Vivre Sa Vie (1962)

Director
Jean-Luc Godard

Main cast
Anna Karina; Sady Rebbot; André S. Labarthe; Guylaine Schlumberger; Gérard Hoffman

Genres
Drama

Description
Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.


Similar movies

A pimp with no other means to provide for himself finds his life spiralling out of control when his prostitute is sent to prison.
Willie Dynamite is a pimp who operates in New York City. Willie was a big success as a pimp, but now, just as fast as he rose to the top, he has hit bottom. A former prostitute who has become a social worker tries to get Willie to clean up his life while it is still possible.
A group of 20-something blue-collar workers in Pittsburgh cook up a scheme to make extra money that involves prostitution. Their business takes off, then gets way out of hand.
A call girl goes to a priest to confess a sin she hasn't committed yet: she plans to kill herself on her next birthday. Then she disappears and he goes looking for her, enlisting the help of an ad hoc congregation of troubled souls along the way. A story about forgiveness.
Isabelle, a 17-year-old student, loses her virginity during a quick holiday romance. When she returns home, she begins a secret life as a prostitute for a year.
Out of jail for a crime she did not commit, Madelon turns to prostitution and thievery to send her illegitimate son to medical school.
Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
Before Slumdog Millionaire came Salaam Bombay!, Mira Nair’s Oscar-nominated drama tells the moving story of life on the streets of Bombay as seen through the eyes of Chaipu, a twelve-year-old boy living rough in the city.
A journalist tries to balance the duties of marriage and motherhood while researching a piece on college women who work as prostitutes to pay their tuition.
A good-looking but naive lad leaves his mountain village to try and make his way in Paris. He thinks maybe he will try acting but things don't go too well for him. Eventually he is forced to sell himself to men and though he meets an attractive girl she is herself a prostitute with a vicious pimp.
Yeo-jin and Jae-yeong are two teenage girls who are trying to earn money for a trip to Europe. To reach this end, Jae-yeong is prostituting herself while Yeo-jin acts as her pimp, setting her up with the clients and staying on guard for the police. Things take a turn for the worse when Yeo-jin gets distracted from her duty and the police raid the motel where Jae-yeong is meeting with a client. To avoid getting caught, Jae-yeong jumps out of a window, fatally injuring herself.
A peerless chronicler of the soul who specialized in supremely emotional, visually exquisite films about the circumstances of women in Japanese society, Kenji Mizoguchi had already been directing movies for decades when he made The Life of Oharu in 1952. But this epic portrait of an inexorable fall from grace, starring the astounding Kinuyo Tanaka as an imperial lady-in-waiting who gradually descends to street prostitution, was the movie that gained the director international attention, ushering in a new golden period for him.
Kelly, a prostitute who wants to transform her life, beats up her pimp, takes the 75 dollars he owes her, and leaves town. Winding up in the small town of Grantville, she turns a trick with Griff (Anthony Eisley), who is actually the sheriff. After paying her for sex, Griff tells Kelly that Grantville is a clean town and orders her out, though he refers her to a brothel in a neighboring city. Instead, Kelly makes a final break with her past and becomes a nurse's aide at the local children's hospital. In that capacity, she meets Grant (Michael Dante), who is a benefactor of the hospital, a descendant of the town's founder -- and Griff's best friend. As Grant and Kelly fall in love, Griff viciously accuses Kelly of using her hospital job to hide ongoing illicit activities. When Kelly tells Grant about her past, he seems to accept her without reservation and proposes marriage; however, Kelly soon learns the perverse truth about her fiancée and takes matters into her own hands.
Aileen Wuornos is an emotionally scarred highway hooker who shoots a sadistic trick who rapes her and ultimately becomes America's first female serial killer. The film, based on a true story, centers more on the surrounding circumstances than on the murders.
This is the story of Samantha Horton, a former Texas homecoming queen and physical therapist. When both she and her husband, Rex, are laid off from their jobs, Samantha accepts an offer to work at a massage studio in a nearby town, not realizing that the other staff members are actually prostitutes who service a clientele of wealthy and powerful businessmen. Eventually realizing what goes on behind closed doors, but desperate to provide for her family, Samantha goes along for the ride. But when the police raid the business and Samantha is arrested, she ends up as a key witness in the case — putting high-profile johns in handcuffs and bringing a small Texas town to its knees.
This melodrama investigates the life of a prostitute in a pseudo-documentary style.
Joanna Crane lives a double life. During the day she works as fashion designer but during the night she is the high class prostitute China Blue. As she is accused for industrial spying, Bobby Grady is hired to shadow her. However, they fall in love. Meanwhile a psychopathic preacher starts stalking her.
