A Place in the World (1992)
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People in a small German village in the last valley to remain untouched by the devastating Thirty Years' War try to exist in peace with a group of soldiers occupying the valley.
Archie Grey Owl is a trapper in Canada in the early 1930s when a young Iroquois woman from town asks him to teach her Indian ways. They live in the woods, where she is appalled at how trapped animals die. She adopts two orphaned beaver kits and helps Archie see his way to stop trapping. Instead, he works as a guide, a naturalist writer, and then the Canadian government hires him to save the beaver in a conserve by Lake Ajawaan in Prince Albert National Park. He writes a biography, which brings him attention in Canada and invitations to lecture in England. Before he leaves, he and Anahareo (Pony) marry. In England, his secret is revealed. Will Anahareo continue to love him?
A moving true story about volunteers protecting antelope against poachers in the severe mountains of Tibet.
Angry young man Velu Thondaiman, affectionately known as "Thambi" fights against all types of evils in the society. He keeps running into Sankara Pandian, a political henchman who rules the city with violence. Thambi is determined to overcome Sankara Pandian's activities in the society and his fearless attitude brings fear into the face of Sankara Pandian's gang. Thambi thwarts Sankara Pandian's terrorizing plans with the help of his close associates. At this very moment, a flashback unravels how Sankara Pandian's gang kills Thambi's family after Thambi identifies the killer as Sankara Pandian's brother Saravana Pandian. As the Police now close in on the thugs by means of "encounters", Sankara Pandian starts riots within the city to topple the internal government, so he can achieve power as a member of parliament. But, in the riots, Sankara Pandian's daughter and mother are caught and Thambi saves them single-handedly
The film starts with the story of the younger Bala Krishna (Srimannarayana) working as a college professor. As usual the best looking girl of the college (Janaki played by Sneha Ullal) falls in love with Srimannarayana (the monkish protector of justice); reasons for that are comprehendible only by someone who had seen enough Telugu films (Bala Krishna films in particular). As the first half progresses the screenplay tells us that Janakiâs and Srimmanaraynaâs pasts are related and the flashback starts occupying the screen. The daddy Bala Krishna with Nayanatara next to him and Kota Srinivas Rao playing the bad guy in a war between good and evil about the welfare of the region is the filmâs flashback
Itâs 1982, and Taeko (voiced by Daisy Ridley) is 27 years old, unmarried, and has lived her whole life in Tokyo. She decides to visit her family in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys. At the station she is met by young farmer Toshio (voiced by Dev Patel), and the encounters with him begin to reconnect her to forgotten longings. In lyrical switches between the present and the past, Taeko contemplates the arc of her life, and wonders if she has been true to the dreams of her childhood self.
An earthquake shatters a peaceful Los Angeles morning and opens a fissure deep into the earth, causing lava to start bubbling up. As a volcano begins forming in the La Brea Tar Pits, the director of the city's emergency management service, Mike Roark, working with geologist Amy Barnes, must then use every resource in the city to try and stop the volcano from consuming Los Angeles.
The fates of horses, and the people who own and command them, are revealed as Black Beauty narrates the circle of his life.
The relationship between Sergeant Stryker and a group of rebellious recruits is made difficult by the Sergeant's tough training tactics. At Tarawa, the leathernecks have a chance to see Stryker in action, and begin to appreciate him.
Originally released in Japan simply as "Gojira" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Gojira". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.
Based on the fact that mountain party Ã
kneset, located in the Geiranger fjord in Norway, one day will race out and create a violent tsunami of over 80 meters that will crush everything in its path before it hits land in Geiranger. A geologist gets caught in the middle of it and a race against against time begins.
After a cavalry group is massacred by the Cheyenne, only two survivors remain: Honus, a naive private devoted to his duty, and Cresta, a young woman who had lived with the Cheyenne two years and whose sympathies lie more with them than with the US government. Together, they must try to reach the cavalry's main base camp. As they travel onward, Honus is torn between his growing affection for Cresta.
An earthquake reaching a 10.5 magnitude on the Richter scale, strikes the west coast of the U.S. and Canada. A large portion of land falls into the ocean, and the situation is worsened by aftershocks and tsunami.
An Arizona policeman (Bo Svenson) and his pilot buddy (Fred Williamson) discover a scheme to rob Las Vegas slot machines by computer.
