A descendant of Shakespeare attemps to restore his plays in a world rebuilding itself after the Chernobyl catastrophe obliterates most of human civilization.
In this re-imagining of Shakespear's King Lear, Patrick Steward stars as John Lear, a Texas cattle baron, who, after dividing his wealth among his three daughters, is rejected by them.
When England's aging King Lear renounces his throne to divide his kingdom among his three daughters, treachery, madness and murder soon follow. After banishing Cordelia, his most loyal daughter, Lear is betrayed and cast out by her elder sisters Regan and Goneril. Meanwhile, evil brews at the Gloucester castle as Edgar falls victim to his brother's deception. As battle lines are drawn and backs are stabbed, Lear rages against a fearsome storm. Can a man undo his wrongs? Will Cordelia be saved? Or will the wheels of fate crush all in its way?
The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.
King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly flatter the old man in return for favor, he banishes her and turns for support to his remaining daughters. But Goneril and Regan have no love for him and instead plot to take all his power from him. In a parallel, Lear's loyal courtier Gloucester favors his illegitimate son Edmund after being told lies about his faithful son Edgar. Madness and tragedy befall both ill-starred fathers.
King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly flatter the old man in return for favor, he banishes her and turns for support to his remaining daughters. But Goneril and Regan have no love for him and instead plot to take all his power from him. In a parallel, Lear's loyal courtier Gloucester favors his illegitimate son Edmund after being told lies about his faithful son Edgar. Madness and tragedy befall both ill-starred fathers.
King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly flatter the old man in return for favor, he banishes her and turns for support to his remaining daughters. But Goneril and Regan have no love for him and instead plot to take all his power from him. In a parallel, Lear's loyal courtier Gloucester favors his illegitimate son Edmund after being told lies about his faithful son Edgar. Madness and tragedy befall both ill-starred fathers.
Stranded in the heat of a barren African desert, eleven bus-passengers shelter in the remnants of an abandoned town. As rescue grows more remote by the day and anxiety deepens, an idea emerges: why not stage a play. However the choice of King Lear only manages to plunge this disparate group of travelers into turmoil as they struggle to overcome both nature's wrath and their own morality.
The crowning achievement of Orson Wellesâs later film career, Chimes at Midnight returns to the screen after being unavailable for decades. This brilliantly crafted Shakespeare adaptation was the culmination of Wellesâs lifelong obsession with the Bardâs ultimate rapscallion, Sir John Falstaff, the loyal, often soused childhood friend to King Henry IVâs wayward son Prince Hal.
Fathom Events and BY Experience bring the Stratford Festivalâs critically acclaimed performance of King Lear to cinemas for a memorable one-night event. An aging monarch resolves to divide his kingdom among his three daughters, with consequences he little expects. His reason shattered in the storm of violent emotion that ensues, with his very life hanging in the balance, Lear loses everything that has defined him as a king â and thereby discovers the essence of his own humanity.
One fateful night in a small English regional theatre during World War II a troupe of touring actors stage a production of Shakespeares King Lear. Bombs are falling, sirens are wailing, the curtain is up in an hour but the actor/manager Sir who is playing Lear is nowhere to be seen. His dresser Norman must scramble to keep the production alive but will Sir turn up in time and if he does will he be able to perform that night? The Dresser is a wickedly funny and deeply moving story of friendship and loyalty as Sir reflects on his lifelong accomplishments and seeks to reconcile his turbulent friendships with those in his employ before the final curtain.
In director Baz Luhrmann's contemporary take on William Shakespeare's classic tragedy, the Montagues and Capulets have moved their ongoing feud to the sweltering suburb of Verona Beach, where Romeo and Juliet fall in love and secretly wed. Though the film is visually modern, the bard's dialogue remains.
Adaptations of the eight sequential history plays of William Shakespeare (Richard II, Henry IV: Part 1 & 2, Henry V, Henry VI: Parts 1, 2, & 3 and Richard III).
