Love and the Frenchwoman (1960)
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A bride's divorced parents find their old feelings for each other during the wedding reception and over the course of the next few days upsetting the newlywed's honeymoon.
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Nick Anderson, Kevin Daniels, and Tracey Green do everything together. They are the best of friends, and yet they couldn't be more different. Neighbors from adolescence, they finish each other's thoughts and sentences, joys and pains, happiness and tears. Using Nick's house as their own members only clubhouse, they escape into their own world of contentment. Yet the inevitable intrusion of others tests their stability in ways never imagined.
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When Miley Stewart (aka pop-star Hannah Montana) gets too caught up in the superstar celebrity lifestyle, her dad decides it's time for a total change of scenery. But sweet nibblets! Miley must trade in all the glitz and glamour of Hollywood for some ol' blue jeans on the family farm in Tennessee, and question if she can be both Miley Stewart and Hannah Montana. With a little help from her friends â and awesome guest stars Taylor Swift, Rascal Flatts and Vanessa Williams â will she figure out whether to choose Hannah or Miley?
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Dale Squire is a hip, quirky, independent single gal living in the glossy city of Los Angeles. After several failed attempts in quasi-relationships, Dale concludes that finding a meaningful relationship in L.A. is impossible. But being anti-social is tough for any young girl in Hollywood. With Jill's frantic wedding right around the corner, Dale finds herself reflecting on the significance of marriage, and the mutual respect needed for a successful relationship. When Zach, a successful heartthrob rock star and old friend of Dale's finds his way back into her life, Dale slowly starts to think that maybe finding love in L.A. is possible - the only problem is that her realization might have come too late, leaving Dale in a silent love triangle, with no way out. Written by Will, Christie
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After learning her boyfriend (Harmon) cheated on her with his co-host (Olson), a Seattle morning show weather girl (OâKelley) freaks out on-air and is fired. Forced to move in with her little brother (Devlin) and deal with his best friend (Adams), she has to learn to cope with being 35, single, unemployed, and unfortunately famous for being the Sassy Weather Girl who lost it on live television.
29 year-old Melanie is in love with her life in Toronto, but out of love with her long-distance boyfriend. Her breakup throws her easy life into mild existential crisis, but the arrival of a new boy on the scene, Lewis, diverts her attention and helps her rediscover the joys of a lazy summer in the city. Acting as unofficial tour guide, Mel introduces Lewis to her neighborhood. Together they buy Lewis a bike from a crotchety yard salesman, and embark on a two-wheeled urban adventure. But is Mel ready to switch gears? Unsure of her true heart feelings, she and her gang of young, witty friends, enjoy the season's last gasps. Written by Luke
In this witty romp, Jean Harlow plays an upper-crust socialite who bullies her reporter husband (Robert Williams) into conforming to her highfalutin ways. The husband chafes at the confinement of high society, though, and yearns for a creative outlet. He decides to write a play and collaborates with a fellow reporter (Loretta Young); the results are unexpectedly hilarious, especially when Young shows up at the mansion with a gaggle of boozehound reporters in tow. With snappy, ribald dialogue (allowable in those pre-Hays Code days), Capra keeps the gags flying fast and furious, taking special delight in having Williams's journalist pals rib him endlessly over his kept-man status. Platinum Blonde was a great success at the time of its release during the class-conscious Depression; for better or worse, its star Harlow was identified with the tag "platinum blonde" until her untimely death. --Jerry Renshaw
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Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left unexpectedly with Maggie and forgets that Melanie was to take her to school. As a result, both children miss their school field trip and are stuck with the parents. The two adults project their negative stereotypes of ex-spouses on each other, but end up needing to rely on each other to watch the children as each must save his job. Humor is added by Sammy's propensity for lodging objects in his nose and Maggie's tendency to wander.
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