Description Saxophonist Art Pepper (1925-1982) lived the kind of jazz life only found in Hollywood movies. His prodigious talent led him to top gigs as a teenager, but drugs and attendant criminal activity knocked him out of commission for virtually all of the 1960s and early 1970s. This documentary, shot shortly after his searing memoir, {-Straight Life}, was published in 1979, shows Pepper in the full flower of a remarkable comeback. His third wife, Laurie, is featured prominently; they met in the drug treatment facility Synanon in 1969 and were married in 1974. She took over his business affairs and helped him write {-Straight Life}. Pepper tells his own story here, but the emphasis is on an evening's performance at a club in Malibu, with the musician in fine form, backed by a terrific trio. (Tom Wiener, Rovi)
Robert Altman's story is a riff on race, class, and power cross-cuts between the two kidnappings and the background of corrupt politics and virtuoso jazz music. It all takes place in Kansas City in 1934.
"It must schwing!" was the motto of Alfred Lion and Francis Wolff, two German Jewish immigrants who in 1939 set up Blue Note Records, the jazz label that was home to such greats as Miles Davis, John Coltrane, Herbie Hancock, Thelonious Monk, Art Blakey, Dexter Gordon and Sonny Rollins. Blue Note, the most successful movie ever made about jazz, is a testimony to the passion and vision of these two men and certainly swings like the propulsive sounds that made their label so famous.
THUNDER SOUL tells the true story of Conrad O. Johnson and the legendary Kashmere Stage Band. It was afros, pleated pants and platform shoes; James Brown, Sly Stone and Bootsy Collins. It was the â70s, and an inner-city Houston high school was about to make history. Charismatic band leader, Conrad âProfâ Johnson would turn the schoolâs mediocre jazz band into a legendary, world-class funk powerhouse. Now, 35 years later, his students prepare to pay tribute to the man who changed their lives, the 92-year-old Prof. Some havenât played their horns in decades, still they dust off their instruments determined to retake the stage to show Prof and the world that theyâve still got it.
Wild Man Blues is a 1998 documentary film directed by Barbara Kopple, about the musical avocation of actor/director/comic Woody Allen. The film takes its name from a jazz composition sometimes attributed to Jelly Roll Morton and sometimes to Louis Armstrong and recorded by both (among others). Allen's love of early 20th century New Orleans music is depicted through his 1996 tour of Europe with his New Orleans Jazz Band. Allen has played clarinet with this band for over 25 years. Although Allen's European tour is the film's primary focus, it was also notable as the first major public showcase for Allen's relationship with Soon-Yi Previn.
Don McGlynn's uncompromising and soulful documentary look at the tumultuous life of musician and rebel Charles Mingus is fascinating stuff. Mingus said of himself "I am half black man, half yellow man, but I claim to be a Negro. I am Charles Mingus, the famed jazz musician--but not famed enough to make a living in America." His statement summed up the conflict that plagued this musical genius his entire life: volatility, pain, prescience, and raw rage roiled inside a complex man, composer, bass player, and trombonist who transcended labels and refused to be pigeonholed into a single musical style--and who did not achieve real fame until late in his career.
Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
The Cotton Club was a famous night club in Harlem. The story follows the people that visited the club, those that ran it, and is peppered with the Jazz music that made it so famous
Sharky gets busted back to working vice, where he happens upon a scandalous conspiracy involving a local politician. Accompanied by an all-star jazz soundtrack, Sharky's new "machine" gathers evidence while Sharky falls in love with a woman he has never met.
When wistful introvert Alan Furnace meets quick-witted bombshell Beatrice, he has no idea of her secret life as "B. Monkey" -- the top thief-for-hire in London's criminal underworld. Charmed by Furnace's innocent and chivalrous ways, Beatrice resolves to reform. But to cash in on her first chance at real love, she must escape her former partner in crime, the ruthless Paul Neville -- and a dark past that seems to haunt her every step.
Zed (Eric Stoltz) is an American vault-cracker who travels to Paris to meet up with his old friend Eric (Jean-Hugues Anglade). Eric and his gang have planned to raid the only bank in the city which is open on Bastille day. After offering his services, Zed soon finds himself trapped in a situation beyond his control when heroin abuse, poor planning and a call-girl named Zoe all conspire to turn the robbery into a very bloody siege.
Frederick Manion, an Army lieutenant, is arrested for the murder of bartender Barney Quill. In his defense, he claims that Quill raped and beat up his wife Laura. Although Laura supports her husband's story, the police surgeon cannot find evidence of rape. Manion is defended by Paul Biegler, a humble small-town lawyer. During the course of interviews, Biegler discovers that Manion is violently possessive and jealous, and that his wife has a reputation for giving her favors to other men. Biegler realizes that the prosecution will try to make the court believe that Laura was the lover of the bartender and that Manion killed him and beat her up when he discovered them together. Manion pleads "not guilty" and Biegler, who knows that his case is weak, sets his assistants to try to find a witness who will save Manion.
