Paradise Alley (1962)
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Sylvester Stallone is fighting the odds again, this time in the wrestling ring. As Cosmo Carboni, he and his two brothers dream of getting out of Hell's Kitchen (circa 1946) and into the big time. The exit signs point to Paradise Alley, a sleazy private club where the floorshow consists of raucous wrestling matches with big purses. Stallone not only starred in and wrote this action-packed film, he also made his directorial debut in this tale of three guys who could take anything Hell's Kitchen could dish out.
The story of the life of an impoverished Indian teen Jamal Malik, who becomes a contestant on the Hindi version of "Who Wants to be A Millionaire?", wins, and is then suspected of cheating.
Melodrama about two girls whose fortunes run on very different paths.
Abila (14) lives in one of the most miserable slums in Africa. His girlfriend Shiku belongs to a different tribe, as the result of which he is not really allowed to fraternize with her. And then one drunken night his father gambles away his own soul.
The fourth of seven films that Raffaello Matarazzo made with Amedeo Nazzari and Yvonne Sanson in the starring roles during the fifties. These films were the epitome of operatic melodrama, and were hugely successful with the Italian public.
Melodrama about a woman who marries a bigamist, then a drunk, and falls in love with another man, all while working at a carnival.
Based on the 1932 play of the same name by Phillip Dunning and George Abbott. Lilly Turner is a very precode character in a very precode film. She starts out with all the best intentions and does nothing wrong, only to find herself in a highly unfortunate situation that society of the time couldn't approve of: an unmarried mother to be. She then gets out of it through the kindness of another, becoming half of an open marriage, very progressive for the times. Lilly Turner would have needed to be completely rewritten to have been made during the code years.
The Dead End Kids are introduced in their intricate East Side slum, overlooked by the apartments of the rich. Their antics, some funny, some vicious, alternate with subplots: unemployed architect Dave is torn between Drina, sweet but equally poor, and Kay, a rich man's mistress; gangster Baby Face Martin returns to his old neighborhood and finds that nobody is glad to see him. Then violent crime, both juvenile and adult, impacts the neighborhood and its people.
The friendship between two orphans endures even though they grow up on opposite sides of the law and fall in love with the same woman.
Vengence drives a tough Detroit cop to stay on the trail of a power hungry auto magnate who's systematically eliminating his competition.
Cable Raju is a slum dweller who works as a cable operator; Saroja is a prostitute; Ramulu is a debt-ridden weaver from Sircilla; Vivek Chakravarthy is an upcoming rock star; Raheemuddin Qureshi is a Muslim from Old Basti in Hyderabad. The stories of these five characters are interwoven into one.
When bored courtesan Zelie de Chaumet begs her lover, the corrupt and powerful Stetz, to take her slumming, the pair encounter Pierre Boucheron, alias 'The Rat' , boy-king of the Paris underworld, and the innocent Odile. Love, life and jewels are risked and lost in this powerful romantic melodrama as the four characters' lives are changed by this chance encounter for ever.
It's San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society's reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.
A group of juvenile delinquents live a violent and crime-filled life in the festering slums of Mexico City, and the morals of young Pedro are gradually corrupted and destroyed by the others...
Glossy melodrama starring Lana Turner as a young woman from Kansas who moves to New York, becomes highly successful at a prestigious modeling agency, and falls in love with a married man.
Melodrama about the professional and romantic problems of an aspiring singer.
In 1997, before the visit of the pope to Rio de Janeiro, Captain Nascimento from BOPE (Special Police Operations Battalion) is assigned to eliminate the risks of the drug dealers in a dangerous slum nearby where the pope intends to be lodged.
In this tearful crime melodrama, a waitress becomes so taken with her dream of living in posh luxury and comfort that she leaves her honest boyfriend the district attorney to take up with a notorious gangster who lavishes her with stolen furs and fabulous diamonds. She has no idea that the crook is only using her as a pawn in his scheme to learn the DA's secrets. When she finally does learn the truth, she gives up her life for truth, justice and love.
Davis and Rains shine in a romantic melodrama set in the world of concert music. Davis is a pianist torn between her wealthy, jealous patron and her cellist husband.
A neglected and unloved orphan raised by poor relatives in the slums of Manila is wrongfully convicted of murder that resulted from a heist he was compelled to join. Unable to prove his innocence and his minor age, he is thrown into the cruel, perilous and horrifying world of death row where he is introduced to other inmates all awaiting their execution by lethal injection. One of them is a 70-year-old man who detests the jungle of jail and is feared by all the convicts. He would serve as the boyâs protector and savior and in the process touch and shape enormously the violated youthâs life in prison and beyond.
A prominent New York doctor (Kay Francis), unable to have a child, discovers her philandering husband (Warren William) has impregnated her best friend (Jean Muir). Director William Keighley's 1934 melodrama also stars Verree Teasdale, Emma Dunn, Phillip Reed, Louise Beavers and Ann Shoemaker.
