Four lost souls â a disgraced TV presenter, a foul-mouthed teen, an isolated single mother and a solipsistic muso - decide to end their lives on the same night, New Year's Eve. When this disillusioned quartet of strangers meet unintentionally at the same suicide hotspot, a London high-rise with the well-earned nickname Topper's Tower, they mutually agree to call off their plans for six weeks, forming an unconventional, dysfunctional family, becoming media sensations as the Topper House Four and searching together for the reasons to keep on living.
Gandu hates his life. He hates his mother. Gandu raps out his hate, anger, dirt and filth of his existence. He and his rickshawpuller friend enter the world of smack, rap, porn and horror. Reality and fiction, surreal and bizarre come together. Can Gandu survive?
Steven Ray was never quite normal. But when tragedy strikes in the form of a deadly hit-and-run incident at a city cross walk, his violent and bizarre behavior becomes uncontrollable. One night, as Steven plots his next murder, he meets Percival, whose unsuccessful attempt at suicide not only interferes with Stevens plans, but the chance encounter also introduces the two into each others sad and lonely lives. Percival believes hes cursed after miraculously surviving each suicide attempt and concludes fate brought he and Steven together. So he hires Steven to assist him in suicide. Steven does not believe in fate and thinks Percival is desperate and delusional. But he accepts the offer. Easy money. After Percival continues to miraculously survive each attempt on his life, Steven starts to believe. He tries to help Percival figure out ways to break the curse. And in the process, they form an unlikely friendship through the common bond of tragedy.
When 54 high school girls throw themselves in front of a subway train it appears to be only the beginning of a string of suicides around the country. Does the new all-girl group Desert have anything to do with it? Detective Kuroda tries to find the answer, which isn't as simple as he had hoped.
After traveling to London to check on their missing children in the wake of the 2005 terror attack on the city, two strangers come to discover their respective children had been living together at the time of the attacks
It's 3:07am and two girls burst into a run down London toilet. Joanne is crying her eyes out and her clothing is ripped. Kelly's face is bruised and starting to swell. Duncan Allen lies in his bathroom bleeding to death. Duncan's son, Stuart, has found his father and wants answers. Derek, Kelly's pimp, needs to find Kelly or it will be him who pays.
This 90-minute factual drama goes behind the scenes of the hit video game Grand Theft Auto, arguably the greatest British coding success since Bletchley Park. The fastest-selling entertainment product in history comes not from Silicon Valley, but is driven by a bunch of British game designers. Friends since their school days, they are led by the game's mastermind-designer, Sam Houser. By 2002, Sam and his creative team have constructed for their fans a vast virtual world, teeming with a high-octane mix of criminal characters, lethal weapons and outrageous storylines. Here you can even shape and sculpt your avatar, crafting their character and appearance to your personal preference. This drama is for an adult audience and has not been authorised by the producers of Grand Theft Auto. Rather, it is based on court documents and interviews with many of those involved in the real events behind this compelling story.
Sing's last two films were flops, but he is given the helm on a Category III sex film and has to cope with a leading lady who won't do nude scenes, Triad backers, and a crumbling relationship with his girlfriend.
A teenager called Noriko Shimabara runs away from her family in Tokoyama, to meet Kumiko, the leader of an Internet BBS, Haikyo.com. She becomes involved with Kumiko's "family circle", which grows darker after the mass suicide of 54 high school girls.
In the 1980s, a filmmaker begins a project to record the life of an average kid. In Perry, Ohio, he picks Rich Longfellow, a shy lad, and begins filming. Soon after, he dies in Mozambique. Sixteen years later, his son continues the project, finding Rich, now 23, in L.A., with dreams of being a Shakespearean actor, getting experience in porn films. We meet Betsy, Rich's sensible girlfriend, Lee, the impatient producer, and Carmichael, a director with artistic pretensions who inspires Rich. Problems with Besty and tension on the set bring Rich to a crisis; when his boyhood friend starts a Shakespeare company that tours nursing homes in the San Fernando Valley, Rich sees a way out.
