History Lessons (1972)
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Gabi Teichert, a history teacher, is unhappy with the way history is portrayed in textbooks and is looking for an alternative, more practical approach to 'uncovering' the past, quite literally digging with the spade and dissecting books with hammers and drills.
Nowhere to run...Nowhere to hide. After two teen girls cruelly impersonate her online in a reverse cyber bullying plot, Ashley s reputation is ruined. She and her mother, Julie (a high school teacher), are ostracized, forcing them to flee an escalating threat to their lives. Starting over in a new town and school, romantic interests and the poignant lessons from Kevin, an eccentric history teacher, draw them out of seclusion. However, when the past catches up with Ashley, she draws on what she s learned from Kevin s history lessons, giving her strength to stand tall rather than giving in to the bullies that torment her. With the support of her mother and new found friends, Ashley confronts her painful past, using the very tools of social media and technology that originally hurt her to expose lies and spread the truth.
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'Dalla nube alla resistenza (From the Cloud to the Resistance ) (1978), based on two works by Cesare Pavese, falls into the category of History Lessons and Too Early, Too Late as well. It, too, has two partsâa twentieth-century text and a text regarding the myths of antiquity, each set in the appropriate landscape. Pavese's The Moon and the Bonfires looks back on the violent deaths of Italian anti-Fascist resistance fighters; Dialogues with Leucò is a series of dialogues between heroes and gods, connecting myth and history and returning to an ambiguous stage in the creation of distinctions, such as that between animal and human, which are fundamental to grammar and language itself. Such a juxtaposition of political engagement with profoundly contemplative issues such as myth, nature, and meaning points to the characters of Empedocles and Antigone in the Hölderlin films.' (From "Landscapes of resistance. The German Films of Danièle Huillet and Jean-Marie Straub" by Barton Byg)
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