Description This film is a haunting, weird masterpiece from director Gábor Body, who later committed suicide. Definitely not for everyone though. But if you're into enigmatic experimental / underground films, strange plots and bizarre atmosphere, this is a holy grail. Simply the best Hungarian avantgarde film (or the best Hungarian film ever..., which also includes some of the best Hungarian underground / punk bands of the early eighties. If you can catch it somewhere, don't miss it!! This film really deserves repeated viewings - and it still won't lose its mystery. There hasn't been any DVD releases of 'Kutya eji dala', what a shame.
A grieving couple retreats to their cabin 'Eden' in the woods, hoping to repair their broken hearts and troubled marriage. But nature takes its course and things go from bad to worse.
About a filmmaker not only revisiting, but also recreating (not in a conventional sense) one of his first films, The Perfect Human / Det perfekte menneske (1967)
Singapore Sling is chasing after Laura, a romantic memory from his past. One night he finds himself in a mysterious villa, watching two women bury a body. He falls into their trap and, in an atmosphere of isolation and decadence, the trio act out insane pleasure games and a ritual of blood and murder.
In an urban Indian city, A struggling actor battles for his career, but his friend who loses money in a scam deal commits an action that puts both of their lives in danger. The three last days before the incident follows the struggling actor, an ambitious filmmaker, a wannabe hustler, an opportunist, a lover and two cinephile thugs, through an inter-twining vignette of their lives.
Things are hectic in heaven. Dozens of scribes sit before a long scroll incessantly scribbling away. They are composing the biographies of earth-dwellers. What is invented by the men in heaven is lived out below. And their employer, God, is increasingly vehement in demanding avant-garde ideas. Take, for example, the beautiful Yuri, a girl who dies in a car crash. Some of the heavenly scribes find this very dull and send former gangster Chas, who has become a heavenly tea-boy, back down to earth with instructions to save Yuri no matter what. And so Chas ends up in Okinawa, gets to know the earth-dwellers, interferes in their fates, becomes celebrated as 'Mr Angel' and is hounded by brutal enemies. His falling in love with Yuri is of course a foregone conclusion. But no one could anticipate what happens next. Not even God himself
A young man is confined in a mental hospital. Through a flashback we see that he was traumatized as a child, when he and his family were circus performers: he saw his father cut off the arms of his mother, a religious fanatic and leader of the heretical church of Santa Sangre ("Holy Blood"), and then commit suicide. Back in the present, he escapes and rejoins his surviving and armless mother.
A dense film that cuts up footage of a primary plot of two young Yugoslavian girls, one a politico and the other a sexpot, and an affair with a visiting Russian skater. Mixing metaphors of Russia's relationship with Yugoslavia, intercut with footage and interviews with Wilhelm Reich and Al Goldstein of Screw magazine. The film applies Reich's theories of Orgone energy and analogies of Stalinism as a form of Freudian sexual repression. Also known as W.R. The Mysteries of the Organism in English subtitled version. Was banned in Yugoslavia shortly after it was made.
Based upon the life and writing of literary visionary Danil Harms, a Russian avant-garde poet of the 1920s who was persecuted and ultimately silenced by the Soviet authorities.
Miss World Virginity, who is nearly mute, endures a horrifically kinky honeymoon but soon escapes to a scatalogically inclined commune in Vienna. Meanwhile, a madwoman pilots a candy-stuffed boat down a river. Yugoslavian director Dusan Makavajev intercuts these two wild tales with shocking footage of the discovery of mass graves from the Katyn Massacre.
An American, Leopold Kessler (Jean-Marc Barr) goes to post-war Germany in 1945 to work as a railroad conductor for the Zentropa Rail Line instead of going into the Army because he feels its a more valuable thing to do for the state of the world. He meets Katharina Hartmann (Barbara Sukowa), the daughter of the railroad owner and they fall in love.
Lau may love to indulge in a bit of alcohol and womanizing, but he's also a serious writer who's respected by his colleagues in the cultural world. However, his work is getting less and less respect from his commercial-minded editor, who forces Lau to write action-filled wuxia serials and erotic stories. After an attempt at a tasteful, cultural magazine fails, Lau succumbs to the commercial reality and writes practically anything to survive. Haunted by his memories of World War II and his professional failures, Lau falls even deeper into his addiction of drink and womanâ¦
In 1933, after leaving Dogville, Grace Margaret Mulligan sees a slave being punished at a cotton farm called Manderlay. Officially slavery is illegal and Grace stands up against the owners of the farm. She stays with some gangsters in Manderlay and tries to influence the situation. But when harvest time comes Grace sees the social and economic reality of Manderlay.
A successful artist, weary of Parisian life and on the verge of divorce, returns to the country to live in his childhood house. He needs someone to make a real vegetable garden again out of the wilderness it has become. The gardener happens to be a former schoolfriend. A warm, fruitful conversation starts between the two men.
The same situation is played out in different cities (New York, Berlin and Japan). A lover has to choose whether to commit to a partner who is returning home. In each case there are other people involved, an ex-partner and someone else in a "permanent" relationship, what do they choose to do?
