Description In an isolated country house close to the shore near Saint-Tropez, seven young women share a bedroom. Over two days, they wake, shower, breakfast, play dress up, bathe in the sea, picnic, ride bikes, pick flowers, have a pillow fight, run on the strand, practice ballet stretches, groom themselves and each other, and laugh. Anne returns a horse to Renaud; the next day, he's in a rowboat and meets her by the pier. By the film's end, all are celebrating with the lovers.
The morning of a small town Labor Day picnic, a drifter (Hal Carter) blows into town to visit an old fraternity buddy (Alan Benson) who also happens to be the son of the richest man in town. Hal is an egocentric braggart - all potential and no accomplishment. He meets up with Madge Owens, the town beauty queen and girlfriend of Alan Benson.
Ida lives hard and fast with too much drinking and a string of boyfriends, Sandor has very few friends and his mother insists that he practices ballet. They meet in a chat room and despite appearances they discover they have much in common. Sandor and Ida lives in different cities and when Sandor unexpectedly visits her it ends with disaster.
Juliette Hardy is sexual dynamite, and has the men of a French coastal town panting. But Antoine, the only man who affects her likewise, wouldn't dream of settling down with a woman his friends consider the town tramp.
Faustine suffers the wounds of first love. During a summer when she is staying with her grandmother, she comes to know the nearby neighbors. Two brothers live in the large house. One is divorced and one has recently remarried, both of them live there with their teenaged and adult children. Though the boys of the household are drawn to Faustine, she grows ever more smitten with the divorced older man...
When a young accountant is devastated after discovering his inspiringly beautiful girlfriend is cheating on him, his best friend, who's engaged to a girl he doesn't love, convinces him to go on a "run" and sleep with as many women as he can to get over his heart break.
When Catherine Morland is given the opportunity to stay with the childless Allen family in Bath, she is hoping for an adventure of the type she has been reading in novels. Soon introduced to society, she meets Isabella Thorpe and her brother John, a good friend of her own brother, James. She also meets Henry Tilney, a handsome young man from a good family and his sister, Eleanor. Invited to visit the Tilney estate, Northanger Abbey, she has thoughts of romance but soon learns that status, class and money are all equally important when it comes to matters of the heart.
Biopic of Australian swimming champ and entertainer Annette Kellerman. After overcoming polio, Kellerman achieves fame and creates a scandal when her one-piece bathing suit is considered indecent.
Four erotic tales from in various historical eras. The first, 'The Tide', is set in the present day, and concerns a student and his young female cousin stranded on the beach by the tide, secluded from prying eyes. 'Therese Philosophe' is set in the nineteenth century, and concerns a girl being locked in her bedroom, where she contemplates the erotic potential of the objects contained within it. 'Erzsebet Bathory' is a portrait of the sixteenth-century countess who allegedly bathed in the blood of virgins, while 'Lucrezia Borgia' concerns an incestuous fifteenth-century orgy involving Lucrezia, her brother, and her father the Pope.
Emi Ota and her friend Okiku stay briefly at a mountain inn and then return to Tokyo. Later, Nanmura, a soldier on leave, steps on an ornamental hairpin in the public bath at the inn. Emi writes to the inn saying she has lost a hairpin and, when she discovers that it injured Nanmura, returns to apologize. The longer term visitors at the inn meet together to discuss the hairpin incident. These include a grumpy Professor, a young couple Mr and Mrs Hiroyasu, and an old man staying with his two grandsons. They hope to see a romance blossom between Nanmura and Emi, after Nanmura declares that there is something almost poetic in finding a hairpin in the bath.
Marie, who works as a successful door-to-door encyclopedia salesperson, has been married to her husband Francois for 12 years and has a two-year-old son. Though she is relatively content with her life, she feels something is wanting. Enter 50-year old African-American Bill. Initially she is annoyed by his insouciance, but she finds that she is irresistibly attracted to him. Soon the two are in the midst of sordid illicit affair. She knows little about her new lover, and he seems uninterested in learning about her, but the long sessions of lovemaking are something else entirely. Feeling out of control, Marie is increasingly repelled by her own actions. Psychologically, she struggles to reconcile her torrid encounters with Bill and mundane domestic chores such as bathing her son. Moreover, she finds herself incapable of hiding her adulterous behavior, rather she comes home with scratches and hickeys all over her body, to the devastation Francois.
