Orpheus in the Underworld (1974)
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Golden Dawn (1930) is a musical operetta released by Warner Brothers, photographed entirely in Technicolor, and starring Walter Woolf King and Noah Beery. The film is based on the semi-hit stage musical of the same name by Oscar Hammerstein II and Otto Harbach. Beery's extraordinarily deep bass voice registers particularly well in the songs.
Amechiyo (the banished prince) falls in love with Tanukihime (a princess of raccoon dog disguised as human). This is an operetta which includes comedy, singing and dancing, and a love story.
Songwriter Gus Kahn fights to make his name, then has to fight again to survive the Depression.
An adaptation of the operetta The Flower of Hawaii by Paul Abraham. It is based on the life of the last Queen of Hawaii Liliuokalani.
This film is the first adaptation of an operetta written by Ukrainian composer Mykola Lysenko. It follows the trials and tribulations of Natalka and Peter (Petro). The sweethearts planned to get married; however, Natalka's father does not approve of the marriage because Petro was not affluent enough to keep Natalka in the manner he thought that she should be kept. Petro goes off to earn the required fortune.
Nina Maria Azara is the beautiful and alluring singing spy for Spain during the Napoleonic Wars. Her mission is to seduce French Officers, in order for them to reveal Napolean's intentions toward Spain. She is sent to Bayonne, France to gather military secrets. Prior to this, she meets, Don Diego while performing at a club. Unknown to her, Don Diego is actually Captain Andre, who is sent to Spain to spy on her. While in France, Nina discovers Diego's true identity, only after she has fallen in love with him. Nina Maria outwits her potential captors and returns to Spain, and goes into hiding. Napoleon's troops invade Spain, resulting in Nina's capture. In a strange twist of fate, Nina and Captain Andre are reunited, but, the 2 nations are now at war... Written by Kelly
Opera singer, Marie de Flor, seeks out fugitive brother in the Canadian wilderness. During her trek, she meets a Canadian mountie, Sgt. Bruce, who is also searching for her brother. Romance ensues, resulting in several love duets between the two.
Alice Faye plays the title role in this 1940 film biography of the early-20th-century stage star.
In the Temesvar Province, a landowner returned from exile marries a gypsy girl who is revealed to be the daughter of a Turkish Pasha and the rightful owner of a hidden treasure. Next to "Die Fledermaus", DER ZIGEUNERBARON is Johann Straussâs most popular operetta. The libretto gave Strauss the chance to revel in such contrasting musical forms as the Csárdás and the Viennese waltz. The style of the lied forms and ensembles is so original and finely balanced that the "Gypsy Baron" can truly be called a comic opera. Among the leading names of the stellar cast in this exuberant 1975 film of the operetta are Wolfgang Brendel, Ivan Rebroff, Janet Perry, Ellen Shade, Martha Mödl and, in the role that launched his career, Siegfried Jerusalem as Sándor Barinkay.
Paramount Pictures decided in 1935 to create a new romantic team, thus cast singing stars Carl Brisson and Mary Ellis in the frothy operetta All the King's Horses. Brisson does the "Prisoner of Zenda" bit as a movie star who is forced by circumstances to impersonate a look-alike king. Ms. Ellis is the highborn lady who seems to be fooled by the ruse. The plots roll merrily onward while various and sundry musical-comedy character actors (including Edward Everett Horton and Eugene Pallette) fuss and fume in the background. Danish singer Carl Brisson had created a minor sensation by introducing "Cocktails for Two" in Paramount's Murder at the Vanities (34), but the studio's attempts to turn him into a Scandinavian Maurice Chevalier were unsuccessful.
This light-hearted comedy operetta tells the story of a newly appointed high school professor who becomes an ideal target for pranks and jokes.
Country girl Margit sits for the artist Sándor, from Budapest. She is fascinated and charmed by him, and agrees to accompany him to the capital, so he can complete the painting there. Disillusionment sets in, however, when Sándor wins a prize with the finished portrait and loses interest in her. Margit recognizes that her true happiness lies at home, with Pista, her faithful lover.
