Joy of Learning (1969)
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About a convicted murderer awaiting execution, and the bond he forms with a suicidal young woman who starts visiting him in jail every Thursday. Yu-Jung (Lee Na-Young) has now attempted her third suicide attempt. Her disdain for her mother and indifference to the rest of the world, isolates her from any chance for happiness. Yu-Jung also has an aunt named Sister Monica. Her aunt often goes to prison to meet with death row inmates. Sister Monica meets a new death row inmate, who asks Sister Monica if he could meet her niece Yu-Jung. Sister Monica asks Yu-Jung if she would counsel this death row inmate and Yu-Jung reluctantly agrees to do so.
Due to his own extreme ideals, famed swordsman Li has lost everyone dear to him. After his life is saved by a rival swordsman, Li's overwhelming pride means he forsakes the woman he loves and lets her marry his saviour. Li's only comfort is alcohol and the simple life he has now accepted. On one such journey, the lonely swordsman befriends the exceptionally skilled, yet secretive Fei who has his own pressures to contend with. The person behind Li's troubles proves to be elusive, though all the clues seem to point to the legendary 'Plum Blossom Bandit', a disguised figure whose identity has long proved elusive to the martial world.
Lagaan tells the tale of the Indian village Champaner, beset by drought and British colonialism in the year 1893. Without a drop of rain in months, the worried villagers of Champaner decide to ask the local authorities for a temporary repeal of their taxes -- the hated lagaan. Led by the heroic Bhuvan (Indian superstar Aamir Khan) they bring their plight to the military governor, Captain Russell (Paul Blackthorne). But the sadistic Russell threatens to raise the lagaan threefold, unless the villagers can beat his men at a game of cricket, in which case he'll lift taxes on the entire province for a period of three years. Bhuvan accepts the challenge, but there's a problem -- no one in Champaner knows how to play cricket. A band of misfits come to the rescue, coached by Russell's soft-hearted sister Elizabeth (Rachel Shelley), and the race is on to be ready in three months' time. An epic reworking of Victory with eye-popping song-and-dance routines.
Kao has purchased a new wife, but an enemy has paid her more money to kill him. Kao must recruit a pair of swordsmen to help defend himself and his family from his ruthless enemy. But Kao has his dark side as well. A complex early action film from master director Woo.
In the 16th century in Chosun dynasty, HWANG Jung-hak and LEE Mong-hak create the âGrand Allianceâ with the united dream of a better world. While the new leader LEE dreams of eradicating this world of all its corruption and becoming king himself, the legendary blind swordsman HWANG who had once been his comrade goes after him with the loss of his good friend at the hands of LEE. Just as the king abandoned his kingdom from Japanese invasion, the two come face-to-face inside the empty palace and begin their last battle they were destined to fight.
Arriving in Mumbai with just a backpack and a guitar, Raunaq Kaul hooks up with Surinder Bhan, who introduces him to Charlie, the owner of 'Charlie Tango' nightclub. This is where Raunaq makes his start and achieves phenomenal success as a composer virtually overnight. He quickly regresses to a life of illicit drugs, including Charas, Cocaine, Ganja, smoking, and alcohol. Unable to perform, he goes for a medical check-up with Dr. Manu Rishi Kaul, and is told that he has lost his hearing in the right ear, while the left one is only partly functional. In order to avoid deafness, he must avoid loud music as well as try and keep off drugs, alcohol and smoking, and wear a hearing-aid. Unable to focus on his work, he alienates himself, gets into an argument, which results in an accident - taking away his hearing altogether. Depressed, refusing to communicate with anyone, he prepares a padded sound-proof room with hopes of recovering his hearing...
A series of high-ranking officials are being systematically eliminated by a sleek assassin and his female assistant, and arrogant master swordsman General Choi (Jo Jae-Hyeon) is charged with putting an end to the carnage. During a previous time of political upheaval, the Clear Wind, Shining Moon martial arts school was caught in the middle and its members ruthlessly slaughtered. Top student Choi swore allegiance to the usurpers and was spared; now, his former friend, Yun (Choi Min-Soo) is exacting vengeance on behalf of the victims.
