Voyage in Time (1983)
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A young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.
A group of film students set out to finish filming a movie that was never completed after its director was murdered. After they begin filming, they realize they're in for a bit of trouble, not unlike the late director...
A horror film director is stalked by a mad psychiatrist/serial killer bent on killing people to model the killings after the director's gory death scenes from his movies.
Karthik (Naga Chaitanya) is an engineering graduate who wants to pursue his career as a film director. Samantha is his neighbour and he falls in love with her at the very first sight. But there are two catches. One is that she is elder to him and the bigger hitch is that she is a Malayali Christian. He proposes to her and she slowly falls for his guts and his perseverance. Her strict father comes to know about it and settles her marriage. She loves him, but canât hurt her entire family by marrying him. The rest of the story is all about how Karthik achieves his passion to become a film director and tastes success at the personal front.
The love story between an actress and a director. Inspired by the life of the late south Indian actress Silk Smitha.
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The widow Lilia Herriton meets a young man when she visits Italy and marries him. The man is only a dentist without a good name, and Lilia's relatives are clearly unhappy with her choice. Lilia dies while giving birth to a son, and two relatives travel to Italy to take care of of the baby, expecting no trouble from the father.
While touring in Italy, a recently-widowed American opera singer has an incestuous relationship with her 15-year-old son to help him overcome his heroin addiction.
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A coming-of-age drama set in contemporary Italy.
In a farmhouse in southern Italy, an old woman dies. Her husband summons their sons: from Rome, Raffaele, a judge facing a political case for which he risks assassination; from Naples, the religious and ideological Rocco, a counselor at a correctional institute for boys; from Turin, Nicola, a factory worker involved in labor disputes. Once home, each encounters the past and engages in reveries of what may come: Raffaele imagines his death, Rocco dreams of lifting the youth of Naples out of violence, drugs, and corruption, Nicola pictures embracing his estranged wife. Meanwhile, the old man and his young granddaughter explore the rhythms of the farm and grieve together.
After his lengthy training nears completion, expert swordsman Kao is entrusted with an unusual mission by his elderly master. The task involves taking the fabled 'Teardrop Sword' down into the martial world and solving the petty squabbles of a few supremely skilled individuals, while also deciding the fate of the seemingly cursed weapon. Kao takes his master's words on-board, descends from his mountain retreat and prepares to meet the weird and wonderful pugilists he has heard so much about. Kao's arrival in town is noticed by the so-called 'Unbeatable' Sze-ma Chao-chun and his fiendishly intelligent aide Zhou who decide to keep a close eye on the stranger as they prepare to host a lavish ceremony. Unfortunately for Sze-ma, the celebration is disrupted by an assassination that leaves the whole of his clan rocked by the vicious attack.
War seen through the eyes of Serra, a university student from Palermo who volunteers in 1942 to fight in Africa. He is assigned to the Pavia Division on the southern line in Egypt. Rommel and the Axis forces are bogged down; it's October, the British prepare an offensive. At first, boredom, heat, hunger, and thirst bedevil the Italians; then the Brits attack, and there's no luck or heroism in death. Finally, it's retreat in confusion. Serra, his sergeant Rizzo, and his lieutenant Fiori take a last walk toward home. It's said that each soldier gets three miracles; when Serra's are used up, what then?
Freddie is an inept bank clerk with no future. His only hobby is collecting butterflies, which gives him a feeling of power and control that is otherwise totally missing from his life. He comes into a large sum of money, and buys himself a country house. Still unable to make himself at ease socially, he starts to plan on acquiring a girl friend - in the same manner as he collects butterflies. He prepares the cellar of the house to be a collecting jar, and stalks his victim over several days.
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'I hate luv storys' is the maxim Jay lives by. But as an assistant director to Veer, the most famous romantic filmmaker of Indian Film Industry, Jay has little option but to live with larger than life, glossy, cinematic love on an everyday basis. Things only get worse when he is made to work under the new production designer on the film⦠Simran, with whom he shares the strangest first encounter! Simran loves luv storys; So much so that even her life has begun to resemble one. With her ideal job and the perfect boyfriend, Raj, she lives a blissful, dreamy life; One that is rudely interrupted by Jay's cynicism. The turmoil's of Jay and Simran's life, is ironically interweaved with the Luv Story that they are working onâ¦
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