Main cast Michel Terrazon; Linda Gutemberg; Raoul Billerey; Pierrette Deplanque
Genres Drama
Description Handed over to foster care by his motherâwho's unwilling to give up permanent custodyâthe now-adolescent François understands that nothing in life is permanent, and his increasingly erratic actions reflect this knowledge. Shining a light on both the destructive behavior borne of abandonment and the complicated nature of foster care relationships, this 1968 film marked the directorial debut of Maurice Pialat.
Three cousins â Arjun (Arya), Divya (Sri Divya) and Kutty (Simhaa) get to realise their childhood dream of living in Bangalore, and have to deal with the turns that their lives take there.
A dying man in his forties remembers his past. His childhood, his mother, the war, personal moments and things that tell of the recent history of all the Russian nation.
After several years of sexual dysfunction, Ada and her boyfriend, Calvin travel to her hometown in rural Oklahoma in hopes of piecing together her fragmented childhood memories. They find their answers, but can they find their way back home?
Itâs 1982, and Taeko (voiced by Daisy Ridley) is 27 years old, unmarried, and has lived her whole life in Tokyo. She decides to visit her family in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys. At the station she is met by young farmer Toshio (voiced by Dev Patel), and the encounters with him begin to reconnect her to forgotten longings. In lyrical switches between the present and the past, Taeko contemplates the arc of her life, and wonders if she has been true to the dreams of her childhood self.
Psychological horror about a lonely young woman traumatized by a difficult childhood, and her increasingly desperate attempts to connect with the people around her.
A small boy discovers a mystical power as a child. He is then separated from his childhood girlfriend. He grows up to be a computer scientist who is hacking into the most secret national and international secrets, as well as being an acclaimed novel writer. His childhood 'finding' gives him amazing paranormal powers. He is reunited with the childhood girlfriend, mystically, on his hospital deathbed... as his relationship with his current drug addict girlfriend is deteriorating. The passions build between the threesome. Mystical, psychiatric and worldly forces rise to prevent him from revealing the hacked secrets. He attempts to reveal all in a Washington DC large press conference, with 'fateful' and dangerous consequences.
Tom, now in his 40s, begins to write the memoirs of his 1960s childhood, as the little boy whose mother Rose was a glamorous Shanghai nightclub singer. When Rose meets Aussie sailor Bill, they are quickly married, and she packs up Tom and his older sister May to head for Melbourne. The marriage just as quickly breaks up and Rose moves with the kids to Sydney. After a succession of male friends and little success, in 1971 Rose moves back to Melbourne, in an uncomfortable arrangement living again with Bill â and his mother. With Bill called away to sea, Rose takes up with young Chinese cook Joe, but despair and conflicts over May's relationship with Joe tear the family further apart. Little Tom is deeply hurt, but May's ongoing conflict with her mother takes a respite when Rose tells her daughter about her traumatic teenage years.
Waxing nostalgic about the bittersweet passage from childhood to puberty in this tender coming-of-age tale, four childhood girlfriends -- Teeny, Chrissy, Samantha and Roberta -- recall the magical summer of 1970. During their walk down memory lane, they reconcile experiences with boys, secrets, bullies and more.
The Childhood of Maxim Gorky (Detstvo Gorkovo) was the first of Russian director Mark Donski's trilogy based upon Gorky's memoirs. Alexei Lyarsky plays the young Maxim, who grows up under the czarist regime with his grandparents as guardians. Continually demeaned by his martinet grandfather, Maxim is drawn to his warm-hearted grandmother (Varvara Massalitinova), who instills in him the willingness to pursue his writing muse. Gorky's (and Donski's) deep abiding love for Russia is conveyed through the film's remarkably romanticist landscape shots along the Volga River, which cry out for Technicolor.
Dito Montiel, a successful author, receives a call from his long-suffering mother, asking him to return home and visit his ailing father. Dito recalls his childhood growing up in a violent neighborhood in Queens, N.Y., with friends Antonio, Giuseppe, Nerf and Mike.
As children, Kathy, Ruth, and Tommy spend their childhood at an idyllic and secluded English boarding school. As they grow into adults, they must come to terms with the complexity and strength of their love for one another while also preparing for the haunting reality awaiting them.
