Killer Kid (1967)
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In 1915, an American adventurer joins the supporters of Mexican revolutionary Pancho Villa.
Once again billed as Montgomery Wood, Giuliano Gemma plays a civil war soldier who returns to his family land to find his family decimated, his property taken over by a family of Mexican bandits and his fiancee about to marry the Mexican gangster behind all this. Bent on revenge, he goes undercover disguised as a Mexican and discovers he has a daughter!
A young man is torn between the woman he loves and his loyalty to his father, the leader of a mexican gang.
A Spanish army officer, Don Jose (Nero), stationed in Seville, meets and begins a relationship with a mysterious gypsy, Carmen (Aumont). After he discovers she has cheated on him with his Lieutenant, he kills the officer and flees the city with Carmen. He recovers from his wounds and is forced to begin the life of a bandit.
Wrongfully imprisoned for a crime he didn't commit, Minnesota Clay seeks revenge on the man who withheld evidence at his trial. There is a problem however, he is going blind.
Mexican revolutionary Pancho Villa is double-crossed in an arms deal planned by his comrade Scotty. Villa and Scotty plot a raid on a U.S. cavalry fort in retaliation.
Django is a 1966 Italian spaghetti Western film directed by Sergio Corbucci and starring Franco Nero in the eponymous role. The film earned a reputation as being one of the most violent films ever made up to that point and was subsequently refused a certificate in Britain until 1993, when it was eventually issued an 18 certificate. Subsequent to this the film was downgraded to a 15 certificate in 2004. Although the name is referenced in over thirty "sequels" from the time of the film's release until the mid 1980s in an effort to capitalize on the success of the original, none of these films were official, featuring neither Corbucci nor Nero. Nero did reprise his role as Django in 1987's Django 2: Il Grande Ritorno (Django Strikes Again), in the only official sequel to be written by Corbucci.
While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul of the guerrilla general Paco, as Mexicans threw off repressive government and all-powerful landowners in the 1910s. Tracked by the vengeful Curly, Paco liberates villages, but is tempted by social banditry's treasures, which Kowalski revels in.
Set during the Mexican Revolution, a man known only as "The Dutchman" has a plan, and brings in four of his old acquaintences, including an old army buddy and a silent Japanese swordsman, to help him out by promising a $1000 reward if it succeeds. The plan turns out to be a fool's mission: rob a train carrying $500,000 in gold that's guarded by dozens of heavily armed soldiers and passes through a steady stream of military checkpoints. Naturally, his friends agree to go along with the scheme
The Professionals is a 1966 American Western film directed by Richard Brooks. A kidnap-rescue adventure set in about 1917, it features a small group of experts heading into Mexico to free the Mexican-born wife of a wealthy Texan from several hundred bandits. The film is based on the novel A Mule for the Marquesa by Frank O'Rourke.
The story of Mexican revolutionary Emiliano Zapata, who led a rebellion against the corrupt, oppressive dictatorship of president Porfirio Diaz in the early 20th century.
Aging outlaw Pike Bishop (William Holden) prepares to retire after one final robbery. Joined by his gang, which includes Dutch Engstrom (Ernest Borgnine) and brothers Lyle (Warren Oates) and Tector Gorch (Ben Johnson), Bishop discovers the heist is a setup orchestrated in part by his old partner, Deke Thornton (Robert Ryan). As the remaining gang takes refuge in Mexican territory, Thornton trails them, resulting in fierce gunfights with plenty of casualties
American arms dealer Kennedy hopes to make a killing by selling to the "regulares" in the 1916 Mexican revolution. American mercenary Wilson favors the rebel faction headed by Escobar, and they plot to hijack Kennedy's arms; but Wilson also has his eye on Kennedy's wife. Raids, counter-raids, and escapes follow in a veritable hail of bullets.
