The Flea (1990)
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The film depicts a strike in 1903 by the workers of a factory in pre-revolutionary Russia, and their subsequent suppression. The film is most famous for a sequence near the end in which the violent putting down of the strike is cross-cut with footage of cattle being slaughtered, although there are several other points in the movie where animals are used as metaphors for the conditions of various individuals. Another theme in the film is collectivism in opposition to individualism which was viewed as a convention of western film.
Comedy set in a refugee camp in occupied Austria after World War II. A shrewd multi-lingual interpreter who mediates between Russian and British military brass enters into a friendly rivalry with British Major Giles Burnside, who is in charge of assigning the displaced persons into either the American or Russian zones.
Based on the best selling autobiography by Irish expat Frank McCourt, Angela's Ashes follows the experiences of young Frankie and his family as they try against all odds to escape the poverty endemic in the slums of pre-war Limerick. The film opens with the family in Brooklyn, but following the death of one of Frankie's siblings, they return home, only to find the situation there even worse. Prejudice against Frankie's Northern Irish father makes his search for employment in the Republic difficult despite his having fought for the IRA, and when he does find money, he spends the money on drink.
The true history of Japanese Unit 731, from its beginnings in the 1930s to its demise in 1945, and the subsequent trials in Khabarovsk, USSR, of many of the Japanese doctors from Unit 731. The facts are told, and previously unknown evidence is revealed by an eyewitness to these events, former doctor and military translator, Anatoly Protasov.
In 1831, Irishman Charles Adare travels to Australia to start a new life with the help of his cousin who has just been appointed governor. When he arrives he meets powerful landowner and ex-convict Sam Flusky, who wants to do a business deal with him. Whilst attending a dinner party at Flusky's house, Charles meets Flusky's wife Henrietta who he had known as a child back in Ireland. Henrietta is an alcoholic and seems to be on the verge of madness.
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Adapted from a Gujarati play by Bhavesh Mandalia, writer Umesh Shukla has adapted the drama to the big screen quite skillfully. Paresh Rawalâs character Kanjilal gets some of the best dialogues and thespian does full justice to them. Kanjilalâs arguments and counter-questions are very well thought out. The take on the God-men is very interesting. The best part was the parallel drawn to the Mahabharata towards the end, with Krishna (Akshay) re-playing his role as the legendary charioteer-advisor for a warrior (Arjun then, Kanji now).
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FLEA tells the story of an eclectic tribe of mystical forest dwellers known as the Shadow Clan, led by it's counsel of three wise souls, The Tribal leader, Raven (Suza Lambert Bowser), Marsh Man (Barry Williams) & Poet (Josef Cannon) they meet the mysterious boy, Flea (Westleigh Davies) whose arrival was foretold to them. Time works against them as evil forces, Badger (Bruce Cole) become aware of his existence and soon began hunting him down with the help of Scavenger (Brian O'Halloran) who plays both sides of the fence. Will FLEA become aware of his destiny in time or will EVIL conquer all?!
In New York's 1880's newspaper district a dedicated journalist manages to set up his own paper. It is an immediate success but attracts increasing opposition from one of the bigger papers and its newspaper heiress owner.
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Never on Sunday is a 1960 Greek black-and-white film which tells the story of Ilya, a prostitute who lives in the port of Piraeus in Greece, and Homer, an American tourist from Middletown, Connecticut â a classical scholar enamored with all things Greek. Ilya is a character close to the "hooker with a heart of gold" cliché. Homer feels Ilya's life style typifies the degradation of Greek classical culture and attempts to steer her onto the path of morality. It constitutes a variation of the Pygmalion story. The film stars Melina Mercouri and Jules Dassin, and it gently submerges the viewer into Greek culture, including dance, music, and language (through the use of subtitles). The signature song and the bouzouki theme of the movie became hits of the 1960s and brought the composer, Manos Hadjidakis, an Academy Award.
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Rick Heller is a juvenile delinquent who keeps getting himself into trouble. To keep him out of trouble his mother puts him to work cleaning the cage of a gorilla named Katie which she is teaching to communicate through the use of sign language. When the owner of the gorilla takes her back to become a flea market freak Rick takes it upon himself to break Katie out and take her on an adventurous journey to get her out of the country.
We meet Jesse and Celine nine years on in Greece. Almost two decades have passed since their first meeting on that train bound for Vienna.
