Main cast John Turturro; Christopher Walken; Susan Sarandon; Rufus Sewell; Beverly D'Angelo
Genres Drama
Description It's the start of the 20th century, and Tuccio, resident playwright of a theatre repertory company offers the owners of the company his new play, "Illuminata". They reject it, saying it's not finished, and intrigue starts that involves influential critic Bevalaqua, theatre star Celimene, young lead actors and other theatre residents
Me and Orson Welles is a period-drama film directed by Richard Linklater and starring Zac Efron, Christian McKay and Claire Danes. Based on Robert Kaplow's novel of the same name, the story, set in 1937 New York, tells of a teenager hired to star in Orson Welles' production of Julius Caesar, where he becomes attracted to a career-driven production assistant.
This first feature film from Indian playwright Anand Gandhi, tells three stories about persons forced to think about the ethics and moral issues raised by medical advances: a visually impaired Egyptian photographer, who after a cornea transplant has trouble adjusting to her newfound sense of sight; a devout Indian monk fighting against animal testing, who has to confront his beliefs when he is diagnosed with liver cirrhosis; and an Indian stockbroker, who after having a kidney transplant learns about the illegal trade in stolen organs and decides to help a poor victim of such theft - even though it means travelling all the way from India to Sweden.
The film was first shown at the 2012 Toronto International Film Festival, where it received great critical acclaim and was touted as "the hidden gem of the year". It was released in India in July 2013, and was awarded Best Feature Film of 2013 at the Indian National Film Awards in 2014.
People who have build a wall around themselves. A sculptor Jun-hyeok, an art critic Min-woo, and a modern dance student Mi-ran. A mystery melodrama about the love and secrets of the three people.
Leonard Schiller once counted among New York's Literary lions, but illness and ten years of writers block have lowered his profile, almost to the point of obscurity. When Heather Wolfe, an ambitious literature major, asks to interview him for her theses on his work, her interest forces hims to address the issues that have been he has avoided all these years, and stirs in him feelings he has long forgotten, much to his daughter's consternation
A self-pitying but popular playwright drives to Vladimir to relax with a doting female student and another writer. He's convinced his writing is of no lasting value, but he still has an ego, about his work and his masculine appeal. He's drawn to a museum guide he sees on his first afternoon.
Cultural critic David Kepesh finds his life -- which he indicates is a state of "emancipated manhood" -- thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.
Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater⦠there is no longer any difference.
Director Roy Rowland's 1953 drama, depicting the rocky marriage of a young model and her Broadway playwright-husband, stars Victor Mature, Jean Simmons, Jane Darwell, Dabbs Greer, Nicholas Joy, Lillian Bronson and George Cleveland.
Rob Haley (Dougray Scott), an up-and-coming chef and restaurateur in London, is grief-stricken when he loses his wife. With encouragement from his infamous friend and real life TV Chef Gordon Ramsay, Rob decides to spice up his life by turning a run-down country pub into a gourmet restaurant. His food catches the eye - and taste buds - of beautiful American food critic Kate Templeton (Claire Forlani) and they soon both write a recipe for love that leaves both their hearts - and their stomachs - in full.
Successful playwright Felix Webb has a new play, 'The Hit Man', in rehearsal. Directed by his old friend Humphrey, it is already being hailed as a masterpiece; but Felix can't enjoy his success. He has fallen passionately in love with Hilary, a beautiful, fiesty young actress, and is preparing to desert his perfect family, his wife Elena and three lively children. His intolerable situation is further complicated when Humphrey casts Hilary as one of the leads in 'The Hit Man'. Enter Robin Grange, a charismatic young Hollywood actor making his London theatre debut. Robin is attractive, charming and dangerous, and soon inveigles his way into everyone's life. He ingratiates himself with the cast and, quickly grasping Felix's dilemma, sets about weaving his web of mischief. He suggests that if he were to seduce Elena, she would be distracted from Felix's affair, regain her self respect, and perhaps even willingly part from the unfaithful husband to whom she clings...
Young writer Richard Collier is met on the opening night of his first play by an old lady who begs him to "Come back to me". Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early 1900s, Elise McKenna. Becoming more and more obsessed with her, he manages, by self hypnosis, to travel back in time where he meets her. They fall in love, a matching that is not appreciated by her manager. Can their love outlast the immense problems caused by their "time" difference? And can Richard remain in a time that is not his?