Requiescant (aka Kill and Pray) is a 1967 spaghetti western directed by Carlo Lizzani. After surviving his family being massacred, a young boy is taken in and raised by a preacher. Years later he comes face to face with the man that killed his family and he is tempted into back into violence. Wild East released a limited edition region 0 NTSC DVD on 1 November 2004, preserving the film's original widescreen aspect ratio. The DVD has the English title Kill and Pray on the box art but title on the print used for the DVD transfer is the original Italian "Requiescant" title. The DVD is currently unavailable and hard-to-find.
The tough gun-man Burt Sullivan (Franco Nero) leaves his job as a town sheriff to go to Mexico to find the man, Cisco, who killed his father many years ago. He and his younger brother arrive in a small town where everybody is afraid of Cisco who has become the local landowner. But there is a secret. It turns out that Cisco is the father of Burt's younger brother and Cisco are craving for respect from his "son". Burt Sullivan joins forces with the local townspeople to stop and bring Cisco back to his punishment in Texas.
While the Civil War rages between the Union and the Confederacy, three men â a quiet loner, a ruthless hit man and a Mexican bandit â comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
Unofficial lawman John Corbett hunts down Cuchillo Sanchez, a Mexican peasant accused of raping and killing a 12-year-old girl.
Hogan, on his way to do some reconnaissance for a future mission to capture a French fort, encounters Sister Sara, a nun in trouble. Before he knows it, Hogan is accompanying Sister Sara in the dangerous frontier while she seeks to achieve a hidden goal.
One Man's Hero tells the little-known story of the "St. Patrick's Battalion" or "San Patricios," a group of mostly Irish and other immigrants of the Catholic faith who deserted to Mexico after encountering religious and ethnic prejudice in the U.S. Army during the Mexican-American War. The plot centers around the personal story of John Riley, an Irishman who had been a sergeant in the American Army who is commissioned as a captain in the Mexican army and commands the battalion, as he leads his men in battle and struggles with authorities on both sides of the border
A band of Mexicans find their U. S. land claims denied and all the records destroyed in a courthouse fire. Their leader, Louis Chama, encourages them to use force to regain their land. A wealthy landowner wanting the same decides to hire a gang of killers with Joe Kidd to track Chama.
Jess Wade is innocently accused of having stolen a cannon from the Mexican revolutionary forces. He tries to find the real culprits, a gang of criminals.
The legendary Tomas Milian stars as Cuchillo, a knife-throwing thief on the run from murderous bandits, sadistic American agents, his hot-blooded fiancée and a sheriff turned bounty hunter, all of whom are gunning for a hidden fortune in gold that could finance the Mexican Revolution.
A group of Mexican revolutionaries murders a town priest and a number of his christian followers. Ten years later, a widow arrives in town intent to take revenge from her husband's killers.
The Great Silence (Il grande silenzio, 1968), or The Big Silence, is an Italian spaghetti western. The movie features a score by Ennio Morricone and stars Jean-Louis Trintignant as Silence, a mute gunfighter with a grudge against bounty hunters, assisting a group of outlawed Mormons and a woman trying to avenge her husband (one of the outlaws). They are set against a group of ruthless bounty hunters, led by Loco (Klaus Kinski). It is one of Corbucci's better known movies. Unlike most conventional and spaghetti westerns, The Great Silence takes place in the snow-filled landscapes of Utah during the Great Blizzard of 1899.
The White, the Yellow, and the Black (Italian: Il bianco, il giallo, il nero, also known as Shoot First⦠Ask Questions Later) is a 1975 Spaghetti Western comedy film. It is the last spaghetti western directed by Sergio Corbucci. Differently from his previous western films, this is openly parodic.
