A Texas cop (Kevin Kline), whose own daughter might have been forced into sexual slavery, joins forces with a Mexican youth (Cesar Ramos) to find the boy's sister, who was abducted and forced into prostitution. Meanwhile, a Ukrainian woman who was promised a better life in America also becomes a victim.
A fictionalized account of the last days of Edgar Allan Poe's life, in which the poet is in pursuit of a serial killer whose murders mirror those in the writer's stories.
The life of Danny Wright, a salesman forever on the road, veers into dangerous and surreal territory when he wanders into a Mexican bar and meets a mysterious stranger, Julian, who's very likely a hit man. Their meeting sets off a chain of events that will change their lives forever, as Wright is suddenly thrust into a far-from-mundane existence that he takes to surprisingly well ⦠once he gets acclimated to it.
Jaded ex-CIA operative John Creasy reluctantly accepts a job as the bodyguard for a 10-year-old girl in Mexico City. They clash at first, but eventually bond, and when she's kidnapped he's consumed by fury and will stop at nothing to save her life.
October 2, 1968 in Mexico City. There's only ten days for the Olympic Games and a small student's revolt has turned into a major political turmoil. A meeting will be carry out that day in Tlatelolco (the largest housing complex in the city) and the situation is extremely tense. A typical middle-class mexican family (living in Tlatelolco) will be tragically involved in the events, when the meeting is brutally interrupted by the army and hundreds of people are killed in the square in front of their apartment building. Written by Maximiliano Maza
Three interconnected stories about the different strata of life in Mexico City all resolve with a fatal car accident. Octavio is trying to raise enough money to run away with his sister-in-law, and decides to enter his dog Cofi into the world of dogfighting. After a dogfight goes bad, Octavio flees in his car, running a red light and causing the accident. Daniel and Valeria's new-found bliss is prematurely ended when she loses her leg in the accident. El Chivo is a homeless man who cares for stray dogs and is there to witness the collision. Amores Perros is the first film in Iñárritu's "Death Trilogy".
After having been forced to leave the Soviet Union 1929 Trotsky has ended up in Mexico 1940. He is still busy with the politics. Stalin has sent out an assassin, Frank Jacson. Jacson befriends a young communist and gets an invitation to Trotsky's house.
After years of unabated global warming, the greenhouse effect is wreaking havoc all over the globe in the form of catastrophic hurricanes, tornadoes, tidal waves, floods and, most ominously, the beginning of the next Ice Age. Paleoclimatologist Jack Hall tries to save the world while also shepherding to safety his son Sam, who was in New York when the city was overwhelmed by the beginnings of the new big freeze.
On a lark in Tijuana, a carefree Brazilian art student crosses paths with a brooding Mexican journalist, sparking a cascade of events across both Mexico and Brazil. As Dolores and Damián discover an intimate love and a mysterious spiritual heritage, they struggle with ever more costly choices.
Tough-as-nails vampire hunter Derek Bliss is on the hunt for "suckers" in the heart of Mexico when he receives a new assignment from a mysterious client. Thrown together with a group of slayers, including sexy Zooey, who may or may not be one of the undead. Derek and company are up against a growing number of fast-moving, bloodthirsty vampires and their elusive and powerful leader.
In 1965 Mexico City, Fabiola, a wealthy yet lonely schoolgirl, befriends Graciela, a young orphan girl who has an unhealthy fascination with witchcraft. Fabiola is convinced that she, herself, is a witch by Graciela, who then uses the fear that she's put into her new friend to get Fabiola to carry out her orders. As their games grow more serious, the two girls find themselves involved in murder.
Mike, a Hemingway-esque adventure novelist, is spending his days in a self-imposed exile somewhere in Central America. A reporter for Sight Magazine, Katie, has tracked him down in the hope of getting the biggest scoop of her career. Mike falls for Katie. On a flight to Mexico City, their plane crashes near a remote hideaway of Nazi war criminals in hiding. The Nazis want to stay hidden and plan to dispose of their new guests
Something terrible is happening in class 3A at Calmecatl Junior High. No one can leave the classroom until the guilty party is found. This is the device that gives us a glimpse of the ethics, games, esthetics and eroticism of these girl-women. It is not easy to say what the subject is, there are so many: the discovery of sexuality, discrimination, chance, drugs, maternity, traditions, betrayals, power, love. A mural of a complex reality from the point of view of twenty-something women in the skin of 14 to 15 year old girls.
A massive asteroid impact on the moon begins causing storms on earth due to the sudden changes in ocean tides. But when further examination is conducted it's discovered that the moon's structure is now entirely unstable -- threatening all life on earth. With time running out, a team of scientists turn to one man, demolitions expert John Redding, in effort to find a solution and secure the moon.
Berenice (Navarro) is a woman with a mysterious past. A scar crosses her face and nightmares of fire and horses fill her lonely nights. She maybe killed her husband but nobody can be sure. In the present, Berenice lives with her godmother (Roldán) a money lender so fragile that she's always resting in her bed. The two women live in an almost perpetual seclusion, except on Sundays when they go to the church and to the movies. One day, the godmother's doctor dies and she asks Berenice to go to his velatory. There they meet Rodrigo (Armendáriz Jr.) the doctor's son, a handsome and free-spirited young man for whom Berenice falls in love.
