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Tetsuo II: Body Hammer is a 1992 Japanese science fiction/horror film directed by Shinya Tsukamoto. It is a bigger-budget reworking of the same director's 1989 movie Tetsuo: The Iron Man, utilizing similar themes and ideas to the earlier film (a Japanese salaryman, played by cult actor Tomorowo Taguchi, finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.) It was not as well received as its predecessor but it did win the Critic's Award at the 3rd Yubari International Fantastic Film Festival in February 1992.
An American named Anthony is living and working in Tokyo and married to a Japanese woman. When their son is killed by the same driver who creates the Tetsuos in previous films, he makes the transformation into Tetsuo.
Set in a barren, futuristic Tokyo of highways and wastelands, a rowdy group of punk bands and their fans gather to protest slow, boring, Japanese living.
Set in a post apocalyptic Yokohama where the population is kept under rigid control by a homosexual megalomaniac mayor. The citizens are administered drugs to suppress heterosexual urges. Officer Takeshi Honda (Riki Takeuchi) is a hard boiled cop enforcing the mayor's agenda, and RyÅ (Show Aikawa) is a mellowed out drifter that hooks up with a gang of rebels. When the gang kidnap Takeshi's son, it begins a series of events leading to an inevitable showdown.
Capable of making bio-mechanical weapons out of human flesh, alien parasites grotesquely invade the Earth, turning their hosts into maniacal killers who seek and destroy each other to the bloody death! And yes, it s also a human love story, even though the budding romantics are infested with slimy, tumor-like globules.
A traumatized young man abducts Korean leaders, believing they're toxic reptilian aliens - a fifth column launching a takeover of beloved Earth. Stumped law enforcement geniuses half-seriously hire a disgraced, disheveled private detective with a long-ago history of super-crime solving. The alienated South Korean youngster Lee Byeong-gu builds an isolated basement command post/torture chamber/film studio to force the awful truth out of the slimy, uncooperative politicians and businesspeople, then alert the public. Byeong-gu is helped by his devoted girlfriend, who buys his theories, but wonders if his horrible childhood has colored his thinking.
Luchino's routine morning elevator ride up from her subterranean home on level 138 to her school many stories above turns horrific when the elevator operator is ordered to pick up two passengers from floor 99, the maximum security level. What starts as psychological manipulation soon turns wholly physical as both the cruel convicts and Luchino's own dysfunctional past are unleashed. And then every passenger must fight for his or her survival.
Tetsuo: The Iron Man is a 1989 Japanese cyberpunk film by cult-film director Shinya Tsukamoto produced by Japan Home Video. This, his third film, is an extremely graphic but also strikingly-filmed fantasy shot in the same low-budget, underground-production style as his first two films. Revolving around the transformation of people into grotesque hybrids of flesh and metal, Tetsuo is above all an overwhelming audiovisual experience, set to a brain-pounding score by Chu Ishikawa and complemented by suitably exaggerated sound effects.
Set in a future-world vision of Tokyo where the police have been privatized and bitter self-mutilation is so casual that advertising is often specially geared to the "cutter" demographic, this is the story of samurai-sword-wielding Ruka and her mission to avenge her father's assassination. Ruka is a cop from a squad who's mission is to destroy homicidal mutant humans known as "engineers" possessing the ability to transform any injury to a weapon.
A man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal obA man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal object on his back...ject on his back...
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