An old king, stepping down from the throne, disinherits his favorite daughter on a mad whim and gives his kingdom to his two older daughters, both of whom prove treacherous.
Sung-geun is an untalented actor who makes a living playing minor roles. He happens to land on the role as Kim Il-sung, the former leader of North Korea, for the rehearsal of the South-North Korea Summit. Sung-geun becomes passionately immersed in his role, motivated by his son who looks up to him. However, the summit is not realized, and Sung-geun ends up lost in the delusion that he really is Kim Il-sung.
In a touring Shakespearean theater group, a backstage hand - the dresser, is devoted to the brilliant but tyrannical head of the company. He struggles to support the deteriorating star as the company struggles to carry on during the London blitz. The pathos of his backstage efforts rival the pathos in the story of Lear and the Fool that is being presented on-stage, as the situation comes to a crisis.
The Tempest, based on the play of the same name by William Shakespeare, is written and directed by Julie Taymor. The play's main character was Prospero, and Taymor changed the character's gender to cast Helen Mirren as Prospera. In Shakespeare's play, Prospero was the Duke of Milan. In the adaptation, Prospera is the wife of the duke. She is "more overtly wronged" than Prospero; when the duke is killed, his brother Antonio (played by Chris Cooper) accuses her of killing him with witchcraft. Antonio makes the accusation to rid of Prospera and claim her royal title. Taymor said, "She had her whole life taken away from her because she was a woman." Prospera wants to prevent the same thing from happening to her daughter
All star cast heads up this 1970 remake of the William Shakespeare classic tale of the betrayal of the the Roman senate against their emperor, the plotting and scheming that led up to the assassination of the title charecter, and all of Romes' fickleness towards the events.
In 1964, atomic war wipes out humanity in the northern hemisphere; one American submarine finds temporary safe haven in Australia, where life-as-usual covers growing despair. In denial about the loss of his wife and children in the holocaust, American Captain Towers meets careworn but gorgeous Moira Davidson, who begins to fall for him. The sub returns after reconnaissance a month (or less) before the end; will Towers and Moira find comfort with each other?
Set in Harlem in 1987, claireece "Precious" Jones is a 16-year-old African American girl born into a life no one would want. She's pregnant for the second time by her absent father; at home, she must wait hand and foot on her mother, an angry woman who abuses her emotionally and physically. School is chaotic and Precious has reached the ninth grade with good marks and a secret..she can't read.
Following his ruin in the latest banking crisis, a self-made millionaire reluctantly re-unites with his estranged freewheeling brother to re-open the abandoned fish and chip shop they shared in their youth.
TV drama based on Richard Burton's diaries, about his last performance in 1983 with ex-wife Elizabeth Taylor. They meet after several years and he agrees to her suggestion that they star in a stage revival on Broadway of Noel Coward's comedy 'Private Lives', although Elizabeth Taylor has never before performed on stage. Burton soon regrets his agreement, however, when her pill-popping and lack of discipline causes problems already during the rehearsals. The play opens to a critical trashing, but is popular with audiences because they just want to see Taylor. After a two month troubled run, the curtain comes down and Taylor tells Burton she has always loved him and still does. A year later he is dead.
Bianca, a tenth grader, has never gone on a date, but she isn't allowed to go out with boys until her older sister Kat gets a boyfriend. The problem is, Kat rubs nearly everyone the wrong way. But Bianca and the guy she has her eye on, Joey, are eager, so Joey fixes Kat up with Patrick, a new kid in town just bitter enough for Kat.
Anthology film about a night at airport Berlin-Tempelhof. Due to fog passengers can't leave Berlin by plane and struggle to find other ways out of Berlin.
The film treats the imprisoning hold of poverty; the disheartening odds of people rising from such social despair, and the ease in which those in the upper spheres of Society may descend.
