Django and Sartana Are Coming... It's the End (1970)

Director
Demofilo Fidani; Diego Spataro

Main cast
Jack Betts; Franco Borelli; Gordon Mitchell; Simonetta Vitelli

Genres
Western

Description
A gang of vicious outlaws lead by the crazed Black Burt Keller abduct Jessica Colby and decide to flee to Mexico. Shrewd bounty hunter Django and saintly roving gunslinger Sartana join forces to rescue the poor lass from the gang's vile clutches.


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Django is a 1966 Italian spaghetti Western film directed by Sergio Corbucci and starring Franco Nero in the eponymous role. The film earned a reputation as being one of the most violent films ever made up to that point and was subsequently refused a certificate in Britain until 1993, when it was eventually issued an 18 certificate. Subsequent to this the film was downgraded to a 15 certificate in 2004. Although the name is referenced in over thirty "sequels" from the time of the film's release until the mid 1980s in an effort to capitalize on the success of the original, none of these films were official, featuring neither Corbucci nor Nero. Nero did reprise his role as Django in 1987's Django 2: Il Grande Ritorno (Django Strikes Again), in the only official sequel to be written by Corbucci.
Any Gun Can Play (Italian: Vado... l'ammazzo e torno) is a 1967 spaghetti western starring Gilbert Roland, Edd Byrnes and George Hilton. The film is directed by Enzo G. Castellari and features a score by Francesco De Masi and Alessandro Alessandroni. It follows a familiar pattern of protagonists searching for gold, double-crossing one another and a high body count. The three main characters continually change allegiances and get the upper hand only to be thwarted by fellow outlaws, mysterious insurance investigators and each other. In the opening scene one of the three outlaws is dressed very similar to Clint Eastwood's character in the "Dollars" trilogy, one is dressed as Lee Van Cleef's characters in those and other westerns, and one as Franco Nero's character Django.
The tough gun-man Burt Sullivan (Franco Nero) leaves his job as a town sheriff to go to Mexico to find the man, Cisco, who killed his father many years ago. He and his younger brother arrive in a small town where everybody is afraid of Cisco who has become the local landowner. But there is a secret. It turns out that Cisco is the father of Burt's younger brother and Cisco are craving for respect from his "son". Burt Sullivan joins forces with the local townspeople to stop and bring Cisco back to his punishment in Texas.
A Union soldier returns from the dead to take revenge on three officers who betrayed his unit in battle.
Mexican outlaw Django is part of a band of thieves that steal a cargo of gold from a stagecoach. However, the Americans in the band betray him, and shoot all the Mexicans. Django is not completely dead though, and crawls his way out of his shallow grave, continuing his pursuit of the gold, and exacting a bloody vengeance.
Chamaco finds himself on the wrong end of a firing squad after tracking an ex-Confederate to interrogate him about General Beauregard's missing gold. He's saved by a stranger who calls himself Stuart (Byrnes). Stuart claims to know the location of Beauregard's strongbox, and so Chamaco takes him to Blake's camp. After a sort of initiation by the gang, Stuart leads Blake's men back across the border to Durango to retrieve the gold. Source: SWDB www.spaghetti-western.net
In 1866 New Mexico, Tom Corbett is a prospector who is called back to his hometown in Laramie Town, Texas at the bequest of a old family friend. Tom arrives in the town to see it under the control of a ruthless and greedy gangster named Jason Scott, who's psychotic and murder-crazed son, Junior Scott, runs it with fear with a posse of thugs who kill anyone who protests their business tactics. Tom finds his brother Jeff, a drunkard looked after by their family maid Mercedes. Tom then tries to persuade Jeff to help him take down the sadistic Scotts so the town can rest easy in peace and harmony again.
