What a Pity About Daddy (1968)
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Baby George got into a plane crash in a jungle, stayed alive and was adopted by a wise ape. Ursula Stanhope, US noble woman is saved from death on safari by grown-up George, and he takes her to jungle to live with him. He slowly learns a rules of human relationships, while Ursula's lover Lyle is looking for her and the one who took her. After they are found, Ursula takes George to the USA.
Ki and Ka (English: Hers and His) is an Indian romantic drama film written, directed, and produced by R. Balki. The film follows a young, married couple contradicting the gender roles placed upon women and men in Indian society. It stars Kareena Kapoor and Arjun Kapoor.
After being separated for years, former lovers Macy (Sandra Ng) and Anita (Vivian Chow) are reunited at a pregnancy seminar. After sharing the accidental circumstances that led to their respective pregnancies, the two fall back in love. However, to add to the trouble caused by the fathers of their babies (Eddie Cheung and William Chan), Anita also finds herself the victim of gender discrimination at work due to her pregnancy. Will Macy and Anita make it through the obstacles in the way of their reunion, and what roles will the two to-be-fathers end up playing in the women's lives?
Megan is an all-American girl. A cheerleader. She has a boyfriend. But Megan doesn't like kissing her boyfriend very much. And she's pretty touchy with her cheerleader friends. Her conservative parents worry that she must be a lesbian and send her off to "sexual redirection" school, where she must learn how to be straight.
In Gossette (1923), Dulac experimented with and designed a number of special lenses and prisms to produce a variety of effects and multiply the expressive means which translate the characters' visions and mental states. She also reversed class and gender roles, as she made the female character Gossette come to the aid of Phillipe de Savières, falsely accused of murder, in order to save his name.
A film in three parts, focusing on the absurdity and tragedy of gender roles in modern Mumbai.
A woman and man compete in an unusual race for mayor when gender roles magically reverse.
This one-off stand-up special is a performance of Simon Amstell's stand-up show, 'Numb', which he toured to sell-out audiences around the UK and Ireland in 2012, as well as Australia and, more recently, Los Angeles, San Francisco and New York. Recorded specially for BBC Four at TV Centre, it's a stripped-down, intimate performance, with no set and minimal lighting - a painfully raw, honest and deeply funny exploration of disconnection and loneliness.
Veteran of sketch, television, and film, comedian Michael Ian Black has mastered a delivery that's equal parts dapper and deadpan, whether he's discussing the pro-choice debate or the Tilt-A-Whirl. Taped at John Jay College in New York City, Black's first comedy special for EPIX includes his wry take on the human experience, from parenting and gender roles, to guilty pleasures of all shapes and sizes.
The Warrior's Husband is a satire of the male and female roles in society set in 800 B.C.. Queen Hippolyta (Marjorie Rambeau) rules Pontus with masculine authority; in fact, it is the women of Pontus who do all the laboring, fighting, and governing. Hippolyta's husband Sapiens (Ernest Truex) is truly a sissy of the first order, and is not unlike most of Pontus' male inhabitants.
When a menacing smuggler coolly insists that best-selling author Wes Wilson take a chauffeured backseat ride with him, Wilson's charmed life explodes into a world of violence and espionage, and he learns shocking truths about two women in his life.
In this comedy, a hard-working husband loses his job and his wife becomes the bread winner. The husband feels demeaned by his new role and takes a mistress to regain his lost manhood. The chastened wife eventually returns to the daily drudgery of home so her hubby can feel important and manly again. Marital bliss ensues.
With many idea rich comic situations French director Jacques Tati uses his poetic ways and knowledge of the discrepancy between heart and technique to tell a gentle business satiric tale that won him the Oscar for best foreign film in 1959.
Two scientists are chosen as guinea pigs for a time experiment: they are placed in hibernation and should be brought back to life after three years. In the meantime, however, the World War III breaks out and life have been wiped out of the surface of the Earth. When they wake up, it turns out that not only 50 years have passed but also that they are the only living specimens of the male sex in a new, underground society composed exclusively of women.
The many hilarious characters of Little Britain are taken to the stage in this brilliant live performance by Matt Lucas and David Walliams.
The Same Difference is a documentary about lesbians who discriminate against other lesbians! The Same Difference, through a series of lesbian women stories, discusses the hypocrisy in terms of gender roles and the per formative expectations.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
A French family with two daughters, 10-year-old Laure and 6-year-old Jeanne, moves to a new neighborhood during the summer holidays. With her tomboy ways, Laure is immediately mistaken for a boy by the local kids and passes herself off as Mickaël.