Padayappa is a 1999 Tamil film written and directed by K. S. Ravikumar. The film stars Rajinikanth, Soundarya, Ramya Krishnan, Sivaji Ganesan, Manivannan, Radha Ravi, Nassar, Senthil, Ramesh Khanna, Abbas, Preetha Vijaykumar, and Lakshmi. This was the penultimate film of Sivaji Ganesan. This is the 150th flim for Rajinikanth. The movie features a successful soundtrack by A. R. Rahman.
A noble swordsman and a one-armed swordswoman go up against the vicious Crimson Charm gang of thieves and cutthroats. The lovely and lethal Ivy Ling Po teams with the amazing Chang I for a classic tale of good versus evil in which the best man and one-armed woman wins.
Ryu is a solitary girl whose fragile appearance is in stark contrast with the double life she leads, working nights at a Tokyo fishmarket and sporadically taking on jobs as a hit-woman.Mr Nagara is a powerful impresario mourning the loss of his daughter Midori, who has committed suicide. He blames David, a Spaniard who runs a wine business in Tokyo.Mr Nagara's employee, Ishida, was silently in love with Midori and hires Ryu to murder David.A sound engineer, obsessed with the sounds of the Japanese city and fascinated with Ryu, witnesses this love story which searches the shadows of the human soul, reaching deep into places where only silence has the power of eloquence.
Legendary swordplay filmmaker Hideo Goshaâs Sword of the Beast chronicles the flight of the low-level swordsman Gennosuke, who kills one of his ministers as part of a reform plot. His former comrades then turn on him, and this betrayal so shakes his sense of honor that he decides to live in the wild, like an animal. There he joins up with a motley group who are illegally mining the shogunâs gold, and, with the aid of another swordsman, gets a chance not just at survival but to recover his name and honor.
Zatoichi is a blind massage therapist and swordsman who finds out that something troubling is taking place on the outskirts of town. After discovering who the guilty parties are -- an accomplished Chinese martial artist named Wang Kang and his youthful attendant -- Zatoichi finds them and discovers that the pair's mixed up with a dangerous bunch of terrorist samurai who murdered the boy's parents. Now, Zatoichi must step in to save the day.
Okjabre was supposed to create a film about the tenth anniversary of the Russian October Revolution yet he created a lot more than just that; through historical montages Director Eisenstein created a part documentary part intellectual film.
Empty Nest tells the story of a couple who have to struggle to find themselves after their children grow up and move out. It starts out as a fairly simple story of a couple but becomes complicated by a series of events that may or may not be occurring only in Leonardoâs mind.
Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's Elsinore was a real castle in Estonia, utilized metaphorically as the "stone prison" of the mind wherein Hamlet must confine himself in order to avenge his father's death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet's delivers his "To be or not to be" soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.
Jean-Luc Godard's poetic meditation on war, violence and defeat. The film is structured in three parts. The three segments are "Hell", "Purgatory", and "Heaven". The first segment is a montage of war images from documentary and fictional sources. The second concerns two young Jewish women attending a European arts conference in Sarajevo. The final segment concerns the after life.
Reda, summoned to accompany his father on a pilgrimage to Mecca, complies reluctantly - as he preparing for his baccalaureat and, even more important, has a secret love relationship. The trip across Europe in a broken-down car is also the departure of his father: upon arrival in Mecca, both Reda and his father are not the characters they were at the start of the movie. Avoiding the hackneyed theme of the return to the homeland, the film uses the departure to renew a connection between two generation.
The first of what Luis Buñuel later proclaimed a trilogy (along with The Discreet Charm of the Bourgeoisie and The Phantom of Liberty) about âthe search for truth,â The Milky Way (La voie lactee) daringly deconstructs contemporary and traditional views on Catholicism with ribald, rambunctious surreality. Two French beggars, present-day pilgrims en route to Spainâs holy city of Santiago de Compostela, serve as Buñuelâs narrators for an anticlerical history of heresy, told with absurdity and filled with images that rank among Buñuelâs most memorable (stigmatic children, crucified nuns) and hilarious (Jesus considering a good shave). A diabolically entertaining look at the mysteries of fanaticism, The Milky Way remains a hotly debated work from cinemaâs greatest skeptic.
