A French actress filming an anti-war film in Hiroshima has an affair with a married Japanese architect as they share their differing perspectives on war.
The film tells the tragical story of the life of Lola Montes who was a great adventurer and stopped being the attraction of her circus after having been the lover of various important men.
The film is a French-Spanish production and most of the dialog is in French. 'Lo que se de Lola' - in English 'What I know about Lola' - is about a lonely guy, living an uneventful life in Paris. He takes care of his mother. One day, a girl with a more exciting life moves in his apartment building...
A small town in Australia, in the late 1950s: Brownie and Lola are deeply in love. But because they are under-age, their parents are against their relationship and try to separate them.
Filmed during the German occupation, this French milestone centers around the theatrical life of a beautiful courtesan and the four men who love her. Voted the "Best French Film in History" by the French Film Academy in 1990.
Julien lives alone with his cat. He dreams of Marie, and a few minutes later, he sees her on the street and makes a date. He asks her to move in with him, and she does. Her boyfriend is dead, the rest of her past a mystery. Although they quickly seem to fall in love, she sometimes pulls away suddenly from Julien, is distant, and spends the night in a hotel. She also dreads something imminent and warns Julien that if he missteps, he will lose her and all memory of her. Julien responds by digging into her past: what explains her remodeling an upstairs garret room, her nightly dreams, her fears? What can Julien, now desperately in love, do when he learns why? Can either rescue the other?
A guy's life is turned around by an email, which includes the names of everyone he's had sex with and ever will have sex with. His situation gets worse when he encounters a femme fatale (Ryder) who targets men guilty of sex crime.
In a world connected by YouTube, iTunes, and Facebook, Lola and her friends navigate the peer pressures of high school romance and friendship while dodging their sometimes overbearing and confused parents. When Lola's mom, Anne, "accidentally" reads her teenage daughter's racy journal, she realizes just how wide their communication gap has grown.
During the making of one of his films, French film director Jean-Luc Godard falls in love with 17-year old actress Anne Wiazemsky and later gets married.
An emotionally remote recovering alcoholic and his dowdy, unambitious wife face a personal crisis when they take in an attractive lodger.
Doc Delaney (Burt Lancaster) and wife Lola (Shirley Booth) had an indiscreet affair, she became pregnant and, compelled to marry her, he gave up his medical studies, forfeited his future and settled down to a life of quiet desperation with the simple, frumpy Lola, who lost the child but has remained Doc's steadfast if slatternly wife. Now a chiropractor, recovering alcoholic, and active member of his town's AA chapter, Doc's sobriety is severely tested when Marie (Terry Moore), a young college student becomes their boarder, bringing new life and long-dormant hostilities to the surface of Doc and Lola's troubled marriage.
A lazy, irresponsible young clerk in provincial Northern England lives in his own fantasy world and makes emotionally immature decisions as he alienates friends and family
A coming-of-age tale centered around Hannah, a young girl who is living a troubled family life. Set in 1963, Hannah develops a fascination with Jean-Luc Godard's then-recent film "Vivre sa vie". As she begins to model herself after the film's lead role, Hannah slowly begins to explore the confusing nature of her sexuality.
Ann, an attractive widowed New York model, lives in an apartment with her daughter Peggy. The courtship of Ann by visiting engineer Larry, and accompanying misadventures, are seen alternately from their and Peggy's viewpoint. Filmed realistically at many New York locations
The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future. Their own futures are bleak.
Rusty James, an absent-minded street thug struggles to live up to his legendary older brother's reputation, and longs for the days when gang warfare was going on.
Eva and Lola are close friends. While Eva tries to cope with her past creating a fantasy life, Lola does not want to handle with the truth of her real identity. Two friends with different views of the same story.
Adam Lemp, the Dean of the Briarwood Music Foundation, has passed on his love of music to his four early adult daughters - Thea, Emma, Kay and Ann - who live with him and his sister, the girls' Aunt Etta, in the long time family home. Of the four, Kay has the greatest promise as a musical performer, specifically as a singer. Theirs is a loving family, however much the girls exasperate their father with their love of popular music, since he loves only the classics, most specifically Beethoven. The girls support each other however they can, but each is an individual with her own distinct personality and wants, including the type of man each wants as a husband. Practical but deep in her heart romantic Emma has long been courted by their next door neighbor, unassuming florist Ernest Talbot, and clever Thea wants to be Mrs. Ben Crowley, he a wealthy up and coming banker with prospects. Only the youngest, the fun loving Ann, states that she doesn't want to get married.
