Devil's Angels (1967)
Similar movies
The brother and fiancee of a dead policeman infiltrate a female-led biker gang to uncover his murderer.
Peter Fonda plays 'Heavenly Blues', the leader of Hell's Angels chapter from Venice, California while Bruce Dern plays 'Loser', his best pal. When they both botch their attempt to retrieve Loser's stolen bike, Loser ends up in the hospital. When the Angels bust him out, he dies, and they bury him. Nancy Sinatra plays Mike, Blues' "old lady" and Diane Ladd plays Loser's wife (Dern's real-life wife at the time). The plot is basically a buildup to the last half-hour of the film in which Loser's funeral becomes another wild party.
Biker gang leader Kisum (Adam Roarke) loves waitress Marcia Little Hawk (Joanna Frank). Her brother Johnnie Little Hawk (Robert Walker, Jr.), the leader of a group of American Indians disapproves. At various times these two groups are adversaries and allies. The two groups join forces but crooked businessmen scheme to have them at each other's throats again. The theme song "Anyone for Tennis" is by Cream. The Iron Butterfly are heard playing their classic "Iron Butterfly Theme." Producer Dick Clark and director Richard Rush made "Psych-Out" earlier in the year.
Restless and ready for adventure, four suburban bikers leave the safety of their subdivision and head out on the open road. But complications ensue when they cross paths with an intimidating band of New Mexico bikers known as the Del Fuegos.
A biker gang visits a monastery where they encounter black-robed monks engaged in worshipping Satan. When the monks try to persuade one of the female bikers, Helen, to become a satanic sacrifice the bikers smash up the monastery and leave. The monks have the last laugh, though, as Helen, as a result of the satanic rituals, is now possessed and at night changes into a werewolf, with dire results for the biker gang.
The "Satans" are a very cruel biker gang led by Anchor. The gang goes to a diner in the middle of nowhere in the California desert where they begin to terrorize Lew and his patrons and his waitress, Tracy. After a little killing, one of the patrons named Johnny manages to escape from the bikers into the desert. They need to reach a town before the Satans catch up to them and kill them.
A group of crazy bikers meet up with a group of drug-addicted hippies in a small town, but the two roving factions are soon at odds with one another and chaos ensues.
A black high school student is caught dating a white girl by the girl's brother. He and his biker gang beat the boy to death. The boy's brother, who is a member of a black biker gang, hears about it and comes to town to avenge his brother's death.
Mike (Tom Stern), a biker, returns to California after serving in Vietnam. He uses his war-hero experience to organize a new, united super outlaw gang. When one member is shot by police because he killed a girl at a pot orgy, an all-out cop vs. biker war results. Music by the Peanut Butter Conspiracy and the Lollipop Shoppe.
Diane McBain, who'd been a sort of star at Warner Bros. in the early 1960s, is the leading lady of The Mini-Skirt Mob. She's in charge of a fearsome (and toothsome) gang of biker chicks, even though she herself looks as though she'd go into conniptions over a broken nail. McBain's mob gets its kicks terrorizing a sweet young married couple. The film is a veritable roll-call of fading TV icons, including Jeremy Slate and Sherry Jackson; only cycle-flick veterans Ross Hagen and Harry Dean Stanton seem truly comfortable in these low-octane surroundings. The Mini-Skirt Mob is the sort of picture that used to be described as "ideal drive-in fare" back in Days of Old when there were drive-ins.
Biker film told from the woman's point of view. The heroine sets out on the road to avenge her brother's murder, toting a shotgun and meaning business.
At first gas station attendant Poet is happy when the rockers gang âHellâs Angelsâ finally accepts him. But heâs shocked when he learns how brutal they are â not even murder is a taboo to them. He gets himself in trouble when the leaderâs girlfriend falls in love with him â and he welcomes her approaches.
Two brothers have a plan on how to rob the Ceasar's Palace in Las Vegas. They join a motorcycle gang and while the others are drinking and partying outside of town, they change their clothes and head off to rob the casino. Of course, the police do not look for two well dressed criminals among the Hell's Angels.
Hell Ride is a 2008 feature film from Larry Bishop being released under the âQuentin Tarantino Presentsâ banner. The film promises to be a blood and sex-soaked tale of motorcycle revenge and retribution.
A ruthless motorcycle gang rides into a California town and terrorizes its denizens.
While in Vietnam, a GI promises his dying buddy that he'll take care of his motorcycle, "Baby", when he gets back home. After his discharge, he meets up with his dead friend's girlfriend, gets the bike, and then runs into trouble from some other bikers who don't like the idea of his having the motorcycle or the girl.
It's the lawless future, and renegade biker Harley Davidson (Mickey Rourke) and his surly cowboy buddy, Marlboro (Don Johnson), learn that a corrupt bank is about to foreclose on their friend's bar to further an expanding empire. Harley and Marlboro decide to help by robbing the crooked bank. But when they accidentally filch a drug shipment, they find themselves on the run from criminal financiers and the mob in this rugged action adventure.
Gang of bikers try to save people in a mining disaster.
The bikers are the heroes and the lawmen are the villains in this vintage action drama. The Spirits are a motorcycle club who ride the highways and country roads of Michigan; while they look rough, wear beat-up denim and favor Harley Davidsons, the Spirits are good guys at heart, more likely to help a stranger change a flat tire than rough him up. Northville Cemetery Massacre is a 1976 motorcycle exploitation film written and directed by William Dear and Thomas L. Dyke. Nick Nolte did an uncredited voice over for the film's lead actor, David Hyry.