This audaciously dishonest spaghetti western from prolific director Demofilo Fidani (using the pseudonym "Lucky Dickerson") was created piecemeal using lengthy sequences from Fidani's previous films. The premise has legendary gunslinger Django (Hunt Powers) recounting some of his greatest adventures to a rapt Wild Bill Hickock (Gerardo Rossi as Jerry Ross) in a saloon. The stories which Django tells are entire scenes from such Fidani films as Arrivano Django e Sartana... E la Fine! (1970), Inginocchiati Straniero... i Cadaveri non Fanno Ombra (1971), and Quel Maledetto Giorno d'Inverno Django e Sartana... all'Ultimo Sangue (1971). Fidani regulars Gordon Mitchell, Dennis Colt and Lucky McMurray also appear.
A gang of bank robbers with a suitcase full of money go to the desert to hide out. After burying the loot, they find their way to a surreal town full of cowboys who drink an awful lot of coffee.
Action packed later period Spaghetti Western film with a cast of cult and mainstream actors. George Eastman [Django shoots first] , Karin Schubert [Black Emanuelle], Giancarlo Prete [Street Law], Eduardo Fajardo ,[Ricco the mean machine] and others, round out the cast of this western version take off of the 3 Musketeers with a twist. With the tag line “ All for one....punches for all”.. you get action packed fight scenes,[Chen Lee] lends his martial arts to this fast paced story, who really has the stolen gold and where is it?.Loyalty to the musketeer code? Don't count on it!!
After a stagecoach is robbed and the passengers murdered, a long and tangled series of surprise attacks a murderous double-crosses leaves the coach's strongbox in the hands of the killer Lasky. It is up to the legendary hero Sartana to track down the missing money and determine just who is ultimately behind the grisly robberies and killings.
Mexican's are being smuggled over the border to work as cheap labour for wealthy land baron Fargo. Hi's gang is made up of known criminals with bounties on their heads, this greatly interests two bounty hunters who may have to team up to achieve their goals.
Two famous gunmen, Lord and Bull are called to a southern western town by a judge to retrace a gold reserve, worth $500.000 which was hidden in the last days of the Civil War, by a Confederate colonel and people have been looking for it ever since.
A Spanish army officer, Don Jose (Nero), stationed in Seville, meets and begins a relationship with a mysterious gypsy, Carmen (Aumont). After he discovers she has cheated on him with his Lieutenant, he kills the officer and flees the city with Carmen. He recovers from his wounds and is forced to begin the life of a bandit.
Wrongfully imprisoned for a crime he didn't commit, Minnesota Clay seeks revenge on the man who withheld evidence at his trial. There is a problem however, he is going blind.
The Great Silence (Il grande silenzio, 1968), or The Big Silence, is an Italian spaghetti western. The movie features a score by Ennio Morricone and stars Jean-Louis Trintignant as Silence, a mute gunfighter with a grudge against bounty hunters, assisting a group of outlawed Mormons and a woman trying to avenge her husband (one of the outlaws). They are set against a group of ruthless bounty hunters, led by Loco (Klaus Kinski). It is one of Corbucci's better known movies. Unlike most conventional and spaghetti westerns, The Great Silence takes place in the snow-filled landscapes of Utah during the Great Blizzard of 1899.
The White, the Yellow, and the Black (Italian: Il bianco, il giallo, il nero, also known as Shoot First… Ask Questions Later) is a 1975 Spaghetti Western comedy film. It is the last spaghetti western directed by Sergio Corbucci. Differently from his previous western films, this is openly parodic.
With the help of a German bounty hunter, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner.
Former gunfighter Django has become a monk and abandoned his violent former ways. His daughter is kidnapped by rogue Hungarian soldiers using slave labor to run a silver mine. Django casts off his habit and digs up his machine gun to practice a little liberation theology.
One of the most ambitious spaghetti westerns, The Forgotten Pistolero is a retelling of the Greek legend of Orestes, who avenges the murder of his father with the help of his friend and former mentor Pylades and his sister Electra. In Baldi’s movie, Orestes is called Sebastian, a man living on his own. One day a wounded stranger called Rafael/Pylades takes shelter in his house and tells him that he, Sebastian, is the son of a Mexican general who was murdered by his wife and her lover. Sebastian has no recollection of the massacre, but the tolling of the bells announcing the Ave Maria bring back fragmented memories. Finally Sebastian is re-united with his sister Isabella and together they avenge the murder of their father. The film is a bit confusing from time to time, with a storyline that seems over-complicated for a spaghetti western, but patient and attentive viewers are rewarded. The Forgotten Pistolero is also known for Roberto Pregadio’s awesome score.
