Max (2002)
Director
Menno Meyjes
Main cast
John Cusack; Noah Taylor; Leelee Sobieski; Molly Parker; Kevin McKidd
Genres
War, Drama
Description
In 1918, a young, disillusioned Adolph Hitler strikes up a friendship with a Jewish art dealer while weighing a life of passion for art vs. talent at politics
Menno Meyjes
Main cast
John Cusack; Noah Taylor; Leelee Sobieski; Molly Parker; Kevin McKidd
Genres
War, Drama
Description
In 1918, a young, disillusioned Adolph Hitler strikes up a friendship with a Jewish art dealer while weighing a life of passion for art vs. talent at politics
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Documentary-drama recounting the Martian War of 1913 - 1917. Europe was on tenterhooks in the 2nd decade of the 20th century, everyone was expecting a Great War between the major European powers. But then, in 1913, something crashed into the forests of SW Germany. Troops were sent to investigate but were wiped out. Martian fighting machines began making their way across Western Europe and the countries of Europe combined forces to resist them. With aspects taken from "The War of the Worlds" by H.G. Wells and from WWI itself, this dramatisation presents a documentary style look at events as they unfolded and the effect they had of our world today. Lots of references to real events including the mass attacks and defeats as men were thrown against machines on the Western front, the Christmas truce and the Angel of Mons, America's isolationism and late entry into the conflict, the worldwide "Spanish" flu epidemic that killed more people than the war, and many other things.
Having failed in their quest for the Holy Grail, the knights of the Round Table return to Camelot, their number reduced to a mere handful. Seeing a rift developing between Lancelot and Mordred, Arthur urges his knights to bury their differences and become friends. However, the king is unaware that Lancelot is having an affair with his queen, Guinevere. Lancelot is torn between his duty to his king and his love for the queen, whilst Mordred is determined to use his infidelity to destroy him.
A broadway actress uses her sex appeal to ruin a marriage only to dump her lover for a richer prospect.
In Los Angeles, Max Carlyle makes a good living directing commercials and has a happy home life with his wife, Mimi, and two children. When Carlyle travels to New York City to visit his friend Charlie, who has been diagnosed with AIDS, he has repeat run-ins with a beautiful woman, Karen, and eventually sleeps with her. Though he goes home the next day and doesn't return until a year later, Carlyle's infidelity still lingers.
The film is about the difficulty of maintaining a solid relationship in modern times. Eight married college friends plus one other non-friend (all of whom have achieved middle to upper class economic status) go to Colorado for their annual week-long reunion, but the mood shifts when one couple's infidelity comes to light. Secrets are revealed and each couple begins to question their own marriage
Mad Max becomes a pawn in a decadent oasis of a technological society, and when exiled, becomes the deliverer of a colony of children.
When a family of raccoons discover worms living underneath the sod in Jeff and Nealy's backyard, this pest problem begins a darkly comic and wild chain reaction of domestic tension, infidelity and murder.
"The Passion of the Christ" is a film about the last 12 hours in the life of Jesus. Director Mel Gibson received much criticism from critics and audiences for his explicit depiction of and focus on violence and on christs suffering, especially on the part of the jewish community. The films languages are Arabic, Latin and Hebrew and its actors are laymen which was controversially received as well.
Based on the true story of Max Schmeling. A national hero in the 1930's when he became World heavyweight champion. He lost favour with the Nazi regime when he lost to a black man, Joe Louis, and is sent to the front in the hope he will be killed in battle.
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A young black pianist becomes embroiled in the lives of an upper-class white family set among the racial tensions, infidelity, violence, and other nostalgic events in early 1900s New York City.
The film's plot is based on the Kennedy assassination and subsequent investigation. The film begins with the assassination of President Marc Jarry, who is about to be inaugurated for a second six-year term of office. Henri Volney, state attorney and member of the commission charged with investigating the assassination (based on the Warren Commission) refuses to agree to the commission's final findings. The film portrays the initial controversy about this, as well as Volney and his staff's reopening of the investigation.
This sequel to the classic Chinatown finds private detective Jake Gittes still haunted from the events of the first film. Hired by a man to investigate his wife's infidelities, Jake once again finds himself involved in a complicated plot involving murder, oil, and even some ghosts from his past.
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Provocative, outrageously profane and surprisingly tender amidst an explosion of unbridled testosterone, 44 INCH CHEST explores the masculine ego at breaking point, testing whether fear is stronger than love. Colin (Ray Winstone) is in agony, shattered by his wifeâs (Joanne Whalley) infidelity, so his friends kidnap the wife's lover so he can have his revenge.
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In 1858 Charles Darwin struggles to publish one of the most controversial scientific theories ever conceived, while he and his wife Emma confront family tragedy.
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Spaces and Reservations is an intimate and unsparingly realistic relationship drama that tells the story of a young couple being torn apart by malaise and infidelity, and the way the trauma of their breakup brings them back together. Jamie and Kacie have been dating for four years, and are separately beginning to feel the affects of malaise and disconnect. As they drift apart from one another and struggle to bridge the gaps growing between them, Jamie begins to develop feelings for another woman. After precariously flirting with infidelity, Jamie abandons this new pursuit and attempts to salvage his relationship with Kacie, only to discover that she too has fallen for someone else.
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Six Californians start a club to discuss the works of Jane Austen. As they delve into Austen's literature, the club members find themselves dealing with life experiences that parallel the themes of the books they are reading.
A road accident leaves seven-year-old Frankie Heywood gravely injured and deeply comatose, when she is hit by a bus, and her twelve-year-old brother Ben severely depressed and traumatised after he witnessed the event. Their parents, Jack and Alison, have to put aside their fights over their unstable marriage to focus on their damaged children. But as life looks as if it will never improve for the Heywoods, Jack and Alison hear of a controversial medical therapy that could cajole Frankie from her coma. The treatment involves communicating with the comatose patient to coax them back to consciousness and Ben is the key to unlocking Frankie from her sleep. But will the Heywoods risk their son to save their daughter...?
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At first, there was Tagalog, Gym Lumberaâs short and, to his mind, unfinished narrative about the infidelity that comes between a husband and wife in their twilight years, shot on film and reflecting his own real-life infidelity.. And then there was a storm, a real storm and not a metaphorical one, that flooded his house and submerged, and subsequently damaged, the only copy of Tagalog. This damaged version, entitled English, became the missing piece that completed the film. The new work is named after Taglish, the bastard hybrid, some say corruption, of Tagalog and English, and has become a meditation on love and language and the ways in which we betray and destroy them.
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Cruel But Necessary is the story of Betty Munson's strange journey of self-discovery and soul-awakening in the traumatic years following the revelation, on videotape, of her husband's infidelity. Her marriage over, struggling to raise her teen-age son alone, Betty becomes driven to discover other secrets that may surround her and so she videotapes every aspect of her life during the gradual disintegration of her comfortable upper middle-class existence. Sometimes used as an eavesdropping device, other times as a confessional, Betty's camera dispassionately records the layers of family and personal dynamics. The film is seen entirely from the viewpoint of Betty's video camera resulting in a "surveillance tape" that is a kind of voyeurism of the absurd
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