A brief fling between a male disc jockey and an obsessed female fan takes a frightening, and perhaps even deadly turn when another woman enters the picture.
Documentary about jazz great Chet Baker that intercuts footage from the 1950s, when he was part of West Coast Cool, and from his last years. We see the young Baker, he of the beautiful face, in California and in Italy, where he appeared in at least one movie and at least one jail cell (for drug possession). And, we see the aged Baker, detached, indifferent, his face a ruin. Includes interviews with his children and ex-wife, women companions, and musicians.
The life and times of Joe Albany, a little-known jazz pianist, is the subject of this specialized documentary that not only brings out the pianist himself, but the mood and feeling of the era in which he reached the top. Albany talks about the great musicians and singers he worked with -- Billie Holliday and Charlie Parker among them -- and how so many succumbed to drugs and died young. He is followed around at home, work, on the bus, and in other settings as he is interviewed by director Carole Langer. His sharp observations and dry sense of humor enliven the stories. ~ Eleanor Mannikka, Rovi
In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.
Ram Bowen and Eddie Cook are two expatriate jazz musicians living in Paris where, unlike America at the time, Jazz musicians are celebrated and racism is a non-issue. When they meet and fall in love with two young American girls, Lillian and Connie, who are vacationing in France, Ram and Eddie must decide whether they should move back to America with them, or stay in Paris for the freedom it allows them. Ram, who wants to be a serious composer, finds Paris more exciting than America and is reluctant to give up his music for a relationship, and Eddie wants to stay for the city's more tolerant racial atmosphere.
Aimless youth Rick Martin learns he has a gift for music and falls in love with the trumpet. Legendary trumpeter Art Hazzard takes Rick under his wing and teaches him all he knows about playing. To the exclusion of anything else in life, Rick becomes a star trumpeter, but his volatile personality and desire to play jazz rather than the restricted tunes of the bands he works for lands him in trouble.
This revue presents its numbers around the orchestra leader Paul Whiteman, besides that it shows in it's final number that the European popular music are the roots of American popular music, called Jazz.
In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman (Jessica Lundberg) remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.
Traces the pilgrimage of John Anderson, an average guy with a passion for jazz, from his home in outback Western Australia to the jazz clubs of Paris...
Childhood friends Tracy Lord and C.K. Dexter Haven got married and quickly divorced. Now Tracy is about to marry again, this time to a shrewd social-climbing businessman. Bing still loves her. Spy magazine blackmails Grace's family by threatening to reveal her playboy father's exploits if not allowed to cover the wedding.
New York City's premier jazz venue got the blues when Wynton Marsalis and Eric Clapton performed together in Rose Theater at Frederick P. Rose Hall, home of Jazz at Lincoln Center for two sold-out shows dedicated to vintage blues. The extraordinary collaboration, billed as Wynton Marsalis & Eric Clapton Play the Blues, paired these musical virtuosos with members of the Jazz at Lincoln Center Orchestra as they brought to life a repertoire of songs selected by Clapton and arranged by Marsalis. Reprise Records captures the magic of these unprecedented shows on CD and a CD/DVD combo that both feature selections taken from the two public concerts, as well a special performance for Jazz at Lincoln Center's annual gala.
Saxophone player Charlie Parker comes to New York in 1940. He is quickly noticed for his remarkable way of playing. He becomes a drug addict but his loving wife Chan tries to help him.
Danny Thomas assumes the old Al Jolson role as the cantor's son-turned-cabaret entertainer. As Jerry Golding (Thomas) scales the heights of show business, he breaks the heart of his father (Eduard Franz), who'd hoped that Jerry would follow in his footsteps. Sorrowfully, Cantor Golding reads the Kaddish service, indicating that, so far as he is concerned, his son is dead. A tearful reconciliation (and a more upbeat denouement than was found in the original film) occurs when Jerry dutifully returns to sing the "Kol Nidre" in his ailing father's absence. Peggy Lee co-stars as Judy Lane, a musical comedy entertainer who falls in love with Jerry, while Mildred Dunnock and Alex Gerry do what they can with the stereotyped roles of Jerry's mother and uncle, respectively.
Richard Attenborough, Patrick McGoohan and a host of jazz legends including Charles Mingus and Dave Brubeck star in this 60s melodrama, inspired by Shakespeare's 'Othello'
A struggling young jazz dancer (Lucinda Dickey) meets up with two break-dancers. Together they become the sensation of the street crowds. Features ICE-T in his film debut as a club MC.
