Majster kat (1966)
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Aiman is a 28-year-old Malay correctional officer who is recently transferred to the territoryâs top prison. Aiman lives with his older sister Suhaila in a modest housing estate. At his new workplace, Aiman begins to take an interest in a 65-year-old sergeant named Rahim. Soon, it is revealed that the charismatic Rahim is actually the long-serving chief executioner of the prison. Rahim also takes notice of the principled and diligent Aiman. When Rahimâs assistant suddenly quits, he asks Aiman to become his apprentice. Aiman tells Suhaila of his new job position, but Suhaila becomes upset, as their father was actually executed by Rahim. Aiman knew this all along. Can Aiman overcome his conscience and a haunted past to possibly take over as the next chief executioner?
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In a post-apocalyptic world ravaged by feuding warlords, a group of desperate soldiers hatch a plan to steal a Warlord's treasure and start a new life. Faced with the threat of a horrific death at the hands of the Warlord's executioners, the men escape into a desolate and forbidden land known only as the Shadowlands. Now the men must flee from the Warlord's vicious assassins while defending themselves from the terrifying creatures that inhabit the land.
Noi runs a rural bar and guesthouse called the Paradise Hotel. He tends bar and arm wrestles any challengers. The hotel, which has only one room, already has a guest, a man named Chana. Chana is annoyed that the hotel plays host to various musical groups, including a man who sings European opera, another man who practices the trombone, a Peking opera troupe, a Filipina ballad singer and a brass band that accompanies two bare-knuckles boxers. A young woman named Riam arrives and attempts to check in, only to be told that the one room is already occupied. The reasons for Chana's stay at the hotel are mysterious, and Riam is equally enigmatic, stating her age at 65 years old, saying she has a dozen children and is an opium trader.
Based on William Shakespeare's "Macbeth". Elias is a successful executive who works in the second largest private bank in Brazil. One day, Elias meets a mysterious woman who claims to be able to predict his future and says he will become vice president that day and the next day, he will become president of the Bank. The wheel of fortune is bound activated and a series of murders is committed by Elias and his wife Clara, leaving a trail of blood on his way to power and making them executioners and victims of their own destinies.
Kosi (Arya) and Selva (Bharath), are contract killers working for a middleman with the ironic name of Sami (Cochin Haneefa). Director Vishnuvardan portrays this morbid telling of two orphaned youths with incredible realism of trust, friendship, and ultimate betrayal masterfully. As the film revolves around young men struggling at life, who bear with confusion and encounter incredible hardships, it is all too unbearably real. Kosi is an unblinking man with a stubborn feel for life thereby refusing to love and be loved. Selva, deaf and dumb, is equally intrepid although he has a heart ticking beneath the dark, dire exterior. Pattiyal is the ultimate tale of friendship, and to what degree that friendship can go till death do them part.
When Catherine Morland is given the opportunity to stay with the childless Allen family in Bath, she is hoping for an adventure of the type she has been reading in novels. Soon introduced to society, she meets Isabella Thorpe and her brother John, a good friend of her own brother, James. She also meets Henry Tilney, a handsome young man from a good family and his sister, Eleanor. Invited to visit the Tilney estate, Northanger Abbey, she has thoughts of romance but soon learns that status, class and money are all equally important when it comes to matters of the heart.
A prison trustee rescues a despondent executioner from a bar-room brawl, and is blamed for the fight by a tabloid reporter who actually started it, and loses parole, becomes embittered, and gets blamed for murder of guard.
Victorian gothic melodrama based on the novel by Sheridan Le Fanu from a screenplay adapted by Aldwych farceur Ben Travers. This creepy chiller is saved from the doldrums by Robert Krasker's atmospheric cinematography, and fine performances from the ensemble cast. The BBC later filmed the story for television in 1987. In 1845, 17-year-old Caroline (Jean Simmons) is nursing her dying father. He has enough faith in the reform of his reprobate brother, Silas (Derrick de Marney), suspected but in the clear of murder, to place her under his wing after his death. The hitherto naive heroine soon learns that scheming Uncle Silas is planning to kill her in order to get his hands on the family fortune, aided by the equally corrupt governess Madame de la Rougierre.
On his deathbed, a wealthy businessman announces that his fortune is to be split equally among his three illegitimate children, whose whereabouts are unknown to his family and colleagues. A bevy of lawyers and associates then begin machinations to procure the money for themselves, enlisting the aid of impostors and blackmail
Jean-Baptiste Grenouille, born in the stench of eighteenth century Paris, develops a superior olfactory sense, which he uses to create the world's finest perfumes. His work, however, takes a dark turn as he tries to preserve scents in the search for the ultimate perfume.
The sensitive swordsman Cho Yi-Hang is tired of his life. He is the unwilling successor to the Wu-Tang clan throne and the unsure commander of the clan's forces in a war against foreign tribes and an evil cult. One day, he meets the beautiful Lien, a killer for the evil cult who is equally unsatisfied with her situation, but their love angers both the Wu-Tang clan and the evil cult.
A nobleman with a literary flair, the Marquis de Sade lives in a madhouse where a beautiful laundry maid smuggles his erotic stories to a printer, defying orders from the asylum's resident priest. The titillating passages whip all of France into a sexual frenzy, until a fiercely conservative doctor tries to put an end to the fun.
Vellanakalude Nadu movie which is a political satire based against municipal mafia in the form of Buildings
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