The Last Yugoslavian Football Team (2000)
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The days of being a supporter of the Hammarby football team are hard, even for the most dedicated fan. The unwilling step into the future is embodied by the leaving of the classic home stadium Söderstadion.
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In the 1970s the North American Soccer League marked the first attempt to introduce soccer to American sports fans. While most teams had only limited success at best, one managed to break through to genuine mainstream popularity - the New York Cosmos. The brainchild of Steve Ross (Major executive at Warner Communications) and the Ertegun brothers (Founders of Atlantic Records), the Cosmos got off to a rocky start in 1971, but things changed in 1975 when the world's most celebrated soccer star, the Brazilian champion Pele, signed with the Cosmos for a five-million-dollar payday. With the arrival of Pele, the Cosmos became a hit and the players became the toast of the town, earning their own private table at Studio 54. A number of other international soccer stars were soon lured to the Cosmos, including Franz Beckenbauer, Rodney Marsh, and Carlos Alberto, but with the turn of the decade, the team began losing favor with fans and folded in 1985.
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Zdravko ÄoliÄ is the biggest pop star in Yugoslavia. We follow him during his "Traveling Earthquake Tour", lerning who is the man behind the microphone, dancers, glittery suits... and in front of the audience.
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Corrine Burns retreats far into plans for her band, The Fabulous Stains, after her mother's death.
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In a depressed Texas town, British foreign exchange teacher Anna attempts to inject some life into her hopeless kids by introducing them to soccer. They're terrible at first, but Anna and her football-hero assistant whip them into shape. As they work overtime, the pair help kids build their self-esteem and also get involved in solving family squabbles.
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A dense film that cuts up footage of a primary plot of two young Yugoslavian girls, one a politico and the other a sexpot, and an affair with a visiting Russian skater. Mixing metaphors of Russia's relationship with Yugoslavia, intercut with footage and interviews with Wilhelm Reich and Al Goldstein of Screw magazine. The film applies Reich's theories of Orgone energy and analogies of Stalinism as a form of Freudian sexual repression. Also known as W.R. The Mysteries of the Organism in English subtitled version. Was banned in Yugoslavia shortly after it was made.
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