The story centers on Charlie, a Los Angeles billionaire financial whiz who goes into self-imposed exile in Tijuana after his empire is revealed to have been a Ponzi scheme. While looking for the woman he abandoned there 25 years before, Charlie is pursued by a Mexican gangster, a federal agent and thugs sent by a former client looking to retrieve his money.
The Naked City portrays the police investigation that follows the murder of a young model. A veteran cop is placed in charge of the case and he sets about, with the help of other beat cops and detectives, finding the girl's killer.
"El Tarzan" Lira is an ex-convict who decides to give up his criminal past and reform his life. However, a corrupt policeman blackmails him leaving "El Tarzan" no other option but to continue committing robberies. Adapting the genre conventions of the film noir to the Mexican context, Ripstein's film focuses on Mexican police corruption and questions the judicial system.
On December 21, 2012 four strangers on a journey of faith are drawn to an ancient temple in the heart of Mexico. For the Mayans it is the last recorded day. For NASA scientists it is a cataclysmic polar shift. For the rest of us, it is Doomsday.
Set in the world of mega-churches in which a former Deadhead-turned-born again-Christian finds himself on the run from fundamentalist members of his mega-church who will do anything to protect their larger-than-life pastor.
In Assassin's Bullet, Slater plays Robert Diggs, a black ops agent who comes to work for Ambassador Ashdown (Hunger Games star Donald Sutherland), tracking down a vigilante assassin in Eastern Europe. The maverick hit(wo)man has been taking out high-profile targets on the U.S. hit list, and Diggs must uncover the killer's identity before there's an international incident. The usual game of cat and mouse ensues.
A water balloon suddenly dropping from the sky exploding on a motherâs head in the frantic first moments of this striking debut feature, announces its director, Alonso Ruiz Palacios, as a bold new voice of Mexican cinema. Set amidst the 1999 student strikes in Mexico City, this coming-of-age tale finds two brothers venturing through the city in a sentimental search for an aging legendary musician. Shot in beautiful black-and-white, Gueros brims with youthful exuberance. In Spanish with subtitles.
A group of juvenile delinquents live a violent and crime-filled life in the festering slums of Mexico City, and the morals of young Pedro are gradually corrupted and destroyed by the others...
Outside Mexico City's Sports Pavilion, hundreds of young Rage fans rattle metal fences and throw rocks at the increasingly nervous police. Inside, a seething crowd of 5,000 lucky ticket holders cram into the cavernous pavilion chanting anti-government slogans and poking their middle fingers into the thick, sweaty air while waiting for Rage Against the Machine to storm the stage.
Heated tempers, frustrated desires and dashed hopes plague a diverse group of individuals whose lives cross paths in Mexico City. There is the bar-owner's son, Chava, who yearns to emigrate to America. A poor barber, Abel, is madly in love with the gorgeous Alma, who eventually becomes a high-class prostitute. Finally, there is Susanita, the desperate spinster who pursues many love affairs in hopes of finding a husband.
Described as a sci-fi disco supermarket, the PopMart tour was all trash & kitsch, including a giant mirrorball lemon, a 100 foot cocktail stick - complete with olive, and the works of Lichtenstein, Warhol, and Haring, to a live rock audience. In line with this, U2's stage act has grown into a showcase of lavish special effects, cutting-edge sound, and spectacular multimedia enhancement. POPMART features Bono and the band performing live in Mexico City in support of their 1997 album, POP. Performing 24 old and new tracks, U2 puts on a concert that is a stunning spectacle.
In 1914, the Mexican revolutionary Pancho Villa (Antonio Banderas) invites studios to shoot his actual battles against PorfÃrio Diaz army to raise funds for financing guns and ammunition. The Mutual Film Corporation, through producer D.W. Griffith (Colm Feore), interests for the proposition and sends the filmmaker Frank Thayer (Eion Bailey) to negotiate a contract with Pancho Villa himself.
In 1661 Mexico, the Baron Vitelius of Astara is sentenced to be burned alive by the Holy Inquisition of Mexico for witchcraft, necromancy, and other crimes. As he dies, the Baron swears vengeance against the descendants of the Inquisitors. 300 years later, a comet that was passing overhead on the night of the Baron's execution returns to earth, bringing with it the Baron in the form of a horrible, brain-eating monster that terrorizes the Inquisitor's descendants
Anna is a psychologist undertaking research about famous suicidal women. She takes a specific interest in the case of Antonieta Rivas Mercado, who killed herself in 1931 in the Cathedral of Notre-Dame de Paris.
A pampered Beverly Hills chihuahua named Chloe who, while on vacation in Mexico with her owner Viv's niece, Rachel, gets lost and must rely on her friends to help her get back home before she is caught by a dognapper who wants to ransom her.
