Main cast Lana Turner; Kirk Douglas; Walter Pidgeon; Dick Powell; Barry Sullivan
Genres Romance, Drama
Description Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer Jonathan Shields, as seen through the eyes of various acquaintances, including a writer James Lee Bartlow, a star Georgia Lorrison and a director Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone - including the writer, star and director - on the way to becoming one of Hollywood's top movie makers.
Maanav is a struggling filmmaker who will not compromise on the script he has written. His girlfriend Ruchi, a successful film editor, arranges for him to meet film producer Nitin, who is not very convinced about Maanav's script. Maanav then suggests four stories on infidelity, woven together by a common story. The film itself echoes this structure, with four stories mingling with the main narrative
Davis and Rains shine in a romantic melodrama set in the world of concert music. Davis is a pianist torn between her wealthy, jealous patron and her cellist husband.
Superstar Manoranjan learns that he has only a few days to live and approaches his mentor, director Margadarisi to direct his next project â a folklore-ish comedy about a man who keeps cheating death and his role in saving a kingdom. Meanwhile, he has to sort out his personal lives, which involves an estranged son and a daughter from the love of his life.
The Seth family reside in Canada. While Mr. Seth has passed away, his mom is still alive, living with her daughter-in-law, her son, Rahul, and daughter, Twinky. Both Rahul and Twinky are of marriageable age. Rahul shocks them all when he brings home a gorgeous Kimberly, who he wants to marry, and does get reluctant blessings from his mom and grandma. Before the marriage does take place, Kimberly p
Menton Gill is longing to become a cowboy actor and leaves his hometown to try his luck in Hollywood, but there his acting ability is regarded as non-existent, but actress Flips gives him a chance in a bit part, but he fails in that, but the way he fails makes her think that he could be a good comedian. She persuades the studio to put him in a western parody, not telling him what they're really planing, because they know that he does not like comedies. Rather than ending tragic-comically, however, the movie becomes a brilliant coda to art and its servants, the artists, in this case the magniloquent Joan Blondell and Stuart Erwin.
Venkat and Sailaja are youngsters at Warangal who fall in love. Bhadranna is the most dreaded and ruthless landlord in Nizam area. Bhadranna also likes Sailaja and wants to marry her. Ranga Rao, Sailaja's dad, is a typical black sheep having all kinds of bad habits. In the process, he is ready to marry off his daughter to Bhadranna for money. Ranga Rao plants certain ego problems in the minds of Venkat and Sailaja and then paves a way for their love to break up. Later on Bhadranna kidnaps Sailaja. The rest of the story is all about how Venkat brings back Sailaja from the bastion of Bhadranna and how he clears off the misunderstanding with Sailaja in the process.
Film version of the Neil Simon play has three separate acts set in the same hotel suite in New York's Plaza Hotel with Walter Matthau in a triple role. In the first, Karen Nash tries to get her inattentive husband Sam's attention to spruce up their failing marriage. In the second, brash film producer Jesse Kiplinger tries to get his former one-time flame Muriel to see him for what he stands for. In the third, Roy Hubley and his wife Norma try and try to get their uncertain-of-herself daughter out of the bathroom before her approaching wedding.
This is a bizarre film, almost completely melodramatic. The screenplay by Howard Koch is based on the 1941 Pulitzer Prize-winning novel of the same title by Ellen Glasgow.Completed in 1942 after the US had joined the war, the film was disapproved in 1943 for foreign release by the wartime Office of Censorship, because it dealt truthfully with racial discrimination as part of its plot. It was Huston's second movie and as he put it: âIt was the first time [in an American film], I believe, that a black character was presented as anything other than a good and faithful servant or comic relief.â.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
Hollywood, 1927: As silent movie star George Valentin wonders if the arrival of talking pictures will cause him to fade into oblivion, he sparks with Peppy Miller, a young dancer set for a big break.
In order to secure money for the production of his first film, a young man asks help from a film producer. The producer, however, was involved with pornographic films, and now his main business is drug dealing. The young director will have to become a drug runner in order to get the money he needs for his film
Set in 1870's New York, a spinster heiress is courted by a much younger, penniless man, much to the chagrin of her over-protective father, and must decide whether to spend the rest of her life alone, or marry a man who is interested in her only because of her inheritence.
Deemed "the D.W. Griffith of Turkish Cinema," Omer Lutfi Akad directs this 1952 film based upon real events that took place in Ä°stanbul, in the following years of World war II. It is about a love triangle that led to homicide. It was a stylistic departure of what otherwise had been typical of Turkish melodramas of the time.
Lana Turner stars as an American news correspondent working in England during WWII. Her affair with a married British correspondent (Sean Connery) ends tragically when he is killed in action. Fearing a nervous breakdown as a result of his death, she travels to Cornwall to mourn with his family without any intention of revealing her relationship with him.
A group of friends search for fun, love and ultimately themselves in West Hollywood. This movie is an entertaining, and sometimes cynical look into the lives of six gay men trying to come to terms with what being gay and single (or gay and partnered) means to them.
