Main cast Tomás Milián; Georges Wilson; Adrienne La Russa; Mavie; Antonio Casagrande
Genres Foreign, Drama
Description In 1599 Italy, Beatrice Cenci is the teenage daughter of the crazed landowner and nobleman Francesco Cenci whom he keeps his daughter locked up in the dungeon of his castle and sexually abuses her as well. Beatrice then plots with her stepmother, her besotted servant Olimpio, as well as a local bandit, named Catalano, to plan Francescoâs murder.
A ruthless inquisitor spins the superstitions of local peasants into religious heresy, finding cause to accuse dozens of innocent men and women of witchcraft. The inquisitor targets nobles and merchants, whose property and goods are then confiscated. After suffering an array of medieval tortures, most of the accused confessâonly to be burned alive at the stake as helpless villagers watch. With its bold and striking cinematography, the film captures scenes of both daring nudity and brutal torture
While touring in Italy, a recently-widowed American opera singer has an incestuous relationship with her 15-year-old son to help him overcome his heroin addiction.
The widow Lilia Herriton meets a young man when she visits Italy and marries him. The man is only a dentist without a good name, and Lilia's relatives are clearly unhappy with her choice. Lilia dies while giving birth to a son, and two relatives travel to Italy to take care of of the baby, expecting no trouble from the father.
Maya is the perfect mother. Her life revolves around her three childerens, Aleya ( Aachal Munjal ), Ankush ( Nominath Ginsberg ), and Anjali ( Diya Sonecha ). Who thinks nothing much then the world of her. Despite being divorced from her husband, Aman ( Arjun Rampal ). Maya has ensured that everything runs smoothly in her house, under her watch, and that they continue to remain a happy family unit. However, when Aman introduces his girlfriend, Shreya ( Kareena Kapoor ) a career oriented woman, who has a lot to learn about children's, to the family, the situation immediately takes an unexpected turn. When an incident changes their lives drastically, bringing the two women under the same roof, they find themselves putting to test an unusual situation; can two mothers make a home?
28-year-old Kansas University doctoral student Omar Razaghi wins a grant to write a biography of Latin American writer Jules Gund. Omar must get through to three people who were close to Gund--his brother, widow, and younger mistress--so he can get authorization to write the biography. Written by Marisa_Gabriella, edited by Krystal Frauendienst
A very typical post-Soviet era storyline. A bunch of vagabonds lured an innocent teenage girl to their apartment, offered her a drink, intimidated, then gang raped her. Local cops are incapable to undertake an adequate actions against the scoundrels - prevented by the superior chief of the local police, who is the dad of one of the scumbags. The case is closed. The girl's granddad tired of an endless circumlocution decides to take revenge in his own hands.
Brazilian baroque. The young son that ran from his dominant family, descends into decadence and then returns to the nest. With melodramatic themes of tyrannical fathers, incest, fierce family conflicts and an overheated and intense visual style to match
Ned Kendall is asked to return to the remote and isolated family home by his sister, to say goodbye to his father who is dying. Ned also brings his young aspiring actress fiancee who struggles with the isolation. When home he starts having memories of his childhood many involving his beautiful twin sister and his older brother. These memories awaken long-buried secrets from the family's past.
Sister Cristina (Florinda Bolkan) plays a nun who takes the teenage girls in her care to a remote house where they rehearse A Midsummer Night's Dream. Three thugs show up, brutally raping and terrorizing the girls, killing one by raping her with a cane, until Bolkan renounces her teachings and seeks bloody revenge.
In this sonata of primal emotions, an unloved child - ignored by her mother and rejected by her father who prefers instead his other daughter - grows into a woman who manages to manipulate an entire farming community to look up to her as a dutiful wife, a loving daughter and an admirable sister. When the other sibling who chose to be away from home for years even upon her father's demise suddenly returns, dark secrets and skeletons in the closet explode in a single shattering week to tear apart the warped live of an ill-starred family. A powerful film that topples the illusions of bucolic life, it explores a gamut of taboos. It is not only about incest and sibling rivalry but also about pygmalionism, the Electra complex and parricide amidst a sordid agrarian backdrop. Not even the images of bountiful harvest could cloak the ugly reality that lies at the core of the breakdown of one family haunted by the lingering nightmare that could only take place in the fringes of the earth.