One of the most ambitious spaghetti westerns, The Forgotten Pistolero is a retelling of the Greek legend of Orestes, who avenges the murder of his father with the help of his friend and former mentor Pylades and his sister Electra. In Baldiâs movie, Orestes is called Sebastian, a man living on his own. One day a wounded stranger called Rafael/Pylades takes shelter in his house and tells him that he, Sebastian, is the son of a Mexican general who was murdered by his wife and her lover. Sebastian has no recollection of the massacre, but the tolling of the bells announcing the Ave Maria bring back fragmented memories. Finally Sebastian is re-united with his sister Isabella and together they avenge the murder of their father. The film is a bit confusing from time to time, with a storyline that seems over-complicated for a spaghetti western, but patient and attentive viewers are rewarded. The Forgotten Pistolero is also known for Roberto Pregadioâs awesome score.
Based on the 1836 standoff between a group of Texan and Tejano men, led by Davy Crockett and Jim Bowie, and Mexican dictator Santa Anna's forces at the Alamo in San Antonio, Texas.
The Dirty Outlaws, also known as Big Ripoff, King of the West and The Desperado (in original Italian, El desperado), is a 1967 Italian spaghetti western starring Chip Corman. An outlaw masquerades as a blind man's son in order to trick him into a cache of Gold. After a while he grows attached to the family and all goes well until the outlaws gang comes through town...
Gringo miner Gallager is caught up in the Mexican revolution of 1910-11 when corrupt administrator Ruiz appropriates his mine. Gallager saves the life of guerilla leader Raquel, then finds there's a price on his head; he becomes romantically involved with her in the course of a series of rescues and ambushes, leading up to Orozco's march on Ciudad Juarez.
Any Gun Can Play (Italian: Vado... l'ammazzo e torno) is a 1967 spaghetti western starring Gilbert Roland, Edd Byrnes and George Hilton. The film is directed by Enzo G. Castellari and features a score by Francesco De Masi and Alessandro Alessandroni. It follows a familiar pattern of protagonists searching for gold, double-crossing one another and a high body count. The three main characters continually change allegiances and get the upper hand only to be thwarted by fellow outlaws, mysterious insurance investigators and each other. In the opening scene one of the three outlaws is dressed very similar to Clint Eastwood's character in the "Dollars" trilogy, one is dressed as Lee Van Cleef's characters in those and other westerns, and one as Franco Nero's character Django.
Pulled into the Mexican Revolution by his own greed, Texas gunrunner & pilot Lee Arnold joins bandit-turned-patriot Pancho Villa & his band of dedicated men in a march across Mexico battling the Colorados & stealing women's hearts as they go. But each has a nemesis among his friends: Arnold is tormented by Fierro, Villa's right-hand-man; and Villa must face possible betrayal by his own president's naiveté
This classic western masterpiece is an epic film about a widow whose land and life are in danger as the railroad is getting closer and closer to taking them over. A mysterious harmonica player joins forces with a desperado to protect the woman and her land.
Unknown to anybody else but himself The Stranger arrives in an abandoned town where he witnesses the slaughter of Mexican soldiers by a gang led by Aguila. The Stranger threatens Aguila to denounce him if he does not accept to let him take part in the theft of a shipment of gold. The plan is a success but when The Stranger claims his due, he gets a good beating instead. However The Stranger manages to escape with the gold. The bandits, who want his skin, pursue him. But The Stranger is not the kind to get caught so easily...
Several pillars of society have robbed an Army safe containing $100,000 so they can buy the land upon which the coming railroad will be built. But they haven't reckoned on the presence of the master gunslinger, Sabata.
Infidelity, murder, and betrayal lies at the center of this violent Spaghetti western. A scheming wife does away with her husband, causing the man's heir to seek revenge. A number of double-crosses and bloody gun battles follow, eventually driving the woman to flee into the desert.