A collection of sketches on prostitution through the ages. 1) "The Prehistoric Era": A caveman discovers that a cavewoman is more attractive when cave paint is applied to her face. And she can earn more seashells that way. 2) "Roman Nights": The Emperor goes out seeking a little nocturnal amusement, only to find that the high-priced, Oriental courtesan he hires is his wife, the Empress. 3) "Mademoiselle Mimi": In revolutionary France, Mimi finds that her client, the nephew of a marquis, is more interested in watching the guillotinings out her window than he is in going to bed. 4) "The Gay Nineties": When Nini discovers by accident that her antiquated customer is a banker, she pretends to be an honest woman who has fallen in love with him. She even pays him, just like a gigolo! 5) "Paris Today": Two girls pick up clients by driving around in a car...
A waifish prostitute wanders the streets of Rome looking for true love but finds only heartbreak.
The story of a young prostitute who is trying to give her infant son a good start in life, fighting against the prejudices of others and the attentions of a pimp.
A young journalist interviews an elderly woman about being forced into prostitution in Borneo at a brothel called Sandakan No. 8.
Based on true events, Lakshmi is a story of heroism and untold courage. Lakshmi, a 13 year old girl is kidnapped and sold into prostitution. Thrown into this horrific, inhuman world where she is raped and brutally beaten she barely survives with the help of the other girls and her own will to never give in. Finally she is rescued in a police raid. Against all odds, Lakshmi shows courage where everybody else fails. Resisting all pressure - violent threats, coercion and bribes, she stands up in court and in a landmark case in India, succeeds in putting the traffickers behind bars.
A gritty Brooklyn story about union corruption, violence, taboos and social norms. The stories told are of the sailors, the prostitute, the union bosses, the hooligans and the gay community set in the early 50s.
Madame Sue runs a successful Prostitute operation in the heart of NYC, and as it should happen, The Mob wants to get a piece of the action. Still, being the go ahead women they are, they decide to fight back and keep themselves independent of any outsider business influence.
A naive male prostitute and his sickly friend struggle to survive on the streets of New York City.
The gruesome death of a prostitute brings suspicion on one of her clients, James Wayland, a brilliant, self-destructive and epileptic heir to a textile fortune. So detectives Braxton and Kennesaw take Wayland in for questioning, thinking they can break the man. But despite his troubles, Wayland is a master of manipulation, and during the interrogation, he begins to turn the tables on the investigators, forcing them to reveal their own sinister sides.
Phoenix cop Ben Shockley is well on his way to becoming a derelict when he is assigned to transport a witness named Gus Mally from Vegas. Mally turns out to be a belligerent prostitute with mob ties and incriminating information regarding a high-placed figure.
A girl, Marie is led into prostitution by her pimp boyfriend, Gerard. She must not only give money to him but to the gangsters that explore him as well. Marie, together with a friend, Maloup, will try to become independent. They start to work the streets on their own but they will meet physical and sexual violence. They return to the brothels, and Marie goes back to her pimp, but Gerard has his caprices and wants more and more – he's in a spiral downwards and he's leading Marie with him. There's seems to be no escape.
A society lady engineers a marriage between her lover and a cabaret dancer who is essentially a prostitute.
An erotic poem set in the fantasies of a young male prostitute.
Madame Rosa lives in a sixth-floor walkup in the Pigalle; she's a retired prostitute, Jewish and an Auschwitz survivor, a foster mom to children of other prostitutes. Momo is the oldest and her favorite, an Algerian lad whom she raises as a Muslim. He asks about his parents; she answers evasively. As she ages and takes fewer children, Momo must do more for her; as money is tight, he tries to earn pennies on the street with a puppet. He's a beautiful man-child, and Madame Rosa makes him promise never to sell himself or become a pimp. A film editor, Nadine, befriends him, and his father appears as well. Madame Rosa reaches her last days in fear of hospitals, and Momo must act.
Group of prostitutes who rely on each other to revolt against their sinister pimps. Their bid for freedom turns much more dangerous than they ever imagined.
Akasen Chitai [Red Light District, aka Street of Shame] sadly, the very last film by Kenji Mizoguchi (Sansho Dayu, Ugetsu Monogatari) presents a vivid portrait of prostitution in 1950s Japan. In a Tokyo brothel named Dreamland an obvious irony given the faded hopes of those who work there the lives of five prostitutes intersect. Each has a very different story for how they entered the profession, but what they share is the struggle to make sense of the red light district and its cycle of exploitation. Filmed shortly before the Japanese government's introduction of an anti-prostitution bill, Akasen Chitai is a compelling study of women torn between financial necessity and questions of conscience.
