Main cast Geneviève Bujold; Keith Carradine; Lesley Ann Warren; Patrick Bauchau; Rae Dawn Chong
Genres Comedy, Drama, Romance
Description Several lost-soul night-owls, including a nightclub owner, a talkback radio relationships counseller, and an itinerant stranger have encounters that expose their contradictions and anxieties about love and acceptance.
Considered one of the greatest films ever made, The Rules of the Game (La règle du jeu), by Jean Renoir, is a scathing critique of corrupt French society cloaked in a comedy of manners in which a weekend at a marquisâ country château lays bare some ugly truths about a group of haut bourgeois acquaintances. The film has had a tumultuous history: it was subjected to cuts after the violent response of the premiere audience in 1939, and the original negative was destroyed during World War II; it wasnât reconstructed until 1959.
The film consists of four stories plus epilogue, set in 19th-century Sicily. THE OTHER SON - A mother spends her life waiting for news from her two sons (emigrated to America) while ignoring her third, because he is the reincarnation of the bandit who raped her. MOON SICKNESS - a newly-wed peasant girl discovers that her husband goes mad every full moon. She arranges for a male friend to protect her, but they end up in bed together just as the moon emerges from behind a cloud. THE JAR - a rich landowner hires a master craftsman to repair a giant olive jar, but the craftsman gets trapped inside. REQUIEM - villagers band together in an attempt to force their landlord to let them bury their dead. CONVERSATIONS WITH MOTHER - the writer Luigi Pirandello talks with his aged mother about a story he always wanted to write, but which he never managed to capture in words. Written by Michael Brooke
Thomas Thomas is agoraphobic, has a computer-generated girlfriend, and hasn't left his home in years. Can a prostitute convince him to leave cyberspace and his home for the real world?
Good girls Merritt, Melanie, Tuggle and Angie - all students at mid-western Penmore University - are planning on going to Fort Lauderdale, Florida for spring break to get away from the mid-western snow despite not having much money to spend once there. On the drive down, they admit their real purpose is to go where the boys are.
A workaholic architect finds a universal remote that allows him to fast-forward and rewind to different parts of his life. Complications arise when the remote starts to overrule his choices.
The story of a great rivalry between a father and son, both eccentric professors in the Talmud department of Hebrew University in Jerusalem. The son has an addictive dependency on the embrace and accolades that the establishment provides, while his father is a stubborn purist with a fear and profound revulsion for what the establishment stands for, yet beneath his contempt lies a desperate thirst for some kind of recognition. The Israel Prize, Israel's most prestigious national award, is the jewel that brings these two to a final, bitter confrontation.
Pete, an eight-year-old Catholic boy growing up in the suburbs of Chicago in the mid-1970s, attends Catholic school, where as classes let out for the summer, he's admonished by a nun to follow the path of the Lord, and not that of the Devil. Perhaps taking this message a bit too seriously, Pete decides it's his goal for the summer to help someone get into heaven; having been told that Catholicism is the only sure path to the kingdom of the Lord, Pete decides to convert a Jew to Catholicism in order to improve their standing in the afterlife. Hoping to find a likely candidate, Pete begins visiting a nearby synagogue, where he gets to know Rabbi Jacobson, who responds to Pete's barrage of questions with good humor. Pete also makes friends with the Rabbi's son, Danny, who is about the same age; when he learns that Danny is seriously ill, he decides Danny would be an excellent choice for conversion.
Italy, 1916. Oreste Jacovacci and Giovanni Busacca are called, as all the Italian youths, to serve the army in the WWI. They both try in every way to avoid serving the army.
Lo Tung and his friend Malted Candy, pedicab drivers working the streets of Macao, have both fallen in love. The problem is that both their objects of affection - one a baker, the other a prostitute - are working under cruel and lecherous bosses. Somehow, the pair must find a way to win the ladies' hearts and free them from their unpleasant jobs.