An actress's perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.
A barren soundstage is stylishly utilized to create a minimalist small-town setting in which a mysterious woman named Grace (Nicole Kidman) hides from the criminals who pursue her. The town is two-faced and offers to harbor Grace as long as she can make it worth their effort, so Grace works hard under the employ of various townspeople to win their favor. Tensions flare, however, and Grace's status as a helpless outsider provokes vicious contempt and abuse from the citizens of Dogville.
A sole survivor tells of the twisty events leading up to a horrific gun battle on a boat, which begin when five criminals meet at a seemingly random police lineup.
An adaptation of Proust's "La Prisoniere" (book five of "Remembrance of Things Past"). Set in Paris, France, it is a serious tale of a tragic and dysfunctional love.
A delightful dramatic comedy, a buddy picture, and, for good measure, a heist film. Curmudgeonly old Frank lives by himself. His routine involves daily visits to his local library, where he has a twinkle in his eye for the librarian. His grown children are concerned about their fatherâs well-being and buy him a caretaker robot. Initially resistant to the idea, Frank soon appreciates the benefits of robotic support â like nutritious meals and a clean house â and eventually begins to treat his robot like a true companion. With his robotâs assistance, Frankâs passion for his old, unlawful profession is reignited, for better or worse.
Life in a flimsy Tel Aviv apartment complex is a sour urban mosaic whose seedy characters, try as they might, can't get out of one another's faces. The character's lives overlap and collide. Gabi, a bobbed haired sexpot, and her lover Heziâwho's older, balding and marriedârent a room to have an affair, while Ezra, a pot bellied divorcee, supervises an illegal construction site next door. All this racket drives Schwartz, a Holocaust survivor, to a mental breakdown. Other characters include illegal immigrants, a teenage boy who's afraid to serve in the army, and a corrupt police officer. In each scene the camera moves through walls, over desks, and around rooms in order to keep focused on the character it's following, in moments of drama as well as in moments of mudane daily activity
A man is released from prison and finds the society on the outside less than appealing. With several women as well as the police on his tail, he sets out to find an old friend.
A conservative lawyer named Diane (Catherine Keener) takes her two teenage children Jake and Zoe (Nat Wolff and Elizabeth Olsen) to meet their estranged, hippie grandmother (Jane Fonda) in Woodstock after her husband asks for a divorce.
The movie consist of 13 separate episodes each handling a period between 1960 and 1970. It tells the story of a group of people in Munich (mostly music and film students). The movie tells a story in many different levels about love, friendship, misfortune, loss, art, politics, history with important historic events of the decennium in the background.
An elusive serial killer known as the Zodiac terrorizes the San Francisco Bay in the late 1960s, while detectives aim to stop him before he claims more victims. Based on a true story.
A fashionable contemporary art gallerist in Chelsea, New York falls for a brooding new music composer in this comic satire of the state of contemporary art.
A teenage Quebecer in the 1960s evolves from pro-independence activist to radical terrorist, in this gripping chronicle of the origins of the FLQ in the decade preceding the 1970 October Crisis.
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
The story of a summer dress and those who have to do with it, especially the train conductor (played by van Warmerdam, the director). The dress functions as catalyst for the whimsical events, which turns out to be either tragic or hilarious.
Concert pianist Henry Orient (Peter Sellers) is trying to have an affair with a married woman, Stella Dunnworthy (Paula Prentiss), while two teenage private-school girls, Valerie Boyd (Tippy Walker) and Marian Gilbert (Merrie Spaeth), stalk him and write their fantasies about him in a diary. Orient's paranoia leads him to believe that the two girls, who seem to pop up everywhere he goes, are spies sent by the husband of his would-be mistress. When Val's mother, Isabel Boyd (Angela Lansbury), finds their diary, she suspects that Henry has acted inappropriately with her daughter. She contacts Orient and they end up having an affair. Val finds out about it, as does her dad.
Furniture supplier Ram is happily married to Charmaine. One day, Ram lands a big client, a new luxury resort. But he needs the help of Kara, the daughter of the owner of the resort, to finalize the deal. Kara's help, however, comes with a price, because she fancies Ram to be her lover. Not before long, Kara successfully seduces Ram, even though she knows about his marriage. When Charmaine learns of the affair, she finds ways to fight for her husband's waning attention.
The debut film from Darren Aronofsky in which a mathematical genius Maximilian Cohen discovers a link in the connection between numbers and reality and thus believes he can predict the future.
The story is an allegory of Adam and Eve, in a modern (made in the '60s) Health Retreat. The action involves our hero wandering the grounds where she becomes obsessed with a mysterious man in red, who may or may not be a killer.
A gorgeous teen, Jill (Brigitte Bardot), resides in Switzerland with her mother and harbors feelings for the handsome Fabio (Marcello Mastroianni), an older man who is married to one of her friends. Growing restless, Jill moves to Paris to pursue ballet, but instead finds success and fame as a model and actress. When Jill, now a celebrity, seeks to retreat from the limelight and returns home to Switzerland, she begins a romance with the newly divorced Fabio, leading to an unwelcome media circus.