After World War II, some Tokyo prostitutes band together with a strict code: no pimps, attack any street walker who comes into our territory, defend the abandoned building we call home, and punish whomever gives away sex (who falls in love). Maya, a young woman whose family has died, joins the group. Into the mix comes Shin, a thief who's killed a G.I. The women allow him to hide while recovering from wounds, but then he won't leave. Maya is drawn to him, discovering as she falls in love that she can feel again; she's now more fully human, but at the same time, she's endangered herself and her livelihood. Can she and Shin make it out of Tokyo to establish life as a couple?
Hattie (Susan Sarandon), a New Orleans hooker, meets a photographer named Bellocq (Keith Carradine) at her brothel one night and, after he photographs her, he befriends her 12-year-old daughter, Violet (Brooke Shields). When Violet is brought on as a working girl by her mother's madam and Hattie skips town to get married, Violet quickly loses her innocence and focuses on reuniting with Bellocq. But a life with Bellocq is compromised for Violet after her mother returns to town.
The plot follows the story of twin brothers, one is a coldhearted violent police officer, the other is a helpless romantic with a mental disability. The two brothers are tragically involved with a prostitute who works in the bordello that gives the film its title. The film was adapted from an eponymous novel written by Juan Marsé.
Lilya (Oksana Akinshina) lives in poverty and dreams of a better life. Her mother moves to the United States and abandons her to her aunt (Liliya Shinkaryova), who neglects her. Lilya hangs out with her friends, Natasha (Elina Benenson) and Volodya (Artiom Bogucharski), who is suicidal. Desperate for money, she starts working as a prostitute, and later meets Andrei (Pavel Ponomaryov). He offers her a good job in Sweden, but when Lilya arrives her life quickly enters a downward spiral.
Marek is a 15-year-old from a provincial village who runs away to Prague when he begins to fail at school. He is mugged shortly after arriving in the city and is rescued by Honza with the promise of work. Marek is taken to an apartment, drugged, and becomes a male prostitute. He is a bit smarter than his colleagues and teams up with a friend, David, in order to go after bigger scores – to cash in and get out. They manage to stash away a bit of money, but when it comes time to return home, Marek loses his nerve and is soon back in the city.
In Lyon, where many are unemployed, Marie is a prostitute who loves her work: she's thoughtful and exuberant toward clients old and young, slim or flabby. One night, a homeless man sleeps in the foyer of her apartment house; she gives him a hot meal, then a place on the floor to sleep by her radiator, then she offers herself. She falls in love, giving him new life, clothes, a place to live. When he grouses that he must bar hop while she uses the flat for her work, she finds them a larger flat. He grows restless, seducing a manicurist and pressing her to prostitution. He's arrested for procuring, so Marie must decide what to do; he, too, must face the consequences of his choices.
The story revolves around an orphan girl who became a prostitute to survive and finds love with one of her clients. A young woman is tricked into prostitution, thinking she's going to sell beverages at a village store. She soon learns about the dark world of Korea's red-light districts, where a prostitute is exploited by johns, their pimps and society. She befriends one of her johns, a country bumpkin, who keeps in touch with her over the years. The film is a look at Korea's prostitution from the 1970s to the 1990s told through her story.
A hospital nurse becomes an "international girl", a prostitute who caters to foreigners with hard currency.
A girl loves a rich and much older man and is willing to do everything he wants to show her love, but he is playing a sick game with her. As part of this game he sends her to a Chinese brothel. A poor young boy sees her and falls in love with her. To get the money needed to sleep with her, he joins "the revolution". Additionally the movie shows the fate of some of the other prostitutes.
The story of Heidi Fleiss, known as "The Hollywood Madam", who was the daughter of a prominent Los Angeles doctor and eventually became a prostitute for a well-known Los Angeles madam. She took over her boss' operation and soon was raking in $300,000 a month by hiring only the most beautiful and highest-class hookers and catering to wealthy Hollywood types, European and American corporate executives and Arab sheiks. Her operation was broken up by Los Angeles police in 1993, and she eventually went to prison for income-tax evasion. Written by frankfob2@yahoo.com
A broken hearted Julie comes to Mumbai to make a living,But the fast moving City will force her to take prostitution as her profession.
A sociology graduate student researches her doctoral thesis on female crime by interviewing street prostitutes. Shocked by her findings, she offers her own apartment to teenage prostitutes seeking refuge from the streets, many of whom are rejected by their parents and are dependent on their pimps.
Prostitute is the tale of two women: Sandra, an ambitious but naive Birmingham working girl who moves to London with the hope of securing wealthier patrons, and Louise, her social worker friend, who is fighting to change the antiquated and hypocritical prostitution laws. As both strive to achieve their goals, a cold dose of reality dashes their hopes, and the built-in biases against women in society are unmasked.
