Love in the Night (1968)
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Johnny Barrett, an ambitious journalist, is determined to win a Pulitzer Prize by solving a murder committed in a lunatic asylum and witnessed only by three inmates, from whom the police have been unable to extract the information. With the connivance of a psychiatrist, and the reluctant help of his girlfriend, he succeeds in having himself declared insane and sent to the asylum. There he slowly tracks down and interviews the witnesses - but things are stranger than they seem ...
It's a story of 29-year-old top-manager Max who is really sure he is absolutely successful. All his life is around earning and spending money. But one day he meet a girl who is from another, real, world. And his own world starts to crash down.
Australian journalist Guy Hamilton travels to Indonesia to cover civil strife in 1965. There, on the eve of an attempted coup, he befriends a Chinese Australian photographer with a deep connection to and vast knowledge of the Indonesian people and also falls in love with a British national.
Amid Europe's superwealthy jet set, lovely Leslie (Anne Arthur) feels neglected by her cheating fiancé, Logan (Charlie Hickman). She gets even by pursuing a few dalliances of her own and, in the process, falls for a gorgeous lesbian socialite (Sabrina Koch). Slip on your oversized sunglasses and slide back to the swinging '60s for director Radley Metzger's fab erotic confection, a shocker at the time of its initial release.
The Devil Wears Prada is about a young journalist who moves to New York to work in the fashion industry. Her boss however is extremely demanding and cruel and wonât let her succeed if she doesnât fit into the high class elegant look of their magazine when all she really wants to be a good journalist.
Shlomo who discovers in his son's Assaf room, women's clothing and accessories, decides to 'teach the boy a lesson'. When Assaf returns to his parents' home on a rainy night from a party, his attempts to enter home fail. His father, with the silent consent of his mother, locked the door. At present, 4 years later, Gallia turns to an investigation agency to help her find her son Assaf and bring him to Shlomo, his father who is dying of cancer. One night, at a night club in Tel Aviv, Assaf is seen performing as a beautiful transgender lady singer who goes by the name of Anna. After a few days a private nurse turns up at Shlomo's room at the hospital, sent as she claims by the insurance agency to assist Shlomo. The nurse is Anna (his son Assaf) and she manages to conquer Shlomo's heart by her charming personality and her special attitude toward life.
This movie tells the true story of John Reed, a radical American journalist around the time of World War I. He soon meets Louise Bryant, a respectable married woman, who dumps her husband for Reed and becomes an important feminist and radical in her own right. After involvement with labor and political disputes in the US, they go to Russia in time for the October Revolution in 1917, when the Communists siezed power. Inspired, they return to the US, hoping to lead a similar revolution. A particularly fascinating aspect of the movie is the inclusion of interviews with "witnesses", the real-life surviving participants in the events of the movie.
David Locke (Jack Nicholson) is a world-weary American journalist who has been sent to cover a conflict in northern Africa, but he makes little progress with the story. When he discovers the body of a stranger who looks similar to him, Locke assumes the dead man's identity. However, he soon finds out that the man was an arms dealer, leading Locke into dangerous situations. Aided by a beautiful woman (Maria Schneider), Locke attempts to avoid both the police and criminals out to get him.
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Five people - two Indian journalists, an American journalist, an Afghan guide and a Pakistani soldier who takes them all hostage - are taken on a 48-hour journey into Afghanistan in a jeep called the Kabul Express, a special and unlikely bond developing between them along the way.
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A self-serving journalist (George Sanders) uses influential women in late-1800s Paris and denies the one (Angela Lansbury) who truly loves him.
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