Thazhvaram (1990)
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George, a lonely librarian, believes love is obsolete, until a road trip to Death Valley with a cinema projectionist named Sophie teaches him otherwise.
The critically acclaimed Mayabazar is considered one of the enduring classics of Indian Cinema. The film was touted as a landmark achievement in Indian film's cinematography, art direction and visual effects with the technology available at the time.The music delivered by Saluri Rajeswara Rao (uncredited) and Ghantasala has been extremely popular. The film stars Gummadi Venkateswara Rao as Balarama, NTR as Krishna, ANR as Abhimanyu, S. V. Ranga Rao as Ghatotkacha, and Savitri as Vatsala/Sasirekha. A digitally remastered colour version was released in 2010.
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
The Great Silence (Il grande silenzio, 1968), or The Big Silence, is an Italian spaghetti western. The movie features a score by Ennio Morricone and stars Jean-Louis Trintignant as Silence, a mute gunfighter with a grudge against bounty hunters, assisting a group of outlawed Mormons and a woman trying to avenge her husband (one of the outlaws). They are set against a group of ruthless bounty hunters, led by Loco (Klaus Kinski). It is one of Corbucci's better known movies. Unlike most conventional and spaghetti westerns, The Great Silence takes place in the snow-filled landscapes of Utah during the Great Blizzard of 1899.
In 1973, the Loud family became a television sensation of a new kind. It was long before a metal rock star showed his eccentric family on the small screen and decades before housewives had screaming matches with each other on camera in public. CINEMA VERITE tells the behind-the-scenes story of the groundbreaking documentary "An American Family," which chronicled the lives of the Louds in the early 1970s and catapulted the Santa Barbara family to notoriety while creating a new television genre: the reality TV series.
The Goalie's Anxiety at the Penalty Kick is a 1972 German language drama film directed by Wim Wenders. It was adapted from a novella by Wenders' long-time collaborator Peter Handke. A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer's existence and, like many of Wenders' films, the overwhelming cultural influence of America in post-war West Germany.
February 17 to March 3, 1860, inside Edo castle. A group of assassins wait by Sakurada Gate to kill the lord of the House of Ii, a powerful man in the Tokugawa government, which has ruled Japan for 300 years. They suspect a traitor in their midst, and their suspicions fall on Niiro, an impoverished ronin who dreams of samurai status, and Kurihara, an aristocratic samurai who befriends Niiro. Niiro longs to identify his father, knowing he is a high-ranking official who will disclose himself only if Niiro achieves samurai status. With American ships in Japan's harbors, cynicism among the assassins, and change in the air, Niiro resolves to reach ends that may prove ephemeral.
Piyal (Henry Jayasena) is a handsome young teacher who is hired to teach English to Nanda (Punya Heendeniya), a member of a high class family. They fall in love, but can't elope because Piyal is of a lower class. Nanda's parents instead push her into a marriage with Jinadasa (Gamini Fonseka), who is of the same class as them. With economic downturn in Sri Lanka, both families lose their status and Jinadasa leaves to try to make a better life for himself; he never achieves his goal and dies penniless. Piyal and Nanda can now finally come together. They have changed however, and the earlier idylic nature of their relationship is not recaptured.
Framed in the 1940s for the double murder of his wife and her lover, upstanding banker Andy Dufresne begins a new life at the Shawshank prison, where he puts his accounting skills to work for an amoral warden. During his long stretch in prison, Dufresne comes to be admired by the other inmates -- including an older prisoner named Red -- for his integrity and unquenchable sense of hope.
Baava (Telugu: బావ) is a 2010 Telugu film, the debut film of director Ram Babu and starring Siddharth and Praneetha. The music was composed by Chakri. It is a romantic comedy with village backdrop.
A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.
People in a small German village in the last valley to remain untouched by the devastating Thirty Years' War try to exist in peace with a group of soldiers occupying the valley.
On a trip to the beach, a teenage girl named Tobe meets a charismatic stranger named Harlan, who dresses like a cowboy and claims to be a former ranch hand. The pair feel an instant attraction and begin a relationship, but her father, a lawman, is suspicious of her lover.
A Himalayan legend of a love struggling against the inevitability of death, an astonishing tale spanning from the early 19th century mountain existence, to hectic, bustling modern day Tokyo.
In the wake of a nuclear war, a young woman survives on her own, fearing she may actually be the proverbial last woman on earth, until she discovers the most astonishing sight of her life: another human being. A distraught scientist, heâs nearly been driven mad by radiation exposure and his desperate search for others. A fragile, imperative strand of trust connects them. But when a stranger enters the valley, their precarious bond begins to unravel.
At the turn of the century in a Welsh mining village, the Morgans (he stern, she gentle) raise coal-mining sons and hope their youngest will find a better life. Lots of atmosphere, very sentimental view of pre-union miners' lives.