Set in the 16th century AD, the movie brings to life the tale of the doomed love affair between the Mughal Crown Prince Saleem and the beautiful, ill-fated court dancer, whose fervor and intensity perpetrates a war between the prince and his father the great Mughal Emperor Akbar, and threatens to bring an empire to its knees.
As a Labrador puppy, Quill is sent to live with a couple, Isamu and Mitsuko Nii, who work as volunteers, training guide dogs (seeing eye dogs). When he grows to an adult dog, he is taken to a guide dog school, by a friendly, yet firm trainer Satoru Tawada. Although Quill is a little slower than the other dogs at the school, he seems to have an unusual 'empathy' and remarkable patience with his trainers. Tawada decides that Quill would be the ideal guide dog for Mitsuru Watanabe, but Wanatabe, a lonely and ill-tempered middle aged man, isn't as enthusiastic - he would "would rather sleep than be dragged around by a dog.". From here, the story is narrated by Wanatabe's daughter, Mitsuko, and slowly, Wantanbe is rehabilitated, venturing into the outside world, and learning, not only to trust other humans, but the animal at his side who guides him.
In PARTNER, Bernardo Bertolucci conflated his interests in psychoanalysis, nonlinear narrative, and Godard to create a uniquely avant-garde work unlike anything in his ouevre. The film is loosely based on Dostoyevsky's novel THE DOUBLE and concerns an alienated, puckish young man named Jacob (Pierre Clementi) who confronts his own double. Jacob allows his doppelganger to take over his life; the second Jacob commandeers his predecessor's theater class in the hopes of creating living theater--as a violent act of social revolution. The idea of students wreaking havoc was not an unfamiliar one in 1968, and Bertolucci refuses to take Jacob's dangerous intellectual posturing lightly. The second Jacob is a handsome killer, the first a handsome weakling who must find the courage to resist his baser self. Bertolucci matches inspired plot points with arresting images, including visual film references and the bright color schemes that would later become his trademark.
Dhadkan is about Anjali (Shilpa Shetty) who is a girl that hails from an extremely rich and influential family. Her father Mr. Chauhan (Kiran Kumar) is a renowned businessman and has many dreams for his daughter. But Anjali is in love with Dev (Sunil Shetty) who is very poor & often cannot even afford to clothe himself properly. Dev also loves Anjali, wants to marry her so has to meet her father.
A serial killer dispassionately discusses the nuts and bolts of his grisly avocation, as well as the youthful traumas which helped to mold him into a psychopath, in this disturbing independent drama from Germany, based on the true story of of Germany's most famous child murderer Juergen Bartsch who, between the ages of 15 and 19, abused, tortured and killed four schoolboys in the Ruhr region of Germany from 1962 to 1966.
Emi Ota and her friend Okiku stay briefly at a mountain inn and then return to Tokyo. Later, Nanmura, a soldier on leave, steps on an ornamental hairpin in the public bath at the inn. Emi writes to the inn saying she has lost a hairpin and, when she discovers that it injured Nanmura, returns to apologize. The longer term visitors at the inn meet together to discuss the hairpin incident. These include a grumpy Professor, a young couple Mr and Mrs Hiroyasu, and an old man staying with his two grandsons. They hope to see a romance blossom between Nanmura and Emi, after Nanmura declares that there is something almost poetic in finding a hairpin in the bath.
Grazia is a free-spirited mother-of-three married to shy fisherman Pietro and living on the idyllic but isolated island of Lampedusa in the Mediterranean Sea. She shows signs of manic depressive behavior â one moment she's laughing wildly and swimming half-naked in the sea, while the next she's curled in a ball on her bed. Out of her earshot, the adult members of her extended family vaguely discuss sending her to a facility of some sort in Northern Italy.
Rhea is the quintessential girl next door, in love with Luv Nanda, the richest, most popular boy in college. On the eve of her 18th birthday, they plan to take their relationship to the 'next level'. When accidentally she finds out Luv is not as nice as she thought he was, she decides to get mad, but to go even and bring Luv Nanda down! All in span of one night with the help of her friends. Buckle up for one crazy night as the girls discover the meaning of love, life, friendship and more...