Django is on the trail of some renegade outlaws who raped and killed his wife. En route, he rescues a horse thief from an impromptu hanging. He discovers the man knows who committed the murder. The men team up and head west for revenge.
The Dirty Outlaws, also known as Big Ripoff, King of the West and The Desperado (in original Italian, El desperado), is a 1967 Italian spaghetti western starring Chip Corman. An outlaw masquerades as a blind man's son in order to trick him into a cache of Gold. After a while he grows attached to the family and all goes well until the outlaws gang comes through town...
The small desert town of Black City is held in a reign of terror by a nasty gang of criminals lead by the ruthless Bud Willer. Earnest, but inexperienced Sheriff Jack Ronson arrives in town to establish law and order. Mysterious bounty hunter Django helps Ronson out.
A mysterious gunfighter named Django is employed by a local crooked political boss as a hangman to execute innocent locals framed by the boss, who wants their land. What the boss doesn't know is that Django isn't hanging the men at all, just making it look like he is, and using the men he saves from the gallows to build up his own "gang" in order to take revenge on the boss, who, with Django's former best friend, caused the death of his wife years before.
This classic western masterpiece is an epic film about a widow whose land and life are in danger as the railroad is getting closer and closer to taking them over. A mysterious harmonica player joins forces with a desperado to protect the woman and her land.
Several hundred years after the Battle of Dannoura, the Genji and Heike clans face off again in a poor mountain town with a buried treasure legend. A revolver-wielding stranger, a lone gunman, burdened with emotional scars and blessed with incredible skill, drifts into town and crosses paths with two warring clans who are both on the hunt for a hidden treasure in a remote western town. Knowing his services are valuable to either side, he offers himself to the clan who will offer up the largest share of the wealth. Yoshitsune commands his Genji gang in white while Kiyomori leads his Heike gang in red. Expectations collide as the key players wonder which gang the gunman will join. Dirty tricks, betrayal, desire and finally, love, get jumbled together, as the situation erupts into a showdown.
Unknown to anybody else but himself The Stranger arrives in an abandoned town where he witnesses the slaughter of Mexican soldiers by a gang led by Aguila. The Stranger threatens Aguila to denounce him if he does not accept to let him take part in the theft of a shipment of gold. The plan is a success but when The Stranger claims his due, he gets a good beating instead. However The Stranger manages to escape with the gold. The bandits, who want his skin, pursue him. But The Stranger is not the kind to get caught so easily...
While the Civil War rages between the Union and the Confederacy, three men – a quiet loner, a ruthless hit man and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
Several pillars of society have robbed an Army safe containing $100,000 so they can buy the land upon which the coming railroad will be built. But they haven't reckoned on the presence of the master gunslinger, Sabata.
Django's father is framed by his business partner Clusker and shot by a bounty Killer. Django inherits his fathers part of the business and a score to settle with Clusker.
The Cortez brothers rob a bank and flee beyond the Mexican border. On their trail are various people, each for a different reason: Sheriff Fulton is sent by the robbed bank to recuperate the money; Django, a head-hunter, is after them for the reward money; Pickwick is after a saddle stolen from him by the Cortez brothers; Pedro and Dolores, saloon owners, also would like to have the loot.
Infidelity, murder, and betrayal lies at the center of this violent Spaghetti western. A scheming wife does away with her husband, causing the man's heir to seek revenge. A number of double-crosses and bloody gun battles follow, eventually driving the woman to flee into the desert.
Four men killed Django's brother a long time ago. A withdrawn rancher, a notorious card player, a despotic priest and a crazy albino with an obsession for gold. The relentless Django seeks for revenge and hunts them down without mercy.
