Main cast Robert Mitchum; Shirley MacLaine; Edmon Ryan; Elisabeth Fraser; Eddie Firestone
Genres Romance
Description Jerry Ryan wanders aimlessly around New York after giving up his Nebrascan law practice. His wife asks for a divorce. He meets Gittel, a struggling dancer from Greenwich Village and they try to sort out their lives. An extended conversation piece with a static camera, but reflects the moral climate of the time.
A woman rents a gloomy basement apartment in Greenwich Village thinking it will provide the perfect atmosphere for her mystery writer husband to create his next book. They soon find themselves in the middle of a real-life mystery when a corpse turns up in their apartment.
In this film based on a Neil Simon play, newlyweds Corie, a free spirit, and Paul Bratter, an uptight lawyer, share a sixth-floor apartment in Greenwich Village. Soon after their marriage, Corie tries to find a companion for mother, Ethel, who is now alone, and sets up Ethel with neighbor Victor. Inappropriate behavior on a double date causes conflict, and the young couple considers divorce.
This movie tells the true story of John Reed, a radical American journalist around the time of World War I. He soon meets Louise Bryant, a respectable married woman, who dumps her husband for Reed and becomes an important feminist and radical in her own right. After involvement with labor and political disputes in the US, they go to Russia in time for the October Revolution in 1917, when the Communists siezed power. Inspired, they return to the US, hoping to lead a similar revolution. A particularly fascinating aspect of the movie is the inclusion of interviews with "witnesses", the real-life surviving participants in the events of the movie.
Pretty Melinda Howard has been abroad singing with a musical troupe. She decides to return home to surprise her mother whom she thinks is a successful Broadway star with a mansion in Manhattan. She doesn't know that her mother is actually a burnt-out cabaret singer with a love for whiskey. When she arrives at the mansion, she is taken in by the two servants who are friends of her mother's The house actually belongs to Adolph Hubbell, a kind-hearted Broadway producer who also gets drawn into the charade. Hubbell takes a shine to Melinda and agrees to star her in his next show. Melinda also finds romance with a handsome hoofer who's also in the show. All is going well for Melinda except that she wants to see her mother who keeps putting off their reunion.
Beautiful, sophisticated women are all over Oscar Grubman. He is sensitive and compassionate, speaks French fluently, is passionate about Voltaire, and thinks the feature that tells the most about a woman is her hands. On the train home from Chauncey Academy for the Thanksgiving weekend, Oscar confides in his best friend that he has plans for this vacation--he will win the heart of his true love. But there is one major problem--Oscar's true love is his stepmother Eve. Oscar is certain that he could be a better mate to Eve than his work-obsessed father. He fails to win Eve's heart and is consequently dejected. Oscar's path to his true love is further crossed by Diane, Eve's best friend who, one night while wearing Eve's borrowed perfumed scarf, offers him temporary comfort in an unconventional tryst. For Diane, Oscar fills a void in her life. For Oscar, Diane is somewhat of a distraction, as his continued pursuit of Eve leads to an unexpected resolution.
Ginger Rogers steals the show as a selfish, snide Broadway superstar in Nunnally Johnson's Black Widow, preening, snooping, gossiping, and bestowing air kisses in equal abundance. Rogers is Carlotta Marin, a grande dame of the thea-tah, married, it would seem happily, to Brian Mullen (Reginald Gardiner). Yet at the heart of Black Widow is something grim, the death of a young, ambitious writer named Nancy (Peggy Ann Garner), who gloms onto a theater producer (Van Hefflin), who's in love with his wife, Iris (Gene Tierney, heartbreakingly lovely). Nancy's death appears to be self-inflicted, and yet as each piece of evidence--a weird suicide note, a threatening letter received in the mail--piles up, things begin to point to murder.
Musical based on The Beatles songbook and set in the 60s England, America, and Vietnam. The love story of Lucy and Jude is intertwined with the anti-war movement and social protests of the 60s.