Melodrama set in Victorian Brighton. Scheming pub landlady uses the timorous son of a domineering pharmacist to assist in the poisoning of her drunkard husband. (The title is from the way pharmacists used to wrap parcels containing poison).
Situated just above the awe-inspiring Ipanema beach in Rio is the Cantagalo slum. Every day, floods of Cantagalo residents make their way down the mountain, only to disappear into their surroundings as part of the invisible working-class that cleans apartments, works in restaurants, and sells food along the scenic, sun-drenched shores. Young Dé (Thiago Martins) is just such a man. Dé lives with his mother Bernadette (Cyria Coentro) in a cramped Cantagalo apartment, selling hot dogs on the beach in order to make the rent. His brother Beto was killed when Dé was just a young boy, and his adopted brother Carlão (Rocco Pitanga) has been jailed for a robbery that he didn't commit. One day, while working on the beach, Dé meets Nina (Vitória Frate). Nina is the only child of a successful lawyer named Evandro (Paulo César Grande), who's none to happy to discover that his daughter is dating a member of the lower class. How...
Linda Darnell plays a beautiful Russian peasant in this moody Sirk melodrama, based on Chekhov's "The Shooting Party." Trying to pull herself out of serf-ish poverty, she works her charms on an engaged aristocrat (George Sanders) with tragic results.
Vivian's family are penniless nomads, moving from one cheap flat to another in Beverly Hills so she and her brothers can attend the city's schools. Uncle Mickey sends them money to survive. When Mickey's daughter Rita runs away from an asylum, Vivian's dad offers shelter to her if Mickey will pay for a plush flat. Vivian must babysit her adult cousin, making sure she gets to nursing school and avoids pills and booze. But Vivian has her own problems: she's curious about sex, likes an older neighbor kid, has inherited her mother's ample breasts, and wants a family that doesn't embarrass her. Can she help Rita, keep Uncle Mickey happy, and feel OK about her body and her family?
Somsri is a teacher in one of Bangkok's slums, teaching the slum kids as best she can in a beat up old building with no budget for equipment or books etc. At the time the film was made (or is set), 1/5th of Bangkok's population was apparently living in slums. Somsri is also the leader of a slum committee, organized primarily to fight the property development company that is trying to evict the people from their homes. Somsri is idealistic, proud and strong-headed and determined to organize the residents and fight the company every step of the way. Unfortunately, many or most of the residents are reluctant to fight, accepting the idea that as slum people they have no rights and can't possibly win against a big corporation. The fight is a difficult one as the company is not afraid to use nasty tactics against the people that stand in the way of their profits.
George Sanders stars in this engrossing melodrama about a very domineering sister who holds a tight grip on her brother -- especially when he shows signs of falling in love.
An elderly businessman (Frank Morgan) plans what he thinks is an innocent night on the town while his wife is away. Instead, he finds himself involved in a showgirl's murder.
action melodrama
Two yuppies play mean tricks on one another until one joke has fatal consequences.
The film features the leading actress Greta Garbo as Yvonne, an artist's model. Other stars include Robert Montgomery, Lewis Stone, Marjorie Rambeau and Judith Vosselli. It is a romantic melodrama, portraying a Parisian belle with a past returning to haunt her. The film is the only one where Montgomery played opposite Garbo.
The life of comedienne Fannie Brice, from her early days in the Jewish slums of the Lower East Side, to the height of her career with the Ziegfeld Follies, including her marriage to and eventual divorce from her first husband, Nick Arnstein.
In this morbid Nazi sanctioned pro-euthanasia melodrama, a successful doctor is forced to make a heart wrenching decision after his beautiful young wife is diagnosed with multiple sclerosis.
A tough slum girl faces a crisis of the heart when the boy she loves is accused of shooting her cop father. Her brother stalks the accused slayer and finally shoots him down in the street. Mary rushes to the hospital and offers her blood for a life-saving transfusion, even though she thinks she'll die.
Vénus aveugle (Blind Venus) is a 1941 French film melodrama, directed by Abel Gance, and one of the first films to be undertaken in France during the German occupation. Although the film is not set in any specified period, Gance wanted it to be seen as relevant to the contemporary situation in France. He wrote, "...La Vénus aveugle is at the crossroads of reality and legend... The heroine ... gradually sinks deeper and deeper into despair. Only when she has reached the bottom of the abyss does she encounter the smile of Providence that life reserves for those who have faith in it, and she can then go serenely back up the slope towards happiness. If I have been able to show in this film that elevated feelings are the only force that can triumph over Fate, then my efforts will not have been in vain."
Tracy, an aspiring designer from the slums of Chicago puts herself through fashion school in the hopes of becoming one of the world's top designers. Her ambition leads her to Rome spurring a choice between the man she loves or her newfound success.