Maanav is a struggling filmmaker who will not compromise on the script he has written. His girlfriend Ruchi, a successful film editor, arranges for him to meet film producer Nitin, who is not very convinced about Maanav's script. Maanav then suggests four stories on infidelity, woven together by a common story. The film itself echoes this structure, with four stories mingling with the main narrative
Mast is a 1999 Bollywood musical film by Indian director Ram Gopal Verma. This was the debut film for Aftab Shivdasani as a lead actor. Till then, he was recognized as a child actor.
Kittu (Aftab Shivdasani) is an arts student in Pune and is madly in love with actress and film star Malika (Urmila Matondkar). He has posters up on his wall and goes to all of her movies, and even fantasizes that she is there with him when he is watching these items. His father concerned with his son's declining exam scores, confronts Kittu on his obsession and tears down the posters. To Kittu, this is almost as bad as murder and decides to move out and away to Mumbai, where the star, herself, lives.
A wife charges her husband with sexual battery. He escapes from the police and goes into hiding. Three years pass, she divorces him and tries to put the pieces of her life back in order when suddenly he returns. Obsessed with rage and hatred, he kidnaps her and brings her to a house in remote wooded area. There he disciplines her vehemently, subjecting her to increasingly shocking forms of sexual torture, tetherings, suspensions and humiliations. Astonishingly, through the rage and lust, the pair develop a relationship that pushes the boundaries of lurid passions and perverse obsessions
Provoked is the true story of Kiranjit Ahluwalia, a Punjabi woman who moved to London after her marriage with Deepak Ahluwalia. Her husband seemed caring at first but then began to beat her up. He started drinking a lot and sleeping around with other women. he also subjected her to spousal rape. After ten years and having two children with him, out of fear, she sets him on fire.
Beautiful PR woman Maria finds herself trapped in the home of the sinister and troubled Dr Sayer, where she is subjected to a series of increasingly bizarre, terrifying and degradating sex games. Sayer admits that he has murdered several women after the same ordeal, always killing them at the point of orgasm. But all is not what it seems, and this is revealed to be the fantasy of a troubled man. Sayer finds salvation in Maria and falls for her, only for her to turn the tables on him and ultimately reveal that she too is not what she seems.
On a sight-seeing road trip of India, U.K. based Manav Mehta meets Mansi, the daughter of a singer, Tarababu. He is attracted to her, and makes his attraction known. She also is attracted to him eventually. Her dad approves of Manav, and both go to Bombay to meet his family. On their arrival itself, they are shunned and treated as second class citizens, and this lasts throughout the day.
A young, naive heiress, in custody of a martinet and flamingly feminist aunt is forced into a 'marriage of convenience' with an unemployed cartoonist in an attempt to save her millions - a move orchestrated by the scheming aunt. However, in the course of her ostensibly married life, she learns the true meaning of marriage and the deep significance of being an Indian wife, much to the dismay of her aunt, who, in adherence to her wayward beliefs, has been trying to instill every kind of anti-male sentiment in her niece's ingenuous mind.
Few Indians are aware of the number of suicides that occur in Indian Hostels as a result of the phenomenon termed as 'Ragging'. This sadistic practice has become a ritual wherein students are beaten up, stripped, paraded naked, starved, tortured, molested and even raped by their seniors. Since victims of ragging find it humiliating to report sexual abuse to their parents or others, most ragging-related crimes go unreported. Sadly, these very students - who suffer silently at the hands of their seniors - in turn vent their frustrations by ragging their juniors in the following years. Thus, this cruel practice continues year after year and has claimed (and is still claiming) the lives and careers of innumerable students. The film 'Hostel' is a shocking eye-opener about this evil practice and is a wake-up call for all of us
Teacher and novelist François Bégaudeau plays a version of himself as he negotiates a year with his racially mixed students from a tough Parisian neighborhood.
Laura (Florencia Colucci) and her father Wilson (Gustavo Alonso) arrive at a cottage off the beaten path in order to repair it since its owner (Abel Tripaldi) will soon put the house on sale. They will spend the night there in order to start the repairs the following morning. Everything seems to go on smoothly until Laura hears a sound that comes from outside and gets louder and louder in the upper floor of the house. Wilson goes up to see what is going on while she remains downstairs on her own waiting for her father to come down. The plot is based on a true story that occurred in the 1940s in a small village in Uruguay. La casa muda focuses on the last seventy eight minutes, second by second, as Laura tries to leave the house unharmed and discovers the dark secret it hides.
