The School of Wives (1983)
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Accomplished British screenwriter Christopher Hampton directs the political drama Imagining Argentina, based on the novel by Lawrence Thornton. Set during the unsettling disappearances in Buenos Aires during the dictatorship of the 1970s, the film involves theater director Carlos Rueda (Antonio Banderas) and his wife Cecilia (Emma Thompson). Shortly after Cecilia writes an editorial commentary questioning the mysterious abductions, she is herself abducted and taken into police custody. Soon Carlos develops the supernatural ability to see into the future and he imagines his wife meeting an awful fate during an escape attempt. To make matters worse, their teenage daughter Teresa (Leticia Dolera) is also kidnapped. Imagining Argentina was nominated for the Golden Lion at the 2003 Venice Film Festival. SCREENED/AWARDED AT: Venice Film Festival (ref. Amazon)
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When the popular, restless Landon Carter is forced to participate in the school drama production he falls in love with Jamie Sullivan, the daughter of the town's minister. Jamie has a "to-do" list for her life and also a very big secret she must keep from Landon.
Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater⦠there is no longer any difference.
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This is a bizarre film, almost completely melodramatic. The screenplay by Howard Koch is based on the 1941 Pulitzer Prize-winning novel of the same title by Ellen Glasgow.Completed in 1942 after the US had joined the war, the film was disapproved in 1943 for foreign release by the wartime Office of Censorship, because it dealt truthfully with racial discrimination as part of its plot. It was Huston's second movie and as he put it: âIt was the first time [in an American film], I believe, that a black character was presented as anything other than a good and faithful servant or comic relief.â.
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