The film depicts the events of 1964 when Nikita Khrushchyov was forcibly replaced by Leonid Brezhnev as a head of USSR.
Elite snipers Brandon Beckett and Richard Miller are tasked with protecting a gas pipeline from terrorists looking to make a statement. When battles with the enemy lead to snipers being killed by a ghost shooter who knows their exact location, tensions boil as a security breach is suspected. Is there someone working with the enemy on the inside? Is the mission a front for other activity? Is the Colonel pulling the strings?
Shailu (Anushka Shettyl) is a harried, ill-tempered businesswoman living in the United States, trying to care for her mother and young nephew and manage her bills. KK (Jagapati Babu), who with his young daughter opens a shop across the street from hers, helps her find a new perspective on her life. Shailu falls in love with KK, but when she declares her feelings for him learns that he already has a wife, Vidya (Bhumika Chawla). In flashback, the film relates the romance of KK and Vidya. In the past, KK was himself an abrasive businessman when he sought a mate at Jalaja Rao Marriage Bureau. Instead, he winds up courting and marrying Vidya, an employee. KK's dilemma is simplified by the fact that one of the women in his life is dying from chronic leukemia.
Man-sik and Yeon-hee, are unsure as to whether they can overcome past wounds and continue being a couple. Dr. Kim, who cautions against a possible mega-tsunami at Haeundae, collapses in agony springing from an unexpected turn-up of his daughter and divorced wife. Hyoung-sik, after rescuing a woman from Seoul, rides out a ferocious storm to gladden her heart. A tsunami which destroys Haeundae symbolizes the establishment of a typical axis called provocation of conflicts, and later the inner spaces of the couples without anything left behind after all conflicts have ended
Five substance-abusing friends decide to fake a kidnapping in order to bribe a police constable for covering-up a hit-and-run accident.
A team of maritime salvage workers are about to embark on a recovery dive. However the 1883 Krakatoa Volcano eruption provides more pressing problems.
A misfit bunch of friends come together to right the injustices that exist in a small town.
The main plotline concerns retired Mr Ueno, who since a child has been cared for by his late parentsâ robot maid âMariaâ (Akiho Yoshizawa) â a lifelike humanoid in a maidâs outfit! Over the years, Ueno has developed an unconsummated love for Maria, but although she has not âagedâ as such, she is now classed as an obsolete model and Ueno is finding it difficult replacing her fading battery⦠The secondary plotline involves Detective Yuri Akagi, who is investigating a series of rapes, which she believes may be being committed by a rogue droid⦠As this is a Japanese erotic âPinkuâ movie, it does not take itself too seriously and thereâs plenty of gratuitous sex and nudity along the way! ;-)
Follow the life of Pod as he moves to Bangkok from the country. Pod's new life starts with getting a job, loosing a finger and dreaming about a girl. A movie were nothing is impossible, and just because you get killed by raining red helmets doesnt mean you have to stop driving motorcycle taxi.
A young man is confined in a mental hospital. Through a flashback we see that he was traumatized as a child, when he and his family were circus performers: he saw his father cut off the arms of his mother, a religious fanatic and leader of the heretical church of Santa Sangre ("Holy Blood"), and then commit suicide. Back in the present, he escapes and rejoins his surviving and armless mother.
A nurse and her surgeon-lover are part of a resistance movement in 1940s Czechoslovakia. When they are discovered, her lover flees and she must find a place to hide. A patient whose life she saved, a man from a remote mountain village where time stopped 150 years ago, agrees to hide her as his wife.
Deep in the Valley interlaces a story of young romance set in Yanaka (part of old downtown Tokyo) with a Japanese period drama based on Five-Story Pagoda, a classic literary work by Rohan Koda. In the contemporary story, Kaori, a young woman working for a non-profit organization that restores home movies, learns that there used to be a five-story pagoda in the middle of Yanaka Cemetery. It burned down in 1957, and rumor has it that someone has an 8mm film of the fire.
In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later.
A cyclist is killed, swiped by a Range Rover in a village lane. James and Anne Manning become involved because the victim is the husband of their cleaner, Maggie. James, a solicitor in the city, soon comes to suspect William Bule, a millionaire playboy who has moved back to the village. William, pressed by James, confesses to the hit and run. But the confession is clouded by Anne's admission of her affair with William.