FOR LOVERS ONLY is a story of a MAN and a WOMAN in love. After seeing each other for the first time in years while on separate work assignments in Paris, the LOVERS flee together and travel by train, car and motorcycle, as their love affair takes them across France-from Normandy to St. Tropez. Throughout their trip, both characters experience long periods of carefree bliss and unrepentant joy punctuated by brief moments of guilt and confusion. The final outcome of the affair is left open to interpretation.
A contemporary comedy set in Los Angeles, Full Frontal traces the complicated relationship among seven friends as they deal with the fragile connections that bind them together. Full Frontal takes place during a twenty-four hour period - a day in the life of missed connections.
This simple romantic tragedy begins in 1957. Guy Foucher, a 20-year-old French auto mechanic, has fallen in love with 17-year-old Geneviève Emery, an employee in her widowed mother's chic but financially embattled umbrella shop. On the evening before Guy is to leave for a two-year tour of combat in Algeria, he and Geneviève make love. She becomes pregnant and must choose between waiting for Guy's return or accepting an offer of marriage from a wealthy diamond merchant.
This feature is one of the Israeli cinematography milestones. It displays the atmosphere of the late Israeli 50s from the view of young boy Alex, just becoming 13. His mom is the classic "Polish Mother", his school friends are young hustlers dreaming of nude girls, his schoolmaster is a nervous Russian immigrant. The street speech is full of Polish, Russian, and Farsi slang, full of the small talk that had later entered the everyday speech. The soundtrack, which is quite remarkable, is built solely on the American music of the period. Everyone in the feature finds one's love and happiness.
Lola, a Mexican waitress working in Madrid, befriends a 30-year-old suicidal man who has borrowed $1,000,000 to spend on his last day on Earth, knowing he will be killed anyway if he fails to return the money. After meeting Lola, however, he decides that life might be worth living after all.
Fledgling writer Briony Tallis, as a 13-year-old, irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit. Based on the British romance novel by Ian McEwan.
Con man Ray Elliot decides to leave crime behind to start a company that sells fake alibis to clients who have been unfaithful to their significant others. It seems that the streetwise Ray has found his calling, until he unexpectedly becomes a murder suspect in a case involving one of his most influential customers. Now, as the police and an assassin called "The Mormon" track Ray, he and his attractive assistant, Lola, must clear their own names.
In 1840, Sam Lash heads west for adventure. He meets up with some Mountain Men, and they head for the Rockies to trap beavers and cats. In Taos he meets Lola, a beautiful Mexican girl from a proud and rich family. They fall in love and he persuades her to elope with him. After they get married, Sam is torn between his love for Lola and his yearn for traveling.
Their immune systems tragically damaged at birth, Tom and Lola are two beautiful children forever isolated in plastic bubbles. But neither cold urethane nor chillier hospital technicians can keep down the beguiling spirit of these indomitable siblings. Nor can anything stop their quest to one day run naked and truly free, unbound from the medical shackles that bind them.
Michel is a young technician in the fledgling TV industry and is due for military service in two months at the time of the Algerian War. Juliette and Liliane are inseparable best friends, and aspiring actresses, who hang around outside the TV studio. Michel invites them in to watch, flirts with them both, and dates them separately and together. When Michel goes on a holiday to Corsica, just before he is drafted, the girls follow.
Lola receives a phone call from her boyfriend Manny. He lost 100,000 DM in a subway train that belongs to a very bad guy. She has 20 minutes to raise this amount and meet Manny. Otherwise, he will rob a store to get the money. Three different alternatives may happen depending on some minor event along Lola's run.
An American private-eye, arrives in Alphaville, a futuristic city on another planet which is ruled by an evil scientist named Von Braun, who has outlawed love and self-expression.