David, a recently fired scrapyard worker and Marie, a prostitute, both about 20 years old, meet on New Year's Eve in Berlin and decide to run away together. As David's arm is plastered from an accident Marie continues to prostitute herself to finance their restless journey through the Ruhr area. Their love and their will to survive guide them though all problems.
A coming-of-age tale centered around Hannah, a young girl who is living a troubled family life. Set in 1963, Hannah develops a fascination with Jean-Luc Godard's then-recent film "Vivre sa vie". As she begins to model herself after the film's lead role, Hannah slowly begins to explore the confusing nature of her sexuality.
In the middle of the night, someone brings Ivan's body home to his wife and his sad-faced, jug-eared son. Through flashbacks, the film discloses the relationships among Ivan and his brother Alex, a cop with a cleanliness fetish; siblings Juliette and Jimmy, Ivan's partners in a seedy nightclub; the love triangle of Alex, Juliette, and Marie, a professor of philosophy; and of Alex and his nephew, Ivan's dour, stoic son. Ivan's death changes every relationship.
During the French Revolution, a mysterious English nobleman known only as The Scarlet Pimpernel (a humble wayside flower), snatches French aristos from the jaws of the guillotine, while posing as the foppish Sir Percy Blakeney in society. Percy falls for and marries the beautiful actress Marguerite St. Just, but she is involved with Chauvelin and Robespierre, and Percy's marriage to her may endanger the Pimpernel's plans to save the little Dauphin
Ram Bowen and Eddie Cook are two expatriate jazz musicians living in Paris where, unlike America at the time, Jazz musicians are celebrated and racism is a non-issue. When they meet and fall in love with two young American girls, Lillian and Connie, who are vacationing in France, Ram and Eddie must decide whether they should move back to America with them, or stay in Paris for the freedom it allows them. Ram, who wants to be a serious composer, finds Paris more exciting than America and is reluctant to give up his music for a relationship, and Eddie wants to stay for the city's more tolerant racial atmosphere.
Geum-soon (Bae Du-Na), once a top-ranked volleyball player, is now a common housewife with a six-month old daughter and a clumsy husband (Kim Tae-Woo). On the first day her husband goes to work and spends the day taking care of her little daughter who never stops crying. While Gum-soon is busy cleaning her house upon hearing her parents-in-law are coming on the next day, she gets a phone call from a club that they've arrested her husband for an unpaid bill.
On a small town college campus, a philosophy professor in existential crisis gives his life new purpose when he enters into a relationship with his student.
Leslie Howard plays Sir Percy Blakeney, an 18th century English aristocrat who leads a double life. He appears to be merely the effete aristocrat, but in reality is part of an underground effort to free French nobles from Robespierre's Reign of Terror. Based on the novel by Baroness Orczy.
Un Buda follows two brothers orphaned as children when their parents were taken by the military during the "Dirty Wars" of the 1970s in Argentina. Tomas is now a drifting and withdrawn young man who experiments with ascetic practices and has an instinctive compassion for others. His older brother Rafael is a university philosophy professor, detached and alone. Their struggles with each other and the world around them in Buenos Aires take a dramatic turn when they find themselves at a rural Zen center.
Pierre, a professional dancer, suffers from a serious heart disease. While he is waiting for a transplant which may (or may not) save his life, he has nothing better to do than look at the people around him, from the balcony of his Paris apartment. When Elise, his sister with three kids and no husband, moves in to his place to care for him, Pierre does not change his new habits. And instead of dan
Marion is a woman who has learned to shield herself from her emotions. She rents an apartment to work undisturbed on her new book, but by some acoustic anomaly she can hear all that is said in the next apartment in which a psychiatrist holds his office. When she hears a young woman tell that she finds it harder and harder to bear her life, Marion starts to reflect on her own life. After a series of events she comes to understand how her unemotional attitude towards the people around her affected them and herself.
It all begins at a party in Santiago, Chile, when a seemingly innocent gesture -- the offer of a ride home -- ends in a passionate night of lovemaking and intense conversation for young singles Bruno and Daniela. Shacked up at a flea-bitten motel for a one-night stand, the pair lingers deep into the night, alternating between powerful physical encounters and an ever-deepening emotional connection.
Jerry Mulligan (Gene Kelly) is an exuberant American expatriate in Paris trying to make a reputation as a painter. His friend Adam (Oscar Levant) is a struggling concert pianist who's a long time associate of a famous French singer, Henri Baurel (Georges Guétary). A lonely society woman, Milo Roberts (Nina Foch) takes Jerry under her wing and supports him, but is interested in more than his art.
In 1924, Simone de Beauvoir, a girl with polished appearance, prepares for her final examination in philosophy and meets Jean-Paul Sartre. He seems to know her true personality and considers her the only woman worthy of his intellect. Their chaotic love serves as the premise for her magnum opus The Second Sex.

© Valossa 2015–2024