J.R. is a typical Italian-American on the streets of New York. When he gets involved with a local girl, he decides to get married and settle down, but when he learns that she was once raped, he cannot handle it. More explicitly linked with Catholic guilt that Scorsese's later work, we see what happens to J.R. when his religious guilt catches up with him.
After total humiliation at her thirteenth birthday party, Jenna Rink wants to just hide until she's thirty. With a little magic, her wish is granted, but it turns out that being thirty isn't as always as awesome as she thought it would be!
As Constance (Natasha Richardson) and Nina (Toni Collette) gather at the deathbed of their mother, Ann (Vanessa Redgrave), they learn for the first time that their mother lived an entire other lifetime during one evening 50 years ago. In vivid flashbacks, the young Ann (Claire Daines) spends one night with a man named Harris (Patrick Wilson), who was the love of her life.
A Russian circus visits the US. A clown wants to defect, but doesn't have the nerve. His saxophone playing friend however comes to the decision to defect in the middle of Bloomingdales. He is befriended by the black security guard and falls in love with the Italian immigrant from behind the perfume counter. We follow his life as he works his way through the American dream and tries to find work as a musician.
Jack's lavish, fast-paced lifestyle changes one Christmas night when he stumbles into a grocery store holdup and disarms the gunman. The next morning he wakes up in bed lying next to Kate, his college sweetheart he left in order to pursue his career, and to the horrifying discovery that his former life no longer exists. As he stumbles through this alternate suburban universe, Jack finds himself at a crossroad where he must choose between his high-power career and the woman he loves.
Harold Fine is a self-described square - a 35-year-old Los Angeles lawyer who's not looking forward to middle age nor his upcoming wedding. His life changes when he falls in love with Nancy, a free-spirited, innocent, and beautiful young hippie. After Harold and his family enjoy some of her "groovy" brownies, he decides to "drop out" with her and become a hippie too. But can he return to his old life when he discovers that the hippie lifestyle is just a little too independent and irresponsible for his tastes?
Sean Connery attempted to make a clean break from his "James Bond" image in the boisterous comedy A Fine Madness. Connery plays Samson Shillitoe, a Brendan Behan-like poet with a mile-wide misogynistic streak. Try as he might to complete his latest masterpiece, Shillitoe is constantly interrupted by the women in his life. Driven to a nervous breakdown, he seeks help from the medical establishment -- and ends up a babbling shell of his former self. The film takes scattered potshots at a repressive society that forces the truly creative among us into near-madness; at times, it is sidesplittingly funny, though never quite as potent as the Elliot Baker novel upon which it is based. Sean Connery is brilliant, but the public wanted James Bond to behave himself, thus the film didn't do as well at the box office as it should have.
Around the turn of the century, two young men, Johnnie Bennett, a composer and Steve Adams, an artist, go to New York City to make their fortune. They both fall in love with the same girl, Patricia O'Neill. The artist paints a picture of her which outrages her father's sensibilities; but, as a result of the picture, she wins a chance to star in a Broadway play. She soon learns that the artist is just a trifler; and she turns to the composer, who loves her sincerely
A young couple marries in secret. Judy's afraid her parents won't approve of Dick and she'll lose her generous allowance. Her parents bring her home from the city where she's been studying art and encourage the attentions of Tom, a persistent suitor. Judy and her jealous husband have an argument that leads her back to the city, a drunken, amorous Tom, and tragedy.
The comfortable and amiable Daniel Boone Brown, a resident of New York's water front, becomes the victim of a mad scientist's psychological experiments. For days, Dr. Ulrich Metz messes up Daniel's life, bringing on failing health, restless sleep, a nervous and irritable disposition, tardiness for work, and superstitions that cause worry and fear. Several months into the ordeal, one of Metz's minions, hired as Daniel's livery, feeds him a midnight snack of spring onions, lobster, Welsh rarebit and mince pie. We see the contents of his stomach causing pain and distress; then he has vivid and surreal nightmares. Will Metz succeed in driving Daniel to suicide?