DIE FLEDERMAUS follows Gabriel von Eisenstein, who faces a short prison term, as his wife Rosalinde is pursued by a former flame. Meanwhile, Dr. Falke invites everyone to a magnificent party as part of an elaborate scheme to exact revenge on Eisenstein for a youthful prank. This offers the cunning Rosalinde an opportunity to catch her womanizing spouse in the act. On the night of the party, bafflement and hilarity ensue. Carlos Kleiber leads the Bavarian State Orchestra in this performance of Johann Strauss, Jr.'s operetta. Featured singers include Eberhard Waechter, Pamela Coburn, Benno Kusche, Brigitte Fassbaender, Josef Hopferwieser, Wolfgang Brendel.
A musical comedy directed by Willi Forst.
The film focuses on eccentric Mame Dennis, whose madcap life is disrupted when her deceased brother's son Patrick is entrusted to her care.
A misfired flirtation lands a young lieutenant married to a princess instead of the one he loves.
Die Drei von der Tankstelle, meaning The Three from the Gas Station, was advertised as a German operetta when release and with itâs star studded cast would become the forerunner of Musical films. Even today the soundtrack of the comic harmonists is popular in Germany.
Beautiful, sophisticated women are all over Oscar Grubman. He is sensitive and compassionate, speaks French fluently, is passionate about Voltaire, and thinks the feature that tells the most about a woman is her hands. On the train home from Chauncey Academy for the Thanksgiving weekend, Oscar confides in his best friend that he has plans for this vacation--he will win the heart of his true love. But there is one major problem--Oscar's true love is his stepmother Eve. Oscar is certain that he could be a better mate to Eve than his work-obsessed father. He fails to win Eve's heart and is consequently dejected. Oscar's path to his true love is further crossed by Diane, Eve's best friend who, one night while wearing Eve's borrowed perfumed scarf, offers him temporary comfort in an unconventional tryst. For Diane, Oscar fills a void in her life. For Oscar, Diane is somewhat of a distraction, as his continued pursuit of Eve leads to an unexpected resolution.
The episodic story of a composer of operettas, Rudi Kleiber, in in old Viennese days, and the two women in his life; Maria Zeitler, his sweetheart, later mistress, lost love, an operetta star, and his first patron, and the mother of a son he did not know he had; and of Greta, his first love and companion in later years
Marshovia, a small European kingdom, is on the brink of bankruptcy but the country may be saved if the wealthy American Crystal Radek, widow of a Marshovian, can be convinced to part with her money and marry the king's nephew count Danilo. Arriving to Marshovia on a visit, Crystal Radek change places with her secretary Kitty. Following them to Paris, Danilo has a hard time wooing the widow after meeting an attractive young woman at a nightclub, the same Crystal Radek who presents herself as Fifi the chorus girl. Plot by Mattias Thuresson.
Music & Musicals, Opera & Operetta, Classical Music - Witness the Zurich Opera's stunning production of Richard Wagner's masterpiece "Tannhauser," conducted by Franz Welser-Most and featuring Peter Sieffert (Tannhauser), Solveig Kringelborn (Elisabeth) and Thomas Hampson (von Eschenbach). Initially produced in Dresden in 1845, "Tannhauser" instilled a sense of wonder in a few of Strauss's ardent friends and admirers, among them Robert Schumann and Franz Liszt. Opera buffs will love it.
New Moon is the name of the ship crossing the Caspian Sea. A young Lt. Petroff meets the Princess Tanya and they have a ship board romance. Upon arriving at the port of Krasnov, Petroff learns that Tanya is engaged to the old Governor Brusiloff. Petroff, disillusioned, crashes the ball to talk with Tanya. Found by Brusiloff, they invent a story about her lost bracelet. To reward him, and remove him, Brusiloff sends Petroff to the remote, and deadly, Fort Darvaz. Soon, the big battle against overwhelming odds will begin.
Georg is a biography drama film about Estonian singer Georg Ots.