Indian-born Manmohan Malhotra decided to re-locate to London, England, established himself, returned to India, got married to Bebo, and after a period of 4 years got a visa for her so that she could live with him. Shortly thereafter she gave birth to Jasmeet. Manmohan was always embarrassed of Bebo, as she was overly healthy and not quite sophisticated, as a result he always left her at home, while he socialized. Bebo did not want Jasmeet to end up like her, so got her admitted in an English Medium school, encouraged to mingle with Caucasian friends, and as a result Jasmeet was transformed in to Jazz - a stunningly beautiful young woman, British in looks, talk, habits, and heart. Manmohan's plans to get her married to an Indian boy are all in vain. His friend, Parvez Khan, is in a similar situation with his son, Imran, openly romancing a Caucasian blonde, Susan. Manmohan decides to take his family for a tour in India...
After having visions of a member of her support group who killed herself, a woman who also suffers with chronic pain seeks out the widower of the suicide.
London Bridge is a Malayalam film directed by Anil C. Menon starring Prithviraj Sukumaran, Mukesh, Andrea Jeremiah and Nanditha Raj in the lead roles.[1] The film penned by Jinu Abraham was entirely shot in the United Kingdom
A former professional baseball player, Byeong-wu, made a successful career transition into a high-flying insurance advisor, thanks to his keen business sense and quick wits. But one day, one of his clients committed suicide and passed away and once hero Byeong-wu is now subject to internal investigation. Now he starts to run through his client list and finds a suspicious group of people introduced to him by the same person - and starts visiting them one by one.
Jim Brannigan is sent to London to bring back an American mobster who is being held for extradition but when he arrives he has been kidnapped which was set up by his lawyer. Brannigan in his American Irish way brings American law to the people of Scotland Yard in order to recapture this mobster with both a price tag on his head and a stuffy old London cop to contend with.
Dominik is an ordinary boy. He's got loads of friends, the hottest girl in school, rich parents and money to spend on brand-name clothes. But one innocent kiss with a mate changes everything. He begins to isolate himself from the outside world, spending all his time on his computer. He meets an anonymous girl who introduces him to the "suicide room", a place from which there is no escape. Caught in a trap woven of his own emotions, Dominik becomes entangled in a web of intrigue and gradually loses what he cherishes most.
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.
Dagmar Brink, a young female pianist, commits suicide in her Stockholm apartment. She leaves all her belongings to her next-door neighbours, an author and his wife. Perplexed and curious, they investigate the girl's reasons for taking her life. As they visit Dagmar's friends, acquaintances and former boyfriends, her story unfolds.
She stands out as loner, a woman no one could really grasp, always in want of something that nobody she met could make out.
Policeman Ki-Hoon's life is duplicitous, oscillating between the amenable, newly pregnant wife and a very appealing mistress- the singer Ga-yee. His world gets shaken up when he gets news during a murder investigation that Ga-yee is pregnant and her obsession with him rules out abortion as an option. In a very twisted chance of fate, Ki-hoon and Ga-yee end up locked in the trunk of his car on the side of the road as raw despair brings to light the shocking truth about his wife and his mistress.
Set between the parallel worlds of contemporary London and the futuristic faith dominated metropolis of Meanwhile City, Franklyn weaves a tale of four souls, whose lives are intertwined by fate, romance and tragedy. As these worlds collide, a single bullet determines the destiny of these four characters.
Paradise Now is filmed from the perspective of two Palestinian men who are preparing to perform a suicide attack in Israel. This is the first film to deal with the subject of suicide bombers.
Based on the infamous novel by Leopold Sacher-Masoch this fine film follows the perverted passions of a young couple as Severin watches the beautiful Wanda writhing naked amongst furs. His disturbing peeping tomism triggers off a whirlpool of emotions due to a childhood episode which punishes voyeurism with pain.
Set in a blighted, inner-city neighbourhood of London, Breaking and Entering examines an affair which unfolds between a successful British landscape architect and Amira, a Bosnian woman â the mother of a troubled teen son â who was widowed by the war in Bosnia and Herzegovina.