Greta Garbo runs away from an unbearable life at home--and a pre-arranged marriage to a man she despises--and seeks happiness with handsome engineer Clark Gable. Director Robert Z. Leonard's 1931 melodrama also features Jean Hersholt, Alan Hale, John Miljan, Cecil Cunningham, Hale Hamilton and Russell Simpson.
Anita, engaged to solid Don Barnes, is swept off her feet by magician Arturo. Before you can say presto, she's his wife and stage assistant on a lengthy world tour. But Anita is annoyed by Arturo's constant flirtations, and his death-defying stunts give her nightmares. And forget her plan to retire to a farmhouse. Eventually, she has had enough and disappears.
Everybody seems to have had a good time making the overripe melodrama The Hidden Hand, especially cadaverous Milton Parsons as insane-asylum escapee John Channing. In her efforts to protect her brother from the authorities, John's sister Lorinda (Cecil Cunningham) opens the door for a series of grisly murders. Hero Peter Thorne (Craig Stevens) and heroine Mary Winfield (Elizabeth Fraser) try to stop John before he overracts-er, kills-again. Absolutely impossible to take seriously, The Hidden Hand is nonetheless worth a glance, if for no other reason than to see perennial bit player Parsons in a juicy leading role. The film was based on Invitation to a Murder, a play by Rufus King.
Sizzingly sexy Madonna leads a star-filled cast in this erotic thriller as a woman accused of killing a wealthy, elderly man through her insatiable sexual prowess.
In this captivating Depression-era melodrama, impetuous veterinary student Jacob Jankowski joins a celebrated circus as an animal caretaker but faces a wrenching dilemma when he's transfixed by angelic married performer Marlena.
Set in 1951, a blacklisted Hollywood writer gets into a car accident, loses his memory and settles down in a small town where he is mistaken for a long-lost son.
Broken Blossoms is an American silent film from director D. W. Griffith. This melodrama tells the love story of an abused English woman and a Chinese Buddhist in a time when London was a brutal and harsh place to live.
Original in its sincere, lyrical realism, The River is a naturalistic melodrama otherwise characteristic of the period. Shot in sunbathed pastoral locations by Jan Stallich (Ecstasy), the story of first love between a sturdy village boy and a country girl is filmed with a movingly genuine charm.
A Farewell to Arms is a 1957 American drama film directed by Charles Vidor. The screenplay by Ben Hecht, based in part on a 1930 play by Laurence Stallings, was the second feature film adaptation of Ernest Hemingway's 1929 semi-autobiographical novel of the same name. It was the last film produced by David O. Selznick.
This Mexican crime melodrama was released in English-speaking communities as Another Dawn. Latin film favorite Pedro Armendariz stars as smooth-talking Octavio, chief henchman to a slain labor leader. On behalf of his fallen boss, Octavio protects a cache of valuable documents from the assassins. Along the way, he renews his relationship with ex-flame Julieta (Andrea Palma), now engaged to another man.
Victorian melodrama gets a big send-up in this spoof production of the old play "The Drunkard; or, The Fallen Saved." The play within the movie is the old one where evil villain Cribbs schemes to get his lusty clutches on the heroine by driving her naive husband to alcoholic ruin. Luckily, a temperance lecturer is on hand to set things straight, as is the great Buster Keaton as the drunkard's brother.
The film features a change of pace for comic actor Petchtai, who offers a sombre, dramatic portrayal of a taxicab driver who develops a relationship with a young woman (Woranut, in her debut feature film role) who is working in a massage parlor. The film has dream sequences that place the characters in scenes that might have come from a classic Thai melodrama film of the 1960s or 70s, with a dubbed soundtrack, which was a common method of filmmaking in the era.
The film tells the story of Sylvia (Marion Davies), a French teacher at an all-girl school, who wants to find love. When she hears Bill Williams (Bing Crosby) on the radio, she decides to go visit and thank him. However, difficult problems lay ahead when Lili (Fifi D'Orsay) gets in the way.
A young soldier on a pass in New York City visits the famed Stage Door Canteen, where famous stars of the theater and films appear and host a recreational center for servicemen during the war. The soldier meets a pretty young hostess and they enjoy the many entertainers and a growing romance
Billy, a struggling young gay photographer (who likes Polaroids), tired of being the "other man", falls in love with Gabriel, a waiter and aspiring musician who is probably straight but possibly gay or at least curious. Billy tries to get Gabriel to model for his latest project, a series of remakes of famous Hollywood screen kisses, featuring male couples, while also trying to win his affections.
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to complete their mission and to retrieve them. She starts out condemning the decadent West, but gradually falls under its spell, with the help of Steve Canfield, an American movie producer.