Environmental drama set in Asturias, Spain. A Scottish travel writer is forced to stay in a valley town in northern Spain when his camper van breaks down. There he gets to know the different inhabitants, some of them struggling to close down the nearby power station and some trying to make it more prosperous.
A group of friends come of age in the asphalt desert of the San Fernando Valley set to a blazing soundtrack and endless drinking, drugs and sex.
An eccentric marketing guru visits a Coca-Cola subsidiary in Australia to try and increase market penetration. He finds zero penetration in a valley owned by an old man who makes his own soft drinks, and visits the valley to see why. After "the Kid's" persistence is tested he's given a tour of the man's plant, and they begin talking of a joint venture. Things get more complicated when the Coca-Cola man begins falling in love with his temporary secretary, who seems to have connections to the valley.
A story of two famous actors who used to be a couple. They reunite after the son's death and receive a letter asking them to visit five places at Death Valley, which will make the son reappear.
A movie-theater employee adjusts to a new life after the cinema he worked at for over 25 years is forced to shut down.
Deep in the Valley interlaces a story of young romance set in Yanaka (part of old downtown Tokyo) with a Japanese period drama based on Five-Story Pagoda, a classic literary work by Rohan Koda. In the contemporary story, Kaori, a young woman working for a non-profit organization that restores home movies, learns that there used to be a five-story pagoda in the middle of Yanaka Cemetery. It burned down in 1957, and rumor has it that someone has an 8mm film of the fire.
A biopic based on the life story of J.C. Daniel, the pioneer of Malayalam cinema. It is a detailed account on Daniel's life, making of his film Vigathakumaran and the tragic story of Vigathakumaran's heroine P. K. Rosie. The film is particularly based on the novel Nashta Naayika by Vinu Abraham (which details the story of Rosie) and the biography of J. C. Daniel by Chelangatt Gopalakrishnan.
Film version of Jacqueline Susann's best-selling novel chronicling the rise and fall of three young ladies in show business.
Henri Chatelard is well in his forties, owns a restaurant and a cinema in the city, and appreciate women. When he meets Marie, a 18ish stronghead who just lost her father in a small fishermen village, it is not clear who is the hunter and who is the prey.
In this musical comedy, Valerie is dealing with her philandering fiancé, Ted, when she finds that a trio of aliens have crashed their spaceship into her swimming pool. Once the furry beings are shaved at her girlfriend's salon, the women discover three handsome men underneath. After absorbing the native culture via television, the spacemen are ready to hit the dating scene in 1980s Los Angeles.
A collective film of 33 shorts directed by different directors about their feeling about cinema.
The owner of a failing cinema and his mysterious boarder are caught up in the political intrigue of Argentina.
A rare gem of cinematic storytelling that weaves docudrama, fictional reenactment, and experimental photography into a powerful, reflective work on the early days of German cinema.
In a Welsh coal mining valley, a young man with a beautiful singing voice is called upon to make the ultimate sacrifice when a pit disaster threatens.
In a small farming valley in Austria in the beginning of the 20th century a tyrannical farmer is found dead, and all the farmhands are relieved to be free of their tyrant. But the farmer was childless, so suddenly they all inherit the farm together. Now conflicts begin, as nobody is the boss and nobody has to obey.
Aaranya Kaandam (Tamil: à®à®°à®£à¯à®¯ à®à®¾à®£à¯à®à®®à¯; English: Jungle chapter; English title: Anima and Persona) is a 2011 Indian Tamil action film, written and directed by newcomer Thiagarajan Kumararaja. It is supposedly the first neo-noir film in Tamil cinema. The story takes place in a day in the lives of the six protagonists, played by Jackie Shroff, Ravi Krishna, Sampath Raj and newcomers [Yasmin Ponnappa], Somasundaram and Master Vasanth. Produced by S. P. B. Charan's Capital Film Works, the film features musical score by Yuvan Shankar Raja and cinematography by P. S. Vinod and editing handled by the duo Praveen K. L. and N. B. Srikanth.
The Cahulawassee River valley in Northern Georgia is one of the last natural pristine areas of the state, which will soon change with the imminent building of a dam on the river, which in turn will flood much of the surrounding land. As such, four Atlanta city slickers - alpha male Lewis Medlock, generally even-keeled Ed Gentry, slightly condescending Bobby Trippe, and wide-eyed Drew Ballinger - decide to take a multi-day canoe trip on the river, which turns into a trip they'll never forget into the dangerous American back-country.
An epic mosaic of many interrelated characters in search of happiness, forgiveness, and meaning in the San Fernando Valley.
A fictionalized account of the lives of 1980s Tamil Nadu political icons M. G. Ramachandran and M. Karunanidhi, continuing the tryst between Tamil cinema and Dravidian politics.