âMoscouâ is a densely populated working class neighbourhood on the outskirts of Ghent, Belgium. Matty, mother of three, bumps her car into a truck on the parking lot of a supermarket. Johnny climbs down from the cabin. He is infuriated by the dent in his front bumper and yells at Matty. Although impressed by the accident, Matty fights back with sharp words. Their discussion turns into a row, and the police have to intervene. Matty goes home, the trunk of her car dancing up and down. Back in her apartment, Matty takes a hot bath to recover from the afternoonâs emotionswhen the phone rings. Itâs Johnny, apologizing for his behaviour on the parking lot. Matty tells him to stay out of her life. A dramatic comedy begins about a woman whose soul is full of dents and bruises.
The film revovles around Harvard-educated lawyer Declan Fitzpatrick (O'Connell); who impulsively gives up his settled life to buy Manet Hall, a newly restored plantation manor near New Orleans, which he has always been drawn to.Local legends claim that the house is haunted, and shortly after Declan moves in he begins hearing voices and seeing things. Declan is also distracted by an undeniable attraction to Cajun local, Lena Simone. Lena was raised on the bayou by her grandmother Odette (Dunaway), and has her own deep connection with the manor.While living in the house, Declan begins to have visions from a century past and details of events that took place in the mansion. With the help of Odette, Declan and Lena realize that they are inextricably linked with Manet Hall, and uncover a shocking secret that has been hidden there for more than 100 years.
A Farewell to Arms is a 1957 American drama film directed by Charles Vidor. The screenplay by Ben Hecht, based in part on a 1930 play by Laurence Stallings, was the second feature film adaptation of Ernest Hemingway's 1929 semi-autobiographical novel of the same name. It was the last film produced by David O. Selznick.
When a chance encounter brings together the cynical Dell and the quick-witted Kimberly, the stage is set for a tempestuous love affair that unfolds like a puzzle. As the film zigzags back and forth in time-from a meteor shower in LA, to an encounter in a Paris hotel room, to a fateful phone call-an unforgettable portrait of a relationship emerges.
At the age of 11, Li was plucked from a poor Chinese village by Madame Mao's cultural delegates and taken to Beijing to study ballet. In 1979, during a cultural exchange to Texas, he fell in love with an American woman. Two years later, he managed to defect and went on to perform as a principal dancer for the Houston Ballet and as a principal artist with the Australian Ballet.
The film suggests Nijinsky was driven into madness by both his consuming ambition and self-enforced heterosexuality, the latter prompted by his romantic involvement with Romola de Pulszky, a society girl who joins impresario Sergei Diaghilev's Ballets Russes specifically to seduce Nijinsky. After a series of misunderstandings with Diaghilev, who is both his domineering mentor and possessive lover, Nijinsky succumbs to Romola's charms and marries her, after which his gradual decline from artistic moodiness to complete lunacy begins.
Alison Drake, the tough-minded executive of an automobile factory, succeeds in the man's world of business until she meets an independent design engineer.
Just as their boat sets off for the day, Deborah (Crain), Rita (Southern) and Lora Mae (Darnell) receive a letter from the alluring Addie Ross (narrator Celeste Holm) stating she has left town with one of their husbands. Each wife spends the fretful day pondering the state of her marriage and the affection each of their husbands has for Addie. By the end of the day, each woman is convinced she must surely be the betrayed wife.
Anne Shirley, now a schoolteacher, has begun writing stories and collecting rejection slips. She makes the acquaintance of a handsome, rich, bachelor, chases a cow, and wins (to her chagrin) a baking soda company's writing contest. She acts as Diana's maid of honor, and refuses Gilbert Blythe's marriage proposal; which sends her to teach Kingsport Ladies' College, an exclusive girls school, where she meets opposition from one of the teachers, Miss Brooke, and the Pringle clan (one of whom is a rich, handsome bachelor). But while Anne enjoys the battle, and the friends she makes, she returns to Avonlea.
Sara joins Julliard in New York to fulfill her and her mother's dream of becoming the Prima ballerina of the school. She befriends her roommates, Zoe and Miles, who teach hip-hop classes. She has ballet classes with the rigid and famous Monique Delacroix that she idolizes - Monique requires full commitment, discipline and hard work from her students. When Miles, who is a composer, invites Sara to help him compose the music for the dance choreography Sara's passion for hip-hop is sparked and she also falls in love with Miles. When she is assigned to perform Giselle in an important event, she feels divided between the technique of the ballet and the creative work offered by Miles.
