Midnight Tease II (1995)
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An elderly heiress is killed by her husband who wants control of her fortunes. What ensues is an all-out murder spree as relatives and friends attempt to reduce the inheritance playing field, complicated by some teenagers who decide to camp out in a dilapidated building on the estate.
When a fashion model dies during an abortion, a series of murders begins, starting with her doctor. The next victims are connected to the modeling agency where she worked, Albatross, run by a hard edged and jealous bi-sexual, Gisella, married to a Farouk-like dissolute. One suspect is Carlo, a playboy photographer who has a hot temper and refuses to share information with the police. He becomes the lover of Magda, another photographer at the agency, who's probably in danger. The murderer wears a black motorcycle outfit and helmet. Will anyone discover the murderer's identity before the entire agency dies?
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Maryann (an impressive Natasha Calis) moves in with her grandparents after she's orphaned. Desperately lonely, the preteen sets out to befriend a neighboring deathly ill, bed-ridden boy (Charlie Tahan), despite the outright disapproval of his mother (Samantha Morton). Maryann's persistence pays off, however, and during a series of secret visits she gradually uncovers some seriously sinister goings-on in the house... Morton as the boy's overprotective surgeon mom is the stuff of great screen villainy-at once utterly monstrous and tragically desperate-so much so that she makes even frequent heavy Michael Shannon, as the more subdued dad, pale in comparison.
Michael Higgins plays an outwardly charming young man who befriends Doris Fesette and her two daughters, Jean Allison and Lois Holmes. The family is vacationing in a resort town, next door to an unoccupied cottage. Higgins sweet talks his way into renting the cottage, so that he may drop in on the family any time he likes. One of those times, he reveals himself to be a homicidal maniac.
I Died a Thousand Times is essentially a remake of the 1941 crime-drama classic High Sierra. Jack Palance steps into the old Humphrey Bogart role as Roy "Mad Dog" Earle, the ageing bank robber who intends to pull off one last heist before retiring. Sprung from prison by likeable crime boss Big Mac (Lon Chaney Jr.), Earle is commissioned to mastermind the robbery of a resort hotel. His partners in crime include the hotheaded, immature Babe (Lee Marvin) and Red (Earl Holliman), as well as "inside man" Mendoza (Perry Lopez). Also along for the ride is Marie (Shelley Winters), a dance-hall girl whom Babe has picked up. Marie falls in love with Earle, but he has eyes only for Velma (Lori Nelson), the club-footed daughter of a farmer (Ralph Moody) whom Earle had earlier befriended. While the 1955 film cannot match the excellence of its 1941 role model, I Died a Thousand Times works quite well on its own terms.
Ann, a reclusive elegant lady, with an obsession for butterflies, is befriended by the eerily beautiful young Alice. Using her seductive innocence, Alice establishes a disturbing mother daughter relationship with Ann. Lured into her twisted world, Ann soon discovers that she is not the only recipient of the girl's affections. Confronted by Alice's other lady friends, Ann's shock awakens a dark, hidden past, unchaining a spiral of madness: a series of brutal and bizarre crimes that Ann will have to commit to preserve her harmless and deceptive appearances. The only one who recognizes there's something unsettling about Ann, is nine year old Julie, her next door neighbour's daughter. With the inevitable curiosity of a child, Julie begins to explore the corners of Ann's apartment, discovering a dark secret hidden in the walls of the forbidden butterfly room. No one believes what she's seen except for Ann's daughter. Horrified, she realises that the fate of the young girl lies in her hands.
Awaking from a coma to discover his wife has been killed in a car accident, Ben's world may as well have come to an end. A few weeks later, Ben's out of hospital and, attempting to start a new life, he moves home and is befriended by a beautiful young neighbour Charlotte. His life may be turning around but all is not what it seems and, haunted by visions of his dead wife, Ben starts to lose his grip on reality.
When the razor blade slasher begins his reign of terror in the alleys behind the Los Angeles strip clubs, the most famous stripper in the spotlight must walk a tightrope between her own fragile sanity and the inescapable murderer's blade.
Modesty, raised by a casino owner after being abandoned by her parents, has become skilled in the ways of fighting and now acts as the casino owner's bodyguard. When she's unable to prevent the owner's murder at the hands of an old foe, Modesty is hell-bent on seeking revenge. --- An adaptation of the Modesty Blaise novels and comic strip by Peter O'Donnell.
As Zipper's Clown Palace (a strip bar) closes, Neil wanders in and decides to hold the dancers, bartender, and remaining customers hostage. He torments them with little tasks he wants performed, playing on their weaknesses and relying on his gun for intimidation. Eventually the hostages begin formulating plans to thwart his control. Meanwhile, two policemen are observing the outside of the strip joint, realizing that something's wrong and trying to decide if it's worth ruining their buzz to intervene.
Beautiful young dancer Michelle Foreman fells herself drawn to the hottest striptease club in town. And she's a natural-gliding, grinding glistening in the hot lights. she's all things to all men. It's not long before she translates her dancing technique to the art od seduction-especially once she meets the hansom Jeff Conaway. But it's a confusing situation for her. Surrounded by gorgeous beauties, who take it all off for the men who worship them-and the men who try to use them-she tries to fund her place in the sexually charges, seductive world. Michelle is living to lives: innocent by day, flesh and temptation at night! and on the tradition of Flashdance, Michelle uses erotic dancing to achieve her dreams.
An autistic boy witnesses his parents' double murder. Richard Dreyfuss as a controversial therapist, seeks to probe the child's mind in order to solve the case.
Walter is the chief of police in a small Ontario town that has its first murder victim, an attractive young woman who is found naked on the shores of the nearby lake. The woman isn't local and while the Ontario Provincial Police have taken the lead in the investigation, Walter assists where he can. The town is mostly a close-knit Mennonite community and Walter has recently returned to his church. He is also trying to deal with his own temper that led to a violent incident some months before. As the young woman is identified, it becomes apparent that Walter's former love interest may be lying.
Victor Mallick returned to his home and found out that all of his friends have arranged a surprise bachelor/stag party for him. Two strippers were hired to cheer up the party. However, when some of the men accidentally killed one of the strippers, they are left to face the consequences of their action.
An American journalist played by George Clooney arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover played by Cate Blanchett.
A Los Angeles detective (Glenn Corbett) and his Japanese partner (James Shigeta) woo an artist (Victoria Shaw) while solving a stripper's murder.
Frederick Manion, an Army lieutenant, is arrested for the murder of bartender Barney Quill. In his defense, he claims that Quill raped and beat up his wife Laura. Although Laura supports her husband's story, the police surgeon cannot find evidence of rape. Manion is defended by Paul Biegler, a humble small-town lawyer. During the course of interviews, Biegler discovers that Manion is violently possessive and jealous, and that his wife has a reputation for giving her favors to other men. Biegler realizes that the prosecution will try to make the court believe that Laura was the lover of the bartender and that Manion killed him and beat her up when he discovered them together. Manion pleads "not guilty" and Biegler, who knows that his case is weak, sets his assistants to try to find a witness who will save Manion.
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