Born into a modest family, Gerry Boulet found fame with the Québec rock group Offenbach. After a life of drug and alcohol abuse and a great love story, Gerry died of cancer in 1990.
An opera star's manager tries to stop her romance with a penniless singer.
Bickering husband-and-wife stage stars are manipulated into a break-up for publicity purposes.
A 1995 Opera Australia performance of Gilbert and Sullivan's classic operetta, recorded at the Sydney Opera House. Bunthorne, a poet worshiped by every lady he meets, loves only one woman: Patience. But Patience does not share the other women's fascination with Bunthorne. She loves Archibald, her childhood friend who is now also a poet.
TRIAL BY JURY is Gilbert and Sullivan's one-act operetta about a pompous judge who practices casual prejudice in the courtroom. This Opera Australia performance was recorded in 2005.
The ups and downs of three generations in an acting family.
Life story of a charming scoundrel, with little dialogue other than the star/director's witty narration. As a boy, only he survives a family tragedy when he's deprived of supper (poisonous mushrooms!) for stealing...concluding that dishonesty pays. Through years of dabbling in crime and amusing adventures, two women appear and reappear in his life, a dazzling blonde jewel thief and a stunning brunette gambler. Finally, he meets the mysterious Charbonnier who had saved his life in World War I, leading to the surprising next phase in his career...
An Indian chief's daughter loves a Mountie (Howard Keel) who loves a French Canadian (Ann Blyth) who loves a fugitive trapper (Fernando Lamas).
After the operetta of the same name of Richard Heuberger in 1890-1914 all kinds of situation comic from happy-go-lucky Vienna of the turn of the century, the time of the first cars and the absurd bath costumes: Husbands in the Chambre Separee, her little dizziness and mistake plays, the tumultuous whirl of a grand ball... - A high-spirited comedy at considerable entertainment level.
This engaging Afrikaans comedy/romance is about the power of love and music to transport and inspire, and to make dreams come true â sometimes. Fanie (Frederik Burgers), a struggling producer/composer, needs to write a winning song to keep his agent happy and his company in work, but, alas, heâs lacking inspiration. Until, that is, his musical partner Ben (Al Debbo) starts dreaming â and singing in his sleep â about a beautiful girl, all in operetta style. Seizing this Cupid-sent gift, Fanie secretly tapes Benâs songs. The delighted agent pushes for more songs to produce a full-scale musical, which means Fanie has to keep Ben dreaming, and stay awake to tape the songs. All goes well until Ben suddenly stops dreaming. Fanieâs attempts to restart the flow of inspiration fail until Cupidâs arrow comes to the rescue again â only this time, it is Fanie who falls in love.
Mr. DezsÅ and RezsÅ are selecting the heroes for their new operetta. They represent different tastes and styles, and keep arguing about the casting of the four boys and four girls.
A musical drawing room farce set in Paris in October, 1925. Gilberte, in middle-age, flirts with men but loves her husband Georges, wishing he were more demonstrative. He's negotiating a deal with an American, Eric Thomson, who turns out to be Gilberte's first husband from an annulled and secret stateside marriage. Along with her sister Arlette, Gilberte begs Eric not to tell Georges about the marriage. Meanwhile, a young artist, Charly, pursues Gilberte while Arlette tries to match him with the young Huguette, who loves him. Will Eric play along or try to re-win Gilberte's affection? Can Gilberte play one off against another? And who will manage to kiss whom on the lips?
Based on the "Die Zirkusprinzessin" operetta by Kálmán Imre.
A drab woman scientist, working on machine to harness solar energy, and a pert concert singer look-alike being courted to play her in a movie swap identities and find personal growth, professional success, love, and happiness.
Following in the aftermath of a terrible Demon-Human war, turn of the century Japan is preparing a new fighting force in case the demons decide to return. A squadron of giant robots are built to be controlled by the spirit of the pilot, but it is discovered that the only people with sufficient spirit are young women. After recruiting a team of youths from around the world, the Japanese government decides to keep them a secret by disguising them as a theater troupe, thus requiring them to spend as much time memorizing Shakespeare as they do on military training.