Fictional documentary about the life of human chameleon Leonard Zelig, a man who becomes a celebrity in the 1920s due to his ability to look and act like whoever is around him. Clever editing places Zelig in real newsreel footage of Woodrow Wilson, Babe Ruth, and others.
Charlie and his troublesome cousin Paulie decide to steal $150000 in order to back a "sure thing" race horse that Paulie has inside information on. The aftermath of the robbery gets them into serious trouble with the local Mafia boss and the corrupt New York City police department.
When Harry Levine, an aging, unsuccessful Greenwich Village writer is fired from his job as restaurant doorman, he calls on friend and mentor Jake, ostensibly to collect a long-standing debt. Harry solicits his opinion on his latest manuscript, a work of semi-fiction based on their longtime friendship. Although he initially denies having read it, Jake later attacks it on aesthetic grounds, and deep-seated feelings of betrayal and jealousy surface and lead to a traumatic confrontation.
Six actors portray six personas of music legend Bob Dylan in scenes depicting various stages of his life, chronicling his rise from unknown folksinger to international icon. This stylized portrait reveals how Dylan reinvented himself many times.
Around 1940, New Yorker staff writer Joe Mitchell meets Joe Gould, a Greenwich Village character who cadges meals, drinks, and contributions to the Joe Gould Fund and who is writing a voluminous Oral History of the World, a record of 20,000 conversations he's overheard. Mitchell is fascinated with this Harvard grad and writes a 1942 piece about him, "Professor Seagull," bringing Gould some celebrity and an invitation to join the Greenwich Village Ravens, a poetry club he's often crashed. Gould's touchy, querulous personality and his frequent dropping in on Mitchell for hours of chat lead to a breakup, but the two Joes stay in touch until Gould's death and Mitchell's unveiling of the secret.
An American artist living a bohemian existence in Paris, Tom Warshaw (David Duchovny) is trying to make sense of his troubled adult life by reflecting upon his extraordinary childhood.
In Greenwich Village in the early 1960s, gifted but volatile folk musician Llewyn Davis struggles with money, relationships, and his uncertain future following the suicide of his singing partner.
Charles Stoddard is a poor artist living with his wife and two children in Greenwich Village. Destitute after his wife dies, he is forced to sell one of his children to a childless rich woman. He soon comes his senses however, and tries to back out of the deal.
Since she was a child, Natalie Miller has always thought she was an ugly ducking. Despite her mother's encouragement that she will grow up to be pretty, Natalie has never believed it will happen. She rents a Greenwich Village apartment from an eccentric landlady and gets a job at the Topless Bottom Club. She rides a motorcycle to work, decorates her loft with a moose head, and rides up and down a dumbwaiter to get to her apartment. There Natalie meets David an artist, and the two have a love affair before she discovers he is married.
A prominent New York attorney defends his estranged wife's lover, who's been charged with the murder of a model in Greenwich Village. Director Worthington Miner's 1934 courtroom drama stars Ricardo Cortez, Barbara Robbins, John Beal, Margaret Hamilton, Paul Harvey, Dorothy Burgess, Sara Haden, David Durand and Irving Bacon.
Affectionate portrait of Tim "Speed" Levitch, a tour guide for Manhattan's Gray Line double-decker buses. He talks fast, is in love with the city, and dispenses historical facts, architectural analysis, and philosophical musings in equal measures. He's reflective and funny about cruising: he loves it, got in it to meet women, and he'd quit work if he could. His personal life is disclosed in small
Miles Monroe, a clarinet-playing health food store proprietor, is revived out of cryostasis 200 years into a future world in order to help rebels fight an oppressive government regime.
A man in mid-life crisis befriends a young woman after rescuing her from an attack. She believes he is rich and her boyfriend persuades her to con him out of his fortune.
Serpico is a 1973 American biopic directed by Sidney Lumet and starring Al Pacino. It's based on Peter Maas' biography of NYPD officer Frank Serpico, who went undercover to expose corruption in the force. The film and its principals were nominated for numerous awards, and together with Scarecrow, which was released the same year, it marked the big breakthrough for Al Pacino. The film was also a commercial success.