Oliver Fellows, a failed city banker, is pursuing fulfillment on an old farm in Southern Portugal. He and his neighbor, Manel, face unprincipled enemies in a highly amusing quest to save their valley from exploitation.
Rasputin, a crazed and debauched monk wreaks havoc at the local inn one night, chopping off the hand of one of the drinkers. As the bitter locals plan their revenge, the evil Rasputin works his satanic power over the beautiful women who serve at the Tsar's palace. Even the Tsarina herself is seduced by his evil ways and, as his influence begins to dominate government policy, there is only one course of action left... to destroy him before he destroys them all.
2015 Malayalam thriller film written and directed by Ranjith. It features Mohanlal as Raju and Andrea Jeremiah as Jayanthi in lead roles along with Ajmal Ameer, Siddique, Mythili, Tini Tom, Vijayaraghavan, Renji Panicker and V. K. Prakash in significant roles. The film is produced by Antony Perumbavoor under the banner Aashirvad Cinemas.
In a future Earth barren of all flora and fauna, the planet's ecosystems exist only in large pods attached to spacecraft. When word comes in that the pods are to be jettisoned into space and destroyed so that the spacecraft can be reused for commercial purposes, most of the crew of the Valley Forge rejoice at the prospect of going home. Not so for botanist Freeman Lowell who loves the forest and its creatures, so decides to take matters into his own hands to protect what he loves.
A biographical film about the Norwegian Expressionist painter Edvard Munch. It was originally created as a three-part miniseries co-produced by the Norwegian and Swedish state television networks, but subsequently gained an American theatrical release in a three-hour version in 1976. The film covers about thirty years of Munch's life, focusing on the influences that shaped his art, particularly the prevalence of disease and death in his family and his youthful affair with a married woman.
Diana is a Roman wife happily married to sympathetic Paolo but she is keen on playing benign games of seduction with other men while resisting the advances of chic lingerie shop owner Silvio and she narrates her adventures to Paolo in order to stimulate their otherwise monotonous sexual life. However, under the influence of her lesbian friend Antonietta and raunchy sister Nadia, Diana starts to move the ongoings further while Paolo is still prone to believing that events narrated by her are merely fantasies. Nevertheless, when the French Sadean antiques dealer Donatien Alphonse leaves marks on her body, Paolo understands that Diana is cheating on him and throws her out of the house.
Goodbye, Dragon Inn is set in the approximately ninety minutes of the last feature at an old Taipei cinema that is closing down, showing King Hu's 1967 sword-fighting classic Dragon Inn. Only a few people are present in the cinema, and a variety of subplots are developed around them. Throughout the film, the ticket woman tries to find the projectionist, searching for him in order to present him with a steamed bun. A young Japanese tourist wanders around the cinema in search of a homosexual encounter. An older man tells him that the cinema is haunted. An old man, who was one of the actors who appeared in the original Dragon Inn, watches the film with tears in his eyes. Outside the theater, he encounters an older man who had been watching the film with his grandson; this man also starred in the original film. The film is shot with almost no camera movement, most shots lasting well over thirty seconds. There are only about a dozen of lines of dialogue.
Based on a true story, a hot shot Washington DC lobbyist and his protégé go down hard as their schemes to peddle influence lead to corruption and murder.
A headstrong young teacher in a private school in 1930s Edinburgh ignores the curriculum and influences her impressionable 12 year old charges with her over-romanticized world view.
In Seoul, the paths of two men and one woman intersect and move apart from one another, centering around their love for cinema. A suicidal student meets a young woman who decides to follow him in his fatal gesture. Coming out of a cinema, Tongsu, an unsuccessful filmmaker, spots a beautiful young woman, and recognizes her : she is the main actress in the film he has just seen. The life of this wavering and distressed young man strangely echoes the one of the young man from the beginning...
Dorian Gray, wishing to remain young and handsome for eternity, essentially sells his soul so that a portrait can age instead of him. Over the course of the years, Dorian commits every sort of sin, heavily influenced by his friend Lord Henry Wotton. But as his life goes on, he slowly realises the emptiness and evil which he has succumbed to.
The story of two renowned actors of Fascist cinema, Luisa Ferida and Osvaldo Valenti, who were supporters of the Salò Republic. Accused of collaboration and torture, they were shot by the Partisans after the country was liberated.
Lesa Lesa is a 2003 Tamil film directed by Priyadarshan and produced by Vikram Singh. The film features Shaam and Trisha in the lead roles and Madhavan in an extended guest appearance, while Vivek, Radharavi and Sreenivasan play supporting roles. Cinematography is handled by Tirru, while the film's score and soundtrack were composed by Harris Jayaraj. The story is partially adapted from the 1998 Malayalam film Summer in Bethlehem, which was co-written by Ranjith and Venu Nagavally.