Hamdias, a producer who's set out to break new boundaries, plans to finance a film about torture. According to him, torture, the clash of two or more people, is not only what substantiates basic human relationships but also love and politics. Unfortunately Hamdias dies in a freak accident and his project is grounded. After some time, Galai (Olga Karlatos), who should have been the main actress of Hamdias movie, sets out to complete the controversial project. As soon as filming starts again, the thin line that separates reality from a nightmarish obsession begins slowly to blur.
A series of intertwining tales involve "pleasure seekers and pleasure providers" during the course of one night in Geylang, Singapore's red-light district. There are three distinct stories, united only by the presence of characters from all the stories in a streetside eatery:
Jon, a middle-aged professor is going to get married tomorrow, for the second time, to one of his ex-students half his age. But it's not all roses. First, there's his cranky mother-in-law-to-be who violently opposes the marriage and who demands repayment of Jon's loan before the wedding night. Second, his plans to build a golf course on the little island of Flatey where they live aren't going at all to plan. Third, his extremely drunk best man is on the loose without any shoes and lastly, the continual presence of his emotional first wife is haunting his every move. When the guests start flocking to the island, Jon starts getting cold feet. After a very long night of drinking and thinking, will Jon be able to make it to the church on time?
"Wheat," is a historical action drama about the women left behind when their men have gone off to war -- and the lies they are told to keep them from knowing the awful truth.
In Victorian England, wealthy patriarch Sir Harald Alabaster invites an impoverished biologist, William Adamson, into his home. There, William tries to continue his work, but is distracted by Alabaster's seductive daughter, Eugenia. William and Eugenia begin a torrid romance, but as the couple become closer, the young scientist begins to realize that dark, disturbing things are happening behind the closed doors of the Alabaster manor.
In a farmhouse in southern Italy, an old woman dies. Her husband summons their sons: from Rome, Raffaele, a judge facing a political case for which he risks assassination; from Naples, the religious and ideological Rocco, a counselor at a correctional institute for boys; from Turin, Nicola, a factory worker involved in labor disputes. Once home, each encounters the past and engages in reveries of what may come: Raffaele imagines his death, Rocco dreams of lifting the youth of Naples out of violence, drugs, and corruption, Nicola pictures embracing his estranged wife. Meanwhile, the old man and his young granddaughter explore the rhythms of the farm and grieve together.
After growing up in Switzerland, 13-year-old Marta returns to a city in southern Italy with her mother and older sister. Independent and inquisitive, she joins a catechism class at a local church. However, the games and religious pop songs she encounters there do not nearly satisfy her interest in faith. Struggling to find her place, Marta pushes the boundaries of the class, the priest, and the church.
Emanuelle, a reporter, comes just a little too close to exposing a corrupt official, and is sent to prison on trumped-up charges. In the prison, the inmates are constantly humiliated and tortured by the prison staff. Overly affectionate prisoners are forced underwater, while others are obliged to look on. Emanuelle finds an enemy in the deranged Albina, who "runs the prison." For the pleasure of the warden, Emanuelle and Albina are forced to fight each other with knives. Bad becomes worse when four men awaiting execution escape and take over the prison. Gore flows like water.
Rio de Janeiro, April 18, 1945. Brazil's foreign policy aligns closely with that of the United States and opens a brief period of democratic rule after the end of World War 2. For years, hundreds of people were arrested and tortured by the Vargas regime. But with the external pressure, several political prisoners gain freedom.
Chihiro is raped by three men and it is captured on video camera. She leaves her hometown and prepares to marry a colleague five years later, when one of the rapists arrives and says the others are on their way. He behaves like her long-lost lover and mistreats her again. Chihiro takes revenge, kills him and puts him in a freezer. The other rapists are awaiting a similar fate...
In the fascist Italy of 1935, a painter trained as a doctor is exiled to a remote region near Eboli. Over time, he learns to appreciate the beauty and wisdom of the peasants, and to overcome his isolation.
In Buenos Aires of the 1840s, a young Jesuit and a wealthy socialite fall in love and begin a torrid affair. They escape from the city, and, in disguise, set up house in a village, assuming they are safe and beyond the cares of anyone. However, both the church and Camila's family are enraged, vowing to hunt down the lovers for a capital crime. Based on a true story.