Critical Assembly is based on two college students (Katherine Heigl and Kerr Smith) who build a nuclear device, which is stolen by a fellow student. When it ends up in the hands of a terrorist, they work with an FBI agent (Beach) in a race against time.
A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of empathy and of clairvoyance, such that could aid suicidal patients. After the war, with one friend as his manager and another as his lover, Schneider changes his name to Eric Jan Hanussen and goes to Berlin, as a hypnotist and clairvoyant performing in halls and theaters. He always speaks the truth, which brings him to the attention of powerful Nazis. He predicts their rise (good propaganda for them) and their violence (not so good). He's in pain and at risk. What is Hanussen's future?
A pair of slackers get in way over their heads when they try to dump the body of a dead girlfriend in the basement of a drive-in movie theater where a satanic cult performs ritual sacrifices.
A broadway playwright is burning the candle at both ends. He is dealing with pressure from a production nearing premiere, a wife who is leaving him, and 5 children 4 of which belong to her.
Tellez is a strict and prestigious film critic, totally weary of Hollywood romantic comedies and certain that the best of the seventh art died long time ago. Maybe because of its work, suffers from what he calls the âmaladie du cinemaâ: He sees the world like if it was a big movie that, in addition, he cannot keep from criticizing. While searching for his new apartment, he unexpectedly meets Sofia, a young and attractive woman that has very little to do with his good taste. âElemental, constructed on a basis of clichesâ he would describe her. Movements of random bring them together over and over again, in strangely idyllic situations. Tellez attempts to escape from a staging that he loathes, but suspects that the movie genre that he hates the most is taking its revenge.
A theater director struggles with his work, and the women in his life, as he attempts to create a life-size replica of New York inside a warehouse as part of his new play.
Whether you love him or hate him, there is no question that George W. Bush is one of the most controversial public figures in recent memory. W takes viewers through Bushâs eventful life -- his struggles and triumphs, how he found both his wife and his faith, and of course the critical days leading up to Bushâs decision to invade Iraq.
An American spy behind the lines during WWII serves as a Nazi propagandist, a role he cannot escape in his future life as he can never reveal his real role in the war.
Alaipayuthey (Tamil: ஠லà¯à®ªà®¾à®¯à¯à®¤à¯) (Jumping Waves / compared to tempting or fickle mind in Tamil) is an 2000 Indian, Tamil language film directed by Mani Ratnam. Starring R. Madhavan and Shalini, the film explores the tensions of married life and the maturing of love. The film's score and soundtrack are composed by film composer A. R. Rahman. Alaipayuthey's story is mostly recollected in flashbacks by the character Karthik. Karthik and Shakti fall in love against the backdrop of Madras and its suburban trains, against the wishes of their parents. The movie was well received by critics and did well at the Tamil and Telugu box-offices primarily for its music and realistic portrayal of romance and married life.
It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's promised to Gennaro and which Gennaro would like to have to buy a ticket to the plush new movie theater. But grandpa's not ready to pass on the quarter or pass on to his final reward: he has some unfinished business with a woman from his past, and he enlists Gennaro to act as his emissary.
22 Female Kottayam, also known as 22FK, is a 2012 Indian rape and revenge film directed by Aashiq Abu and starring Rima Kallingal and Fahad Fazil in the lead roles. The film deals with the travails of a nurse who was victimised for no fault of hers and who takes revenge on her tormentors in a rather unusual manner. Set and filmed in Bangalore, the film released on April 13, 2012, and received strongly positive reviews from critics. It was also well received at the box-office.
Abandoned by his prostitute mother in 1920, Douzi was raised by a theater troupe. There he meets Shitou and over the following years the two develop an act entitled, "Farewell My Concubine," that brings them fame and fortune. When Shitou marries Juxian, Doutzi becomes jealous, the beginnings of the acting duo's explosive breakup and tragic fall take root.
Molière, a down-and-out actor-cum-playwright up to his ears in debt. When the wealthy Jourdain offers to cover that debt (so that Molière's theatrical talents might help Jourdain win the heart of a certain widowed marquise), hilarity ensues.