Iris invites her friend Jack to stay at her family's island getaway after the death of his brother. At their remote cabin, Jack's drunken encounter with Hannah, Iris' sister, kicks off a revealing stretch of days.
In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
Reunited at a wedding after many years, former lovers again feel the pull of a mutual attraction neither is willing to admit. Escaping the reception for the privacy of a hotel room, the unnamed pair explore the choices of the past that led them to the present.
It all begins at a party in Santiago, Chile, when a seemingly innocent gesture -- the offer of a ride home -- ends in a passionate night of lovemaking and intense conversation for young singles Bruno and Daniela. Shacked up at a flea-bitten motel for a one-night stand, the pair lingers deep into the night, alternating between powerful physical encounters and an ever-deepening emotional connection.
Bogey's on the lam and Bacall's at his side in Dark Passage, Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry who, framed for murder, escapes San Quentin and soon emerges from plastic surgery with a new face. Bacall is Irene Jansen, Vincent's lone ally. In a supporting role, Agnes Moorehead portrays Madge, a venomous harpy who finds pleasure in the unhappiness of others. The chemistry of the leads is undeniable, and they augment it here with exceptional tenderness. Exceptional too are the atmospheric San Francisco locations and the imaginative camera work that shows Vincent's point of view - but not his face - until the bandages are removed. Lest Irene get ideas, the post-surgery Vincent tells her: "Don't change yours. I like it just as it is."
An odd-but-gifted poet, Evan Merck (Wes Bentley, 'American Beauty') makes his living writing suicide notes for the soon-to-be departed. So when he meets Charlotte (Winona Ryder, 'Girl, Interrupted'), the free-spirited sister of his latest client, Evan has no choice but to lie about his relationship to her late, lamented brother.
In Lesvos, shepherd Lamonas someday finds an abandoned baby boy suckling a goat and adopts it, and names him Daphnis. Around the same time, another shepherd, Dryantas, finds too an abandoned baby girl and adopts it, naming her Chloe. Daphnis and Chloe grow together and, passing the threshold of puberty feel the buzz of first love. They do not know yet what is happening to them, until a beautiful woman who desires Daphnis, initiates him into the secrets of love. Daphnis in turn initiates Chloe, too. In the meantime, it is revealed that Daphnis is the son of Lord Dionysiofani, and Chloe daughter of a ruler of the island, Megacles.
A French actress filming an anti-war film in Hiroshima has an affair with a married Japanese architect as they share their differing perspectives on war.
Barr is a psychiatrist who falls in love with the sister of one of his clients. She's beautiful and married to a gangster. She hates her husband but is unable to escape from him.
Breezy is a teen-aged hippy with a big heart. After taking a a ride with a man who only wants her for sex, Breezy manages to escape. She runs to hide on a secluded property where stands the home of a middle-aged divorced man, Frank Harmon. Frank reluctantly takes Breezy in only to fall unexpectedly in love with her.
ust doing his job, magazine editor Taishin Mamiya (Yoshikazu Kotani) interviews high school model Noeru Kisaragi (Takumi Saito). Despite Noeru's bad attitude, an enchanting picture of the ocean he draws leads Mamiya to invite him out for dinner after-wards. They connect at the restaurant, but while in the bathroom there Noeru solicits Mamiya sexually. The next morning, Noeru's office calls the magazine office where Mamiya works. "Your editor was rude. Have him come and apologize." When Mamiya goes to Noeru's house to deliver the apology, he sees Noeru with a dirty-looking man. Mamiya is shocked to discover at that moment that his interest in Noeru goes beyond article researchâhe truly wants to know more about him.