Hoda is a famous dancer who gives up the spotlight to marry and start a family with Mamdouh, a handsome young doctor who is just beginning his career. When Mamdouh's scheming Italian head nurse Yolanda sets her sights on Mamdouh, Hoda's jealousy drives her to drink, ultimately endangering everything she holds dear. An enchanting example of Egyptian melodrama at its finest.
In the slums of the upper West Side of Manhattan, New York, a gang of Polish-American teenagers called the Jets compete with a rival gang of recently immigrated Puerto Ricans, the Sharks, to "own" the neighborhood streets. Tensions are high between the gangs but two kids, one from each rival gang, fall in love leading to tragedy.
In Osaka's slum, youth without futures engage in pilfering, assault and robbery, prostitution, and the buying and selling of identity cards and of blood. Alliances constantly shift. Tatsu and Takeshi, friends since boyhood, reluctantly join Shin's gang. Shin's an upstart and moves his gang often to avoid the local kingpin. Hanoko is a young woman with ambitions: first she's in the blood business with her father, then she joins forces with Shin. She soon breaks off that partnership, even though she's taken the sensitive Takeshi under her wing. Double crosses multiply. Those with the closest bonds become each others' murderers.
In this crime melodrama, a Swiss woman finds herself unwittingly involved in a plot to steal from her employer, a London diamond merchant. Her boyfriend is behind the scheme. First he sends two accomplices disguised as German jewelers to see the boss. He is not fooled by their ruse and is killed while the woman is knocked unconscious. She awakens with amnesia and begins aimlessly wandering the London streets. Thinking that his girl has squealed to the police, her boy friend begins scouring the town to find her. Meanwhile, she is taken in by a boxer who returns to the ring to win the money needed to get her out of the country. Trouble ensues when her lover finally finds her after the match and begins beating on the exhausted fighter.
A portrayal of the lives of the people living in North Madras, focusing on the politics inside the slums and how their plight remains the same, despite the political class luring them constantly during elections.
The inspirational portrayal of Mother Teresa, a simple nun who became one of the most significant personalities of the 20th Century. Armed with a faith that could move mountains, Mother Teresa followed her calling to help the poor, the lepers, the dying and the abandoned children in the slums of Calcutta, challenging many authorities - including the church - along the way.
In the back country of South Africa, black minister Stephen Kumalo (Canada Lee) journeys to the city to search for his missing son, only to find his people living in squalor and his son a criminal. Reverend Misimangu (Sidney Poitier) is a young South African clergyman who helps find his missing son-turned-thief and sister-turned-prostitute in the slums of Johannesburg.
This is a bizarre film, almost completely melodramatic. The screenplay by Howard Koch is based on the 1941 Pulitzer Prize-winning novel of the same title by Ellen Glasgow.Completed in 1942 after the US had joined the war, the film was disapproved in 1943 for foreign release by the wartime Office of Censorship, because it dealt truthfully with racial discrimination as part of its plot. It was Huston's second movie and as he put it: âIt was the first time [in an American film], I believe, that a black character was presented as anything other than a good and faithful servant or comic relief.â.
19-year old Ah Loong is in charge of a street stall selling pirated VCDs. Ah Loong is an incurable romantic with a unique hobby â he loves to read and write poetry. Quite content to carry on being the Romeo of the slums, Ah Loong's life takes on a sudden change one day when a 16-year old Malay schoolgirl arrives at his stall in search of Wong Kar-Wai films.
Cahiers du cinéma critic Serge Daney asks whether The Kingdom of Naples is "leftist fiction, kitschy melodrama, photo-roman, a decadent chronicle of a city, opera in a minor key, or simply the first realistic narrative film by Schroeter?" It is all of these and more: an epic chronicle of proletarian family life in Naples from 1943 to 1972 that brilliantly captures the wretched poverty, overwrought passions, and political, religious and economic upheavals of Sicily across two generations. Schroeter assimilates neorealist aesthetics and class sympathies with the tempestuous excesses of popular melodrama, borrowing freely from Rossellini, Pasolini, Visconti, Brecht, and Rossini. (Facets)
A hip and happenin' all girl rock group head to LA to claim lead-singer Kelly's inheritance and make it (and make it) in LA. Soon the girls fall into a morass of drugs and deceit as their recording success soars. It takes several tragedies to make them stop and think... but is it too late?
Allah Ke Banday tracks the journey of two boys who commit their first murder at the age of 12. Sent to Juvenile Prison, they return to take over the vast slums where they grew up
When a hard-working machinist loses a promotion to a Polish-born worker, he is seduced into joining the secretive Black Legion, which intimidates foreigners through violence.