Chamaco finds himself on the wrong end of a firing squad after tracking an ex-Confederate to interrogate him about General Beauregard's missing gold. He's saved by a stranger who calls himself Stuart (Byrnes). Stuart claims to know the location of Beauregard's strongbox, and so Chamaco takes him to Blake's camp. After a sort of initiation by the gang, Stuart leads Blake's men back across the border to Durango to retrieve the gold. Source: SWDB www.spaghetti-western.net
Death Rides a Horse (aka Da uomo a uomo, or As Man to Man) is a 1967 spaghetti western directed by Giulio Petroni, written by Luciano Vincenzoni, and starring Lee Van Cleef and John Phillip Law. Bill Meceita, a boy whose family was murdered in front of him by a gang, sets out 15 years later to exact revenge. On his journey, he finds himself continually sparring and occasionally cooperating with Ryan, a gunfighter on his own quest for vengeance, who knows more than he says about Bill's tragedy. The film has lapsed into public domain.
A chronicle of the Russian and Mexican revolutions in the early 20th century.
In this unusual spaghetti western departure for exploitation filmmaker Paolo Cavara (La Tarantola dal Ventre Nero), two friends help Sam Houston work for Texas statehood. Johnny Ears (Franco Nero) and his deaf-mute sidekick Erastus "Deaf" Smith (Anthony Quinn) go after a Mexican general (Franco Graziosi) under orders from Germany to agitate the populace. The film looks terrific, thanks to cinematography by Tonino Delli Colli (Once Upon a Time in America), but is often lacking in the story department. Perhaps part of the blame belongs to co-screenwriter Harry Essex, fresh off the dreadful sci-fi flop Octaman (1971). Pamela Tiffin appears as a prostitute, and the film co-stars Tom Felleghy and Renato Romano.
Two bounty hunters are in pursuit of "El Indio" one of the most wanted fugitives in the western territories, and his gang.
A famous gunman decides to change his life around and turn himself in when amnesty is declared by the new governor of the New Mexico Territory, but a vindictive sheriff sets out to stop him from reaching the Territory.
Los Pistoleros de Arizona known in the United States as Five Thousand Dollars on One Ace is a 1965 Spanish, Italian and West German Spaghetti Western film directed by Alfonso Balcázar.
Spaghetti Western featuring a sombre musical score by Roberto Pregadio
This peculiar spaghetti western from prolific director Demofilo Fidani (using the pseudonym "Miles Deem") deals with a man named Blonde (Chet Davis) tracking bounty hunter Lazar (Hunt Powers) to the mining town of Lamazos. The evil town boss, Barret (Gordon Mitchell), wants Lazar dead, so he sends a group of assassins to murder him. Lazar survives, and Barret ends up offering him $100,000 to leave town. Lazar accepts the money and travels on to a remote shack, where he tortures an old man (Ettore Manni), making him a slave. What Lazar doesn't know is that the old man is Blonde's father, and he pays for his mistake with his life, leaving the man and his gunslinging son rich after the obligatory showdown. Fidani's film is unusual in its almost hallucinatory lack of logic, creating a surreal effect aided by the cinematography of Aristide Massaccesi, who would go on to some notoriety as cult director "Joe D'Amato."
At the beginning of the 20th century, a newspaper organizes an endurance horse race : 700 miles to run in a few days. 9 adventurers are competing, among them a woman, Miss Jones, a Mexican, an Englishman, a young cow-boy, an old one and two friends, Sam Clayton and Luke Matthews. All those individualists will learn to respect each other.
During a hold-up in the Wild West, Dakota kills a rich old Chinese man, Wang. Later, he is captured, sentenced, and is about to be hanged - and he never profitted from Wang's death, has he buried him with the photographs of his four widows, and a few worthless papers. Meanwhile, Ho comes to America in search of his uncle's fortune, and must get Dakota free, as he his the only man who can lead him to Wang's tomb. They open the tomb, retaking the pictures of Wang's widows. It happens he reads the papers and knows that Wang had one quarter of a map tattooed in each of his women's buttocks. Now, the difficult part will really start... Treasure hunt.