Ducoboo is a very inventive dunce and joker, he is very resourceful at finding new ways to copy from his neighbor, to cheat or to defy the teacher's authority.
Ollie Dee and Stanley Dum try to borrow money from their employer, the toymaker, to pay off the mortgage on Mother Peep's shoe and keep it and Little Bo Peep from the clutches of the evil Barnaby. When that fails, they trick Barnaby into marrying Stanley Dum instead of Bo Peep. Enraged, Barnaby unleashes the bogeymen from their caverns to destroy Toyland.
When a bumbling New Yorker is dumped by his activist girlfriend, he travels to a tiny Latin American nation and becomes involved in its latest rebellion.
The employees of a radio station in Moscow are forced to organize the elections campaign for a future governor in one of Russia districts.
If Columbia could make an acceptable movie star out of opera-diva Grace Moore, then RKO Radio could do the same with Lily Pons. At least that was producer Pandro S. Berman's reasoning when he cast Pons in the 1935 musical romance I Dream too Much. The actress plays Annette, a rural French musical student who marries struggling American composer Jonathan (Henry Fonda). Possessed of a splendid singing voice, our heroine rises to fame on the opera stage, while poor Jonathan continues struggling, supporting himself as a tour guide. Annette eventually saves her marriage by transforming her husband's "masterpiece," a rather turgid modernistic opera, into a light-hearted musical comedy. Lucille Ball, who'd later co-star with Henry Fonda in The Big Street and Yours, Mine and Ours, has a funny minor role as a gum-snapping tourist. Though Lily Pons was at least 10 years older than Fonda, they make an attractive and believable screen couple, adding credibility to this somewhat contrived yarn
Circa 1861, Angelina, ruling countess of an Italian principality, is at a loss when invaded by a Hungarian army. Her lookalike ancestress Francesca, who saved a similar situation 300 years before, comes to life from a portrait to help her descendant. Complicating factor: the newlywed countess feels strangely drawn to the handsome invader...
Stan (Stan Laurel) and Ollie (Oliver Hardy) travel with a band of 18th-century Gypsies holding a nobleman's daughter.
Set in pre-WWI Vienna, Mascarade concerns a near-tragic misunderstanding over a nude painting. It is incorrectly assumed that heroine Leopoldine (Paula Wesseley) posed for the painting, when in fact the model was Gerda (Hilde von Stolz), the wife of stuffy Dr. Harrandt (Peter Peterson). The romance between Leopoldine and artist Heidendeck (Adolf Wohlbruck) is threatened when his cast-off mistress shoots him. Dr. Harrandt is summoned to perform an emergency operation on Heidenbeck, but upon discovering that the artist had painted his wife Gerda in the nude, the "good" doctor refuses to minister to Heidenbeck's wound. It is Leopoldine who appeals to the doctor's essential humanity and finally sets things right.
Constantly quarrelling couple decide to try the jealousy angle when a naive young couple comes along.
In the early days of the industrial revolution, a young shop worker falls in love with a soldier before he goes off to war
In order to avoid an arranged marriage with a man she doesn't love, Sarah Millick runs off to Vienna with her music teacher, Carl Linden, whom she does love. They are married. In Vienna, they struggle to make a living by making music. Carl writes an operetta and tries to get it produced. They are helped along by Viennese Baron, but his intentions are not honorable. He kills Carl in a sword fight. A big producer does put on the operetta, with Sari in the lead -- but without her husband, it is a bittersweet victory.
Austrian actress Mady Christians stars alongside German matinee idol Willy Fritsch in this adaptation of the Oscar Straus operetta about a Prince who, after falling for a Viennese girl, becomes obsessed with the city and its customs.
