An Actor's Revenge (1963)
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In the Edo period, a nameless ronin accepts an assignment to go to a mountain pass and wait. Near the pass he stops at an inn where a collection of characters gather, including a gang set on stealing shogunate gold that's soon to come over the pass. When the Ronin's assignment becomes clear, to help the gang, he's ordered to kill the inn's residents, including a woman he's rescued from an abusive husband. He's reluctant to murder innocent people; then he learns that the gold shipment is a trap and he's part of a double cross. How he sorts through these divided loyalties tests of his samurai honor, and perhaps of his love for a woman.
A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skilful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.
A moving, nostalgic portrait of the men behind the golden age of chanbara (sword-fighting dramas and films) that goes behind the scenes of the distinctive film genre for which Japan is most famous, with dominant performance by real-life kirare-yaku Seizo Fukumoto.
Shishio's plan is enacted while Kenshin and Misao help defend the city.
A young Jeff Buckley (Penn Badgley) struggles to make peace with his late father Tim's legacy while preparing to perform at a tribute concert to the late singer-songwriter, in this stirring drama about the prelude to the tragically short-lived singer's creation of his monumental album Grace.
Peace in 17th-century Japan causes the Shogunate's breakup of warrior clans, throwing thousands of samurai out of work and into poverty. An honorable end to such fate under the samurai code is ritual suicide, or hara-kiri.
February 17 to March 3, 1860, inside Edo castle. A group of assassins wait by Sakurada Gate to kill the lord of the House of Ii, a powerful man in the Tokugawa government, which has ruled Japan for 300 years. They suspect a traitor in their midst, and their suspicions fall on Niiro, an impoverished ronin who dreams of samurai status, and Kurihara, an aristocratic samurai who befriends Niiro. Niiro longs to identify his father, knowing he is a high-ranking official who will disclose himself only if Niiro achieves samurai status. With American ships in Japan's harbors, cynicism among the assassins, and change in the air, Niiro resolves to reach ends that may prove ephemeral.
During the 17th Century roving bands of hatamoto were causing trouble in the new capital city of Edo and constantly fought with the townspeople at every turn. The leader of these ruthless samruai was Mizuno Jirozaemon, who despite his high rank was in deep financial distress, thus leading to a tragedy that shook the very streets of the city.Opposing him was Banzui-in Chobei, the âProtector of the Weakâ who was willing to put his life on the line to save the 808 districts of Edo from the 80,000 hatamoto whose violent behavior threatened to destroy the fabric of society. Starring Bando Tsumasaburo, the first great star of the silver screen along with mega-star Ichikawa Utaemon, this is a story not to be missed. Torn from the pages of history, this true story has been told many times, but never as powerfully as this!
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Ichi is a blind entertainer that travels the countryside with her traditional Japanese guitar and walking stick. Sheâs in search for the kind man that brought her up as a child, but because of her beauty she encounters problems every step of the way. Fortunately for Ichi, she is also a gifted swordswoman and carries a lethal blade within her walking stick.
When a band of assassins invade the home of their target Hei Tai they find only his lovely, innocent, bride-to-be, Nami and force upon her a cruel dilemma: either she kills her fianceeâs sister or they kill her fiancee. Trapped, and unable to confide in the person she loves most, Nami kills her fianceeâs sister and is sent to prison where she survives only by becoming as ruthless as those around her. Trained to fight by a fellow inmate, Nami develops the skills and strength to escape and sets out on a quest for revenge. After killing two of the assassins sheâs reunited with Hei Tai whoâs still unaware she killed his sister. As their love is rekindled Nami decides to abandon her crusade of vengeance when the remaining assassin finds them and tells Hei Tai what Nami did. Nami realizes she can never rest until she finds and defeats the assassinsâ employer, but now her belovedâs torn between helping her and his own personal desire for revenge.
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The Medieval and Renaissance blade, a profound and beautiful object handcrafted by master artisans of old. An object of great complexity, yet one with a singular use in mind- it is designed to kill. The truth of the sword has been shrouded in antiquity, and the Renaissance martial arts that brought it to being are long forgotten. The ancient practitioners lent us all they knew through their manuscripts. As gunslingers of the Renaissance they were western heroes with swords, and they lived and died by them. Yet today their history remains cloaked under a shadow of legend.
Vikings pillage Ireland, seeking silver and slaves, slaying men and women in the process. A young boy is spared when a Viking takes pity on him instead of killing him. Twenty years later the boy returns to Iceland take his revenge.
A childless middle-aged couple faces a marital crisis of sorts.
A suicidal American befriends a Japanese man lost in a forest near Mt. Fuji and the two search for a way out.
A diplomatic couple adopts the son of the devil without knowing it. A remake of the classic horror film of the same name from 1976.
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