Emily Crane is fired after refusing to give names to a 1951 House Un-American Activities Committee, and takes a part-time job as companion to an old lady. One day her attention is drawn to a noisy argument being conducted largely in German in a neighbouring house, the more so since one of those involved is her main senator prosecutor. Starting to look into things, she gradually enlists the help of FBI officer Cochran who was initially detailed to check her out. Just as well when things turn nasty
With freshly rechristened characters and brand-new dialogue, this British TV production of Othello is a "rethinking" of Shakespeare's play, albeit still retaining the original's power and potency. The story is set in the London of the near future, a crime-ridden metropolis virtually torn apart by racial hostilities. By order of the Prime Minister, black police officer John Othello (Eamonn Walker) is promoted to Commissioner, a post dearly coveted by Othello's friend, mentor and fellow officer Ben Jago (Christopher Eccleston). Seething with jealousy, Jago contrives to discredit Othello in the eyes of the public, and to destroy John's interracial marriage to the lily-white Dessie (Keeley Hawes). Among those used as unwitting dupes to gain Jago's ends are Othello's trusted lieutenant, Michael Cass (Richard Coyle), scrupulously honest police constable Alan Roderick (Del Synnott), and Jago's own wife, Lulu (Rachael Stirling).
As we follow a mother and her son, we delve into a past marred by an accident that tears them apart. She will become a renowned artist and healer, and he will grow into his own and a peculiar falconer who bears the marks of a double absence. In the present, a young journalist will bring about an encounter between the two that puts the very meaning of life and art into question, so that we may contemplate the possibility of living life to its fullest, despite the uncertainties littering our paths.
A convert to Islam sends the U.S. government a tape showing him in three nondescript storage rooms, each of which may contain a nuclear bomb set to detonate in less than a week. Helen Brody, an FBI agent in L.A., is tasked with finding the bombs while a CIA "consultant", known as H, interrogates the suspect who has allowed himself to be caught. The suspect, whose wife and children have left him and disappeared, seems to know exactly what the interrogation will entail. Even as H ratchets up the pressure, using torture over Brody's objection, the suspect doesn't crack. Should H do the unthinkable, and will Brody acquiesce? Is any Constitutional principle worth possible loss of life?
A Jewish ghetto in the east of Europe, 1944. By coincidence, Jakob Heym eavesdrops on a German radio broadcast announcing the Soviet Army is making slow by steady progress towards central Europe. In order to keep his companion in misfortune, Mischa, from risking his life for a few potatoes, he tells him what he heard and announces that he is in possession of a radio - in the ghetto a crime punishable by death. It doesn't take long for word of Jakob's secret to spread - suddenly, there is new hope and something to live for - and so Jakob finds himself in the uncomforting position of having to come up with more and more stories.
Shakespeare's comedy about two couples in love with the wrong partners, and how they are finally brought together rightly, thanks in part to the bungling work of Puck. It is completely in the language of the Bard, with Pfeiffer as the Fairy Queen and Kline as the one turned into her evening's lover with donkey ears.
David Tennant stars in a film of the Royal Shakespeare Company's award-winning production of Shakespeare's great play. Director Gregory Doran's modern-dress production was hailed by the critics as thrilling, fast-moving and, in parts, very funny.
Rome, 1984, Aria is nine-year-old girl. On the verge of divorce, Aria's infantile and selfish parents are too preoccupied with their careers and extra-marital affairs to properly tend to any of Aria's needs. While her two older sisters are pampered, Aria is treated with cold indifference. Yet she yearns to love and to be loved. At school, Aria excels academically but is considered a misfit by everyone. She is misunderstood. Aria finds comfort in her cat - Dac and in her best friend - Angelica. Thrown out of both parents' homes, abandoned by all, even her best friend, Aria finally reaches the limit of what she can bear. She makes an unexpected decision in her life.
In the 21st century Bucharest to get out in the city on Saturday evening at the arm of a beautiful woman is a financial investment risky. Ovidiu, unassuming high school teacher, never could afford. Looking for a source of income to something more substantial than a teacher salary, Ovidiu plunge into a fabulous world - beggars mob.