The film is an ensemble comedy written and directed by Pedro Almodóvar. When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
Two kids take a book from a trash can. They begin to read the story of a poor neighborhood in Mexico City. Carpenter Pepe "El Toro" (Infante) lives with his daughter Chachita (Munoz) and woos pretty "Chorreada" (Pavon). Around them, a group of fellows live their lives in many ways: a pair of always-drunk women known as "La Tostada" (The Toast) and "La Guayaba" (The Guava); a beautiful woman (Jurado) who always oversleeps; a hooker with pneumonia (La Tisica) with a dark past. Tragedy comes when Pepe is falsely accused of robbery and sent to the jail.
"Zona Rosa" is a documentary about the strippers who work in the gay clubs in Mexico City's famous district, the Zona Rosa. Christian Miranda gives us a tour though his professional and personal life while working as a cage-dancer stripper at one of Mexico City's famous gay nightclubs. Along with Christian we meet other strippers, patrons of the clubs and the club mangers. The nightlife, the scene, the money and the consequences are all on display as we tour through the notorious reality that gives the Zona Rosa its name.
Renata is a young high-class girl and Ulises is a poor guy. They both fall in love, but they must fight against everyone, specially Renata's rich parents, who want to stop their love by sending her to Canada. The story remarks the difference between social classes in mexico City, and their characters risk everything just to save their love.
Beto is the keeper of a house in Mexico City - empty for several years already - in which he used to work as a domestic help. The solitude of the last ten years, as well the monotony and routine of his job have made him lead a secluded life, which could seem suffocating for most people, whereas for him it provides a safe and stable environment, in contrast to the threatening outside world. He has develop a pathological fear for this world, to the point of limiting his contacts to only two persons: the lady of the house, for whom he has a feeling of deep gratitude and respect that is translated into obedience; and Lupe, a friend, a confident and a lover. Once he learns that the house has been sold, Beto is confronted to the dilemma of gathering the courage to get out and get a life or find a way of remaining in his confinement.
A film about fragility; about a man obsessed with photographing the accident who discovered that the fate of others was his way of connecting to life. When does the image of the accident become the object of desire? Following the footsteps of Metinides and the work of contemporary tabloid photographers, we discover Mexico City through a narrative of crime scenes and accidents; rubbernecking though Metinidesâ Gaze.
This documentary shows the story of one of the last Mexican balloon vendors. This film explores the consequences of the decisions we take and shows those things which really matter. After leaving his wife and children and promising he would be back, a man lives in a tent at a Mexico City park. There, he earns his living by selling balloons. After 30 years, he needs to fulfill his promise and return home. Will his family accept him back? Is he going to be able to change a life on the streets for the comfort of his home?
The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.
A drifter lands a job as an officer in Mexico City's elite motorcycle police unit. Once there, he falls in love with a girl, who is also courted by his commanding officer. Both policemen try to avoid this from interfering with their friendship and profession. Written by Salvador Monroy Ordaz
Fred Williamson chop-sockeys his way through this popular blaxploitation adventure as Jefferson Bolt, a Kung Fu expert assigned to deliver a cool $1 million to Mexico City from Hong Kong with a stop in Los Angeles. When Bolt discovers the cash is dirty mob money and his gal has been killed, he heads back to the Far East to get even.
While driving through the kilometer 31 of a lonely road, Agata Hameran hits a boy. She leaves her car to help the victim and another car runs over her and she falls in a deep coma. Her twin sister Catalina telepathically feels the pain of Agata and hears her whispering for help. Together with her boyfriend Nuno and Agata's mate Omar, they return to the km 31 of the road, and find out that the place is surrounded by supernatural accidents caused by the ghost of a mother that lost her boy many years ago. Further, Catalina discloses that the spirit of Agata is trapped between the worlds of the living and the dead.
A group of mariachis receives a letter to be part of the National Mariachi Contest in Mexico City. In order to be able to win they will need to travel together and solve their differences since their prime was 30 years ago.
El Camino de la Vida was released in English-speaking regions of The Road of Life. Filmed almost entirely on location, the story focuses in on three young boys who, arrested by the authorities, await sentencing in Mexico City's Juvenile Court. One boy has killed his stepfather to protect his mother; the second boy has been goaded into blinding his chief tormentor; and the third resorts to stealing to support his family. Since none of the protagonists is a "born criminal" (if there is such a thing), compassionate lawyer Enrique Lucero sets about to rehabilitate the trio so that they can re-enter society's mainstream. While there are several repellantly brutal moments in El Camion de la Vida, there is also a surfeit of optimism and humor.
Documentary about the film maker Luis Bunuel. Surrealist master Luis Bunuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox. Though sexually diffident, he frequently worked in the erotic drama genre; though personally quite conservative, his films are florid, flamboyant, and utterly bizarre. This documentary, directed Jose Luis Lopez Linares, tries to illuminate some of these contradictions.
Political commentator, author and filmmaker Dinesh D'Souza puts forth the notion that America's history is being replaced by another version in which plunder and exploitation are the defining characteristics. D'Souza also posits that the way the country understands the past will determine the future. Using historic re-enactments, D'Souza explores the lives and sacrifices of some of America's greatest heroes, including George Washington and Frederick Douglass.
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