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Blake Washburn blames manufacturer MacFarland for his defeat in the race for re-election to the state legislature. He takes over his uncle's newspaper to take on big business as an enemy of the people. Miss Martin works in the "Herald" newspaper office. When tragedy strikes, Blake must re-examine his views.
Michael Pappas and his girlfriend, Cathy, are enjoying the white sand beaches of a Greek island as well as the freewheeling nature of the locals. When Michael meets Lina, who is in Greece from Paris doing archaeological work, he is enamored with the beautiful foreigner. Cathy, unhappy about Lina getting close to Michael, confronts the woman -- only to be unexpectedly wooed by her charms as well.
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In the 19th century, siblings Abilene and Tod, orphaned on their western farm, become attracted to each other, sexually. The confused Tod fleas to a nearby town where he meets Linda, a local bar girl, and begins a sexual relationship with her, while a rough cowboy, named Rawhide, sexually assaults Abilene leading Tod wanting revenge despite Linda's wariness and growing compassion for Abilene.
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Three stories dealing with three men and their stance towards life, given their personal background. All stories are held in Northern Greece (Macedonia and Thrace), covering all the spectrum from urban to rural settings.
Mr. Omura, a teacher, leads a group of male students in an outdoor drill. One slight, comic young man, Shinji Okajima, has no shirt under his jacket; he scratches at fleas and makes faces behind Omura's back. Jump ahead several years, Shinji is married with three children. He sells insurance, and on the company's annual bonus day, he protests when an older worker is fired. Shinji loses his own job as a result, and he and his wife must find ways to cope. Lassitude, pride, the demands and needs of young children, and relationships from bygone school days all play a part in the outcome of their struggle.
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Henry Hackett is the editor of a New York City tabloid. He is a workaholic who loves his job, but the long hours and low pay are leading to discontent. Also, publisher Bernie White faces financial straits, and has hatchetman Alicia Clark, Henry's nemesis, impose unpopular cutbacks.
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Right Now (French: à tout de suite) is a 2004 French film by director Benoît Jacquot. It was screened in the Un Certain Regard section at the 2004 Cannes Film Festival.In 1975, a young bourgeois woman falls in love with a bank robber. She follows him and his partner on the run after a bank heist resulted in a death and hostage taking. Using fake IDs, they leave Paris and travel to Spain, Morocco, and Greece.
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Sid and Nancy screenplay author Abbe Wool makes her directorial debut with this tale of a factory worker name Joe (X front man John Doe) who hits the road on his Harley to scatter the ashes of a co-worker. Joined by wannabe biker Sam (Adam Horovitz of the Beastie Boys), Joe journeys from Los Angeles to Nevada, meeting all sorts of characters (played by the likes of David Carradine, John Cusack, Timothy Leary and Arlo Guthrie) along the way.
Kathy leaves the newspaper business to marry homicide detective Bill but is frustrated by his lack of ambition and the banality of life in the suburbs. Her drive to advance Bill's career soon takes her down a dangerous path.
A drunken newspaperman is rescued from his alcoholic haze by an heiress whose love sobers him up and encourages him to write a play, but he lapses back into dipsomania.
This expansive Greek drama follows a troupe of theater actors as they perform around their country during World War II. While the production that they put on is entitled "Golfo the Shepherdess," the thespians end up echoing scenes from classic Greek tales in their own lives, as Elektra (Eva Kotamanidou) plots revenge on her mother (Aliki Georgouli) for the death of her father, and seeks help from her brother, Orestes (Petros Zarkadis), a young anti-fascist rebel.
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In 1932, a cop is killed and Frank Wiecek sentenced to life. Eleven years later, a newspaper ad by Frank's mother leads Chicago reporter P.J. O'Neal to look into the case. For some time, O'Neal continues to believe Frank guilty. But when he starts to change his mind, he meets increased resistance from authorities unwilling to be proved wrong.
About young British journalist, George Hogg, who with the assistance of a courageous Australian nurse, saves a group of orphaned children during the Japanese occupation of China in 1937.
Although he's credited only for story, the dialogue has Fuller's headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, "The power of the press is the freedom to tell the truth--it is not the freedom to twist the truth," he's a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper's redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism--and its condemnation of media organizations "playing on the prejudices of stupid people" has acquired fresh relevance. Otto Kruger and Victor Jory ("a little Himmler") supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
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