In 1950, at night, a passenger train kills a man on the tracks. He is Orzechowski, an engineer since 1914. An inquiry immediately follows. Testimony takes the form of flashbacks. Tuszka, the station master, believes Orzechowski was a saboteur; at least one on the inquiry panel agrees. Zapora, the young engineer on the train that hit Orzechowski, gives more complicated testimony about the dead man - stiff-necked, proud, imperious, critical of Zapora and other younger workers. The signalman at the crossing where Orzechowski died also testifies. Can the panel arrive at the truth in a world where workers unite, inferior coal is a badge of honor, and the old order is suspect?
In the elegant world of artists and musicians, Gertrud ends her marriage to Gustav and takes a lover, the composer Erland Jansson. When he also fails to live up to her idealistic standards, she leaves him and imposes on herself a kind of exile of the heart. In flashbacks and in conversations laced with memories, we also learn of her affair with Gabriel, who still wishes she would go off with him, and we learn of her adolescence, with its early expression of her isolating ideal of absolute love. Written by
In the mid 1970s a group of young men leave the Connemara Gaeltacht, bound for London and filled with ambition for a better life. After thirty years, they meet again at the funeral of their youngest friend, Jackie. The film intersperses flashbacks of a lost youth in Ireland with the harsh realities of modern life. For some the thirty years has been hard, working in building sites across Britain. Slowly the truth about Jackie's death become clear and the friends discover they need each other more than ever. However, by the end, the friends split up for good, going their separate ways.
Madeinusa is a girl aged 14 with a sweet Indian face who lives in an isolated village in the Cordillera Blanca Mountain range of Peru. This strange place is characterized by its religious fervor. From Good Friday at three o'clock in the afternoon (the time of day when Christ died on the cross) to Easter Sunday, the whole village can do whatever it feels like. During the two holy days sin does not exist: God is dead and can't see what is happening. Everything is accepted and allowed, without remorse. Year after year, Madeinusa and her sister Chale, and her father Don Cayo, the Mayor and local big shot, maintain this tradition without questioning it. However, everything changes with the arrival in the village of Salvador, a young geologist from Lima, who will unknowingly change the destiny of the girl.
Paul, depressed from his recent break-up with Anna, returns home to Paris and moves back in with his divorced father and amorous younger brother, Jonathan. While his carefree sibling and doting father try in vain to cheer him up, a visit from his mother seems to be the only thing that brings him joy. When Paul is then left in the house to brood and talk to one of his brother's girlfriends.
The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.
In a small farming valley in Austria in the beginning of the 20th century a tyrannical farmer is found dead, and all the farmhands are relieved to be free of their tyrant. But the farmer was childless, so suddenly they all inherit the farm together. Now conflicts begin, as nobody is the boss and nobody has to obey.
Lasting tradition clashes with new ideas in director Ariel Winograd's tale of a mischievous pre-adolescent whose family spends their summers basking in the comfortable surroundings of a picturesque Jewish country club. Ariel is a young boy whose family enjoys the high life. When summer rolls around his mother leads an Israeli dance class at the local Jewish country club, and his grandmother seems to have a special knack for always winning at rummy. His sister Natalia is rarely seen without roller skates lest she need to beat a hasty retreat from her overbearing suitor, and his brother David's hormones are raging like a white squall. As Ariel and his friends hop on their bikes and explore the grounds of the country club it feels as if life simply couldn't get any better, but sometimes life in this highly exclusive paradise isn't all it's cracked up to be.
After the death of his wife, wealthy businessman Philip Emmenthal and his son Storey open their own private harem in their family residence in Geneva (they get the idea while watching Federico Fellini's 8½ and after Storey is "given" a woman, Simato (Inoh), to waive her pachinko debts). They sign one-year contracts with eight (and a half) women to this effect. The women each have a gimmick (one is a nun, another a kabuki performer, etc.). Philip soon becomes dominated by his favourite of the concubines, Palmira, who has no interest in Storey as a lover, despite what their contract might stipulate. Philip dies, the concubines' contracts expire, and Storey is left alone with Giulietta (the titular "½", played by Fujiwara) and of course the money and the houses.