From producer Guillermo del Toro and director Jorge Gutierrez comes an animated comedy with a unique visual style. THE BOOK OF LIFE is the journey of Manolo, a young man who is torn between fulfilling the expectations of his family and following his heart. Before choosing which path to follow, he embarks on an incredible adventure that spans three fantastical worlds where he must face his greatest fears. Rich with a fresh take on pop music favorites, THE BOOK OF LIFE encourages us to celebrate the past while looking forward to the future.
Follow the adventures of Belle, a bright young woman who finds herself in the castle of a prince who's been turned into a mysterious beast. With the help of the castle's enchanted staff, Belle soon learns the most important lesson of all -- that true beauty comes from within.
Ronny Bowers, a saxophonist in Benny Goodman's band has won a talent contest an got a ten week contract with a film studio. On his first evening he is supposed to go with the studio's star Mona Marshall to a movie premiere. But this lady doesn't want to go, so the bosses decide to use for Mona a double, Virginia. When Mona finds out next morning that happened, she insisted to fire her double and Ronny. Ronny finds work as singing waiter in a drive in, and is spotted by a director of the same studio, who wants him to lend his voice for an leading actor in a musical.
After leaving Washington D.C. hospital, plastic surgeon Ben Stone heads for California, where a lucrative practice in Beverly Hills awaits. After a car accident, he's sentenced to perform as the community's general practitioner.
Actor Yoo Ji-Taeâs directorial debut feature film is one part melodrama, one part comingof-age story about Soo-young, a miserable thirtysomething man and Mai-Ratima, a 22-year-old Thai girl who accepts a mail order marriage in order to realize her Korean Dream. Into their relationship comes Young-jin, a hostess, slowly turning it into a love triangle.
Anxious to keep out of the rain on a bus layover in that ubiquitous little village in Pennsylvania, Dick Powell and his troupe of traveling musicians attend a political rally for governor-to-be Raymond Walburn. The candidate is an incompetent drunkard, and his Square Deal Party backers turn to Powell & Co. to liven up the campaign. A victim of circumstance, Powell soon replaces Walburn as candidate for governor with the hope of losing the election and gaining a radio career. Beating Preston Sturgesâs Hail the Conquering Hero to the punch by about nine years, this is the rare political satire thatâs more transcendent than mean (the New York Times noted it was âpardonable but definitely incorrect of you to assume from this that the new film is an attack on the intelligence of the Pennsylvania electorateâ), and Dick Powell is at his pre-noir best. (Julian Antos, Northwest Chicago Film Society)
Charley Pearl, wealthy heir and gadabout, is slated to marry Adele, the daughter of a Hollywood tycoon. But, during a wild bachelor party in Las Vegas, Charley strikes up a flirtation with nightclub crooner Vicki Anderson that soon leads to her bedroom. When the couple are discovered by Vicki's beau, infamous gangster Bugsy Siegel, he makes a surprising pronouncement -- they'd better marry, or Charley is a dead man.
When millionaire wheeler-dealer Edward Lewis enters a business contract with Hollywood hooker Vivian Ward, he loses his heart in the bargain in this charming romantic comedy. After Edward hires Vivian as his date for a week and gives her a Cinderella makeover, she returns the favor by mellowing the hardnosed tycoon's outlook. Can the poor prostitute and the rich capitalist live happily ever after?
When frustrated movie studio mogul Adolph Zitz announces a talent search for a romantic leading man to rival the great Rudolph Valentino, thousands of hopefuls decend upon Hollywood. Rudy Valentine, a neurotic baker from Milwaukee, knows little about romance or acting. But when his wife leaves him for the real Valentino, Rudy goes to outrageous lengths to win the role of a lifetime and win back the love of his life.
Rich kid Danny Churchill has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to be a female for miles. But before Danny arrives, he spies a pair of legs extending out from under a stalled roadster. They belong to the Dean's granddaughter, Ginger Gray, who is more interested in keeping the financially strapped college open than falling for Danny's romantic line. At least at first...
A husband-and-wife team play detective, but not in the traditional sense. Instead, the happy duo helps others solve their existential issues, the kind that keep you up at night, wondering what it all means.
This is a story about Mike, a guy who left his girl in New York when he came to LA to be a star. It's been six months since his girlfriend left him and he's not doing so good. So, his pal and some other friends try and get him back in the social scene and forget about his 6 year relationship.
During the course of an ordinary week in Hollywood, movie producer Ben (Robert De Niro) must navigate his way through shark-infested waters as he struggles to complete his latest projects. A demanding studio boss (Catherine Keener) demands extensive changes to a movie starring Sean Penn, while another chief won't greenlight a project unless star Bruce Willis shaves his beard. Meanwhile, Ben tries to reconcile with his wife and maintain a relationship with his young daughter.
The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful.
The fourth of seven films that Raffaello Matarazzo made with Amedeo Nazzari and Yvonne Sanson in the starring roles during the fifties. These films were the epitome of operatic melodrama, and were hugely successful with the Italian public.
Screenwriter Paul Javal's marriage to his wife Camille disintegrates during a film production as she spends time with its producer.
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