Will Freeman is a hip Londoner who one day realizes that his friends are all involved with the responsibilities of married life and that leaves him alone in the cold. Passing himself off as a single father, he starts to meet a string of single mums, confident in his ability to leave them behind when they start to ask for a commitment. But Will's hope of a continued bachelorhood is interrupted when he meets 12-year old Marcus, in many ways his complete opposite.
Chaplin's final American film tells the story of a fading music hall comedian's effort to help a despondent ballet dancer learn both to walk and feel confident about life again. The highlight of the film is the classic duet with Chaplin's only real artistic film comedy rival, Buster Keaton.
A crippled puppeteer rescues an abused young boy and turns the boy into a great ballet dancer. Complications ensue when, as a young man, the dancer falls in love with a young woman the puppeteer is also in love with.
The popular 1980âs dance movie that depicts the life of an exotic dancer with a side job as a welder who true desire is to get into ballet school. Itâs her dream to be a professional dancer and now is her chance. The film has a great soundtrack with an Oscar winning song.
An introverted schoolgirl falls in love and starts a relationship with one of her classmates. Set in a small seaside town in Japan, the love of her life eventually leaves her for her boyfriend in Tokyo. Kayako Kirishima of the third year at a high school feels a sense of isolation in school life and vague admiration and uneasiness in the future. One day she makes friends with EndÅ who is isolated from her surroundings because she remained in the same class for another year. Kayako is strongly attracted by EndÅ who shows her a world that she didn't know.
Bedrooms tells a story about the walls that separate people, the heartbreak and infidelity that's often the result and the redemption that comes from tearing those walls down. The film is told in 4 stories by 3 filmmakers. Three of the stories deal with married couples of various ages confronting the turning points of their relationships. A fourth story is interwoven throughout, providing bookends and context in the form of a story about ten year old twins, who, tired of sharing their bedroom set out to build a wall between their beds to create their own spaces. In building the wall to separate, they come to fully appreciate all things that connect them. Bedrooms explores human relationships, their myriad complications and the daily choice we face to either make them work or to move on.
In 1900, strong-willed widow Lucy Muir goes to live in Gull Cottage by the British seaside, even though it appears to be haunted. Sure enough, that very night she meets the ghost of crusty former owner Captain Gregg...and refuses to be scared off. Indeed, they become friends and allies, after Lucy gets used to the idea of a man's ghost haunting her bedroom. But when a charming live man comes courting, Lucy and the captain must deal with their feelings for each other.
Jimmy is young man who was born without an immune system and has lived his life within a plastic bubble in his bedroom... who pines for the sweet caresses of girl-next-door Chloe. But when Chloe decides to marry her high school boyfriend, Jimmy -- bubble suit and all -- treks cross-country to stop her. Swoosie Kurtz, as Jimmy's overprotective mom, co-stars along with Fabio, who portrays the leader of a religious cult.
On a small stretch of coastline as powerful as a man's will, Rick Kane came to surf the big waves. He found a woman who would show him how to survive, and a challenge unlike any other.
This lovely, 1991 adaptation of Elizabeth Von Arnim's novel has a superb cast and a tone so mellow you can feel your pulse get slower. Josie Lawrence and Miranda Richardson play a pair of unhappily married women who rent an Italian villa for a month, sharing the rent with a crusty Englishwoman (Joan Plowright) and a lonely aristocrat (Polly Walker). Sun, rest, sinking into the green grass for long naps--they all have a soulful effect on the quartet, and then on the men in their lives who make a surprise visit. Mike Newell (Into the West) directs with seeming effortlessness, and it is impossible not to be swayed by the promise of restoration for these burdened characters--or for anyone alive. Wonderful performances all around, including a particularly sensitive one by Alfred Molina and a very funny one by Jim Broadbent.