Guy and Madeline on a Park Bench is about the often uneasy but always beautiful relationship between music and love. It tells the story of a young Boston jazz musician who drifts from affair to affair, his trumpet the only constant in his life. He makes a promising connection with an aimless introvert named Madeline, who immediately takes to his music. Their relationship is cut short, however, when Guy leaves her for another, more outgoing love interest. The two separated lovers slowly wind their way back into each otherâs lives, through a series of romances and near-romances punctuated by song.
Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail party gigs in dingy bars, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.
Bob Fosse's semi-autobiographical film celebrates show business stripped of glitz or giddy illusions. Joe Gideon (Roy Scheider) is at the top of the heap, one of the most successful directors and choreographers in musical theatre. But he can feel his world slowly collapsing around him--his obsession with work has almost destroyed his personal life, and only his bottles of pills keep him going.
American Pop is an American animated film that film tells the story of four generations of a Russian Jewish immigrant family of musicians whose careers parallel the history of American popular music.
A comedic biopic focused on the life of fictional jazz guitarist Emmett Ray. Ray was an irresponsible, free-spending, arrogant, obnoxious, alcohol-abusing, miserable human being, who was also arguably the best guitarist in the world.
A music student is expeled from school because he loves jazz, a kind of music that represents the US capitalism. He hires two street musicians to form a dixie band, and goes from one city to another trying to gain fame.
Inside the Blue Note nightclub one night in 1959 Paris, an aged, ailing jazzman coaxes an eloquent wail from his tenor sax. Outside, a young Parisian too broke to buy a glass of wine strains to hear those notes. Soon they will form a friendship that sparks a final burst of genius in director Bertrand Tavernier
The National Basketball Association play-offs are taking place, and the Boston Celtics are facing the Utah Jazz in a crucial series. This is also the last year that any games will be played in the Boston Garden, which is going to be torn down after the end of the season. Mike and Jimmy, two die-hard sports fans who will risk anything for the Celtics to win, are really getting into the games...
The film is a heist comedy set in 1940s Korea, and stars Park Yong-woo and Lee Bo-young as a con artist and jazz singer who each plot to steal a valuable diamond from the Japanese authorities.
Romantic comedy about an ambitious teaching student, busy preparing for her final exams, whose studies are interrupted by a passionate affair with a jazz musician.
Twenty-one-year-old Valentine (Sophie Marceau) works part time as a teacher while she prepares for her all-important final exams. She meets Edouard (Vincent Lindon), a jazz musician who hopes to someday be a composer. Despite the fact that the two have different schedules and career agendas, they engage in a passionate affair. Valentine compares her relationship with Edouard to the dry dissertation of Moliere's The Misanthrope during her oral exams at the Sorbonne. aka - 'You Call It Love'.
In this hit Russian musical, a group of friends flaunts Soviet authority in 1950s Moscow by embracing jazz. When Communist Mels falls for Polly, a free-spirited jazz fan, he risks losing his party membership by associating with her rebellious crew.
Fictional author-filmmaker, Eric Jonrosh, adapts his epic tale of a pianist-turned-detective investigating a murder in the 1950s underground jazz scene.
New York City newspaper writer J.J. Hunsecker (Burt Lancaster) holds considerable sway over public opinion with his Broadway column, but one thing that he can't control is his younger sister, Susan (Susan Harrison), who is in a relationship with aspiring jazz guitarist Steve Dallas (Marty Milner). Hunsecker strongly disproves of the romance and recruits publicist Sidney Falco (Tony Curtis) to find a way to split the couple, no matter how ruthless the method.
The hero and heroine want to popularize a trad jazz in their town. Some older people feel displeased about a trad jazz, and prevent their trying. The hero and heroine go to London television studio to ask trad jazz musician to support their trial.
Please enter your e-mail address to subscribe for updates
The General Data Protection Regulation (GDPR) and Cookies
On 25 May 2018, the General Data Protection Regulation (GDPR) (EU) 2016/679 will come into force. The GDPR strengthens and clarifies the rights of EU-resident natural persons with regard to their personal information The Terms and Conditions and the Privacy Policy for Valossa services have been updated accordingly.
Please review Valossa's updated Terms and Conditions, Privacy Policy and the Cookie Policy. If you use our services to process personal information of EU-resident natural persons you need to comply with the GDPR. By using our services on or after 25 May 2018, you will be agreeing to the changes.
Under the GDPR, you have several rights, such as accessing your own personal data, erasing of that data, and the right to be notified within 72 hours of a data breach that is likely to result in a risk for your rights and freedoms. You may reach the Data Protection Officer (DPO) of Valossa when needed, and the details for doing so can be found in the updated Privacy Policy.
Click 'OK' to agree and continue using WhatIsMyMovie.com.