Travelling avant (1987)
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Air America was the CIA's private airline operating in Laos during the Vietnam War, running anything and everything from soldiers to foodstuffs for local villagers. After losing his pilot's license, Billy Covington is recruited into it, and ends up in the middle of a bunch of lunatic pilots, gun-running by his friend Gene Ryack, and opium smuggling by his own superiors.
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A sweeping multigenerational story set against the backdrop of the raw, roaring New York City of the late 1980s; adoption, teen pregnancy, drugs, hardcore punk rock, the unbridled optimism and reckless stupidity of the youngâand oldâare all major elements in this heart-aching tale of the son of diehard hippies and his strange odyssey through the extremes of late 20th century youth culture.
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#13 in the Blondie series.
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Based on the life of Luang Pradit Pairoh (Sorn Silapabanleng) the most revered traditional Thai music master who lived during the reigns of Kings Rama V to VIII, the movie traces the life of Sorn, who picked up the ra-nad ek (Thai xylophone) mallets as a small child and played all his life. The backdrop to Sorn's life tale is the story of Thailand's classical music from its golden age during the reign of King Rama V to near extinction after the end of the absolute monarchy when the government banned it as uncivilised in the 1930s -- a time when Field Marshall Plaek Pibulsongkram tried to push the Kingdom into the modern era.
Almost a decade has elapsed since Bowie esque glam superstar Brian Slade staged his own death and escaped the spotlight of the London scene. Now, investigative journalist Arthur Stuart is on assignment to uncover the truth of the enigmatic Slade's rise and fall. Stuart, himself forged by the music of the 1970s, explores the larger-than-life stars who were once his idols and what has become of them since the turn of the new decade.
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A sex-obsessed young woman, a suicidal young man she meets on the street, a gun-crazy wannabe gangsterâthese are just three of the irrational, oddball anarchists trapped in an underground hideaway in Oshimaâs devilish, absurdist portrait of what he deemed the âdeath driveâ in Japanese youth culture.
Charts the headlong fall of Pinkie, a razor-wielding disadvantaged teenager with a religious death wish.
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