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
The Stranger happens across a murdered postal inspector and a gang of bandits set on a prize of stolen gold which should be transported in a stagecoach. The Stranger, a sharpshooter named En plein and a treacherous postal agent try to get their hands on the gold. Source: SWDB www.spaghetti-western.net
Lanky Fellow has a typical cynical SW like way to earn his living. He observes valuable transports of money or gold, but when they are robbed he doesn't intervene, but follows the robbers and then brings the loot back to collect the insurance. When his "job" brings him in conflict with the notorious outlaw Gus Kenneback, he has personal reasons to protect the money as Kenneback was once responsible for the death of Lanky's brother. Source: SWDB http://www.spaghetti-western.net
A Yankee gunman, Hallelujah, is hired by Mexican Juarista, General Ramirez to confiscate a case of jewels to fund the revolution. For this, Hallelujah will receive a percentage. But other parties are interested in the case and when they turn out to be fakes, it all deteriorates into a cat and mouse style game with Hallelujah, gunrunners, the French, and a Russian outlaw(!) all searching for the real jewels. - SWDB
A dishonored Union Army officer (James Coburn) leads a group of convicts to retake Fort Holman from the Confederate Army.
Kitosh, a young cowboy working for Don Jaime Morelos, is beaten almost to death under his employers orders for flirting with Don Jaime's frivolous wife. Full of hatred towards Don Jaime, Kitosh leaves the ranch and begins life as an outlaw joining up with renowned bandit Tracy the Black. Tension sets in between the two men because Kitosh kills only when he has to, whereas Tracy kills just for the fun of it, deriving a sadistic pleasure from other people's suffering. Source: SWDB www.spaghetti-western.net
Major Lloyd, having stolen the cargo of gold needed to purchase weapons, is heading towards the Mexican border. Three soldiers condemned to death are promised freedom if they recover the precious load. The intervention of a criminal Mexican band and the accompanying officer complicates the situation. Source: SWDB www.spaghetti-western.net
Young boy who sees his father gunned down kills the assassin. Years later, he has grown up to be a successful bounty hunter who is feared by many. And then one day he discovers secrets to his past...
A Texan pits a powerful family against itself to save a Mexican from hanging.
In this tribute to the old time spaghetti westerns with a liberal dose of modern Hong Kong film-making thrown in, Emilio Estevez assumes Clint Eastwood's "man with no name" role. Estevez plays a super-quick gunman on the run from a rancher (Long) and his men out to kill him for killing his son. The gunman gets mixed up with a former Confederate soldier (William Forsythe) who has knowledge of hidden gold. The only trouble is he is also pursued by Union soldiers. When they free a man (Ed Lauter) with part of the map to the gold, they then are also pursued by Spanish soldiers. It all leads to a small Mexican town terrorized by soldiers and led a by a good priest (Joaquim De Almeida) who also has knowledge of the gold.
Action packed later period Spaghetti Western film with a cast of cult and mainstream actors. George Eastman [Django shoots first] , Karin Schubert [Black Emanuelle], Giancarlo Prete [Street Law], Eduardo Fajardo ,[Ricco the mean machine] and others, round out the cast of this western version take off of the 3 Musketeers with a twist. With the tag line â All for one....punches for allâ.. you get action packed fight scenes,[Chen Lee] lends his martial arts to this fast paced story, who really has the stolen gold and where is it?.Loyalty to the musketeer code? Don't count on it!!
In this third remake of legendary Japanese director Akira Kurosawa's hugely influential The Seven Samurai, the seven gunslingers (George Kennedy, Michael Ansara, Joe Don Baker, Bernie Casey, Monte Markham, Fernando Rey and Reni Santoni) liberate Mexican political prisoners, train them as fighters and assist them in a desperate attack on a Mexican fortress in an attempt to free a revolutionary leader.
This superior Spaghetti western scrutinizes the greed and paranoia that afflict four men as they struggle among themselves to unearth a fortune in gold from a remote Southwestern mine without falling prey to each other's bullets.
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