Bud Corliss (Wagner) is an ambitious student who is wooing Dorothy Kingship (Woodward) purely for her father's mining fortune. When he discovers that Dorothy is pregnant with his child, he realizes she is quite likely to be disinherited by her wealthy family. He assures Dorothy that he'll take care of her, yet he hesitates when Dorothy insists on marrying. Bud then murders Dorothy and stages it in a way that it appears to be a suicide. He then reaches out to her sister Ellen (Leith) with the hopes of marrying her in order to ingratiate himself with her father. After a couple of months Ellen finds evidence to question the suicide verdict, and then discovers Bud knew Dorothy. Ellen struggles to avenge her sister and save her own life.
She was a beautiful fugitive. Fleeing from corruption. From power. He was a professional athlete past his prime. Hired to find her, he grew to love her. Love turned to obsession. Obsession turned to murder. And now the price of freedom might be nothing less than their lives.
A successful artist, weary of Parisian life and on the verge of divorce, returns to the country to live in his childhood house. He needs someone to make a real vegetable garden again out of the wilderness it has become. The gardener happens to be a former schoolfriend. A warm, fruitful conversation starts between the two men.
Jaime has lost his job and has to provide for his wife, son and daughter. Pressured by this circumstances, he visits his mom, who lives in an apartment he owns, to ask her to move with him so he can sell the apartment. But she is not going to cooperate. And, to Jaime's surprise, she also has a boyfriend!
Coffee And Cigarettes is a collection of eleven films from cult director Jim Jarmusch. Each film hosts star studded cast of extremely unique individuals who all share the common activities of conversing while drinking coffee and smoking cigarettes.
The life of Danny Wright, a salesman forever on the road, veers into dangerous and surreal territory when he wanders into a Mexican bar and meets a mysterious stranger, Julian, who's very likely a hit man. Their meeting sets off a chain of events that will change their lives forever, as Wright is suddenly thrust into a far-from-mundane existence that he takes to surprisingly well ⦠once he gets acclimated to it.
In Brooklyn Bridge Park, eleven year old Zachary Cowan strikes his eleven year old classmate Ethan Longstreet across the face with a stick after an argument. After learning about the altercation. The Longstreet parents decide to invite the Cowan parents to their Brooklyn apartment to deal with the incident in a civilized manner.
Playboy Thomas Fuentes has so far been able to skate by in life on good looks and charm alone. But when his duplicitous relationships with three women -- impassioned waitress Cici, meticulous lawyer Lorena and bored socialite Patricia -- spiral out of control, he suffers a mental breakdown. His doctor recommends that he choose just one girlfriend -- but can he choose in time before they discover his deception?
Whenever elementary school teacher Kang Joon-soo (Lee Seung-gi) falls in love, he always gives too much of himself to the relationship. Yet despite that, he ends up being the one getting dumped by his girlfriends. Joon-soo has been friends for 18 years with Kim Hyun-woo (Moon Chae-won), a weather forecaster whose beauty belies her witty tongue and aggressive manner.
Sex is a background to examine intimacy and vulnerability. Looks at the complexity of modern day relationships told through eight separate couples. Through dialogue and compromising situations, the film takes us from the beginning of a relationship to the aftermath of one, and examines every stage in between seeing humor within the drama, heartache and confusion of it all.
Majka is young, beautiful and intelligent. It is time for her to learn and work, she has wonderful friends. But unfortunately she can't forget Cezary, who had abandoned her a year ago. So Majka's best friend decides to help her to start a new life.
A modern reimagining of the classic romantic comedy, this contemporary version closely follows new love for two couples as they journey from the bar to the bedroom and are eventually put to the test in the real world.
The film is a sequel to Tanu Weds Manu (2011), in which stars Kangana Ranaut (Tanu) and R. Madhavan (Manu) reprise their roles from the original. Tanu and Manu's marriage collapses. What happens when Manu meets Tanu's lookalike Kusum - and when Tanu returns? Kangana Ranaut also portrays the additional role of a Haryanvi athlete Kusum in the film.
