Kísértetek vonata (1933)
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Rich old Cyrus West's relatives are waiting for him to die so they can inherit. But he stipulates that his will be read 20 years after his death. On the appointed day his expectant heirs arrive at his brooding mansion. The will is read and it turns out that Annabelle West, the only heir with his name left, inherits, if she is deemed sane. If she isn't, the money and some diamonds go to someone else, whose name is in a sealed envelope. Before he can reveal the identity of her successor to Annabelle, Mr. Crosby, the lawyer, disappears. The first in a series of mysterious events, some of which point to Annabelle in fact being unstable.
A historic Hollywood hotel houses a supernatural evil. It's been subdued for decades - but when renovations start, a series of murders take place. It's up to our heroine to solve the mystery.
Clue finds six colorful dinner guests gathered at the mansion of their host, Mr. Boddy -- who turns up dead after his secret is exposed: He was blackmailing all of them. With the killer among them, the guests and Boddy's chatty butler must suss out the culprit before the body count rises.
When secretive new neighbors move in next door, suburbanite Ray Peterson and his friends let their paranoia get the best of them as they start to suspect the newcomers of evildoings and commence an investigation. But it's hardly how Ray, who much prefers drinking beer, reading his newspaper and watching a ball game on the tube expected to spend his vacation.
Comedy legend Frankie Howerd stars as the victim of sinister shenanigans in this hilarious spoof of British horror films of the early â70s. Starring Hugh Burden and Oscar winner Ray Milland, and written by Terry Nation. Foster Twelvetrees, a struggling tragedian who scrapes a living by giving hammy performances from the classics, can hardly believe his luck when heâs invited to give a dramatic reading at the country home of a well-off family. Joy soon turns to outraged horror when he discovers dead bodies, foul intentions, lots of snakes and a madwoman in the attic. Can he uncover the hidden family secret before he comes to a sticky end..?
A general store clerk and aspiring detective investigates a mysterious disappearance that took place quite close to an empty insane asylum.
When his brother disappears, Robert Manning pays a visit to the remote country house he was last heard from. While his host is outwardly welcoming - and his niece more demonstrably so - Manning detects a feeling of menace in the air with the legend of Lavinia Morley, Black Witch of Greymarsh, hanging over everything.
Disappearances and strange goings-on in a spooky old mansion.
The relatives of a recently deceased man named Kovac gather at is creepy mansion for the reading of the will. Before the will can be read, however, the relatives began to be murdered one by one.
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There's a'doin's transpirin' at the Old Dark Manse of Old Man Ingston where, one-by-one, invited guests are being mysteriously murdered by the monster of the fog-shrouded moors.
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A traveler arrives at the Usher mansion to visit his old friend, Roderick Usher. Upon arriving, however, he discovers that Roderick and his sister, Madeline, have been afflicted with a mysterious malady: Roderick's senses have become painfully acute, while Madeline has become nearly catatonic. That evening, Roderick tells his guest of an old Usher family curse: any time there has been more than one Usher child, all of the siblings have gone insane and died horrible deaths. As the days wear on, the effects of the curse reach their terrifying climax.
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A group of strangers are brought together in an old, dark house and must contend with two murders and $50,000 in stolen money.
The plot revolves around the murder of a bootlegger and the attempts to uncover the true murderer.
Most of the film takes place in an old mansion where the characters participate in a séance while a storm rages outside. During their stay, the film uses an extensive flashback structure to reveal the various criminal acts that each have perpetrated. The man leading the seance (Luciano Pigozzi, the "Italian Peter Lorre") seems intent on holding them responsible for their various crimes, and his seemingly supernatural knowledge of their past gradually cracks the facade of each one. A classic Italian Gothic from Antonio Margheriti. German/Italian co-production, 'old dark house' style.
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