Kommunist (1958)
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As the communist revolt progresses in Russia, a female commissar is dispatched to some anarchist sailors to get them on board the party bandwagon. Her arrival is met with skepticism and an attack by an aspiring rapist. She shoots the man in self defense and begins to form the sailors into a cohesive fighting unit. Joining the unit for a mission, the sailors are all murdered before they can convert to communism. The fallen angel is held up as a symbolic heroine to the people's cause in this decidedly propaganda-drenched film. The film took a specially created prize at the 1963 Cannes Film Festival, somewhat to the consternation of critics who failed to observe its merits.
We are in the year 1871. A journalist for Versailles Television broadcasts a soothing and official view of events while a Commune television is set up to provide the perspectives of the Paris rebels. On a stage-like set, more than 200 actors interpret characters of the Commune, especially the Popincourt neighbourhood in the XIth arrondissement. They voice their own thoughts and feelings concerning the social and political reforms. The scenes consist mainly of long camera takes.
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Nachdem sein Onkel Cesare in Palermo bei einem Sprengstoffanschlag ums Leben kommt, schlieÃt Peppino sich den Kommunisten an, weil er mit deren Hilfe die Mörder seines Onkels finden will. Die Verantwortlichen vermutet der Junge nämlich in seiner eigenen Familie. test
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The film is about a group of people who in other times wouldn't have anything in common, some of them innocent bystanders, some moral criminals. But nothing is straightforward and simple. From Russia "the run" continues to Constantinople, to Paris, back to Russia. Some of them have understood that they can`t live outside Russia and go back maybe to be happy, maybe not, some go back to face sure death for their crimes, some don`t go back and know that are going to miss homeland forever, some are comfortably well off (are they?) in exile. Sentimental without syrup, tragic and comical at the same time.
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Dyuishen is assigned to the mountainous Kirghiz region of Central Asia by the Young Communist League after he is discharged from the Red Army. It is 1923 and the Civil war has ended. The former soldier becomes a teacher, bringing the Leninist doctrine to the remote Moslem area where elders did not allow children to go to school. He falls in love with one of his students, but the young woman is sold by her father to a wealthy chieftain. When the school is burned down, the majestic poplar trees that are a source of local pride are cut down to rebuild the new structure. This lyrical drama is the directorial debut of the gifted Andrei Konchalovsky, who is best known by American audiences for his 1985 feature Runaway Train.
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A bus is setting out to Calcutta from a village in West Bengal. Meenakshi Iyer, who is from a strict orthodox Hindu background, is leaving to Chennai for her husband, with her young child, after the vacation with her parents. By chance, she gets a co-passenger who is also to Chennai, Rajah, a photographer, introduced by one of the friends of her father. During the journey they build a good relationship. But a Hindu-Muslim communal riot sets out in the meantime, in some areas they had to travel. Then she comes to face the fact that Rajah is not a Hindu but a Muslim whose real name is Jehangir. Even though she curses herself at that time while some Hindu fanatics evade their bus she saves him introducing as Mr. Iyer. But they have to reach their destination while the other passengers know Rajah as no one else but Mr. Iyer.
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