Twelve-year-old Noura dangles uncertainly in that difficult netherworld between childhood and adulthood. His growing libido has gotten him banned from the women's baths, where his mother took him when he was younger, but he's not yet old enough to participate in grown-up discussions with the men of his Tunisian village. Noura's only real friend is a troublemaker named Salih -- the village political outcast.
There are breakpoints in the history, the result of a single event may change the whole course. In 1909, an assassination attempt of a Japanese governor fails. Now, in 2009, Korea is just another state of Japan's Empire & Seoul has become a major city. A Korean resistance group fights for liberty, independence & the restoration of true history. Two cops, Japanese & Korean, investigate the group.
The film picks up six years after the death of Trife (Aml Ameen) from the first film with the release of Sam (Noel Clarke) from jail where he has been for the past six and a half years for killing Trife. After being released, he goes to the cemetery where he visits Trife's tombstone where he is attacked by Trife's cousin.
Boeun (Moon Geun Young) is an ordinary high school girl who worries about grades and has a crush on her school's baseball team ace, Jungwoo. One day, Boeun's grandfather orders her to marry Sangmin (Kim Rae Won) because of a pact he made with Sangmin's grandfather during the Korean War. Despite the grandchildren's opposition, they are forced to marry because of Boeun's grandfather's strong influence. She pretends that she doesn't have a husband and starts dating Jungwoo. Everything goes smoothly until Sangmin visits Boeun's school as a student teacher. There a teacher called Miss.Kim flirts with Sangmin and she later finds out that Sangmin and Boeun are married.
Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.
A young boy from a working-class family and a bored young girl from a rich family are falling in love. Soon, she's pregnant and the teenagers have to escape from their disapproving parents.
Two brothers get into a sudden tragic accident and they both fall into a coma at the same time. A year later, the younger brother Dae-jin wakes up believing he is his older brother Ho-jin.
The memories of Guiga, from early childhood to young adulthood: his family, relatives, friends, fears, dreams and reality in a still provincial city of Salvador, Bahia, from the 50s to the 70s.
Hyeong-gu (Ha Jung-Woo), a young Korean, visits Japan by boat three or four times a month to help with middle-aged Bo-gyungâs smuggling business. It is always Tooru (Satoshi Tsumabuki), a young Japanese man, who welcomes him there. Hyung-gu and Touru sacrifice themselves for the sake of their families, money, and friendship. One day, Bo-gyung orders them to kidnap a woman named Ji-su (Cha Su-Yeon) and take her to Japan, and this changes their future in an unexpected way.
The fashionable Hye-joo is focused on her career at a brokerage house. She's making a decent living, but her co-workers look down on her. Tae-hee is sick of living under the thumb of her domineering father. She spends her time doing volunteer work for a poet with cerebral palsy. Sullen Ji-young lives in poverty with her grandparents and struggles to find work. The girls, close friends in high school, find themselves drifting apart as their adult lives begin to take shape.
In the aftermath of the Spanish Civil War, Ana, a sensitive seven-year-old girl in a rural Spanish hamlet is traumatized after a traveling projectionist screens a print of James Whale's 1931 "Frankenstein" for the village. The youngster is profoundly disturbed by the scenes in which the monster murders the little girl and is later killed himself by the villagers. She questions her sister about the profundities of life and death and believes her older sibling when she tells her that the monster is not dead, but exists as a spirit inhabiting a nearby barn. When a Loyalist soldier, a fugitive from Franco's victorious army, hides out in the barn, Ana crosses from reality into a fantasy world of her own.
José Ferrer won the Oscar for Best Actor for his portayal of the swordsman-poet using his silver tongue to woo the woman he loves for another man. Cyrano de Bergerac is a play written in 1897 by Edmond Rostand. Although there was a real Cyrano de Bergerac, the play is a fictionalization of his life that follows the broad outlines of it. The entire play is written in verse, in rhyming couplets of twelve syllables per line, very close to the Alexandrine format, but the verses sometimes lack a caesura. It is also meticulously researched, down to the names of the members of the Académie française and the dames précieuses glimpsed before the performance in the first scene. The play has been translated and performed many times, and is responsible for introducing the word "panache" into the English language.