Based upon S. Prokofyevaâs play âA Conversation Without Witnessesâ. Irina Kupchenko (âLonely Woman Seeks Lifetime Companionâ) and Mikhail Ulyanov (âThe Rifleman of the Voroshilov Regimentâ) in a sad story directed by Nikita Mikhalkov (âBurnt by the Sunâ) about two people who once loved each other.
After her cheating husband leaves her, Mildred Pierce proves she can become independent and successful, but can't win the approval of her spoiled daughter.
Jean Renoir's directional debut and first silent film stars his wife, Catherine Hessling, as a young girl who manages to turn her tragic family life into one of joy and happiness.
Weekend trips, office parties, late night conversations, drinking on the job, marriage pressure, biological clocks, holding eye contact a second too long⦠you know what makes the line between âfriendsâ and âmore than friendsâ really blurry? Beer.
After seeing the initial passion and romance fade into a series of routine and boring relationships, Alexandre (Vincent Perez) concludes that romance ends when sex enters into a relationship. Determined to prevent this from happening with his latest love-interestâa sexy young woman named Fanfan (Sophie Marceau)âhe decides that platonic love is the solution. Despite the wonderful, romantic, and inventive ways Alexandre finds for them to spend time together, Fanfan is left disappointed by his refusal to make love to her. Their exciting relationship becomes jeopardized by Alexandre's unwillingness to change his new approach to love.
The film begins on a train journey with Gustav Mahler (Robert Powell) and his wife Alma (Georgina Hale) confronting their failing marriage. The story is then recounted in a series of flashbacks (some of which are surrealistic and nightmarish), taking one through Mahler's childhood, his brother's suicide, his experience with anti-semitism, his conversion from Judaism to Catholicism, his marital problems, and the death of his young daughter. The film also contains a surreal fantasy sequence involving the anti-Semitic Cosima Wagner (Antonia Ellis), widow of Richard Wagner, whose objections to his taking control of the Court Opera were supposedly removed by his conversion to Catholicism. In the process, the film explores Mahler's music and its relationship to his life.
The Conversation is a Francis Ford Coppola thriller from 1974 about a professional surveillance man who is hired to record the conversations between two workers. Yet it looks like heâs gotten into more than heâs getting paid for as information about a murder may have been recorded.
Franck Poupart is a slightly neurotic door-to-door salesman in a sinister part of Paris' suburbs. He meets Mona, a teenager, who's been made a prostitute by her own aunt. Franck would like to change his life and also save Mona from her aunt. Murder is the only solution he finds to achieve his goal... A very gloomy movie, exuding dispair and uneasiness, with pathetic characters.
A woman drives in her car, wearing a grave look on her face. In the background, we hear the sounds of the freeway. The camera often captures her face, but occasionally we look at her from behind. Hypnotising lines on the road whiz by. Just like trees and other elements surrounding the road. Some short telephone conversations alternate with long silences. Meanwhile, the spectator travels along with the woman for many miles. Next, her phone rings for the third time. It turns out to be her lover. Gradually, the nature of the conversation becomes clear. It is their final, but intense and extensive talk. One time, the tone is very impersonal, another time defiant or even particularly emotional. More and more becomes clear about the two characters and their past relationship.
Katheryn Winnick (Night and Day) plays Fiona Wagner, a woman with a decision. A cold-blooded killer delivers a moral dilemma via knifepoint. She must choose to kill either her father or her mother.
The fictional Father Ãngel de la Cruz is based on Legion of Christ
founder Marcial Maciel, whose long history of child abuse was not
addressed until 2006 and only publicly acknowledged in 2009.
But director Luis Urquiza chooses to structure his film through the
largely uncomprehending, wondering eyes of 13-year-old Julián, who
travels from the arms of his loving pastoral family into the austere,
hallowed halls of the seminary. Singling out the boy as his intimate
disciple, installing him in his palatial private quarters and redubbing
him âSacramento Santos,â Father Ãngel begins Julianâs instruction
into the mysteries of âperfect obedience,â whose cardinal rule is:
Never question a superiorâs actions.
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