Two couples on a picnic are attacked by a gang of vicious bikers, who beat up the men and rape the women. One of the men finds out who the bikers are, arms himself and goes after them.
These angels don't wear halos. After stomping the lights out on a couple of racist rapists, some tough biker babes take refuge in a rural commune run by a peace-loving guru who's actually a drug kingpin with a vicious gang -- and who specializes in human sacrifices.
Bikers, Nazis, Mafiosi, and the FBI all clash in this wild and wooly exploitation picture from director Al Adamson. Mark Adams (John Gabriel) is an FBI agent who has been assigned to infiltrate an organized crime ring that has obtained a set of printing plates that will allow them to produce nearly perfect counterfeit 20-dollar bills. The plates were made in Germany during World War II, and were discovered by a radical right-wing group hoping to restore the Nazi Party to power. The American gangsters are in cahoots with a group of wealthy American neo-Nazis sympathetic to the new German cause, led by fugitive war criminal Count von Delberg (Kent Taylor); the count has in turn recruited a vicious motorcycle gang, the Bloody Devils, to do his dirty work.
When hot-headed Dan out-drives the thoroughly vicious Tony in a motorcycle race and wins a brand new bike, he sets in motion a chain of events that includes one blazing gas station and a disastrous rock slide.
Angel (William Smith), an outlaw biker, sells out his gang by exposing their wild conquests to Like magazine for $10,000. With his photo on the cover, Angel skips town and tries to start over with help from sheep rancher Dan Felton (Dan Kemp). An ex-motorcycle enthusiast, Dan becomes a mentor to Angel, giving him hope for a peaceful future. But Angel must put hope aside when members of his former gang viciously attack Dan's teenage daughter.
When the leader of a vicious motorcycle gang finds a farmworker's son flirting with his woman, he beats the boy senseless, then kidnaps the farmworker's daughter.
An all-female motorcycle gang, called 'The Maneaters' hold motorcycle races, as well as terrorize the residents of a small Florida town, and clash off against an all-male rival gang of hot-riders.
An outlaw motorcycle gang is headed by two couples (Bambi Allan, Jennifer Bishop, Bill Bonner and Bryan West). The gang is badly hurt by a botched robbery and the four stars, the only survivors, eventually head to Mexico, where they have to combat a gang run by a sadistic Mexican (Rafael Campos).
A handsome devil meets a living angel.
Chi Kit worked in a stock company. One day, the stock market crashed and Chi Kit ran into bankruptcy. He called his girlfriend Siu Suen and told her everything. Siu Suen loved Chi Kit so much that she took all her savings and ran away with him to Singapore to hide away from their debts. Unfortunately, Chi Kit met a wealthy woman with an interesting proposal, and it changed everything.
In a small, US costal town with many Spanish speakers, a motorcycle gang arrives on holiday. Also in town to try to reconnect with his pregnant girlfriend, Karen, is businessman Paul Collier. Paul and a leader of the cyclists, J.J., knew each other years before, so when the gang comes upon the couple and, led by the menacing Bunny, beats up Paul and begins a sexual assault of Karen, J.J. tries to intervene: he suggests they hold cycle-riding contests, with the winner claiming Karen (he promises, sotto voce, to set her free if he wins). After the contests commence, Paul crawls away to look for help. He meets with a shrug from a cowardly sheriff's deputy; where can he turn?
Dan Saxon is an undercover cop who infiltrates a biker gang to nail the scum behind a drug-smuggling operation. In order to maintain the trust of the gang's leader, he must commit ever more dangerous and heinous crimes. Just how far 'beyond the law' will Saxon go?
Visions of a bleak, post-apocalyptic urban wasteland strewn with twisted hunks of mechanical wreckage. A rasping electronic buzz on the soundtrack. These impressions kick-start into a jarring, rapid-fire sequence of chrome, neon and showers of sparks alongside the howl of roaring motors, as boys in black leather with Be-Bop High School quiffs ride menacingly out into the night in the theatrical debut from arguably the most important director to emerge from Japan during the 80s. Completed by former punk musician Ishii for his film course graduation from Japan University in Tokyo, this raw-edged biker flick is a tour-de-force of automotive auto-eroticism. Originally shot on 16mm, Toei were so impressed by this violent counter-cultural kick-back against the anodyne fluff that typified early 80s cinema that they blew it up to 35mm for theatrical distribution.
Riding around on their motorbikes, a gang of tough women bikers are the only thing that stands between a crowd of zombies, which have been accidentally let out of their secure cave, and those still alive in the town.
A stock car driver goes undercover as the wheel man for a motorcycle gang.
Three bad boy motorcyclists get kicks raping other people's women and generally being a nuisance. When they rape a veterinarian's wife, he takes exception and pursues them, teaming up with a Cajun woman whose husband they killed. The leader of the gang, a Vietnam Vet, begins showing signs of being a few slices short of a loaf.
A gang of young people call themselves the Living Dead. They terrorize the population from their small town. After an agreement with the devil, if they kill themselves firmly believing in it, they will survive and gain eternal life. Following their leader, they commit suicide one after the other, but things don't necessarily turn out as expected...
Trouble ensues when a motorcycle gang stops in a small southern town while heading to the races at Daytona
© Valossa 2015–2024