This highly personal film essay demonstrates that Chinese cinema has dealt with questions of gender and sexuality more frankly and provocatively than any other national cinema. Yang ± Yin examines male bonding and phallic imagery in the swordplay and kung fu movies of the '60s and '70s; homosexuality; same-sex bonding and physical intimacy; the continuing emphasis on women's grievances in melodramas; and the phenomenon of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.
In 1995, Adina Howard made waves in the world of music with her hit song âFreak Like Me.â Never before had a solo R&B female artist made such a bold and controlling stance sexually through song. Along with becoming one of the highest selling singles and most played music videos on MTV and BET in 1995, Adina Howardâs performance allowed young women of color and future recording artist to express their sexuality without shame.
âAdina Howard 20: A Story of Sexual Liberationâ shares Adinaâs story through her own words as well as the impact that she made during the 1990s and thereafter.
Adina speaks on her relationship with Tupac Shakur, the banning of her music video from BET, landing a cameo role in the movie âWaiting to Exhale,â her encounter with legendary vocalist Nancy Wilson, working with Hollywood giants Jackie Chan and Jamie Foxx and the sudden halt to her stardom due to her comments about record exec Sylvia Rhone.
Nothing - not her father, not the church - can stop unruly Angela from being with her childhood best friend turned great love, Sara. Based on a true story, Viola di Mare, presents a uniquely engaging portrait of family, community and gender roles in a 19th century Italian village.
In the year 1716 a mysterious epidemic stickens men in the country of Japan, dropping the population of men to 1/4th of its prior state. With the drastic reduction of men, the gender roles have become reversed in Japan. Woman become the dominant members of society and males are sought out for the ability to produce children. A young man named Unoshin Mizuno (Kazunari Ninomiya) hopes to marry childhood sweetheart Onobu (Maki Horikita), but due to class differences realizes this is almost impossible. To raise his social status and also save his poor family, Unoshin Mizuno enters the Ohoku (inner chambers of the Shugun's castle) and attempts to vie among 3,000 other men for the affection of the female shogun. What Unoshin Mizuno quickly learns about the Ohoku is that the men there are all beautiful, but highly ambitious and conniving. In this environment, the 7th shogun Tokugawa passes away and the new shogun Yoshimune Tokugawa (Kou Shibasaki) takes the thrown and enters the Ohoku.
A former All-American football star (Joel McCrea), now working as a steel mill supervisor in New Jersey, falls in love with the mill owner's wealthy, very spoiled daughter (Dorothy Mackaill). This 1931 drama, directed by Lloyd Bacon, also stars Ned Sparks, Mary Carr, Robert McWade, Florence Roberts, and Clara Kimball Young.
Hard Hat Days Honky-Tonk Nights. John Travolta stars as a young man from the country who learns about life and love in a Houston bar.
In 1973, the Loud family became a television sensation of a new kind. It was long before a metal rock star showed his eccentric family on the small screen and decades before housewives had screaming matches with each other on camera in public. CINEMA VERITE tells the behind-the-scenes story of the groundbreaking documentary "An American Family," which chronicled the lives of the Louds in the early 1970s and catapulted the Santa Barbara family to notoriety while creating a new television genre: the reality TV series.
In 1950s Connecticut, a housewife faces a marital crisis and mounting racial tensions in the outside world.
Three strippers seeking thrills encounter a young couple in the desert. After dispatching the boyfriend, they take the girl hostage and begin scheming on a crippled old man living with his two sons in the desert, reputedly hiding a tidy sum of cash. They become house guests of the old man and try and seduce the sons in an attempt to locate the money, not realizing that the old man has a few sinister intentions of his own.
An independent Australian horror/drama that explores the societal norms that break down among a small group of survivors in a post-apocalyptic world. Ravenous hordes of infected zombies terrorize the survivors, but it is the horror within their own sanctuary that they must fear the most.
September is a 1987 film written and directed by Woody Allen. Allen's intention of September was to be like "a play on film," thus the great number of long takes and few camera effects. The movie does not feature Allen as an actor, and is one of his straightforward dramatic films.At a summer house in Vermont, neighbor Howard falls in love with Lane, who's in a relationship with Peter, who's falling for Stephanie, who's married with children.
Janey arrives at a silent retreat in the middle of the woods for rehabilitation, only to discover that the men who run it aren't afraid to show her what lurks beyond the trees.
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