Angels of the Street (1969)
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Emmanuelle returns to her husband in Hong Kong and proceeds to have several extramarital affairs -- with his knowledge, of course. Her husband's lover and American guest are both very puzzled by their openness.
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A woman lawyer becomes mesmerized by a self-made millionaire during an encounter in Rio setting off a series of erotic encounters.
In 1919, Mathilde was 19 years old. Two years earlier, her fiancé Manech left for the front at the Somme. Like millions of others he was "killed on the field of battle." It's written in black and white on the official notice. But Mathilde refuses to believe it. If Manech had died, she would know. She hangs on to her intuition as tightly as she would onto the last thread of hope linking her to her lover. A former sergeant tells her in vain that Manech died in the no man's land of a trench named Bingo Crepescule, in the company of four other men condemned to die for self-inflicted wounds. Her path ahead is full of obstacles but Mathilde is not frightened. Anything is possible to someone who is willing to challenge fate...
Four erotic tales from in various historical eras. The first, 'The Tide', is set in the present day, and concerns a student and his young female cousin stranded on the beach by the tide, secluded from prying eyes. 'Therese Philosophe' is set in the nineteenth century, and concerns a girl being locked in her bedroom, where she contemplates the erotic potential of the objects contained within it. 'Erzsebet Bathory' is a portrait of the sixteenth-century countess who allegedly bathed in the blood of virgins, while 'Lucrezia Borgia' concerns an incestuous fifteenth-century orgy involving Lucrezia, her brother, and her father the Pope.
At a college in Rome, a professor, nicknamed "Dodo" is in a deep depression. His stunningly beautiful wife has just left him for another man. Dodo wants her back very badly and has erotic daydreams about her. A beautiful young student in his class asks him for a ride home and seduces the lucky man, but still he wonders about his wife and her lover.
Many of the cast were untrained as actors, and the film has an improvisatory element. Elements of the characters were based on the actual life of the main actress and her son. The film was recorded on two digital cameras, one attached to each side of a moving car, showing the driver and passenger respectively.The film explores personal social problems arising in Iranian society, particularly the problems of women.
After the death of his wife, wealthy businessman Philip Emmenthal and his son Storey open their own private harem in their family residence in Geneva (they get the idea while watching Federico Fellini's 8½ and after Storey is "given" a woman, Simato (Inoh), to waive her pachinko debts). They sign one-year contracts with eight (and a half) women to this effect. The women each have a gimmick (one is a nun, another a kabuki performer, etc.). Philip soon becomes dominated by his favourite of the concubines, Palmira, who has no interest in Storey as a lover, despite what their contract might stipulate. Philip dies, the concubines' contracts expire, and Storey is left alone with Giulietta (the titular "½", played by Fujiwara) and of course the money and the houses.
48 hours in the life of a burnt-out paramedic. Once called Father Frank for his efforts to rescue lives, Frank sees the ghosts of those he failed to save around every turn. He has tried everything he can to get fired, calling in sick, delaying taking calls where he might have to face one more victim he couldn't help, yet cannot quit the job on his own.
A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens.
Adapted from a sex-stuffed cult novel, LALAPIPO (a play on the phrase âA Lot of Peopleâ) follows divergent seedy strands of sexual and narrative spaghetti through the sticky Tokyo night. Thereâs a chubby freelance writer whoâs so obsessed with masturbating to the sound of his upstairs neighbors going at it that he forgets to deal with his own love life and when he finally does have sex he is immediately filled with self-loathing. The upstairs neighborâs story then splits off like an amoeba: sheâs an office lady seduced by a âtalent scoutâ who is falling down the sex industry ladder, moving from hostess, to massage girl, to private karaoke attendant. The talent scoutâs story then splits off and runs in its own direction, revealing the sorry state of this young pimpâs soul. From there, the movie takes more and more time to consider the lives of more and more characters until the entire Japanese sex industry is filled with the wailing of lost souls.
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