Architect Peter Ibbetson is hired by the Duke of Towers to design a building for him. Ibbetson discovers that the Duchess of Towers, Mary, is his now-grown childhood sweetheart. Their love revives, but Peter is sentenced to life in prison for an accidental killing. Mary comes to him in dreams and they are able to live out their romance in a dream world.
Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents divorce in Brooklyn in the 1980's.
A story of childhood life during wartime Japan. Takeshi, the intelligent son of a fisherman, is the schoolyard bully. When his cousin comes to stay with his family to avoid bombing raids, Takeshi at first treats him well, then begins bullying him too. Takeshi eventually loses his position of leadership.
The drama, the story of three childhood friends and a young woman who are torn apart in their fight for freedom, is billed as the first fully-financed film to come out of the Palestinian cinema industry.
An aging Hollywood star, Joe Scott, lives a life of narcissistic hedonism, observed by his laconic personal assistant, Ophelia. The death of his childhood best friend, Boots, takes our protagonist, and the movie, into an extended flashback to a sea-side town in 1970's Britain.
The Narrator (Woody Allen) tells us how the radio influenced his childhood in the days before TV. In the New York City of the late 1930s to the New Year's Eve 1944, this coming-of-age tale mixes the narrator's experiences with contemporary anecdotes and urban legends of the radio stars.
In the panicky, uncertain hours before his wedding, a groom with prenuptial jitters and his two best friends reminisce about growing up together in the middle-class African-American neighborhood of Inglewood, California. Flashing back to the twenty-something trio's childhood exploits, the memories capture the mood and nostalgia of the '80s era.
Scheherezade puts herself in danger to save Sultan Schariar, her childhood friend, from the madness that has gripped him since the death of his cheating wife at his own hands.
While researching a story on a school for problem children, Nakahara meets Emi, a college volunteer with a compelling tale of her own. After overcoming her initial reluctance to open up to the writer, Emi talks about her busted leg and her childhood friendship with the chronically ill Yuka.
An enigmatic inventor attempts to build his namesake: a childhood machine. He offers counsel to a trio of characters who have similarly bizarre pursuits.
Two brothers and a sister witness the disappearance of their childhood memories when they must relinquish the family belongings to ensure their deceased mother's succession.
Pinky alias Pooja Malhotra (Kareena Kapoor) and Karan (Tusshar Kapoor) are childhood sweethearts. During this time they exchange vows that they will live for each other only. They separate shortly after but they do not forget their vows. Pooja frantically searches for her sweetheart, but to no avail. She finally decides to write her own story in a the form of a love story. This story turns out to be very popular, and Pooja does get to meet Karan, only to find out that he has a girlfriend by the name of Seema.
Devdas is sent away by his father so he can improve himself but upon his return his father still doesnât welcome him back. Devdas and Paro are in love but Paro is a lower caste and is set to be married to an older widower. Devdas is devastated & leaves home. He becomes an alcoholic womanizer and falls in love with a courtesan. Paro tries to get Devdas away from drinking before he self destructs.
Year 1977, a September morning in Ankara... Yilmaz tries to rush his pregnant wife Neriman to the hospital and he crashes into Omer's car. The causes Omer's pregnant wife Inci, who was in the back seat, to have a pre-term labor. The babies are born on the same day. They see each other for the first time... This accident is the threshold of the coincidences that bring Ozgur and Deniz together. They come across each other in Ankara several times during their childhood and youth. Each intersection has a butterfly effect, resulting in drastic changes in their lives. They sometimes cause disasters, sometimes miracles. However, they can never be together. Whatever it is that brings them together, manages to build a transparent wall between them. Until they come across each other again in Istanbul, 25 years later... --Anonymous (imdb)
Prabhas (Prabhas) has a childhood sweetheart named Nandini (Kajal Agarwal) and they are separated during their childhood. Nandini migrates to Swiss along with her father. Meanwhile Prabhas rejects love proposals from other girls as his heart belongs to Nandini. Prabhas gets a chance to meet Nandini for the first time after the separation during the reunion of their respective parents who have studied together. The rest of the story is all about how Prabhas wins the love of Nandini.
Born in Dehra Dun, temperamental and ambitious Kamna changes her name to Kamini, hires Babu as her Manager and becomes one of the most sought-after heroines in Bollywood. As a publicity stunt and to get the attention of film-maker Karan Johar, she recruits Rahul to pose as her childhood sweetheart and future husband - which result in nothing but insecurities for both...