Year 1100. Italy.The Northern lands are ruled by a German emperor: Fredrick aka "Barbarossa. His dream is to conquer also the lands in the Center and in the South so as to revive the Empire that was once of the one Charles Magno.But in the North a young man from Milan has formed an army of 900 young men coming from different cities: the "company of death". This young man's name is Alberto Da Giussano. His dream is to defeat the Emperor and to give back freedom to the Northern lands.
After a wonderful time in Hungary Sissi falls extremely ill and must retreat to a Mediterranean climate to rest. The young empressâ mother takes her from Austria to recover in Madeira.
Bourgeois convention is demolished in Luis Buñuelâs surrealist gem. Featuring an elegant soiree with guests seated at toilet bowls, poker-playing monks using religious medals as chips, and police officers looking for a missing girl who is right under their noses, this perverse, playfully absurd comedy of non sequiturs deftly compiles many of the themes that preoccupied Buñuel throughout his careerâfrom the hypocrisy of conventional morality to the arbitrariness of social arrangements.
Tico-Tico no Fubá is a 1952 Brazilian comedy film directed by Adolfo Celi and starring Anselmo Duarte. It was entered into the 1952 Cannes Film Festival. The film is a fictionalized biography of Brazilian composer Zequinha de Abreu (1880â1935), who penned the song "Tico-Tico no Fubá" that became an international hit in the 1940s.
The Sethna family resides in the hills of Panchgani. A retired sculptor Dinshaw heads the family of Dinshaw's wife Katy , brother Farokh, sister-in-law Tina and second brother Fardoonjee . When the bizarre Cyrus comes into their lives, it is soon revealed that things aren't quite right with the Sethna family
A demented nun sliding through morphine addiction into madness, whilst presiding over a regime of lesbianism, torture and death. Sister Gertrude is the head nurse/nun in a general hospital, whose increasingly psychotic behavior endangers the staff and patients around her.
After being raped in an unknown rooftop, nineteen year-old girl Poppo meets a mysterious boy, and both share their sexual traumas and fears, with fatal consequences.
A young man is confined in a mental hospital. Through a flashback we see that he was traumatized as a child, when he and his family were circus performers: he saw his father cut off the arms of his mother, a religious fanatic and leader of the heretical church of Santa Sangre ("Holy Blood"), and then commit suicide. Back in the present, he escapes and rejoins his surviving and armless mother.
While travelling to visit their grandfather, two children are told the story of a family curse that has lasted two hundred years. During Napoleon's Italian invasion, Elisabetta Benedetti fell in love with French soldier Jean - but while Jean was distracted, Elisabetta's brother Corrado stole some gold that Jean was guarding, and set the curse in train. The Benedettis become wealthy, corrupt and hated by their former friends, who rename them the Maledettis - the cursed. The childrens' grandfather Massimo is the last man to be directly affected by the curse - but will he pass it onto them?
Marius is a divorced man in his late thirties. His five year-old daughter Sofia lives with her mother, which causes Marius a deep frustration. On the day Marius arrives to take his daughter on their annual holiday, he is told that she is ill but he doesn't believe it and insists to take her with him. The situation soon gets out of control with all the family taking part in a web of humor, violence, childish songs, police interventions and love statements.
Set in Fascist Italy before the outbreak of World War II, the story centers on Giannini's character, an anarchist who stays in a brothel while preparing to kill Benito Mussolini. Giannini's character, while preparing to assassinate Mussolini, falls in love with one of the whores working in the brothel
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general. In one notable scene, the young girl passionately fellates the toe of a religious statue.
This lovely, 1991 adaptation of Elizabeth Von Arnim's novel has a superb cast and a tone so mellow you can feel your pulse get slower. Josie Lawrence and Miranda Richardson play a pair of unhappily married women who rent an Italian villa for a month, sharing the rent with a crusty Englishwoman (Joan Plowright) and a lonely aristocrat (Polly Walker). Sun, rest, sinking into the green grass for long naps--they all have a soulful effect on the quartet, and then on the men in their lives who make a surprise visit. Mike Newell (Into the West) directs with seeming effortlessness, and it is impossible not to be swayed by the promise of restoration for these burdened characters--or for anyone alive. Wonderful performances all around, including a particularly sensitive one by Alfred Molina and a very funny one by Jim Broadbent.