Justine, struggles with commitment, listens to old David Bowie covers, and uses her employerâs private MRI machines to make âX-Ray Artâ After a trail of boyfriends, Justine thinks she has found The One, a hunky shoe salesman, but her temporary happiness is thrown when her neurotic 60-year-old Jewish father (Michel Blanc) suffers a delayed midlife crisis and announces that his young second wife is expecting a baby. Justine and her half-sister Dom, who is trying to adopt, are rather annoyed at the news. Coupled with resentment about her fatherâs absence when she was growing up, causes her to spiral into self-doubt. Overflowing with French charm, Justine gets by with the help of her family, friends, and newly discovered muse.
When a gunman killed five Amish children and injured five others in a Nickel Mines, Pennsylvania schoolhouse shooting in October of 2006, the world media attention rapidly turned from the tragic events to the extraordinary forgiveness demonstrated by the Amish community.
In the aftermath of the BP oil spill, an idealistic but imperfect New Orleans politician (Nicolas Cage) finds his plans of restoration unraveling as his own life becomes contaminated with corruption, scandal and deceit.
19-year-old Eric, arrogant and ultra-violent, is prematurely transferred to the same adult prison facility as his estranged father. As his explosive temper quickly finds him enemies in both prison authorities and fellow inmates â and his already volatile relationship with his father is pushed past breaking point â Eric is approached by a volunteer psychotherapist, who runs an anger management group for prisoners. Torn between gang politics, prison corruption, and a glimmer of something better, Eric finds himself in a fight for his own life, unsure if his own father is there to protect him or join in punishing him.
She searched for a home, she searched for love. Confronted by Apartheid and a father who was Minister of censorship. With men like Jack Cope and Andre Brink she found much love, but no home. In his first speech to the South African Parliament Nelson Mandela read her poem "The Dead Child of Nyanga" and addresses her as one of the finest poets of South Africa.
A reporter (Rohini) researching the death penalty in India is recounted the story of a farm owner Virumandi (Kamal) whose role in a clan feud between Naicker (Napoleon) and Kothalla Devar (Pasupathi) leads him to death row. As the story unfolds, there is a riot in the jail, and the only one who can get the reporter safely out of the prison is Virumandi.
This is a story of a man in free fall. On the road to redemption, darkness lights his way. Connected with the afterlife, Uxbal is a tragic hero and father of two who's sensing the danger of death. He struggles with a tainted reality and a fate that works against him in order to forgive, for love, and forever.
Treachery centers on a man (Biehn) who is reunited with his estranged son at a remote wedding party. When a storm strands the party, ugly truths are revealed.
Raj Malhotra and wife Pooja have four sons. The sons have settled down professionally and are quite independent. However, when Raj Malhotra retires, none of his children want to be burdened with the responsibility of taking care of their parents. Strangely, it is the adopted son who proves to be the most kind hearted of them all. Salman's girlfriend eventually marries him. The question is, will Raj and Pooja's sons learn the folly of their ways and turn over a new leaf?
Please enter your e-mail address to subscribe for updates
The General Data Protection Regulation (GDPR) and Cookies
On 25 May 2018, the General Data Protection Regulation (GDPR) (EU) 2016/679 will come into force. The GDPR strengthens and clarifies the rights of EU-resident natural persons with regard to their personal information The Terms and Conditions and the Privacy Policy for Valossa services have been updated accordingly.
Please review Valossa's updated Terms and Conditions, Privacy Policy and the Cookie Policy. If you use our services to process personal information of EU-resident natural persons you need to comply with the GDPR. By using our services on or after 25 May 2018, you will be agreeing to the changes.
Under the GDPR, you have several rights, such as accessing your own personal data, erasing of that data, and the right to be notified within 72 hours of a data breach that is likely to result in a risk for your rights and freedoms. You may reach the Data Protection Officer (DPO) of Valossa when needed, and the details for doing so can be found in the updated Privacy Policy.
Click 'OK' to agree and continue using WhatIsMyMovie.com.