In a flashback, Ernesto, a young con man, tells us how he got to the edge of a big score: childhood in an orphanage, youthful smash-and-grab burglaries until his partner is caught, then tutelage from Lefty, an aging swindler. After some years of success, they're joined by Federico, the best, a true artist. Things go well until Pilar, a woman from Federico's past, re-enters his life with a proposal to con a golden goose - a swindle that will put them all on easy street. A double-cross may be in the cards. The flashback over, can Ernesto hold his own in the present?
A young college student from rural Albania leaves school to visit home, only to find himself embroiled in his family's deadly blood feud.
A series of strange accidents plaguing a city located near the mine. Two people were pulled through the funnel, which formed after the collapse of tunnels under the lake. Geologist Nina Thiemann discovers that the mine tunnels are insecure and unstable. A woman with an expert in the field of explosions and a father, a former miner, descend into the ground, hoping that they will prevent catastrophe
Several mysterious killings take place in the underworld. A war fighter trying to find the culprit behind these murders. He finds that the victims are killed by a crystal statue. The statue is made of an ordinary man who is good at sculpting, but is controlled by an evil demon and warrior knows that he must stop the demon before several statues will. While traveling man who created the statue out to find his statue to prove his innocence.
The swordsman Zhang Zhen is injured in a misadventure and rescued by Eldest Sister of Changchun Sect, who has a crush on him. However, Zhang falls in love with the maid Yuenu instead, and conceives twins with her. The couple are killed by a group of evil pugilists later. The Eldest Sister is angry with Zhang Zhen for not accepting her and plans to make Zhang's children kill each other as revenge. The baby girl (Xiaolu'er) is saved by Zhang's friend, Lian Lanyan, while the male infant (Hua Yuchun) is taken away by the Eldest Sister. Lian Lanyan encounters the Ten Villains when he passes through Villains' Valley. He is overwhelmed by them and knocked out in a fight. The baby Xiaolu'er is taken away by the Villains, who surprisingly do not harm her, and instead intend to groom her to become the greatest villain ever. Eighteen years later, the twins meet each other by coincidence.
The plot has Fu Sheng as Xiao Yu Erh, separated from his twin as a baby, after his parents are murdered, and taken by a family friend to "Villains Valley," where he's raised to be a "villain" by a host of outlaws, each of whom has a special skill. When he's old enough (and grows up to be Fu Sheng), he devises clever means to trap each of his "uncles" and escape the valley to head off into the outside world. A chance encounter with a beautiful girl dressed as a man leads to a treasure hunt and eventually a confrontation with the Princess of Yi Hua Palace, the one who'd murdered Xiao's parents in the first place. Eventually, a reunion with his twin occur.
Tony (NTR) is a wily youngster who does illegal things for money. He falls in love with Niharika (Tamanna) during a freak incident. He keeps following her and proposing to her. But she is engaged to some other rich guy. Tony has a secret mission and he is in hot pursuit of somebody. The rest of the story is all about the love story between the lead pair and how Tony achieved his mission.
Rikky (Nina Landis) and her brother Pete (Stephen Kearney) struggle to keep their lives from spinning out of control in small town Australia.
John Gray, a mild-mannered banker, gets hit by a car and loses most of his memory. When he gets out of the hospital, he has flashbacks which do not fit with his current life. After a strange telephone call and a murder attempt on his wife, Gray's wife is murdered which he is forced to go to L.A. in order to solve the crime and piece together his mysterious past
The famous showdown at Kagiya corner has been told many times, but never before with the realism and intensity of this version scripted by Kurosawa Akira and starring Mifune Toshiro as the famed swordsman who must face his best friend as they are forced to take opposite sides in a vendetta caused by the murder of a family member. Told mostly in flashback as the avengers await the arrival of their quarry, this film displays true heroism in the face of fear as most of the combatants, while of the samurai class are not skilled swordsmen. They contrast sharply with the true warriors involved in this battle. Araki Mataemon (Mifune), who was not only a direct student of Yagyu Munenori, but the founder of his own sword style under the Yagyu name is a powerful force ready to assist his brother-in-law against the murderer's allies that include not only another noted sword teacher, but the deadly spear of Katsumi no Hanbei.
A family saga: In a stunning mountain valley ranch setting near Aspen, complex and dangerous family dynamics play out against the backdrop of the first big snowstorm of winter and an enormous panther with seemingly mythical qualities which is killing cattle.