As her marriage dissolves, a Manhattan writer takes driving lessons from a Sikh instructor with marriage troubles of his own. In each other's company they find the courage to get back on the road and the strength to take the wheel.
The exciting story of Dr. Manette, who escapes the horrors of the infamous Bastille prison in Paris. The action switches between London and Paris on the eve of the revolution where we witness 'the best of times and the worst of times' - love, hope, the uncaring French Aristocrats and the terror of a revolutionary citizen's army intent on exacting revenge.
Abu and Aisumma are an aging Muslim couple. Their aspiration is to go for Hajj and they make many sacrifices to achieve this aim. Now in their late 70s, they decide that they will go for Hajj that year. Abu, being a true Muslim, wants to go for Hajj only according to all diktats of Islam. Good-natured people try to help him by loaning the amount, but since this is against the accepted practices of the religion, he refuses to take them. Finally, they are not able to go. On the dawn of the Hajj, Abu tells his wife that they will go the next year. He goes to the mosque to pray on the Hajj morning.
Someone we hear talking - but whom we do not see - speaks of a project which describes the four key moments of love: meeting, physical passion, arguments/separation and making up. This project is to be told through three couples: young, adult and old. We do not know if the project is for a play, a film, a novel or an opera. The author of the project is always accompanied by a kind of servant. Meanwhile, two years earlier, an American civil servant meets with an elderly French couple who had fought in the Resistance during World War II, brokering a deal with a Hollywood director to buy the rights to tell their story. The members of the old couple's family discuss heatedly questions of nation, memory and history.
A British college student falls for an American student, only to be separated from him when she's banned from the U.S. after overstaying her visa.
Waking Life is about a young man in a persistent lucid dream-like state. The film follows its protagonist as he initially observes and later participates in philosophical discussions that weave together issues like reality, free will, our relationships with others, and the meaning of life.
A comic artist and an unemployed sex columnist are trying to work together in order to win a lucrative comic-book competition. An adult cartoon contest is announced offering a W130 million prize. Da-Rim (Choi Gang-Hee) does translation work for an adult magazine. Da-Rim wants to become a writer. Due to her creativity, Da-Rim is always making mistakes and gets fired by company. Talented cartoonist Jung-Bae (Lee Sun-Kyun) is constantly turned down by publishing companies because of his poor story lines. The two, who seemed perfectly matched, team up for the adult cartoon contest. Trouble is set to brew ...
A surreal portrait of a Catholic Private School and its hierarchy. A new student must submit to the bizarre rituals of his peers and the expectations of the school's administration by selling chocolates.
The Queen is an intimate behind the scenes glimpse at the interaction between HM Elizabeth II and Prime Minister Tony Blair during their struggle, following the death of Diana, to reach a compromise between what was a private tragedy for the Royal family and the public's demand for an overt display of mourning.
Ruth is an unusual character in the Bible. First she's a female protagonist, one of a select few there. Secondly her story gets its own book in the Old Testament, a short item of only four chapters. Lastly she's the first non-Hebrew protagonist in the Bible since Abraham sired the Hebrew people. It's a simple story in the Old Testament. Ruth is one of two Moabite women who marry the sons of Elimelech and Naomi. When Elimelech and sons Mahlon and Chillion die, leaving Naomi a widow with two widowed daughters-in-law, Naomi decides to return to Israel. One daughter-in-law, Orpah, bids her goodbye. Daughter-in-law Ruth however says she will not desert her. She's going to give up the life and culture of Moab and her people will be Naomi's people in the most famous line from the Book of Ruth.
An LAPD officer begins to terrorize his next-door neighbors after learning they are an interracial married couple.
Living in Kentucky prior to the Civil War, Amantha Starr is a privileged young woman. Her widower father, a wealthy plantation owner, dotes on her and he sends her to the best schools. When he dies suddenly however, Amantha's world is turned upside down. She learns that her father had been living on borrowed money and that her mother was actually a slave and her father's mistress. The plantation is to be sold to pay off her father's debts and as the daughter of slave, Amatha is also to be sold as property. She is bought by a Louisiana plantation owner, Hamish Bond and over time she grows to love him until she learns he was a slave-trader. She tries again to become part of white society but realizes that her future lies elsewhere.
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