Going Nomad (1998)
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Vivian's family are penniless nomads, moving from one cheap flat to another in Beverly Hills so she and her brothers can attend the city's schools. Uncle Mickey sends them money to survive. When Mickey's daughter Rita runs away from an asylum, Vivian's dad offers shelter to her if Mickey will pay for a plush flat. Vivian must babysit her adult cousin, making sure she gets to nursing school and avoids pills and booze. But Vivian has her own problems: she's curious about sex, likes an older neighbor kid, has inherited her mother's ample breasts, and wants a family that doesn't embarrass her. Can she help Rita, keep Uncle Mickey happy, and feel OK about her body and her family?
Sam Montgomery is a tomboyish, unpopular girl at school. She has been text messaging a somebody named Nomad for a few months and he asks her to meet him at the Halloween dance at 11:00 in the middle of the dance floor. The only problem is, she must get back to the diner, ran by her wicked Stepmom Fiona by 12 sharp because she is not supposed to be there. Before Nomad can found out who she is, she must leave with her best friend, Carter driving her back to the diner. After that night, everything in Sam's life goes wacko!
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Ya bon les blancs depicts a fiercely farcical fable-like vision from Ferreriâs typically ruthless perspective where naïve white liberals attempt to give starving African spaghetti and tomato sauce as aid, ugly Italians attempt boning bloated black native broads, a Catholic priest is gang-raped while he eats Russian chicken and stares at the starved corpse of a preteen negro boy, a deranged jigaboo wearing a white mask claims to whites that he is a real white man and that they are imposters that must leave, and a group of cannibalistic negroid nomads who eat two crackers that dare to sully their magical waterhole. (cont. http://www.soiledsinema.com/2014/08/how-good-whites-are.html?zx=4dfcfb7d2366e8ba)
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