Filosofská historie (1938)
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Libor, a former teacher, enjoys a well-paid position as a bank manager, living in a luxurious villa outside Prague. His business partners are taken into custody and the authorities have a few questions for him to answer. Rather than wait around, he decides to take off to Moravia with his wife and two children. In the process, he pretends that everything is normal, rediscovers the value of family life, meets up with a former colleague lost in provincial obscurity, and becomes the object of a manhunt. Libor is not a criminal type, merely someone who signs cheques and is drawn into a business world failing to recognise its own criminality (he doesnât even flee the country).
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Prague - mystical city. It was here in the Middle Ages, alchemists and magicians gathered. Rumor has it that the house of Prague hide secret obtain the philosopher's stone, and complex multi-level labyrinth of underground tunnels and cellars keep many unsolved mysteries and untold treasures. Prague just full of ghosts and phantoms. Let us slightly lift the veil that hides the secrets and little to satisfy your curiosity, get acquainted with some legends of Prague.
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Robert works for a travel agency and helps to arrange scenes from the everyday lives of "ordinary" Czech families as an attraction for Japanese tourists. He also works as a kind of matchmaker and occasionally helps to put together some of his friends. He helps to separate his friend Hanka from Peter, an announcer for an independent radio station who tries to capture "real" life by recording the moments from "reality" and playing them over the air. Vesna, came to Prague from Macedonia because it is according to her the best place for UFOs to land, but her real reason for coming is somewhat different... Hanka is followed by the crazy Ondrej, until then a respected brain surgeon, and married with two kids. Through him she meets Jacob, who uses copious amounts of weed in order to be constructive in this gloomy world. On the other hand, this destroys his short-term memory - and he forgets that he already has a girlfriend...
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A working-class young woman (Andula) in a hick Czech town sleeps with one of the band members of a group from Prague. "You are a Mondrian, not a Picasso," he tells her. When she doesn't hear from him again, she packs up and arrives on his doorstep in the big city, throwing his household (he lives with his parents) into chaos.
Thursday morning, Jerusalem. Nira goes to work. Ahmad in London does the same, Ralf in Cologne and a priest in Prague too. Matija, Croat, goes to work as well. Ok, he doesn't, but he acts as if he does. Ahmad is taking his routine red bus journey. Out-of-breath young man comes in and interrupts it. Schoolteacher Nira is also interrupted - her pupil jumps out and performs a love rap song he wrote for her. The priest in Prague doesn't feel like singing today, he is in the mood for (over)sleeping instead. Someone falls asleep, someone else - Ralf - falls in love. All five mentioned above are listening to the top-news about the disappearance of bees. And trying their best, each one of them in his or her own 'hive': Zagreb, Jerusalem, London, Cologne, Prague...
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After college graduation, Grover's girlfriend Jane tells him she's moving to Prague to study writing. Grover declines to accompany her, deciding instead to move in with several friends, all of whom can't quite work up the inertia to escape their university's pull. Nobody wants to make any big decisions that would radically alter his life, yet none of them wants to end up like Chet, the professional student who tends bar and is in his tenth year of university studies.
William Hundert is a passionate and principled Classics professor who finds his tightly-controlled world shaken and inexorably altered when a new student, Sedgewick Bell, walks into his classroom. What begins as a fierce battle of wills gives way to a close student-teacher relationship, but results in a life lesson for Hundert that will still haunt him a quarter of a century later.
Encore is a 1951 anthology film composed of adaptations of three short stories by W. Somerset Maugham: "The Ant and the Grasshopper", directed by Pat Jackson and adapted by T. E. B. Clarke; "Winter Cruise", helmed by Anthony Pelissier, screenplay by Arthur Macrae; "Gigolo and Gigolette", directed by Harold French, written by Eric Ambler. It is the last film in a Maugham trilogy, preceded by Quartet and Trio.
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