soft-spoken Roger Corman as an indie cinema trailbrazer as well as an extraordinary conduit for new talent.
An ex-vaudeville actor is working as the assistant to a doctor who has Frankenstein aspirations. The ex-vaudeville actor kills the doctor and decides to assume the identity of the dead physician.
Kirsten Baker and Leslie Cedarquist are the Girls Next Door in this buoyant sexploitationer. The ladies move in bag and baggage into a sleepy suburban community. Before long, every husband in the vicinity has fallen for their charms. A few trousers have fallen as well, which is why the film carries an R rating. The Girls Next Door is worth watching for an early performance by TV favorite Perry Lang.
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