The film tells the story of Ramón Antonio Brizuela, who since childhood has to deal with rampant violence and the drugs, sex and petty thievery of a Caracas slum. Starting with delinquency, Ramón moves on to serious gang activity and robberies. He grows into a tough, self-confident young man who is hardened to violence. His views change when his fiancée's brother is killed in a robbery.
In Spain of the 1960s, a poor family of quinquis - a nomadic ethnic group with a tradition as old as that of the gypsises of Spain but with even more obscure origins - have a nomadic life marked by poverty. The son, Eleuterio Sánchez Rodriguez, nicknamed "El Lute", steals some chickens and is condemned to six months in jail. El Lute moves to the slum outskirts of Madrid with his common law wife, Chelo, starting an itinerant life as a peddler of pots and pans and living in a quinqui shantytown. He gradually embarks upon as life of petty criminality, eventually participating in the theft of a jewelry store during which a bystander is killed.
Set in 1870's New York, a spinster heiress is courted by a much younger, penniless man, much to the chagrin of her over-protective father, and must decide whether to spend the rest of her life alone, or marry a man who is interested in her only because of her inheritence.
A modern day witch uses spells and magic to get men to fall in love with her, in a tribute to 1960s pulp novels and Technicolor melodramas.
After the Portuguese government demolishes his slum and relocates him to a housing project on the outskirts of Lisbon, 75-year-old Cape Verde immigrant Ventura wanders between his new and old homes, reconnecting with people from his past.
Deemed "the D.W. Griffith of Turkish Cinema," Omer Lutfi Akad directs this 1952 film based upon real events that took place in Ä°stanbul, in the following years of World war II. It is about a love triangle that led to homicide. It was a stylistic departure of what otherwise had been typical of Turkish melodramas of the time.
Bhoothnath Returns takes Bhoothnath's story forward. As he returns to 'Bhoot World' he is greeted with taunts and condemnation from other ghosts for bringing disrepute to the ghost-community for getting bullied by a kid on Earth. Post the humiliation, Bhoothnath decides to redeem himself and come back to scare a bunch of kids. Bhoothnath's search for kids brings him to Akhrot, a slum kid who is also the only person who can see him. Together they agree to help each other and their friendship sees them get involved in a cause that is bigger than they had ever imagined. To move ahead they will need to take on one of the country's most powerful and corrupt politician Bhau. Bhoothnath Returns is an entertaining tale of good against evil, weak against powerful, past against future.
Nesibe lives with her parents on the outskirts of Istanbul; the family is poor, and her consistently unemployed father often takes out his frustration on the rest of the family. Nesbibe knows that there has to be something more to life, and she finds itâat the movies. As she recalls her childhood and adolescence, her own memories merge with scenes from the dozens of musicals, melodramas and romances she saw to fill her days and to escape the desperation of her home life. But as she moves into adulthood, the contradiction between Nesbibeâs cinematic dream life and everyday reality starts to affect her in unexpected ways. Based on a novel by co-director Füruzan, My Cinemas avoids sentimentality and movie nostalgia to show how, in its own way, the cinema can become a kind of trap.
After a bloody invasion of the BOPE in the High-Security Penitentiary Bangu 1 in Rio de Janeiro to control a rebellion of interns, the Lieutenant-Colonel Roberto Nascimento and the second in command Captain André Matias are accused by the Human Right Aids member Diogo Fraga of execution of prisoners. Matias is transferred to the corrupted Military Police and Nascimento is exonerated from the BOPE by the Governor.
Cousins James and Robert are in love with Susanna. When Robert and Susanna announce their engagement, James vows to ruin their happiness.
Vaanam features five different stories of five different characters. All five stories run in parallel at a time and they meet at a point to find a solution which forms the climax. Cable Raja who works as a cable operator is a happy go lucky chap who aspires to become rich by marrying a rich girl Pooja. A sex worker Saroja , who is run away from a brothel house and plans to lead her own life.Chakravarthy who is not interested in joining army though he has comes from a army background family is aims to become a famous rock star and Chakravarthy starts his journey with his friends to give a live performance. Prakash Raj and his wife Zara gets discriminated for being a Muslim and plans to leave for Dubai to make a living out there. Lakshmi is desperate to get funds for her son studies and also has some debts to be cleared. As fate has it, all these characters are present in the private hospital, a group of terrorists attack the hospital.
This silent melodrama is set against the 1840s westward migration of the Mormons. Dora, a young woman, and her family are saved from an Indian attack by a Mormon community traveling to Utah. They join the wagon train. Dora is pursued by two men, one a recent convert, the other a scheming elder with a stable of wives. The Mormon elder wants her in his harem. When the mother kills herself from revulsion toward polygamy, the daughter must consider her own future and the man she loves. One of Mae Murray's few surviving films, this was intended by Robert Leonard to be a thoughtful drama about the goods and evils of Mormonism, but today it is generally considered pure anti-Mormon propaganda.
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