De 12-jarige Gilles droomt ervan om profvoetballer te worden en als Rode Duivel in het Koning Boudewijnstadion te spelen. Vader Bert steunt Gilles door dik en dun: hij is niet alleen Gilles' trouwste supporter, maar ook zijn persoonlijke trainer. Maar dan, totaal onverwacht, sterft Bert en het leven van Gilles stort in elkaar. Niet alleen verliest hij zijn vader, zijn vriend, zijn supporter en zijn trainer, er komen ook nogal wat financiële lijken uit de kast vallen...
When in 1941 Nazi Germany invaded the Soviet Union, their troops quickly besieged Leningrad. Foreign journalists are evacuated but one of them, Kate Davies, is presumed dead and misses the plane. Alone in the city she is helped by Nina Tsvetnova a young and idealist police officer and together they will fight for their own survival and the survival of the people in the besieged Leningrad. Written by Marcio Eduardo
In the very oldfashioned town of Ostend suddenly 13 suitcases are delivered to the hotel, with a note, that O.F. will be here soon and needs 6 rooms (the hotel just has five). This event, probably the biggest in 300 years, starts a small wave of modernisation, yet everybody is wondering who O.F. is. Journalist Stix and architect Stark have an idea how to use this event. They proclaim, that O.F. is a former citizen of the town, who became a millionaire abroad. They tell their fellow citizens that the town still needs modernisation, like better hotels, nightclubs, shops, etc. And soon, Ostend is a boomtown, then a capital. The architect, responsible for the new buildings is finaly allowed to marry the mayor's daughter, while Stix marries the cabaret star and the widowed mayor his new secretary. The only problem is, O.F. hasn't shown up, while finance experts from all over the world are trying to solve the depression problem.
She's a beautiful gifted performer, but her work is not the sort that invites popular acclaim. Despite the fact that she is unlikely to become famous, she enjoys her life as a performer who lives just outside the mainstream. Awaiting her backstage one evening is a Spanish painter who has seen her show and wants to make her acquaintance. They walk around Paris getting to know one another, and then the painter returns to Spain. Something about the man has moved Lady M to passion: she flies to meet him in Barcelona and he shows her his beloved Catalonia. This time, however, their relationship is as much about passionate lovemaking as it is about compatibility. So smitten is Lady M with her new man that when she discovers that the painter has a black wife and child, she is only a little bit taken aback and she invites his whole family to join her in Paris. Surprisingly, they do, and the number of people sharing their love and sexual appetites changes from two to three.
Trapped in a loveless marriage, aristocrat Anna Karenina enters into a life-changing affair with the affluent Count Vronsky.
Long before he played the corpulent Goldfinger, German actor Gert Froebe was a scarecrow-skinny comedian. In Berliner Ballade, Froebe makes his screen debut as Otto, a feckless Everyman who tries to adjust to the postwar travails of his defeated nation. Stymied by black-market profiteers and government bureaucrats, Otto begins fantasizing about a happier life at the end of that ever-elusive rainbow. Director R. A. Stemmle doesn't have to strive for pathos: he merely places his gangly star amidst the ruins of a bombed-out Berlin, and the point is made for him. Filmed in 1948, Berliner Ballade was later released in the U.S. as The Berliner.
Budapest in the thirties. The restaurant owner Laszlo hires the pianist András to play in his restaurant. Both men fall in love with the beautiful waitress Ilona who inspires András to his only composition. His song of Gloomy Sunday is, at first, loved and then feared, for its melancholic melody triggers off a chain of suicides. The fragile balance of the erotic ménage à trois is sent off kilter when the German Hans goes and falls in love with Ilona as well.
All roads lead to magical, merry Toyland as Mary Contrary and Tom Piper prepare for their wedding! But villainous Barnaby wants Mary for himself, so he kidnaps Tom, setting off a series of comic chases, searches, and double-crosses! The "March Of The Wooden Soldiers" helps put Barnaby in his place, and ensures a "happily ever after" for Tom and Mary!
This sentimental Romberg-Hammerstein operetta was made late in the first cycle of movie musicals, and the glut of product at the time crowded it out at the box office. Which is too bad, because it's excellent of its kind -- well-crafted, well-cast, and in handsome two-tone Technicolor.
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