The film starts with an imprisoned Suruli (Vidarth) recalling his childhood love with Mynaa (Amala Paul) that becomes more intense as they grow. Though, Mynaa's mother assures Suruli of getting them married, she changes her mind and plans to get Mynaa married to a person working in Dubai. Infuriated Suruli threatens to kill her by dumping a large stone on her. He gets arrested by police for a 15-day prison sentence, but escapes the days before release after he is informed that Mynna's mother is arranging her marriage before his 15 day remand is over. As the police officer Bhaskar (Sethu) and a constable Ramaiah (Thambi Ramaiah) handcuff Suruli, Mynaa too goes along with him as they decide to get married after release from prison.
This chilling fable about the rise of fascism in the 20th Century tells the story of a young American boy living in France in 1918 whose father is working for the US government on the creation of the Treaty of Versailles. What he witnesses helps to mould his beliefs â and we witness the birth of a terrifying ego.
Raju lives as a derelict as a result of being estranged from his bitter father, a district judge, who threw Raju's mother out of the house years ago. Raju shacks up with a Dacoit (pickpocket bandit) as his surrogate father only to realize that the man is actually responsible for the original misunderstanding between his parents. Raju kills him, and then tries killing his father, but fails, is arrested, and is taken to court right before his very own father, who presides there as the Judge. Raju has his childhood girlfriend as his legal representative, and the onus is now on his father, who must pass judgment without showing any personal sentiment.
Raj has always had a unrequited childhood crush on a friend named Tina, but Tina's best friend Pooja has always had a crush on Raj. When Raj's family move to England to get involved in an internet business, Raj promises Tina that he will keep in touch with her and that their friendship will always be forever. However Tina disregards him and chooses not to respond to his first e-mail, in turn Pooja decides to keep in touch with him but signs under Tina's name. Fifteen years later, and their friendship has blossomed via e-mail, Raj believing that he's getting to know Tina when it's really Pooja. His family decides to go back on a holiday to India for 2 weeks, when Tina discovers the truth about Pooja's e-mails, they decide together that Tina will play along with the charade. When Raj arrives in India, he is struck by Tina's beauty but equally as struck to Pooja's personality. Who will he choose?
Enraged at the slaughter of Murron, his new bride and childhood love, legendary Scottish warrior William Wallace slays a platoon of the local English lord's soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.
Deprived of a normal childhood by her ambitious mother, Katie (Jo Van Fleet), Lillian Roth (Susan Hayward) becomes a star of Broadway and Hollywood before she is twenty. Shortly before her marriage to her childhood sweetheart, David Tredman (Ray Danton), he dies and Lillian takes her first drink of many down the road of becoming an alcoholic.
A group of childhood friends, now in their thirties, reunite at Camp Tamakwa. Only a few of the original campers show up, but they still have a good time reminiscing. The people share experiences and grow while at the camp. They are dismayed to discover that the camp's owner, Unca Lou, is going to close the camp down.
What could be better than knowing your future? And what could be worse? A love-filled childhood abruptly ends when catastrophe descends. A catastrophe that the child had foreseen yet failed to act upon.
Izzah a simple kampong teacher is sold to a brothel by her uncle on the pretext that they need money for her Aunt's surgery. Her first customer is Rich playboy Harriz whom she begs to marry her and take her out of the rat hole. He marries her, brings her home, the only good deed he has done in a long time. Unknowingly he falls in love with her, and wants to break his engagement to childhood family friend Mila, but due to family pressure has to marry Mila. Thus begins the triangle of a saga which entangles three lives into a myriad of emotions.
Guner Sernikli is a government official who, with his wife and their wheelchair bound daughter, has been assigned as the head librarian to this isolated province, virtually an exile since there is no library in the village. The family is warmly welcome, but these are the years of political anarchy and leftist/rightist clashes in big cities and the youth of the village inevitably follow the tides. They arrive in Vizontele, just as the situation is becoming really absurd. Guner brings wisdom; his daughter Tuba brings beauty, innocence and love. Some like the Mayor, Nazmi Dogan and crazy Emin appreciate these things but they are in the minority and confusion continues to reign. The story is based on the memories of writer-director Yılmaz ErdoÄan of the last summer of his childhood in Hakkâri, Turkey in 1980.