Martin Scorsese narrates this tribute to Val Lewton, the producer of a series of memorable low-budget horror films for RKO Studios. Raised by his mother and his aunt, his films often included strong female characters who find themselves in difficult situations and who have to grow up quickly. He is best remembered for the horror films he made at RKO starting in 1940. Starting with only a title - his first was The Cat People - he would meticulously oversee every aspect of the film's completion. Although categorized as horror films, his films never showed a monster, leaving it all to the viewers imagination, assisted by music, mood and lighting.
Eugene and Rick are two struggling artists who share apartment. However, Rick has problems with that, because Eugene is obsessed with pulp fiction comic books and has nightmares because of that. However, Rick soon finds that those nightmares could be excellent material for writing his own comic books.
Charley Davis, against the wishes of his mother, becomes a boxer. As he becomes more successful the fighter becomes surrounded by shady characters, including an unethical promoter named Roberts, who tempt the man with a number of vices. Charley finds himself faced with increasingly difficult choices.
Bill, a wealthy businessman, confronts his junkie daughter's drug-dealing boyfriend; in the ensuing argument, Bill kills him. Panic-stricken, he wanders the streets and eventually stops at a bar. There he runs into a drunken factory worker named Joe, who hates hippies, blacks, and anyone who is "different", and would like to kill one himself. The two start talking, and Bill reveals his secret to Joe. Complications ensue.
'We Were Here' is the first film to take a deep and reflective look back at the arrival and impact of AIDS in San Francisco, and how the City's inhabitants dealt with that unprecedented calamity. It explores what was not so easy to discern in the midst of it all - the parallel histories of suffering and loss, and of community coalescence and empowerment.
Seattle, WA EMP brings viewers inside the ground-breaking story of one man, his music and the world that embraced him with the two-hour documentary special "Jimi Hendrix Voodoo Child,"
In 1972, John Wojtowicz attempted to rob a Brooklyn bank to pay for his loverâs sex-change operation. The story was the basis for the film Dog Day Afternoon. The Dog captures John, who shares his story for the first time in his own unique, offensive, hilarious and heartbreaking way.
In "A Mighty Wind", director Christopher Guest reunites the team from "Best In Show" and "Waiting for Guffman" to tell tell the story of 60's-era folk musicians, who inspired by the death of their former manager, get back on the stage for one concert in New York City's Town Hall.
After Dr. Bill Hartford's wife, Alice, admits to having sexual fantasies about a man she met, Bill becomes obsessed with having a sexual encounter. He discovers an underground sexual group and attends one of their meetings -- and quickly discovers that he is in over his head.
Five O' Henry stories, each separate. The primary one from the critic's acclaim was "The Cop and the Anthem". Soapy tells fellow bum Horace that he is going to get arrested so he can spend the winter in a nice jail cell. He fails. He can't even accost a woman; she turns out to be a streetwalker. The other stories are "The Clarion Call", "The Last Leaf", "The Ransom of Red Chief", and "The Gift of the Magi".
Ten-year-old Gabe was just a normal kid growing up in Manhattan until Rosemary Telesco walked into his life, actually into his karate class. But before Gabe can tell Rosemary how he feels, she tells him she will not be going to public school any more. Gabe has a lot more to learn about life, love, and girls.
Lucky Luciano is one of the bosses of the Mafia. He orders the slaughter of 40 other responsibles, therefore becoming the only boss. But a few years later he is put into jail. In 1946, he got a pardon and is sent back to Sicilia. There, he begins becoming one of the chief of the Mafia. The US Army seems to refrain from interfering.
Eddie Dodd is a burnt out former civil rights lawyer who now specializes in defending drug dealers. Roger Baron, newly graduated from law school, has followed Eddie's great cases and now wants to learn at his feet. With Roger's idealistic prodding, Eddie reluctantly takes on a case of a young Korean man who, according to his mom, has been in jail for eight years for a murder he did not commit.
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