Miroir (1947)
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Tardivet, personnage mesquin, épouse par la voie des petites annonces Marie-Josée, dont le physique est disgracieux. Après quelques années, Marie-Josée change de visage grâce à la chirurgie esthétique, malgré l'interdiction de son mari, qui ne lui pardonnera jamais.
The story starts where the tale ends: Snow White wakes up to the age of sexuality and discovers a world where the dwarves have become tall, and her Prince Charming is deprived of charisma. And, most terrible of all, her mother is incomparably more sexy.
Rose Morgan (Barbara Streisand), who still lives with her mother (Lauren Bacall), is a professor of Romantic Literature who desperately longs for passion in her life. Gregory Larkin (Jeff Bridges), a mathematics professor, has been burned by passionate relationships and longs for a sexless union based on friendship and respect.
Matsu, known to the prisoners as Scorpion, is locked away in the bowels of the prison as revenge for disrupting the smooth operation of the prison and for her disfiguring attack on the warden. Granted a one day reprieve due to the visit of a dignitary, she takes advantage and attacks the warden again. This leads to more brutal punishment and humiliation. But the punishment gives her an oppurtunity to escape along with six other female prisoners. Their surreal flight from prison pits the convicts against the guards, the warden and each other.
Antoine has what every young single man could wish: a promising career, true and loyal friends, and an apartment of his own. However, he's a lonely man, until he meets Clara, a beautiful and exciting woman, and deeply falls in love with her. All his loneliness turns into joy... but then he learns something that makes it all extremely complicated.
A veteran chef faces off against his restaurant group's new CEO, who wants to the establishment to lose a star from its rating in order to bring in a younger chef who specializes in molecular gastronomy.
Using rare images of the artist filmed at work in his studio, exclusive interviews with his family and close friends, photographs by Henri Cartier-Bresson, and unpublished artwork, this award-winning feature documentary highlights the painterâs complex creative process. Acclaimed as the definitive film portrait of the master, Balthus through the Looking-Glass was shot on Super 16 over 14 months in Switzerland, Italy, France and the Moors of England by the director of Fellini, Iâm a Born Liar. (Arte)
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