The wife of a barbaric crime boss engages in a secretive romance with a gentle bookseller between meals at her husband's restaurant. Food, colour coding, sex, murder, torture and cannibalism are the exotic fare in this beautifully filmed but brutally uncompromising modern fable which has been interpreted as an allegory for Thatcherism.
This is a jolly coming-of-age story about a 15-year-old boy named Laurent Chevalier who is growing up in bourgeois surroundings in Dijon, France. This is France in the mid-1950s rather than America in the 1990s. Thus, Laurent is unharmed by events which would irreparably shatter the self-esteem of a modern American adolescent: he gets drunk, he smokes, he has sex, he is smothered by his mother, he is ignored by his father, a priest makes a pass at him, he gets rheumatoid fever, etc. There's enough scandalous behavior in this film to make 100 made-for-TV movies, and yet this is a very happy and oddly innocent tale.
A young man, Peter, returns to Austria in search of his heritage. There he visits the castle of an ancestor, a sadistic Baron who was cursed to a violent death by a witch whom the Baron had burned at the stake. Peter reads aloud the incantation that causes Baron Blood to return and continue his murderous tortures.
After his business goes bankrupt, 30 something Kyeong-Min kills his wife impulsively. Hiding his anger, he seeks out his former middle school classmate Jong-Seok. Jong-Seok now works as a ghostwriter for an autobiography, but he dreams of writing his own novel. For the first time in 15 years they meet. Kyeong-Min and Jong-Seok both hide their own current situations and begin to talk about their middle school days.
This controversial and brutal slasher is about a man and a woman, kidnapped by a sadistic killer and held captive in their worst nightmare. Bound and gagged in a dingy basement, the two face their torturer, whose surgical garb foreshadows the horror to come. With graphic scenes of dismemberment, this shocker has been banned in Britain.
Spoof science fiction. An alien mother and her child are pursued across England by a bunch of incompetent government agents and take refuge in a house full of vampires. Homage back to the camp tone of British directors of the 1970's such as Ken Russell, (The Lair Of The White Worm), Robert Fuest, (Dr Phibes Rises Again), and Joe McGrath, (The Magic Christian). Distributed by Troma in the U.S., it contains violence, nudity and exploding bagpipes.
The true story of four men who narrowly escaped death at the hands of Argentina's military death squads during the 1970s is brought to the screen in this thriller. In 1977, Claudio Tamburrini (Rodrigo de la Serna) was a goalie for a minor-league football team when he was abducted by members of the Argentine military police and taken to an unofficial detention center on the false suspicion that he was a terrorist. Over 30,000 people lost their lives at the hands of Argentinean authorities under the military junta that ruled the country between 1976 and 1983, and as he was tortured by intelligence agents looking for information he didn't have, Tamburrini fully expected to become another victim. After many sessions of brutal torture, Tamburrini and his fellow captives Guillermo (Nazareno Casero) and Tano (Martin Urruty) were being readied for execution when, in a final desperate act, Tamburrini dove out a window during a rainstorm.
In the third film of the Lone Wolf and Cub series, Ogami Itto volunteers to be tortured by Yakuza to save a prostitute and is hired by their leader to kill an evil chamberlain.
A family decides to buy a lodge in a remote hiking area. Their first customer commits suicide and the distraught family buries his body to avoid the bad publicity. But their luck gets worse, the bodies start piling up, and the family becomes frantic to rectify the situation.
The Real Bruce Lee is a martial arts documentary. It begins with a brief biography of Bruce Lee, and shows scenes from four of his childhood films, Bad Boy, Orphan Sam, Kid Cheung, and The Carnival, each sepia-toned and dubbed to English. Next, there is a three-minute highlight reel of Lee imitator Bruce Li. Finally, there is a feature-length film starring Lee imitator Dragon Lee, which is obviously modeled after Bruce Lee's Fist of Fury.
A man is abducted from the streets of London and transported via secret flights to an unknown country. Held in solitary confinement and cut off from the outside world, he is plunged into a lawless nightmare of detention without trial, interrogation and torture. Returned without explanation to the UK many months later, he is left to pick up the pieces of a shattered life in a world he no longer recognises.
A reporter and a blind retired journalist try to solve a series of murders. The crimes are connected to experiments by a pharmaceutical company in secret research. The two end up becoming targets of the killer.
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