Beautiful is a 2011 Indian Malayalam musical drama thriller film written by Anoop Menon and directed by V. K. Prakash. The film stars Jayasurya, Anoop Menon and Meghana Raj in the lead roles. The cinematography was by Jomon T. John and the music was composed by Ratheesh Vegha. It tells the story about the intense bonding of two friends, one quadriplegic and other a musician. The film released on 2 December 2011 to predominantly positive reviews
In 1815, young Jacquou lives an idyllic peasant life with his parents in the Périgord region of France. But one day, his childhood happiness is cruelly ended when his father is arrested, after a dispute with the arrogant Count de Nansac. With both his parents dead, Jacquou is adopted by Bonal, a kind priest, under whose influence he grows into an assured, morally upright young man. Now an adult, Jacquou has one desire. To repay the Count de Nansac for the evil he once inflicted on his parents...
Collegemates Karthik and Shweta fall in love and take it to the next level but the girl soon discovers that she is pregnant. And, when the parents find out, the consequences are startling. Aadhalal Kadhal Seiveer (English: Therefore, Go Ahead and Love, Tamil: à®à®¤à®²à®¾à®²à¯ à®à®¾à®¤à®²à¯ à®à¯à®¯à¯à®µà¯à®°à¯) is a 2013 Indian Tamil romantic drama film directed by Suseenthiran. It features debutant Santhosh Ramesh (Singanamala Ramesh's second son) and Manisha Yadav of Vazhakku Enn 18/9 fame in the lead roles. It is produced by Nallu Studios and music by Yuvan Shankar Raja. Cinematography is by Soorya.A.R, editing by Antony, stunts by Anal Arasu, lyrics by Vaali and Yugabharathi. The film released with highly positive reviews. The film was declared "Hit" at the boxoffice.
Infidelity, murder, and betrayal lies at the center of this violent Spaghetti western. A scheming wife does away with her husband, causing the man's heir to seek revenge. A number of double-crosses and bloody gun battles follow, eventually driving the woman to flee into the desert.
In Okayama in the mid-1930s, Kiroku attends high school and boards with a Catholic family whose daughter, Michiko, captures his heart. He must, however, hide his ardor and other aspects of his emerging sexuality, focusing his energy on a gang he joins, breaking school rules, and getting into scuffles (he tells her, "Oh, Michiko, I don't masturbate, I fight"). He comes under the influence of a young tough nicknamed Terrapin, and together they lead fights against rival gangs. Gradually, Kiroku and Terrapin align themselves with the right-wing Kita Ikki, and Kiroku becomes a stand-in for the attitudes of Japanese youth who embraced the imperialism leading to World War II.
A drama focused on Norwegian society in the 1970s, an era politically influenced by Marxism and Leninism.
The Narrator (Woody Allen) tells us how the radio influenced his childhood in the days before TV. In the New York City of the late 1930s to the New Year's Eve 1944, this coming-of-age tale mixes the narrator's experiences with contemporary anecdotes and urban legends of the radio stars.
The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future. Their own futures are bleak.
Ya bon les blancs depicts a fiercely farcical fable-like vision from Ferreriâs typically ruthless perspective where naïve white liberals attempt to give starving African spaghetti and tomato sauce as aid, ugly Italians attempt boning bloated black native broads, a Catholic priest is gang-raped while he eats Russian chicken and stares at the starved corpse of a preteen negro boy, a deranged jigaboo wearing a white mask claims to whites that he is a real white man and that they are imposters that must leave, and a group of cannibalistic negroid nomads who eat two crackers that dare to sully their magical waterhole. (cont. http://www.soiledsinema.com/2014/08/how-good-whites-are.html?zx=4dfcfb7d2366e8ba)
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
Psychiatrist experiments LSD on 4 volunteers, to investigate Coffin Joe's influence over them. Each patient presents a different reaction, involving sex, perversion and sadism.
The Comte de Gonzague schemes against his cousin, the Duc de Nevers, even though he is the Duke's heir and will inherit his estates. The Count has kept secret the existence of the Duke's bastard, recently born. When the Duke learns of his child, he journeys to wed the mother, a baron's daughter, in her father's isolated chateau. The occupants of the castle are surprised and murdered by the Count and his men. The only ones to escape are the Duke's friend, the skilled swordsman Lagardère, and the infant, a girl, now the rightful heiress to the Duke's vast fortune. The Count believes the pair to have drowned, when in fact they have been concealed by a travelling troupe of Italian players. Twenty years pass. The Count has discovered that the two survive and seeks to have them slain. But Lagardère gains the confidence of the Count, and employment as his bookkeeper, through his clever disguise as a hunch-back...
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