The feature-film debut of famed director Louis Malle is an interesting, modern film noir with the classic theme of lovers plotting to kill the husband and make it look like suicide (reminiscent of The Postman Always Rings Twice). Jeanne Moreau gives an astonishing performance, perverse but naive as she leads her young lover down a path that can only lead to doom for both of them.
Joey Norton, seven years old, lives with his older brother Lennie in a lower middle class neighborhood of Brooklyn. Joey is too small to be taken seriously by Lennie and Lennie's friends. One day, while their mother is away visiting her sick mother, Lennie and his friends play a joke on Joey. They stage an incident so that Joey thinks he has shot and killed his brother. Francois Truffault credits this classic with inspiring the French New Wave.
Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
A talented, but distracted photographer, Lola, on the verge of success in both love and work, could lose it all if she doesn't make it to a crucial meeting on time. But, as usual, Lola is late. With her job and girlfriend on the line, she has three chances to make it right. In a desperate race through the streets and back rooms of San Francisco, time grows short-will Lola make it? Will she come at all? With a pop sensibility that mixes live action, animation and still photography, And Then Came Lola explores love's age old question in a fresh new way, "If you try, try again, will you finally get it right?" (Written by M. Siler and E. Seidler)
A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations.
Lola, a hot-blooded Spaniard, is deserted by her husband for a cool and calculating Aussie blonde. Lola is pregnant again but she and their daughter Lucia are left to starve while Ricardo spends all their savings on a sleek new set of wheels for his mistress. When he dies unexpectedly the family fortune, one flash car, remains with the mistress. Despite all his betrayals, Lucia sides with her father. Desperate and destitute in a country she doesn't like or understand, Lola's quest for revenge begins. Caught in the tempests of begrudging love, revenge, sibling rivalry, jealousy and passion, fourteen year old Lucia must find the strength to survive on her own terms. Aided to break free of her mother by her eccentric Aunt Manolo she struggles to find her own identity and her own quest for justice puts her on a collision course with her mother.
Tale follows a threesome of teens--one a rebellious type, another a more serious type, and the young girl who fits in the middle--as they parade around Paris with carefree attitudes.
In the 1920s, the Provence is a magnet for immigrants seeking work in the quarries or in the agriculture. Many mingle with locals and settle down permanently - like Toni, an Italian who has moved in with Marie, a Frenchwoman. Even a well-ordered existence is not immune from boredom, friendship, love, or enmity, and Toni gets entangled in a web of increasingly passionate relationships. For there is his best pal Fernand, but also Albert, his overbearing foreman; there is Sebastian, a steady Spanish peasant, but also Gabi, his young rogue relative; there is Marie, but there is also Josefa.
The story of a young couple, Pierre and Geraldine, and their desire for a child, which leads them on a journey of initiation to Cambodia. On their difficult and transformative adventure, they must contend with obstructive authorities and the jealousies and mistrust of a small community of would-be adoptive parents.
Ten years after the war, West Germany's market economy is booming. Into an unnamed city that's rife with corruption comes a new building commissioner, Herr von Bohm, committed to progress but also upright. He's smitten by Marie-Louise, a single mother who's his landlady's daughter. Von Bohm does not realize she is also Lola, a singer at a bordello and the mistress of Schuckert, a local builder whose profits depend on von Bohm's projects. When von Bohm discovers Marie-Louise's real vocation and looks closely at Schuckert's work, will this social satire play out as a remake of "Blue Angel," a visit of Chekhov to West Germany, or an update of Jean Renoir's "Rules of the Game"?
The dutchified Hungarian Joszef Katús returns, after a months-long absence, to Amsterdam on 29 April 1966. The arrival of the Provos changed a great deal in the Dutch capital. The film follows Katús, mostly roaming the streets, in a loose documentary style. The events are set against the backdrop of four national occasions - The Queen's Birthday, Labour Day, Liberation Day and Remembrance Day.
Charles is a young provincial coming up to Paris to study law. He shares his cousin Paul's flat. Paul is a kind of decadent boy, a disillusioned pleasure-seeker, always dragging along with other idles, while Charles is a plodding, naive and honest man. He fell in love with Florence, one of Paul's acquaintances. But how will Paul react to that attempt to build a real love relationship ? One of the major New Wave films.
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