Ephraim Cabot is an old man of amazing vitality who loves his New England farm with a greedy passion. Hating him, and sharing his greed, are the sons of two wives Cabot has overworked into early graves. Most bitter is Eben, whose mother had owned most of the farm, and who feels who should be sole heir. When the old man brings home a new wife, Anna, she becomes a fierce contender to inherit the farm. Two of the sons leave when Eben gives them the fare in return for their shares of the farm. Meanwhile, Anna tries to cause some sparks by rubbing up against Eben.
When Mong-lyong decides to take him under his wing, Bang-ja gets to share a room with the wise, MA. While sharing the room, MA teaches Bang-ja of all the arts of seduction. When strolling the park one day, Mong-lyong meets Chun-hyang, the daughter of the owner of the park, and he instantly falls in love and encourages Bang-ja to arrange a meeting with her. But Bang-jaâs feeling for her was also the same and he seeks advice from Ma. Ma tells him of Chun-hyangâs real intention to win over Mong-lyong for his social status. Without knowing, Mong-lyong urges for a second meeting with Chun-hyang. Bang-jaâs anger towards Mong-lyong for using his nobility to attract her heart triggers his plan to use Maâs art of seduction. Successfully he wins her heart and body, but under the condition that he will help her to get married to Mong-lyong. Everything seems to go as planned but when Mong-lyong finds out their relationship, whole thing is about to go wrong.
Ginger Rogers, a young defense plant worker whose husband is in the military during World War II, shares a house with three other women in the same situation.
Griff, office worker by day, superhero by night, has his world turned upside down when he meets Melody, a beautiful young scientist who shares his passion for the impossible.
2046 is the sequel to Wong Kar-Waisâ successful box-office hit In The Mood For Love. A film about affairs, ending relationships, and a shared love for Kung-Fu novels as the main character, Chow, writes his own novel and reflects back on his favorite love Su.
Carnival dancer Lane Bellamy finds herself stranded in a southern town ruled by corrupt political boss Sheriff Titus Semple. Lane becomes romantically involved with Deputy Sheriff Fielding Carlisle, a weakling whose career is being driven by Titus. Seeing Lane as a liability to his own political ambitions, Titus mounts a campaign to get her driven out of town. She finds she can't get a job and even gets arrested on a trumped-up morals charge. Released from jail, Lane finds work as a "hostess" at Lutie-Mae's road house, where she meets Dan Reynolds, another member of the town's political machine. They marry and move to a home on Flamingo Road, the town's social pinnacle. Their marriage is soon marked by scandal when a drunken Carlisle visits Lane at home one evening and shoots himself.
Junko, a Japanese of Korean ancestry, comes to Korea to find her sweetheart. She finds lodging at a guest house that provides room and board. Unfortunately, the room that she is supposed to stay in belongs to the ownerâs son, Jong-man. On her first night in Seoul, Junko is forced to share the room with Jong-man. Junko wants to find another place, but the owner desires to keep Junko as a guest and offers Junko free Korean lessons from Jong-man. It is going to be some adventure for Junko in Seoul!
In a beauty salon in Beirut the lives of five women cross paths. The beauty salon is a colorful and sensual microcosm where they share and entrust their hopes, fears and expectations.
Stranded and alone on a desert island during a cruise, a spoiled rich woman and a deckhand fall in love and make a date to reunite after their rescue. He is stood up.
Five close friends, all of them married, share a loft to meet their mistresses. One day they find the body of a young woman in the loft. Since there are only five keys to the loft, the five men begin to suspect each other of murder.
Arah dreams of a better life different from the life she knows in Bukidnon. Ranches everywhere are closing one by one. The glory her hometown once knew was slowly disappearing in favour of life abroad, particularly in Australia. Arah believes this too. Australia will save them from poverty. But Migo does not share this belief. He believes that Bukidnonâs glory will return if only people didnât leave. Migo is Arahâs first love.
A woman and three men. Nina, who's come to Paris to act and sleeps with any man at hand, meets Paulot, a young estate agent; he's smitten. She also meets Paulot's flatmate Quentin, a compulsive who stalks her. To Paulot's jealous dismay, she's willing to sleep with Quentin, and wants Paulot's friendship. After a desperate act by Quentin, Nina and Paulot share a flat, but she still won't take him as a lover; instead, her energy goes into a production of "Romeo and Juliet" directed by a detached, intense man who becomes her father figure. Quentin's ghost taunts her, Paulot wants to end all contact, and the director plans to return to London. The art of the theater may be her only refuge.
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
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