Sam Gifford remembers : In prewar years he was an arrogant southern cotton plantation owner, married to the daughter of a colonel. At the beginning of the war he was mobilized with his National Guard unit as a sergeant. Came the day when, revolted by the cowardice of his lieutenant, who had fired at his own men, he hit him. Downgraded, he was sent to a disciplinary battalion. Sam now discovers his new detachment, his new commanding officer, just another cowardly brute, Captain Waco Grimes. While in combat, Sam will gradually become closer to the privates, working-class people he used to despise. He will become another man, a better man.
Infernal Affairs III is a 2003 Hong Kong crime thriller film directed by Andrew Lau and Alan Mak. It is the third installment in the Infernal Affairs film series, and is both a sequel and a semi-prequel to the original film, as it intercuts events before and after the events in the original.
The movie opens with a fictionalized depiction of a real-life incident: the arrest on July 4, 2003 of 11 Turkish special forces soldiers and 13 civilians by U.S. forces of the 173rd Airborne commanded by Colonel William C. Mayville in the northern Iraqi Kurdish town of Sulaymaniyah. The Turkish soldiers suppose that this is an ordinary visit from their NATO allies. But this time is different.
Country singer Leana Taylor (Dolly Parton) struggles to escape from her controlling manager/boyfriend Hank (John Terry) as well as her troubled past. After turning to her guitarist (Billy Dean), Leanna finally faces her past, including her estranged mother and the death of her father. Through flashbacks, Leana deals with her past as she attempts to move her life forward and begin a recording career.
Adaptation of Chekhov's "Uncle Vanya" set in rural Australia in the 1920s. Jack Dickens and his niece Sally run the family farm to support brother-in-law Alexander as a (supposedly brilliant) literary critic in London. Action begins when Alexander returns with his beautiful young wife Deborah, revealing himself as an arrogant failure and wanting to sell the farm out from under Jack. Blakemore introduces themes about Australia's separation from England, as well as expanding the pacifist and ecological philosophies espoused by the local Doctor Max Askey.
Four geologists are searching for diamonds in the wilderness of Siberia. After a long and tiresome journey they manage to find their luck and put the diamond mine on the map. The map must be delivered back to Moscow. But on the day of their departure a terrible forest fire wreaks havoc, and the geologists get trapped in the woods.
Heinz is a German soldier stationed as a sniper overlooking his own army from a tree. When he falls asleep, his troops are gone and he is left alone to defend the incoming enemy invasion. Flashbacks recall his wartime experiences and his transition from a human being into a sadistic murderer and rapist.
Babe is a little pig who doesn't quite know his place in the world. With a bunch of odd friends, like Ferdinand the duck who thinks he is a rooster and Fly the dog he calls mom, Babe realizes that he has the makings to become the greatest sheep pig of all time, and Farmer Hogget knows it. With the help of the sheep dogs Babe learns that a pig can be anything that he wants to be.
Nadja, a country girl moves to the city and becomes Valya's maid. Valya, a member of the District Soviet, does not know that Nadja fell in love with Valya's currently absent husband, a geologist, when he was at her village on a recent expedition.
An aging Hollywood star, Joe Scott, lives a life of narcissistic hedonism, observed by his laconic personal assistant, Ophelia. The death of his childhood best friend, Boots, takes our protagonist, and the movie, into an extended flashback to a sea-side town in 1970's Britain.
Mohit is a marketing whiz kid vying for a step up the career ladder. Mayera is a financial brain with a penchant for shoes. Theyâre a young middle-class corporate couple thatâs ambitious and likes the good life too. They work hard, they party hard. Theyâre also passionately in love with each other. Their belief: You can live on love and fresh air. Their obstacle: Mayeraâs wilful bureaucratic father V.K Sehgal. The obstinate old man believes that only a rich man can bring Mayera happiness and a mid-level executive like Mohit simply isnât good enough! Exactly how fragile are relationships in these times where consumer lifestyles dictate their very nature and intensity? Who gets the last laugh when recession strikes and the lack of money tests love... credit-card-junkies private-sector Mohit-Mayera; or safe-playing sarkari, V.K. Sehgal?
After the critical lambasting of his masterpiece Earth, Dovzhenko returned with a more popular iteration of its main motifs. Much like Earth, Ivan concerns itself with the natural rhythms of country life, disrupted by the beat of looming industrialisation.
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