Jean-Luc Godard's poetic meditation on war, violence and defeat. The film is structured in three parts. The three segments are "Hell", "Purgatory", and "Heaven". The first segment is a montage of war images from documentary and fictional sources. The second concerns two young Jewish women attending a European arts conference in Sarajevo. The final segment concerns the after life.
A wealthy Italian household is turned upside down when a handsome stranger (Terence Stamp) arrives, makes love to every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.
The last day of creation. A stranger arrives in London. No one knows who he is or where he has come from. By the time he leaves, the entire universe will have been erased.
Chelsea is an in-demand call girl whose $2,000 an hour price tag allows her to live in New York's lap of luxury. Besides her beauty and sexual skill, Chelsea offers her clients companionship and conversation, or, as she dubs it, "the girlfriend experience." With her successful business and a devoted, live-in boyfriend, Chelsea thinks she has it made... until a new client rocks her world.
Renee Saccard is a pampered, selfish young wife of a middle-aged Parisian businessman who falls in love with her stepson but is driven to the point of madness when her husband tricks the stepson into betraying her.
In PARTNER, Bernardo Bertolucci conflated his interests in psychoanalysis, nonlinear narrative, and Godard to create a uniquely avant-garde work unlike anything in his ouevre. The film is loosely based on Dostoyevsky's novel THE DOUBLE and concerns an alienated, puckish young man named Jacob (Pierre Clementi) who confronts his own double. Jacob allows his doppelganger to take over his life; the second Jacob commandeers his predecessor's theater class in the hopes of creating living theater--as a violent act of social revolution. The idea of students wreaking havoc was not an unfamiliar one in 1968, and Bertolucci refuses to take Jacob's dangerous intellectual posturing lightly. The second Jacob is a handsome killer, the first a handsome weakling who must find the courage to resist his baser self. Bertolucci matches inspired plot points with arresting images, including visual film references and the bright color schemes that would later become his trademark.
One week in the life of Branimir Mitrovic "Floyd", a young rally driver from the National Class (up to 785cc), dreaming of promotion to the higher category. He lives a carefree life of a Belgrade dandy boy, neglecting his girlfriend, avoiding his draft calls, and refusing to deal with any life responsibility in general. The decisive race on Saturday is only what he cares about.
A fantastical re-imagining of the events of 1979, when Monty Python made Life of Brian and the debate about what is an acceptable subject for comedy was blown wide open.
Mid-summer heatwave. Nikos and Alain, two male prostitutes and a female pimp, Monica, get tangled in a peculiar relationship after meeting in a dark street called POUTANA. They fall in love, play with guns and talk about card games, money and theatre castings. Is this a game of role playing the three of them have invented to pass their time in a remote, empty summer house? Have they been reading Jean Genet? Whether a mirror image of the charactersâ reality or an elliptic depiction of their distorted, dream-like perception of it, I Afroditi Stin Avli, by juxtaposing disparate literary and art references, leads its isolated characters towards dissolution. And yet, in its strange language, it presents this dissolution as a triumph.
Manchester 1976: Cambridge educated Tony Wilson, Granada TV presenter, is at a Sex Pistols gig. Totally inspired by this pivotal moment in music history, he and his friends set up a record label, Factory Records, signing first Joy Division (who go on to become New Order) then James and the Happy Mondays, who all become seminal artists of their time. What ensues is a tale of music, sex, drugs, larger-than-life characters, and the birth of one of the most famous dance clubs in the world, The Hacienda - a mecca for clubbers as famous as the likes of Studio 54. Graphically depicting the music and dance heritage of Manchester from the late 70's to the early 90's, this comedy documents the vibrancy that made Mad-chester the place in the world that you would most like to be.
With 8 ½ Frederico Fellini leaves a self-portrait where dreams and reality are a mix. With help from a most excellent cast and unique scenery this self reflecting film is one of his master works.
A man wakes up in an alley, bleeding and with no memory of who he is. He stumbles into a coffee shop and is befriended by a charitable ex-nun who is failing in her attempts to write marketable pornography.
A quixotic artist hypothesizes about why he feels bad when a mystery girl stands him up. The event prompts him to ask: what's the content of a momentary feeling? Is it the sum of your experiences? And perhaps more importantly, are your experiences the sum of you?
This is a comedy about people who work in the theater, live for the theater, think of nothing but the theater. The director seems crazy, the art director has idiotic ideas, and the acting coach is eccentric: they even look like brothers, related by their common obsession for the theater, linked as one with the actors. The new project is Mozart's Don Giovanni, in which the director insists to give it a brand new interpretation and an avant-garde treatment. Now, he has to deal with the violent objection from the actors, the musicians, the singing coach, the stage manager, and even the cafe bar attendants and the cleaners. The situation is further complicated as the director is such a womanizer like Don Juan... and his lovers and kids keep bugging him throughout the rehearsal...
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