Death Rides a Horse (aka Da uomo a uomo, or As Man to Man) is a 1967 spaghetti western directed by Giulio Petroni, written by Luciano Vincenzoni, and starring Lee Van Cleef and John Phillip Law. Bill Meceita, a boy whose family was murdered in front of him by a gang, sets out 15 years later to exact revenge. On his journey, he finds himself continually sparring and occasionally cooperating with Ryan, a gunfighter on his own quest for vengeance, who knows more than he says about Bill's tragedy. The film has lapsed into public domain.
In this unusual spaghetti western departure for exploitation filmmaker Paolo Cavara (La Tarantola dal Ventre Nero), two friends help Sam Houston work for Texas statehood. Johnny Ears (Franco Nero) and his deaf-mute sidekick Erastus "Deaf" Smith (Anthony Quinn) go after a Mexican general (Franco Graziosi) under orders from Germany to agitate the populace. The film looks terrific, thanks to cinematography by Tonino Delli Colli (Once Upon a Time in America), but is often lacking in the story department. Perhaps part of the blame belongs to co-screenwriter Harry Essex, fresh off the dreadful sci-fi flop Octaman (1971). Pamela Tiffin appears as a prostitute, and the film co-stars Tom Felleghy and Renato Romano.
Django arrives in the town of Santa Anna at the behest of a man named Sanders who'd been trying to buy safe passage for his cargo from a Mexican bandit named El Santo. Django finds that Sanders has been killed and that his rival, a man named Thompson, is now trying to deal with El Santo. Django, after a brief involvement with a beautiful young widow named Linda -- who has information on a lost gold mine -- becomes entangled in this situation by agreeing to escort a shipment through El Santo's territory.
Mexican revolutionary Pancho Villa is double-crossed in an arms deal planned by his comrade Scotty. Villa and Scotty plot a raid on a U.S. cavalry fort in retaliation.
Two bounty hunters are in pursuit of "El Indio" one of the most wanted fugitives in the western territories, and his gang.
Johnny fights the banker Burton, who tries to acquire with the help of the strange bandit Martinez, in an unlawful way, all the gold mines in the nearer environment.
A famous gunman decides to change his life around and turn himself in when amnesty is declared by the new governor of the New Mexico Territory, but a vindictive sheriff sets out to stop him from reaching the Territory.
Return of Django
Los Pistoleros de Arizona known in the United States as Five Thousand Dollars on One Ace is a 1965 Spanish, Italian and West German Spaghetti Western film directed by Alfonso Balcázar.
Lessons in death lead to the ultimate showdown...
Requiescant (aka Kill and Pray) is a 1967 spaghetti western directed by Carlo Lizzani. After surviving his family being massacred, a young boy is taken in and raised by a preacher. Years later he comes face to face with the man that killed his family and he is tempted into back into violence. Wild East released a limited edition region 0 NTSC DVD on 1 November 2004, preserving the film's original widescreen aspect ratio. The DVD has the English title Kill and Pray on the box art but title on the print used for the DVD transfer is the original Italian "Requiescant" title. The DVD is currently unavailable and hard-to-find.
Django returns home to find out that his father has been killed, by local bandits, in a business deal gone wrong . He swears revenge and a mixture of lone gun men, gang members and bandits get involved with the search for a pouch of money, missing from the ill-fated deal.
Spaghetti Western featuring a sombre musical score by Roberto Pregadio
This peculiar spaghetti western from prolific director Demofilo Fidani (using the pseudonym "Miles Deem") deals with a man named Blonde (Chet Davis) tracking bounty hunter Lazar (Hunt Powers) to the mining town of Lamazos. The evil town boss, Barret (Gordon Mitchell), wants Lazar dead, so he sends a group of assassins to murder him. Lazar survives, and Barret ends up offering him $100,000 to leave town. Lazar accepts the money and travels on to a remote shack, where he tortures an old man (Ettore Manni), making him a slave. What Lazar doesn't know is that the old man is Blonde's father, and he pays for his mistake with his life, leaving the man and his gunslinging son rich after the obligatory showdown. Fidani's film is unusual in its almost hallucinatory lack of logic, creating a surreal effect aided by the cinematography of Aristide Massaccesi, who would go on to some notoriety as cult director "Joe D'Amato."