Matt Travis is good-looking, popular, and his school's best competitive swimmer, so everyone is shocked when he inexplicably commits suicide. As the following year unfolds, each member of his family struggles to recover from the tragedy with mixed results.
Prostitute. Hooker. Sex Worker. Whore. Candid and seductive, Angie is determined to set the record straight about sex. As she reveals herself, layer-by-layer, she also exposes the man who is interviewing her. Sometimes provocative and confronting, sometimes tender, poignant and sexy, Black & White & Sex takes you behind the scenes and into Angies very special world. There's a question here for every man and an answer for every woman. Anyone who pays is welcome - but leave your expectations at the door sex is never black and white. Written by Angie Winter
Following the unexplained suicide of his wife Liza, website designer Wilson Joel turns to huffing gasoline fumes and remote control gaming while avoiding an inevitable conflict with his mother-in-law.
Kevin Kline and Glenn Close star as Harold and Sarah Cooper, a couple whose marital troubles are put on hold while they host an unhappy reunion of former college pals gathered for the funeral of one of their own, a suicide victim named Alex. As the weekend unfolds, the friends catch up with each other, play the music of their youth, reminisce, smoke marijuana, and pair off with each other.
The film has been ten years in the making, and over time it has grown to become what the director himself has called an artistic testament. It is simultaneously his most personal and most provocative film. A film about growing older, about losing, about the special moments one remembers, and about the director's own circling around the essence of eroticism.
A saucy American showgirl in London is wooed by a roving-eyed Duke, but his estranged son, the young King, interrupts their late supper with politics and angry accusations.
An inexperienced young actress is invited to play a role in a film based on Dostoyevsky's 'The Possessed'. The film director, a Czech immigrant in Paris, takes over her life, and in a short time she is unable to draw the line between acting and reality. She winds up playing a real-life role posing as the dead wife of another Czech immigrant, who is manipulated by the filmmaker into commiting a political assasination.
David Sinclair seems to have everything going for him: he's smart, musically talented, and very successful. To top off his senior year in high school, his band is trying to get a recording session. Therefore, David's suicide leaves everyone, especially his best friend and band-mate, Chris, with a lot of questions.
A musical adaptation of Colin MacInnes' novel about life in late 1950s London. Nineteen-year-old photographer Colin is hopelessly in love with model Crepe Suzette, but her relationships are strictly connected with her progress in the fashion world. So Colin gets involved with a pop promoter and tries to crack the big time. Meanwhile, racial tension is brewing in Colin's Notting Hill housing estate...
Twenty years ago, Kurt Cobain was found dead of an apparent gunshot wound to the head. The world was told it was a suicide, but evidence would lead many people to believe it might be otherwise. The film investigates the possibilities that exist that Kurt Cobain's death might not have been a suicide, that the Seattle Police Department rushed their verdict, and the global media perpetuated lies and misinformation fed to them by Courtney Love that created the belief in many that Cobain killed himself, but when revealed to be lies, lead many to now question what happened.
When Roger Balfour is found shot dead in his London home, his death is declared a suicide by Inspector Burke of Scotland Yard, even though the executor of Balfour's estate, Sir James Hamlin, insists his friend never would have taken his own life. Five years later, the abandoned Balfour house comes to life again with the arrival of two sinister-looking tenants: a fiendish-looking man with pointed teeth, bulging eyes and a tall beaver hat, and a pale young woman in a long gown. The presence of the strangers prompts Sir James, who lives next door, to call in Inspector Burke again. Also living in the Hamlin household are the other people who were also present in Balfour's house the night he died: Sir James' nephew, Arthur Hibbs; the late Balfour's now-grown daughter, Lucille; and Williams, the butler. Burke expresses skepticism about Sir James' suspicions that the new neighbors might have been involved in Balfour's death...
Three loser-type ex-students who earn too little money and don´t get laid as much as they want, try to change that by producing a home made porn movie starring themselves. They loan money from a pimp and begin casting the girls. When filming starts they find out that sex in front of the camera is hard work. Also you should know how to work a video camera. Frustration, relationship problems and cabin fever culminate in a dope induced garden orgy. But is it a film?