The film is told in three acts, beginning with a historical background of Japan's student movement of the 1960s and early 1970s, mostly using archive footage and a narrator. The second act follows the formation of the group to their mountain training camps in the southern Japanese Alps. It emphasizes the dogmatic (and eventually hypocritical) bullying of the group by Mori and Nagata, with 12 members being killed for infractions as small as improperly cleaning a gun, wearing make-up, and kissing. The third act shows the splitting up of the group after two members run off. It follows one group of five members to Karuizawa and a hostage-taking and police standoff known as the Asama-SansÅ incident.
Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as âa genius straight from the slums.â When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her motherâs family and was in prison undergoing rehab. Re-introduced to her motherâs plays and letters, the film follows Lorraineâs personal journey as she reflects on her own life and begins to understand the struggles her mother faced.
Jenny Stewart is a tough Broadway musical star who doesn't take criticism from anyone. Yet there is one individual, Tye Graham, a blind pianist who may be able to break through her tough exterior.
Bachelor Party is a 2012 Malayalamâlanguage Indian action film directed, co-produced and filmed by Amal Neerad. The film stars Asif Ali, Indrajith, Rahman, Kalabhavan Mani, Vinayakan and Nithya Menen in the lead roles while Prithviraj makes a guest appearance, and Padmapriya and Remya Nambeesan appear in musical item numbers. The film's screenplay is by noted authors Unni. R and Santhosh Echikkanam while the critically acclaimed original music and background score are composed by Rahul Raj. The film released on June 15, 2012, to negative reviews.Its plot is loosely based on Johnnie To's Exiled, a 2006 Hong Kong action film and has been given thanks in the opening credits. This film was released with high expectations and was declared as hit in box office
Jorge is a young man whose plans for the future are put on hold when his father has a stroke. For seven years, he diligently nurses his father and works as a janitor while studying part time to get a business degree.When Natalia, his childhood crush, returns from a stint studying abroad, Jorge begins to yearn for something better. He is desperate to find a new and better job, but finds that no one will hire him because he has experience only as a janitor. Antonio, Jorgeâs older brother, soon to be released from jail, is an opportunist who has never gotten along with their father. In prison, at a theater workshop, Antonio meets Paula, a beautiful young woman in jail on drug charges. Paula has a problem because she flirted with another inmate's boyfriend.
Kattradhu Thamizh (Tamil: à®à®±à¯à®±à®¤à¯ தமிழà¯; English: Learned Tamil; previously titled Tamil M. A.) is a 2007 Indian Tamil drama film written and directed by newcomer Ram and produced by N. Shivaprasad and Salmara Mohammad Sharief. It stars Jiiva in lead role and newcomer Anjali and Karunas in other major roles. The film was released on 5 October 2007. Kattradhu Thamizh is a film about an ordinary young Tamil-postgraduate, who, frustrated with the circumstances and futility of his job, slowly loses his mental balance and becomes a psychopath. The film, though commercially not successful, was critically acclaimed.
Filmed during the German occupation, this French milestone centers around the theatrical life of a beautiful courtesan and the four men who love her. Voted the "Best French Film in History" by the French Film Academy in 1990.
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
The story of Peter McGowan, a chain-smoking, impotent, insomniac playwright who lives in Los Angeles. Once very successful, he is now in the tenth year of a decade-long string of production failures. He finds himself bonding with a new neighbor's lonely young daughter who has mild cerebral palsy; and during one of his middle-of-the-night strolls, he encounters his oddball doppelgänger.
Nick is desperate, holed up in a cheap hotel, suffering from an ulcer and convinced that a local mobster wants him killed. He calls Mikey, his friend since childhood, but when Mikey arrives, Nick won't let him in: his moods swing. So begins a long night as Mike tries to take care of Nick, calm him down and get him out of town. Their sojourn - on foot and in a city bus - takes them to a bar, a club, toward a movie theater, to the cemetery where Nick's mom is buried, and to Nick's girlfriend's apartment. Tempers fray and the friendship is tested. Meanwhile, a hit man who's getting information from someone is indeed looking for Nick.
In a remote fishing island in the 50's, Pepito grows up learning the trade of his mother, Rosa, the only midwife capable of delivering the newborn babies of their community. At first, the young son doesn't mind the unusual arrangement, but as he grows older, he begins to resist the role traditionally meant only for women. In time, Pepito's coming of age intersects with the lives of the other islanders, whose beliefs and struggles become critical impetus to his maturity.