During a hold-up in the Wild West, Dakota kills a rich old Chinese man, Wang. Later, he is captured, sentenced, and is about to be hanged - and he never profitted from Wang's death, has he buried him with the photographs of his four widows, and a few worthless papers. Meanwhile, Ho comes to America in search of his uncle's fortune, and must get Dakota free, as he his the only man who can lead him to Wang's tomb. They open the tomb, retaking the pictures of Wang's widows. It happens he reads the papers and knows that Wang had one quarter of a map tattooed in each of his women's buttocks. Now, the difficult part will really start... Treasure hunt.
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
Little Rita has a dream: she dreams of a better world and she believes that all the evil in the world originates from gold. So she has decided to blow up all the gold she can put her hands on. In her mission she is assisted by the Indian Chief Bisonte Seduto and by her friend Francis. Little Rita kills Ringo and Django, but she is taken prisoner by the Mexican bandit Sancho who wants to steal her gold. Black Star rescues her and seems determined to help her, but does he?
The Stranger happens across a murdered postal inspector and a gang of bandits set on a prize of stolen gold which should be transported in a stagecoach. The Stranger, a sharpshooter named En plein and a treacherous postal agent try to get their hands on the gold. Source: SWDB www.spaghetti-western.net
Lanky Fellow has a typical cynical SW like way to earn his living. He observes valuable transports of money or gold, but when they are robbed he doesn't intervene, but follows the robbers and then brings the loot back to collect the insurance. When his "job" brings him in conflict with the notorious outlaw Gus Kenneback, he has personal reasons to protect the money as Kenneback was once responsible for the death of Lanky's brother. Source: SWDB http://www.spaghetti-western.net
A dishonored Union Army officer (James Coburn) leads a group of convicts to retake Fort Holman from the Confederate Army.
Kitosh, a young cowboy working for Don Jaime Morelos, is beaten almost to death under his employers orders for flirting with Don Jaime's frivolous wife. Full of hatred towards Don Jaime, Kitosh leaves the ranch and begins life as an outlaw joining up with renowned bandit Tracy the Black. Tension sets in between the two men because Kitosh kills only when he has to, whereas Tracy kills just for the fun of it, deriving a sadistic pleasure from other people's suffering. Source: SWDB www.spaghetti-western.net
Major Lloyd, having stolen the cargo of gold needed to purchase weapons, is heading towards the Mexican border. Three soldiers condemned to death are promised freedom if they recover the precious load. The intervention of a criminal Mexican band and the accompanying officer complicates the situation. Source: SWDB www.spaghetti-western.net
Young boy who sees his father gunned down kills the assassin. Years later, he has grown up to be a successful bounty hunter who is feared by many. And then one day he discovers secrets to his past...
In this tribute to the old time spaghetti westerns with a liberal dose of modern Hong Kong film-making thrown in, Emilio Estevez assumes Clint Eastwood's "man with no name" role. Estevez plays a super-quick gunman on the run from a rancher (Long) and his men out to kill him for killing his son. The gunman gets mixed up with a former Confederate soldier (William Forsythe) who has knowledge of hidden gold. The only trouble is he is also pursued by Union soldiers. When they free a man (Ed Lauter) with part of the map to the gold, they then are also pursued by Spanish soldiers. It all leads to a small Mexican town terrorized by soldiers and led a by a good priest (Joaquim De Almeida) who also has knowledge of the gold.
This superior Spaghetti western scrutinizes the greed and paranoia that afflict four men as they struggle among themselves to unearth a fortune in gold from a remote Southwestern mine without falling prey to each other's bullets.
Unofficial lawman John Corbett hunts down Cuchillo Sanchez, a Mexican peasant accused of raping and killing a 12-year-old girl.
Maurizio Merli stars as a hatchet-wielding bounty hunter with a dark past and an even more desperate future. But when he disrupts the balance of power in a corrupt mining town, he unleashes a firestorm of brutality, betrayal and cold-blooded murder. Now, one man stalks a savage land where justice walks a razor and no bullets slice deeper than vengeance. He is A MAN CALLED BLADE.

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