The attractive, 32-year old and single Dora edits scripts for plays and is working on "Dangerous Liaisons." One day when her lover shoves her, half-naked, out on a balcony at the sudden appearance of the wife that Dora didn't know he had, Dora is rescued by a handsome man named Tamas.
Two 'resting' actors living in a squalid Camden Flat - and living off a diet of booze and pills - take a trip to a country house (belonging to Withnailâs uncle) to 'rejuvenate'. Faced with bad weather, altercations with the locals, and the unexpected arrival (and advances) of Uncle Monty, the pairs wits and friendship are tested...
Set in 1969, the year in which the hippy dreams of so many young Englishmen went sour, 1986's Bruce Robinson's Withnail and I is an enduring British cult. Withnail is played by the emaciated but defiantly effete Richard E Grant, "I" (i.e., Marwood) by Paul McGann. Out-of-work actors living in desperate penury in a rancid London flat, their lives are a continual struggle to keep warm, alive and in Marwood's case sane, until the pubs open. A sojourn in the country cottage of Withnail's Uncle Monty only redoubles their privations.
A female executive (Demi Moore) and a night janitor (Michael Caine) conspire to commit a daring diamond heist from their mutual employer, The London Diamond Corporation.
Charles Dickens' classical story about the young orphan boy in 1837 England is again re-filmed in grand fashion. Richard Dreyfuss portrays Fagin, the unscrupulous leader of the young pick-pockets Oliver (Alex Trench) initially falls in with after escaping from a sweat shop and going to London to find his relatives. Written by John Sacksteder
Set in 1969, Alan Parker (Jackson) is a young artist, studying at the University of Maine. He becomes obsessed with death, and believing he is losing his girlfriend, Jessica (Christensen), he tries to commit suicide on his birthday but his friends manage to stop him, and he recovers. He receives news that his mother is dying and decides to hitchhike, in an attempt to reach his dying mom.
Erik Nietzsche is an intelligent but in many ways inexperienced shy young man who is convinced that he wants to be a film director. In the late 1970s, Erik is accepted by the Danish National Film School where he enters a world of angry and unhelpful tutors, weird fellow students and unwritten rules. In this both exhilarating and angst-provoking period for him, Erik feels increasingly like a foreigner in the film industry. Frequently, he is merely an observer of the absurdities that surround him. He encounters trade union disputes, falls in love and experiences self-assured empowered women who refuse to make a commitment. The film is a drama full of comedy - a sharp portrait of a conceited but entertaining world of film which we suspect our dogged young director will eventually conquer with his vision.
Few Indians are aware of the number of suicides that occur in Indian Hostels as a result of the phenomenon termed as 'Ragging'. This sadistic practice has become a ritual wherein students are beaten up, stripped, paraded naked, starved, tortured, molested and even raped by their seniors. Since victims of ragging find it humiliating to report sexual abuse to their parents or others, most ragging-related crimes go unreported. Sadly, these very students - who suffer silently at the hands of their seniors - in turn vent their frustrations by ragging their juniors in the following years. Thus, this cruel practice continues year after year and has claimed (and is still claiming) the lives and careers of innumerable students. The film 'Hostel' is a shocking eye-opener about this evil practice and is a wake-up call for all of us
About a convicted murderer awaiting execution, and the bond he forms with a suicidal young woman who starts visiting him in jail every Thursday. Yu-Jung (Lee Na-Young) has now attempted her third suicide attempt. Her disdain for her mother and indifference to the rest of the world, isolates her from any chance for happiness. Yu-Jung also has an aunt named Sister Monica. Her aunt often goes to prison to meet with death row inmates. Sister Monica meets a new death row inmate, who asks Sister Monica if he could meet her niece Yu-Jung. Sister Monica asks Yu-Jung if she would counsel this death row inmate and Yu-Jung reluctantly agrees to do so.
Reunited at a wedding after many years, former lovers again feel the pull of a mutual attraction neither is willing to admit. Escaping the reception for the privacy of a hotel room, the unnamed pair explore the choices of the past that led them to the present.
A suicidal woman's "final" call mistakenly connects her to a man who gives her something to live for.
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