When the single middle-aged Luis travels from Barcelona to bury the remains of his mother in the vault of his family in Segovia, he is lodged by his aunt Pilar in her old house where he spent his summer of 1936 with her. He meets his cousin Angelica, who was his first love, living on the first floor with her husband and daughter, and he recalls his childhood in times of the Spanish Civil War entwined with the present.
Various experiences of childhood are seen in several sequences that take place in the small town of Thiers, France. Vignettes include a boy's awakening interest in girls, couples double-dating at the movies, brothers giving their friend a haircut, a boy dealing with an abusive home life, a baby and a cat sitting by an open window, a child telling a dirty joke, and a boy who develops a crush on his friend's mother.
My Mother's Castle (Le chateau de ma mere) is a sequel and companion piece to My Father's Glory (La Gloire de Mon Pere), both based on the childhood recollections of Marcel Pagnol. Like its predecessor, the movie explores the adventures of the young Marcel (Julien Ciamaca) during his summers at the family summer home in Provence.
Jacquot Demy is a little boy at the end of the thirties. His father owns a garage and his mother is a hairdresser. The whole family lives happily and likes to sing and to go to the movies. Jacquot is fascinated by every kind of show (theatre, cinema, puppets). He buys a camera to shoot his first amateur film... An evocation of French cineast Jacques Demy's childhood and vocation for the cinema and the musicals.
In childhood and youth, the three were "the inseparables." Luisa married Ãngel, then two years later, she left him to marry Ramiro. After ten years, Ãngel reappears, back from South America, broke and ill. Luisa is overcome with sentimentality and, over Ramiro's objections, takes Ãngel into their house. Ãngel is bitter, he and Ramiro have shifted from best friends to enemies. Luisa wants to be in love with both. Ramiro hopes he can wait out Ãngel's declining health, and Luisa wants to heal Ãngel through force of will. What is Ãngel's plan? Observing the roiling emotions are Luisa and Ramiro's precocious young children. Who's in danger here?
Finally after three years of courtship, Migs, a medical intern, marries simple and unassuming Joy, a nurse in the hospital of Migs' residency. Several days before the wedding, his first love and childhood best friend Bela, a sophisticated woman, returns from Canada, still single and in love with Migs. The young couple meets an unfortunate incident turning their newly-found bliss into a tragic existence. Living with Migs turns out to be an agonizing experience as his new state of mind gets more complicated as days pass. A creature of serenity, Joy refuses to name her pains and secretly vows to make Migs remember their love that was inexplicably lost and waiting to be rekindled; faithful that along the way, his heart will remember what his mind forgets.
Miura Haruma takes on the role of Koji, a college student aiming to become a professional photographer. One day, he receives an unusual request to shadow the client's girlfriend and take pictures of her; this assignment leads to subtle changes in his relationships with the women around him. Nana Eikura plays the ex-girlfriend of Koji's childhood friend, while Manami Konishi plays Koji's sister after one of his parents remarries, and Haruka Igawa plays the woman that Koji is photographing.
A boy and a girl who are friends from their childhood fight and break up during their school and college. They meet again at the age of 25 and fall in love.
Jeab hears that his childhood sweetheart Noi-Naa is to be married, so he makes the trip back home to his provincial village. As he does so, the memories come flooding back to his childhood in 1980s Thailand. He remembers always being late to school, so his father would have to give him a ride on the back of the motorcycle. After school, he would always play with Noi-Naa and her girlfriends while the neighborhood boys rode their bicycles and played football and Chinese fantasy characters.
Serial Killer Michael Myers is not finished with Laurie Strode, and their rivalry finally comes to an end. But is this the last we see of Myers? Freddie Harris and Nora Winston are reality programmers at DangerTainment, and are planning to send a group of 6 thrill-seeking teenagers into the childhood home of Myers. Cameras are placed all over the house and no one can get out of the house... and then Michael arrives home!
Consuming Kids throws desperately needed light on the practices of a relentless multi-billion dollar marketing machine that now sells kids and their parents everything from junk food and violent video games to bogus educational products and the family car. Drawing on the insights of health care professionals, children's advocates, and industry insiders, the film focuses on the explosive growth of child marketing in the wake of deregulation, showing how youth marketers have used the latest advances in psychology, anthropology, and neuroscience to transform American children into one of the most powerful and profitable consumer demographics in the world. Consuming Kids pushes back against the wholesale commercialization of childhood, raising urgent questions about the ethics of children's marketing and its impact on the health and well-being of kids.
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