JULIA covers the 1930s when Lillian attained fame with the production of her play "The Childrens' Hour" on Broadway. It centers on Lillian's relationship with her friend, Julia. It's a relationship that goes beyond mere acquaintance and one for which the word "love" seems appropriate. While Julia attends the University in Vienna, Lillian suffers through revisions of her play with her mentor and sometimes lover Dashiel Hammett. After becoming a celebrated playwright, Lillian is invited to a writers conference in Russia. Julia, having taken up the battle against fascism, enlists Lillian en route to smuggle money through Nazi Germany which will assist in the Anti-Fascist cause. During a brief meeting with Julia on this trip, Lillian learns that Julia has had a child which is called Lilly.
For Ever Mozart is an episodic film that follows a theater troupe from France attempting to put on a play in Sarajevo. Along their journey they are captured and held in a POW camp, and they call for help from their friends and relations in France. Director Jean-Luc Godard presents stories about this troop to ask how one can make art while slaughters like the one in Bosnia are taking place, and he throws in a strong critique of the European Union. For Ever Mozart is one of Godard's most disjointed and difficult films. Its stories sometimes seem to form a whole and at other times the links among them are unclear. One gets the impression that in each episode Godard attempts to start a film only to come to the conclusion that it is impossible to continue. It features some of the most beautiful shots of tanks in the cinema.
Eva Lovelace, would-be actress trying to crash the New York stage, is a wildly optimistic chatterbox full of theatrical mannerisms. Her looks, more than her talent, attract the interest of a paternal actor, a philandering producer, and an earnest playwright. Is she destined for stardom or the "casting couch"? Will she fade after the brief blooming of a "morning glory"? This was Katharine Hepburn's third film, and resulted in her first Academy Award for Best Actress. The film is based on a play and was remade in 1958 as "Stage Struck", with Susan Strasberg, Christopher Plummer and Henry Fonda in the three lead roles.
Iringannoor Bharathan Pisharody, professor at the Sanskrit University, a very knowledgeable man with a keen interest in the Vedas, astrology and Kathakali, author of several critical works and winner of numerous awards, is the central character of Vadakkum Nathan. Meera (Padmapriya) is his student and murapennu. Both families have agreed to their wedding and a date has been fixed. But when the auspicious day dawns and the bride arrives at the mandapam the groom has disappeared. Years pass. No one knows Bharathan's whereabouts.Then one day his mother and younger brother on a pilgrimage to the holy shrines of Haridwar, Kedarnath, Rishikesh and Rudraprayag, meet Bharathan on the foothills of the Himalayas. From there unfolds the touching story of Vadakkum Nathan.
A playwright who begins to mentally unravel before premiere night. She is plagued by dreams and visions of being watched, but cannot decide if she is at the center of a manipulative plot or simply losing her grip on reality.
Subramaniapuram (Tamil: à®à¯à®ªà¯à®°à®®à®£à®¿à®¯à®ªà¯à®°à®®à¯) is a 2008 Tamil film produced, written, and directed by M. Sasikumar. The low budget film received critical acclaim for its original script, expert direction, screenplay, editing, accurate sets and costumes to resurrect Madurai from the 1980s. Sasikumar cast then relatively new actors Jai, Swathi, Ganja Karuppu and himself in pivotal roles for the film. Shot in a remarkable eighty five days, the film became a huge box office grosser. Sasikumar is now considered one of the promising young directors in Tamil film industry.
Angaadi Theru (English: Market Street) is a 2010 Indian Tamil drama film written and directed by Vasanthabalan of Veyil fame, starring debutant Mahesh and Anjali in the lead roles. The film, the title of which refering to the Ranganathan Street in Chennai where the story plays, also features actress Sneha appearing in a cameo role as herself and music jointly composed by Vijay Antony and G. V. Prakash Kumar.[1] An Ayngaran International production, the film was launched on 11 February 2008 [2] and released on 26 March 2010 to critical acclaim.
The story of Oscar Wilde, genius, poet, playwright and the First Modern Man. The self-realisation of his homosexuality caused Wilde enormous torment as he juggled marriage, fatherhood and responsibility with his obsessive love for Lord Alfred Douglas, nicknamed Bosie. After legal action instigated by Bosie's father, Wilde refused to flee the country and was sentenced to to two years at hard labour
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